tritagonists
tritagonists
尽きる
7K posts
pris . xxii . they/she — spoiled rotten™
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tritagonists · 1 hour ago
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“You are shaking fists & trembling teeth. I know: You did not mean to be cruel. That does not mean you were kind.”
— Venetta Octavia, excerpt of “THE BURNING”, from my chapbook, “What We Left Behind”
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tritagonists · 19 hours ago
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so metropolitan museum of art has a register of books they’ve published that are out of print and that you can download for free! they’re mostly books on art, archeology, architecture, fashion and history and i just think that’s super useful and interesting so i wanted to share! you can find all of the books available here!
#r.
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tritagonists · 21 hours ago
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Rajiv Mohabir, from “Tattvamasi, You Are That”
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tritagonists · 22 hours ago
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Euripides, from Grief Lessons: Four Plays; translated by Anne Carson
Text ID: Gods are stubborn. So am I.
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tritagonists · 24 hours ago
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this endless gold, this godless field of aching— it wasn’t built to be lived in.
A. Davida Jane, from Every Dark Waning
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tritagonists · 1 day ago
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jenny slate, twitter // @lexiraq // 8 word story, madisen kuhn // portrait of a lady on fire dir. céline sciamma
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tritagonists · 2 days ago
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top 12 savage things Medea says in classical literature
featuring Euripides, Ovid, and Seneca
ὡς τρὶς ἂν παρ᾽ ἀσπίδα/στῆναι θέλοιμ᾽ ἂν μᾶλλον ἢ τεκεῖν ἅπαξ (Euripides Med. 250-1)
for I would rather thrice stand by the shield/ than once bear a child
καὶ σοῖς ἀραία γ᾽ οὖσα τυγχάνω δόμοις. (Euripides Med. 608)
I am a curse unto your house as well
καὶ μανθάνω μὲν οἷα τολμήσω κακά/θυμὸς δὲ κρείσσων τῶν ἐμῶν βουλευμάτων/ὅσπερ μεγίστων αἴτιος κακῶν βροτοῖς. (Euripides Med. 1078-80)
I know what evils I dare to do/ my heart is stronger than my plans/ and great is my blame for the blood
dum ferrum flammaeque aderunt sucusque veneni/ hostis Medeae nullus inultus erit (Ovid Her. 12.181-2)
as long as I have iron and fire and poison at my disposal/ no enemy of Medea’s will go unpunished
viderit ista deus, qui nunc mea pectora versat/ nescio quid certe mens mea maius agit! (Ovid Her. 211-2)
the god who twists my heart will witness these deeds/ for surely I know not what vast act my mind devises!
tum me de tigride natam/ tum ferrum et scopulos gestare in corde fatebor (Ovid Met. 7.32-3) 
then I will be called the daughter of a tiger/ and they will say I carry iron and stone in my heart
maximus intra me deus est (Ovid Met. 7.55)  
the greatest god is within me
et vertice sidera tangam (Ovid Met. 7.61)
and I will reach the stars with the crown of my head
Medea superest, hic mare et terras vides/ ferrumque et ignes et deos et fulmina (Seneca Med. 166-7)
Medea stands alone, here you see the sea and the lands/ and iron and fire and gods and lightning
si placet, damna ream;/ sed redde crimen (Seneca Med. 245-6)
condemn me if you like;/ but give me back my crime
invadam deos/ et cuncta quatiam (Seneca Med. 424-5)
I will invade the gods/ and shake all things
Medea nunc sum; crevit ingenium malis (Seneca Med. 910)
Now I am become Medea; my nature has grown amidst evil
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tritagonists · 2 days ago
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kiersten white / jeffrey mcdaniel, “the archipelago of kisses” / richard siken, “you are jeff” / phillip pullman, “the amber spyglass”
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tritagonists · 2 days ago
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agustin-gomez arcos, the carnivorous lamb
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tritagonists · 2 days ago
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the wolf and the lamb / undone undress, marika hackman / the carnivorous lamb, agustin gomez-arcos / hannibal & will, hannibal (2013) / lestat & louis, interview with the vampire (2022)
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tritagonists · 2 days ago
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“We associate skeletons with death, but bones generate life, abundantly, prolifically. The femurs, the ribs, the sternum, and other bones we see dry and white after death, in life harbor the marrow that produces billions of new blood cells daily, a bright red river gushing forth from bone. The process is called hematopoiesis, from the ancient Greek words for blood and for making.
“Poetry comes from the same word, poiesis, and it belies Plato’s argument that art is only imitation. Our word for poetry is their word for all the making in the world, of chairs, of houses, of bombs, of books, of blood, of gods. Making a poem is like making a chair; a poem is as real as a chair and sometimes more useful.”
— Rebecca Solnit, The Faraway Nearby
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tritagonists · 3 days ago
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tritagonists · 3 days ago
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💫
|commission design, not for use|
#a.
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tritagonists · 3 days ago
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Encounters 11x17in.  2022
#a.
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tritagonists · 3 days ago
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Swordtober Day 25 - TRANSLUCENT| Day 26 - STONE
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tritagonists · 3 days ago
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(oc Luke)
Sorry I don’t usually draw motorcycles but I like watching videos!
#a.
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tritagonists · 4 days ago
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“Hush, hush, heart-monster—”
— Rebecca Lindenberg, excerpt of “Circus Animal”, from Love, An Index
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