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JENNIFER’S BODY (2009) dir. Karyn Kusama

GONE GIRL (2014) dir. David Fincher

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ANNIHILATION dir. Alex Garland, 2018

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LUTHER S01E01

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i was reading a scientific article, margaret atwood

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ivy is consistently this convergence of humanity, this person who grew up in with this human egregious sense that blinded her in pursuit of knowledge, her love of botany, of the world was something so beyond intuitive even from a young age & became something more (the whole concept of the new run, kind of surviving this disillusion with godhood). to me, it really resonates a lot with hole theory; there's a web weaving i'll post on it eventually (here, it's so long).

she is the empty space. she is the roots of so much, the stalk of so little; she is everywhere & yet her loss of the green in the run, the way what once loved her was poisoning, corrupting but it was a reminder, for her, that she was still exactly who she'd always been, the empty space of what she thought her existence was, it still loved, it still lived & it still didn't want to die.

so the green reminded her that she was not just that. she was always exactly what she'd always been: "i am not empty, i am open,"

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THE ABC'S OF D̵̟́̋ͅȨ̵̡́̄A̴͍͍͒͌T̷͓̫͛H̷̛͎̹: R IS FOR REVIVAL. calyx combed, hive-like- cicatrices to the stem, to the forefinger  &  to the wain of the over watered roots.   propagation is i;    furtive,  over-fed  &  still the soil is dry,  hungry   (wasted).    the green is expectation,  insipid as the chlorophyll stained skin of me as succulent   [..]   browning recompense.  

“   you murdered my children.  ”        the body of it;    vines unfurl in nauseating breaks,   opening the sternum of the begging man,  veins pulsing the green of corresponding   &   festering as nothing but open as a pig-carcass.  

“   so,    i’ll take them back from you.   ”     lip curled in guarded fury,   the glaze of her eyes  &  reflection of agony turn flat;   matte as reduction.  it is the cutting,  the grafting;   garrotting as revival,  as hamose serration through the prise of his dermis,   rending  &  stretching around the veinous systems of stalks expanding in the red of his torso.  

lachrymose as her rage,    as her revenge.      outward,   one hand extends  carnose reality,  indulgent of the screams  &  dead end of cardinal rain as the leaves detail the death rattle of unverifiable ill   [..]    he is nothing but sponge-like viscera,   sustenance of the vines that rise in place of the ash.   the shards of the greenhouse,  razed  &  ash-dethroned.  in parts,  he will become her new garden   &  his bones will fertilise the soil of what he stole.  

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Mia Goth in X (2022) dir. Ti West.

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Armani Prive | Fall/Winter 2023 Couture

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MARCH IS THE SHARPEST KNIFE IN MY KITCHEN. a special case of agony and hope.

The Glass Essay by Anne Carson / from Swords or Words by me / Spring by Mary Oliver / The Old Portrait by Anna Akhmatova / Ophelia by ? / Franz Kafka / Three Women by Sylvia Plath / Dreams of Clytemnestra by Dacia Maraini / South London Forever by Florence + The Machine / The Glass Essay / Ophelia by John Everett Millais / The Glass Essay (contd.) / Vladimir Nabokov, from a letter to his wife Véra (24 March 1937) / The Invisible Life of Addie Larue by V.E. Schwab / Franza Kafka / two friends on a picnic, @gunseli / Sylvia Plath / Christina's World by Andrew Wyeth / Agamemnon by Aeschylus / The Archangel by C. Meireles tr. Natalie D' Abeloff / in Metamorphoses by Ovid / The Brothers Karamazov by Fyodor Dostoevsky / Elektra by Sophocles tr. Anne Carson / Almond Blossoms by Vincent Van Gogh / Franz Kafka / The Bell Jar by Sylvia Plath, @devilsskettle / Spring by Mary Oliver / What Do We Know by Mary Oliver / from Swords or Words by me.

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Dario Argento’s World of Horror - Michele Soavi 1985

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You should try the lily soap today. It is good for the nerves.

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A rose and a rose hip (left panels) and a fruit tree blossom and forming fruit (right panels). What the World Eats. 1938.

Internet Archive

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Li-Young Lee, from “Folding a Five-Cornered Star So the Corners Meet”, The Undressing: Poems

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¹PROFILE.   ²PLAYLIST. ³WRITING. ⑊ this is a collection of themes, inspirations & media for parmila "poison ivy" isley of dc comics by jamie (a sideblog of multimuse hub unholywood, that follows from there).

AFFILIATED WITH: @har1eys.

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How good is that pussy babygirl

it’s atrocious leave me alone

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Melia by Alexey Borkovskiy