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This song fucking rules. Mongolian women are so cool.
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Dunsborough Park, Ripley, England by Evelina Makau
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New Moon - Oskar Bergman , 1910,
Swedish, 1879–1963
Watercolour
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disgusting sicko addicted to comfort and a personal sense of security
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I reread the 1995 interview of Leonard by Anjelica Huston this morning. There is so much wisdom in this conversation between friends. At one point in the interview Anjelica asks Leonard “Do you think love can last?” More than a hundred months have passed since he died and yet I continue to be guided by Leonard’s “voice”.
HUSTON: Do you think love can last?
COHEN: I think love lasts. I think it’s the nature of love to last. I think it’s eternal, but I think we don’t know what to do with it much of the time. Because of its eternal and powerful and mysterious qualities, our panicked responses to it are inappropriate and often tragic. But the thing itself, when it can be appropriately assimilated into the landscape of panic, is the only redeeming possibility for human beings.
HUSTON: Why do you think it is that when we fall in love, our mouths become dry and we shake and our hearts beat too loud and we’re fools?
COHEN: Because we are awakening from the dream of isolation, from the dream of loneliness, and it’s a terrible shock, you know? It’s a delicious, terrible shock that none of us knows what to do with. Part of the shabbiness of our culture, if indeed it is shabby, is that it doesn’t seem to prepare people. With all the songs about love and all the movies and all the books, there doesn’t seem to be any way that we can prepare the human heart for this experience. Maybe we, the cultural workers like you and I, could apply ourselves. We’re not going to resolve it in this moment or even in this generation, but perhaps as some kind of agenda we could invite our writers and cultural workers to address the problem a little more responsibly, because people are suffering tremendously from a want of data. The psychologists are valiantly trying to provide us with answers, the religious people are trying to provide us with answers. I think it properly falls on the cultural workers to investigate this predicament with a little less concern for the marketplace and a little more concern for their higher calling.
[Interview Magazine]
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also a poem from the new, unreleased collection. very possibly my own all-time favourite.
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Anastasia Trusova — “Through The Walls”, 2020
Acrylic on linen (70 x 70 cm)
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Autumn landscape near Edale, Peak District, Derbyshire, October 2010, England
photography by cityhopper2
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i want it back = i drag its dead weight forward
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Kilchurn Castle by Kyle Bonallo (ig: @kylebonallo)
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i’m gonna say something that doesn’t feel good but you might need to hear it: bending over backwards being a people-pleaser, being conflict averse and not telling anyone your needs, and then being resentful and upset when your needs aren’t met is a You problem first
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“The old magic persists thanks to it’s unfathomable power.”
No, the old magic persists because the new magic can’t run the legacy spells I need to do my job, and keeps trying to install spirits I don’t want or need onto my orb.
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Fraser Canyon, BC, Canada.
IG: @_chloekphotography_
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instagram | photos are my own, reblogs fine, do not repost/reuse
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Alice Brasser (Dutch, b. 1965, Alkmaar, Netherlands) - View - Late Sun, 2025, Paintings: Oil on Canvas
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