A blog about spiritual and magical information and observations, maybe even commentary. Any pronouns
Don't wanna be here? Send us removal request.
Text
for anyone in the UK, needing to access discord and unable or unwilling to provide an ID:

57K notes
·
View notes
Text
Can't afford art school?
After seeing post like this 👇
And this gem 👇
As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.
Here is the first one ART TEACHERS! There are plenty online and in places like youtube.
📺Here is my list:
Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)
Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)
Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)
BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)
Jesse J. Jones (free, talks about animating)
Jesus Conde (free, teaches digital painting and has classes in Spanish)
Mohammed Agbadi (free, he gives some advice in some videos and talks about art)
Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)
SamDoesArts (free, gives good advice and critiques)
Drawfee Show (free, they do give some good advice and great inspiration)
The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)
Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)
Sinix Design (has some tips on drawing people)
Winged canvas (art school for free on a verity of mediums)
Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)
Scott Christian Sava (Inspiration and provides tips and advice)
Pikat (art advice and critiques)
Drawbox (a suggested cheap online art school, made of a community of artist)
Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)
Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)
Second part BOOKS, I have collected some books that have helped me and might help others.
📚Here is my list:
The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.
"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.
"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.
"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.
"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.
"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.
"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.
"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.
"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.
Etherington Brothers, they make books and have a free blog with art tips.
📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.
For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.
💻As for art programs here is a list of Free to pay.
Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )
Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)
Blender (for 3D modules/sculpting, animation and more. Free)
PaintTool SAI (pay but has a 31 day free trail)
Krita (Free)
mypaint (free)
FireAlpaca (free)
Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)
Drawpile (free and for if you want to draw with others)
IbisPaint (free, phone app ONLY)
Medibang (free, IPAD, Android and PC)
NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.
So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.
I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.
Hope this was helpful and have a great day.
"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"
114K notes
·
View notes
Text
every writing tip article and their mother: dont ever use adverbs ever!
me, shoveling more adverbs onto the page because i do what i want: just you fucking try and stop me
248K notes
·
View notes
Text
one of the most enlightening realizations ive had was finding out that non-24 hour circadian rhythm people were a pretty large group and most of us have oddly similar cycles of usually around 28hr internal "days" and this masquerades as "insomnia" but if allowed to sleep and wake naturally we will just advance forward through time an extra 2-4 hours a day at a relatively stable pace. we can't go to school or jobs or even run errands on normal schedules without massive pharmacological and behavioral intervention. most of the people who have been diagnosed or figured it out themselves will report horrific, life-ruining disruption in their professional lives and terrible health from accrued lack of sleep. this disorder is most common in vision-impaired people which seems to suggest it's related to light cues. anyway just thinking about this as extremely loud yard work woke me up at 8am for the second day in a row
66K notes
·
View notes
Text


Time shifting
––
I wanted this but the original poster is transphobic
97K notes
·
View notes
Text
finding out there's a frankenstein ballet and that it was in october of last year…DEVASTATING
look at this. look at these. im foaming at the mouth
175K notes
·
View notes
Text
The Causal Chain And Why Your Story Needs It
The most obnoxious thing my writing teacher taught me every story needed, that I absolutely loathed studying in the moment and that only later, after months of resisting and fighting realized she was right, was something called the causal chain.
Simply put, the causal chain is the linked cause-and-effect that must logically connect every event, reaction, and beat that takes place in your story to the ones before and after.
The Causal Chain is exhausting to go through. It is infuriating when someone points out that an event or a character beat comes out of nowhere, unmoored from events around it.
It is profoundly necessary to learn and include because a cause-and-effect chain is what allows readers to follow your story logically which means they can start anticipating what happens next, which is what is required for a writer to be able to build suspense and cognitively engage the audience, to surprise them, and to not infuriate them with random coincidences that hurt or help the characters in order to clumsily advance the author's goals.
By all means, write your story as you want to write it in the first draft, and don't worry about this principle too much. This is an editing tool, not a first draft tool. But one of the first things you should do when retroactively begin preparing your story to be read by others is going step by step through each event and confirming that a previous event leads to it and that subsequent events are impacted by it on the page.
28K notes
·
View notes
Text
YALL. Holly Black has a list of resources she's used for writing her books on the fair folk. I'm OBSESSED. I love her work and world building. it's so true to the heart of faeries
19K notes
·
View notes
Text
It's very endearing to me how many people are willing to keep an eye on a video feed so they can push a button and let a fish in the Netherlands get to the other side of a dam.
51K notes
·
View notes
Text
Fast Reflexes in Martial Arts
Ever wondered why fast reflexes in martial arts is so important?. They decide who lands the first blow, escapes a hold, or turns defence into attack. Science shows these quick reactions aren't just luck. They're built through a sharp connection between the brain, nerves, muscles and refined by targeted practice.
Current research highlights how focused training can open up neural pathways that help martial artists respond to threats almost instantly. This knowledge isn't locked away for elite professionals. With the right drills and training habits, anyone can start improving their reflexes and gain an edge in sparring, competition or self-defence. Get ready to discover proven strategies you can use to react faster and stay one step ahead.
How Do Fast Reflexes Work in Martial Arts?
To react in a split second during sparring match, a martial artist relies on more than just willpower or surface-level training. Quick action is the product of a highly tuned system where nerves, muscles, and the brain communicate with practiced speed. Let’s break down the science that powers your fastest blocks, counters, and evasions.
The Role of the Nervous System in Split-Second Moves

The nervous system acts like a high-speed highway between your brain and body. When you see an opponent’s fist headed toward your face, sensory nerves relay this signal to your brain almost instantly. Your brain then sends instructions back through motor nerves telling your muscles to move e.g. kick, duck, or block.
It's important to understand the difference between a reflex and a reaction:
Reflexes: These are automatic, unconscious responses. For example, if something gets close to your eye, you blink before you even think about it.
Reactions: These involve some level of choice. You see an attack coming, judge your options and act—usually in a blink but still with a sliver of conscious control.
Reflexes are built for speed and survival, while reactions allow for strategy and adaptation. Both are crucial on the mat. The process is hardwired and can be seen in daily life. Like snapping your hand away from something hot or ducking when a ball comes your way.
If you want a detailed breakdown of the biological differences, check out this resource on the difference between reflex and reaction.
Muscle Memory: Training Your Body to Respond Automatically
Muscle memory isn't about muscles literally "remembering," but about repeating movements until you don’t need to think about them. Through drills and practice, neural pathways that control specific moves become fast and efficient.
In martial arts, muscle memory is what allows a practitioner to:
Block a punch without thinking.
Pull off a complex combination on instinct.
Move with efficiency, even when startled or tired.
Every time you practice a roundhouse kick, you’re not just building strength, you’re programming your body to perform the action quickly and smoothly under pressure. In the words of experienced coaches, “train slow to move fast.” Deliberate, consistent practice leads to faster, sharper responses when it counts.
Learn more about how muscle memory develops through targeted drills and sparring by reading about the role of muscle memory in martial arts.
Neuroplasticity: Shaping Faster Pathways Through Practice
Neuroplasticity means your brain can reorganise itself by forming new neural connections throughout life. Every jab, block and footwork drill helps reshape how nerves connect, making the brain-body link faster and stronger.
Consistent practice “rewires” the brain, so responses become almost second nature.
Specialised training builds efficient patterns that shortcut conscious thought. Your body knows what to do before you fully realise it.
Over time, the difference between response and reflex can shrink, making you quicker in both reaction time and instinctive moves.
That’s why the best fighters aren’t just physically strong, they have put in the time to build deep neural grooves through practice. It’s a mix of repetition and purposeful drills that creates champions. Neuroplasticity proves that, with focused effort, anyone can boost their reflexes and reactions—no matter their starting point.

Photo by RDNE Stock project
By understanding the science behind reflexes, reactions, muscle memory and neuroplasticity. Martial artists can train smarter, not just harder. These processes unlock new levels of skill, speed and confidence on the mat.
Techniques and Tools for Building Fast Reflexes
Perfecting fast reflexes isn’t about guesswork. It’s about mixing smart drills, classic equipment and the newest technology. Consistency builds speed. When you expose your body and mind to different types of challenges, you speed up your natural response. Let’s break down the most proven approaches used by martial artists, from traditional partner drills to high-tech wearables.
Reaction Drills: Pads, Mitts, and Slow Sparring
Some of the quickest improvements in reflexes come from hands-on, face-to-face practice. Nothing substitutes for the unpredictability of a moving target and the necessity to respond in real time.
Pad and Mitt Drills: Have your partner hold up focus mitts or pads with unexpected movement or cues. As soon as a target appears—be it high, low, lateral, or angled.You need to strike as fast as possible. Mixing in feints and sudden changes forces your brain to adapt fast.
Slow Sparring: Reduce the power and tempo, but keep the movements genuine. Slow-motion sparring allows you to recognise cues from your partner, like shoulder movement or hip shifts—that signal incoming attacks. This helps you read intent and react with accurate timing.
Touch Reaction Games: One exercises speed by racing to touch a glove or dodge a tap from your partner. These soft, fast reactions “wake up” your nervous system and build automatic responses.
Added drills for variety:
Shadowboxing against unpredictable commands.
Defensive-only rounds, where you work solely on countering or slipping attacks.
For more ideas, check out these martial arts reaction speed drills and fun boxing reaction drills.
Unpredictable Stimuli: Reaction Balls and Multi-Sensory Tools
Randomness is a key ingredient. If your senses only train against predictable attacks, real fights will catch you by surprise. Reaction balls and similar tools bring that needed chaos.

Reaction Balls: Their odd shape makes them bounce in random directions. Try dropping or throwing one against a wall and catching it before it hits the floor. Reaction balls are famously used in all levels of martial arts to build hand-eye coordination and lightning-fast hands.
Multi-Sensory Training Tools: Modern reaction kits now combine lights, sound, or even touch. Some systems flash a light or sound a buzzer that cues your movement. This teaches your eyes, ears, and even balance sensors to react together, just like you must in real training.
Home Options: You don’t need high-end equipment to benefit. Grab an affordable reaction ball and you can challenge your reflexes at home, in the gym, or outdoors.
Unpredictability turns every repetition into a real-world test for your reaction time.
Sports Vision Training and Perceptual Conditioning
How quickly you process what you see often decides the fight. Sports vision training teaches your eyes and brain to communicate at maximum speed.
Dynamic Vision Drills: These target skills like tracking fast objects, shifting focus between near and far, and reacting to images that pop in and out. Your vision becomes more than passive observation—it becomes an active, trained tool.
Perceptual Conditioning: Beyond the eyes, this includes mental exercises for reading tells, like small shifts in an opponent’s posture. Activities might involve identifying patterns, colours, or numbers at a glance, then taking instant action.
Incorporating into Martial Arts: Catching tennis balls dropped from above, using light boards that flash signals, or tracking multiple moving objects can all translate directly to blocking a punch or dodging a kick.
Martial artists are discovering that with regular sports vision and perceptual drills, they instinctively spot attacks sooner and make split-second decisions faster. Learn how custom sports vision training shortens reaction times or dive deeper into what visual skills matter most.
Harnessing Technology: Wearables, AI, and Virtual Reality
Tech is transforming how martial artists track and build their reflexes. Today’s devices offer at-home and gym solutions for anyone serious about measuring progress.
Wearable Sensors: Tiny sensors placed on gloves or worn on the body measure reaction time, punching speed, or movement accuracy. Data gives instant feedback so you can make rapid improvements.
AI Trainers: Some apps or smart devices use artificial intelligence to call out random attacks, light up targets, or adjust the difficulty based on your speed. This keeps training fresh and prevents you from falling into predictable habits.
Virtual Reality: VR training places you into a simulated sparring match. Facing virtual opponents, you dodge, kick, and counter in a totally safe space. Programs like Virtual Reality Cognitive Training and brain-training games on major VR platforms, such as REAKT on Meta Quest, help measure your progress over time and target your unique weak points.
Wearable and digital tools don’t replace partner work, but they give valuable metrics and take training beyond the gym. If you want to learn more about how these advances are impacting martial arts, read about the importance of reflex training in combat sports.

Photo by RDNE Stock project
Martial artists now have more options than ever to train their reflexes—fusing tradition with innovation for better speed and sharper focus.
Beyond Speed: Reflex Training for Awareness and Defence
Fine-tuning reflexes is not limited to getting faster at blocking strikes or landing punches. Reflex training unlocks a wider set of skills in martial arts like reading an opponent, sensing threats or defending yourself before things go sideways. Think of fast reflexes as the foundation, but anticipation, awareness and control are what give you a real advantage. The best athletes handle surprise and pressure by combining sharp minds with sharp reflexes.
Developing Anticipation and Reading Opponents
Martial arts rewards those who see the next move before it happens. Elite martial artists don't just react; they anticipate. By picking up subtle cues and patterns, you can predict incoming attacks and turn defence into offence.

Photo by Artem Podrez
Key methods to develop these skills include:
Studying opponent tendencies: Watch for hand position, breathing changes, stance shifts, or muscle tension. Over time, familiar patterns appear before strikes or takedowns.
Drilling with purpose: Practice with partners who mix in feints, quick rhythm changes, and combinations. This keeps your brain guessing, so you learn to pick up on real signals rather than falling for every trick.
Simulation and sparring: Use slow-motion and scenario-based sparring to spot and respond to early cues. Training your eyes to notice slight movements trains your brain to act preemptively.
Science backs this up. Research shows that karate experts respond faster not just because they are quick, but because they’ve sharpened their ability to anticipate and identify where, when, and how an opponent will move (Reaction times and anticipatory skills of karate athletes). High-level martial arts practitioners develop superior perceptual anticipation and tend to act before their opponent’s attack is obvious (comparison of perceptual anticipation in combat sports).
Working on anticipation also reduces the chances of injury. You cut off threats before they build, giving you more control in dangerous situations.
Integrating Cognitive and Physical Conditioning
True speed and safety come when your mind and body work together, even when fatigue or stress rise during a sparring match. Fast reflexes are wasted if they are drowned out by panic or clouded judgment.
Cognitive training builds calmness, focus and emotional control. When you're calm and clear-headed:
You process information quickly, so cues don’t slip by.
You’re less likely to overreact to feints or mind games.
You stay loose, which keeps movements smooth and reaction time sharp.
Martial artists use mindfulness, controlled breathing and visual focus drills to sharpen this edge. Purposeful stress during training such as changing partners, adjusting lighting or increasing noise. This teaches you to control your emotions and maintain awareness under pressure. The aim is to react to a real threat, not just flinch at the wrong moment.
Adding mental conditioning amplifies the benefits of physical drills. Neuroscience supports that when athletes control stress and stay mentally engaged, their reflexes stay fast and precise (Karate: Emotions and Movement Anticipation). Tools like situational awareness exercises, peripheral vision challenges, and real-time scenario games are becoming essential for martial artists (Situational Awareness Training: 14 Ways to Improve Your SA).
For more on how combining mental and physical training elevates your martial arts practice, explore how NeuroTracker training boosts combat sports performance.
Bringing cognitive skills and physical drills together helps martial artists recognise danger, avoid mistakes and turn reflexes into true self defence. Enhanced awareness not only prevents injury but also opens up new ways to counter attacks, control space and even de-escalate conflict before it starts.
Final Thoughts

Fast reflexes aren’t just a talent reserved for the professionals—they’re the result of smart, focused training that everyone can apply. Science shows that targeted practice reshapes the brain and body, making every block, counter, and decision faster and more reliable. Embracing neural training, reaction drills and cognitive exercises lets martial artists adapt to anything their training partner throws at them.
Backed by these clear strategies, you have the tools to sharpen your reflexes and protect yourself with greater awareness. Start building these habits into your routine. Please feel free to share your progress or favourite drills in the comments below—let’s keep pushing the science and art of martial arts together.
Thanks for reading and training with intention.
Source: Fast Reflexes in Martial Arts
725 notes
·
View notes
Text
Remember when I told ya'll last month to be ready to start looking for a Discord alternative?
Yeah things aren't looking good for discord.
54K notes
·
View notes
Text
Oh my gosh. I just found this website that walks you though creating a believable society. It breaks each facet down into individual questions and makes it so simple! It seems really helpful for worldbuilding!
141K notes
·
View notes
Text
okay so if you need more veggies/fruit, protein or fibre (bc most people do NOT eat enough) in your diet but you struggle to do so, hear me out:
look up recipes (especially snack recipes) that are child/toddler/baby-friendly
i can guarantee there is a woman with a cooking blog out there who has found away to pack a bunch of vegetables into a surprisingly delicious little snack for her kids. this process has never failed me when i feel like i am not eating enough fruits and veggies. my entire flat is eating spinach muffins at the moment, which doesn’t sounding particularly appealing to most people and yet somehow. they’re delicious.
45K notes
·
View notes
Text
Folks, backup your Tumblrs, for real this time
47K notes
·
View notes
Text
One of my favourite questions for figuring out a character’s motivations is which qualities they most fear being assigned to them. Are they afraid (consciously or unconsciously) of being seen as stupid? Ungrateful? Weak? Incompetent? Lazy? Cowardly? Intimidating? Like they actually care? etc.
It’s such a fun way to explore into who they are, why they do what they do, what they don’t do out of fear, and how they might be affected by the events of the story. And I love when characters have negative motivations—trying to avoid something (in this case, being seen a particular way) as much as they’re trying to achieve a goal.
35K notes
·
View notes