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Subtitled "Heads & Tales # 20-38 - a Sprache Opera".

"Face The Wound" is the 2nd volume in the series titled Head & Tales. This installment beginning with #20 and ending with #28 is in memory of Laverne D. Weisser (Independence Day 1928 - Earth Day 1997). "Heads" . Composed November 1995 - January 1996 "Tales" . Constructed February - April 1996 and May 1998 "Heads & Tales" . Interwoven May - June 1996 and August 1997

Produced, recorded and mixed 4-11 pm on May 18, 19, 20, 26 and 27, 1998 at Disc OHH Infern OHH, Echo Parque.

"Face The Wound" was originally commissioned in 1995 by spoken word artist and bandleader Henry Rollins for release on his 2.13 CD label. Unfortunately work on the project was delayed due to a terminal diagnosis of Z'EV’s mother. At this point he stopped all his projects and attended to her throughout her illness. She died in April of 1997. By that time 2.13 CD was also defunct. In 1998 he returned to work on it, completely revising what he had done so far, and recorded it in the summer of 1999 for its eventual release by Soleilmoon.

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The compilation of singles and tracks from 1981-1983.

A 00:00 Sluggin' Fer Jesus (Part One) 04:55 Sluggin' Fer Jesus (Part Two) 09:10 Fools Game - Sluggin' Fer Jesus (Part Three) 16:12 Yashar

B 21:07 Your Agent Man 23:46 Gut Level 33:10 Invocation 30:28 Theme From "Shaft"

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Sano Daiki

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Richard Serra: Solids, (adv. in «Artforum» magazine), Gagosian, New York, NY, November 4 – December 20, 2008 [Art Books & Ephemera. © Richard Serra / ARS, New York]

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Günther Uecker, Action Libyan Desert, 1977: Where Two Lines Meet is a Point, That's Where I Drive My Nail In [«The Brooklyn Rail». Lévy Gorvy, New York, NY. © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. © Wilfried Kaute]

Exhibition: Günther Uecker: Notations, Lévy Gorvy, New York, NY, November 7, 2019 – January 25, 2020

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VIA

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Walasse Ting, "Early Morning," 1959,

Oil on canvas,

71 h × 89 w in (180 × 226 cm)

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Otto Piene, "Magma," 2006/2007,

Fire, smoke, oil on canvas,

80 x 100 cm | 31 1/2 x 39 1/3 in

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Richard Serra, "#1 T.E." 1999,

Etching on Somerset satin,

52⅞ h × 44⅜ w in (134 × 113 cm)