writingpromptsandwhump

[writingpromptsandwhump]

Fictional Kiss Prompts

So I borrowed a bunch of these fictional kisses from this post and made it up into a prompt list. Feel free to reblog of course!

breaking the kiss to say something, staying so close that you’re murmuring into each other’s mouths

moving around while kissing, stumbling over things, pushing each other back against the wall/onto the bed

kissing so desperately that their whole body curves into the other person’s 

throwing their arms around the other person, holding them close while they kiss

hands on the other person’s back, fingertips pressing under their top, drawing gentle circles against that small strip of bare skin that make them break the kiss with a gasp

lazy morning kisses before they’ve even opened their eyes, still mumbling half-incoherently, not wanting to wake up

routine kisses where the other person presents their cheek/forehead for the hello/goodbye kiss without even looking up from what they’re doing

being unable to open their eyes for a few moments afterward

one small kiss, pulling away for an instant, then devouring each other

staring at the other’s lips, trying not to kiss them, before giving in

when one stops the kiss to whisper “I’m sorry, are you sure you-” and they answer by kissing them more

a hoarse whisper “kiss me”

following the kiss with a series of kisses down the neck

starting with a kiss meant to be gentle, ending up in passion

a gentle “i love you” whispered after a soft kiss, followed immediately by a stronger kiss

when one person’s face is scrunched up, and the other one kisses their lips/nose/forehead

height difference kisses where one person has to bend do wn and the other is on their tippy toes

kisses where one person is sitting in the other’s lap

kisses meant to distract the other person from whatever they were intently doing

top of head kisses

[writingpromptsandwhump]

Fevers

Whumpees with aching eyes, too tired to keep open yet too sore to close, even the lightest pressure of their eyelids too much

Whumpee who's too weak and dizzy to do anything at all but lie in bed completely still, sweating through their blankets only to immediately start shivering after clumsily throwing them off

Whumpees with dry mouths, dry lips

The corners of their room are more shadowy than they should be, and they're too exhausted to bother to get up and see what's in there. The Hat Man will have to just wait his turn.

Strong enough to get out of bed but being so, so out of it. Caretaker finding them standing swaying in a doorway, pale as death, clearly seeing something that isn't there

Everything seems to be flickering. The air buzzes. Their skin prickles.

Getting to sleep is hard, because their mind is restless and racing. Once they're asleep though, they're down for the count

Chattering teeth. Their bones must be rattling, for how much they ache

[writingpromptsandwhump]

based on the drabble prompt “i didn’t know it was this bad”

“Hey,” A groans, head pounding and muscles throbbing. “Can you grab me another blanket?”

B makes their way toward the couch where A is already nestled beneath a throw blanket and the comforter from their bed and presses a hand to their forehead. They wince, sympathetically sucking air in through their teeth.

“i don’t think so, honey,” B says apologetically. their eyes are sad as they push a stray lock of hair from A’s face. “You’re even hotter now than you were this morning. I want to take your temperature again, okay?”

A sighs but sits up, the room spinning a bit as they hear B gather supplies from the other room. They return with a damp washcloth, a small pill bottle, and a digital thermometer. They press a hand to A’s chest, gently ushering them to lean back against the cushions.

Taking A’s face in their hand, B gently pries their jaw open and slips the thermometer beneath their tongue. “Good job,” they murmur, placing the cloth against A’s sweaty forehead. They shudder violently, but don’t resist.

“I know, I know,” B reassures them. “I know it feels like you’re freezing, but it’ll help.”

A shudders again. The wet cloth is agonizing against their skin and the thermometer in their mouth is making them nauseous. It feels like it’s taking forever to read as the probe slowly heats up beneath A’s tongue.

B’s eyes are locked on the numbers as they slowly ascend.

As if on cue, the thermometer sounds in loud, angry trills that pierce through A’s throbbing skull. Though they’ve closed their eyes, flashes of red still infiltrate their field of vision with every beep.

B takes in a sharp breath as they pull the thermometer from A’s lips, rapidly feeling their face, neck and chest in succession.

“Fuck,” they mutter, tossing the thermometer to the side. A wills their eyes to focus on the reading, and it takes a moment for their body to cooperate, but eventually they see the reading glaring back at them.

104.2.

“Shit,” B curses again, planting a kiss on A’s boiling temple. “I didn’t know it was this bad.”

[writingpromptsandwhump]

“My poor baby. My poor sweet little boy,” I lament out loud over a whole grown adult man who is not mine but is in fact a fictional character with fictional hurts. What matters is my feelings are real

[writingpromptsandwhump]

Something I'm fond of saying is "The villain drives the plot but the hero sets the tone." Something that's very important about this is that the resolution to the conflicts presented need to match the hero's tone. If your story doesn't believe problems can be solved the way the hero wants to solve them... why is this the hero?

If you want your problems to be solved with brutal catharsis, then your hero should be someone who believes in brutal catharsis.

If you want your problems to be solved with forgiveness and reconciliation, then your hero should be someone who believes in forgiveness and reconciliation.

They don't have to begin there. This can be something they come around to over the course of the story, as they grow and change per their character arc. But by the time of their ultimate encounter with the villain, their values should be the values that drive the story forward.

There's this thing in D&D that some DMs do. Where, when you roll enough damage to deplete the monster's hit points, they'll turn to you and say, "That's a kill. Describe for the group how you take the monster down." And you're allowed to come up with some cool maneuver or something that your character did in order to deliver the finishing blow.

The hero's ultimate triumph over the villain is a lot like this. More than any other part of the story, this moment is their apotheosis. It should be a celebration of everything they are and everything they stand for.

You have defeated the villain; Now describe for the group what form that victory takes.

[writingpromptsandwhump]

“Why am I lying down?”

“Because you’re bleeding.”

“I can bleed sitting up.”

“I’m trying to prevent you from going into shock.”

“I don’t think it’s working.”

“I know. Shut up.”

[writingpromptsandwhump]

There’s something about a whumpee just sitting down. Not fainting, necessarily. Maybe they’re just about to faint, and they quietly just kneel on the ground at a time and place that doesn’t make sense. They don’t even have the capacity or willingness to articulate why they need to abruptly stop and sit. Maybe they’re catatonic while the others look at them.

Maybe a caretaker can see the dull, vacant look in their eyes and immediately senses that something is seriously wrong. Maybe the fainting comes just a few moments later.

[writingpromptsandwhump]

There’s something about a whumpee just sitting down. Not fainting, necessarily. Maybe they’re just about to faint, and they quietly just kneel on the ground at a time and place that doesn’t make sense. They don’t even have the capacity or willingness to articulate why they need to abruptly stop and sit. Maybe they’re catatonic while the others look at them.

Maybe a caretaker can see the dull, vacant look in their eyes and immediately senses that something is seriously wrong. Maybe the fainting comes just a few moments later.

[writingpromptsandwhump]

weak in the knees for situations where a stoic whumpee allows someone to help them. they don't say a word of acceptance but they don't protest either. Too injured to say no and too tired to deny they need it. Just grudgingly letting a gentle hand guide them to a bed or to wrap a wound. Then a quiet, "thank you." in between sharp breathing as they try not to break down in front of someone else. Love love love shielded vulnerability

[writingpromptsandwhump]

1

It was one of those stormy Saturday nights, in which the rain hammered against the windows and the only light coming from the clouded sky were the bright thunderbolts striking across.

Aikko had been trying to make Tony feel better for days now but the fever had been working against her. With every hour that passed the sweat stains on Tony's shirt got bigger and the number of times, he had rolled over making an aching noise and helplessly searching for a more comfortable position rose.

“Hey— “, Aikko carefully jolt Tony's shoulder. “Hey—“, she repeated. She was nervously jumping from one foot onto the other. Deep down Aikko knew that it wasn’t Tony's fault they were in this situation but a part of her was refusing to accept that. What Tony did was unfair, mean, and it hurt her. More than she could ever have imagined being hurt. “HEY!—“, this time her tone had become more forcefully but incapable of hiding the fear for him. In front of Tony, she would have never have admitted how worried she was for the sickly, little boy laying in front of her he had become. The sweat was accumulating on his face, slowly running down his temples. Tony couldn’t keep his eyes open for more than a split second, but it was enough for Aikko to notice.

A ride to the hospital was impossible during those times. The weather conditions didn’t allow the much-needed visit of a doctor.

“Thank god, you’re under the living again”, Aikkos voice sounded like a relieved sight but her drawn together eyebrows were painting a different picture. Tony moaned.

“Sshh-“, Aikkos hand caressed his damp hair “stay with me. I'll get you some water, okay?”

It was foolish of her to expect an answer but the overwhelming silence that followed her question still left a sharp pain in her stomach.

And as much as she tried to convince herself that he deserved it to some degree, she could simply not stay mad at him. Not in this state.

And as her hands reached under his armpits, pulling him up into an upright position, tony curled up, whimpering in pain.

“Ssshhh”

Aikko knew damn well that “Sshhh” was not the magic remedy for pain relive but it gave her the illusion of not being completely powerless.

She slowly slipped her fingers under Tony's neck, bringing his chin up so she could slowly wrap up her glass of water bringing it to his chapped and unnaturally hot lips. she hadn’t been so close to him for so long and besides refusing to admit it, his hot back against her chest felt pleasant.

The fever was her endorsement that he was still breathing but also the threat that he would stop.

Thinking about how absurd this was, a small laugh escaped her lips. Aikkos eyes filled with tears.

“Drink this”, she pressed out. This time she only earned a delicate turning away of his head.

“please”, She pleaded. “For me”

“For you?”, Tony's voice sounded like sandpaper on unprocessed wood. “For you?”, he repeated adding more weight to his words. “Weren’t you the one wishing death on me?”, a pained smile crept on his lips.

“Not in this way”, Aikko responded holding back tears. Instead of further trying to convince him she increased the angle of the glass forcing him to at least let a couple of drops between his lips by adding more pressure.

“You seem to like me more than you admit, huh?”

Tony laughed agonized before he choked leading him into a painful coughing attack. A sharp pain stabbed him in the chest. He clenched his fist and bend over into a curled up position. Tony knew that he would have deserved to just be left to die in the woods where Aikko picked him up. He knew that he shouldn’t be teasing Aikko like this but her soft skin, and smile, voice, the way she cared about him even though she did everything to hide it made him crazy.

“Lay down again”, she ordered. This time it was Aikkos turn to bend over, not in pain but in a helpless attempt to assist Tony laying down. Even though he had lost so much weight her tiny body couldn't put up with him. Her scent grazed his face.

Aikko smelled like home. A home he had lost long ago.

[writingpromptsandwhump]

You know what's cute? Whumpees who dissociate during high fevers.

Whumpee has been battling a high fever all day. Caretaker tries to sit them at the dinner table for some soup, to fill their belly so they can take some medicine. Poor fevered whumpee just sits there, listless, with a thousand yard stare and bright red cheeks. Caretaker tries to grab their attention, but it's all for nothing. Whumpee just keeps shivering and staring into the void.

Caretaker caresses their cheek. "You really are not feeling well, are you, sweetheart? Let's get some food into you and tuck you back in bed".

[writingpromptsandwhump]

The Anatomy of Passing Out: When, Why, and How to Write It

Passing out, or syncope, is a loss of consciousness that can play a pivotal role in storytelling, adding drama, suspense, or emotional weight to a scene. Whether it’s due to injury, fear, or exhaustion, the act of fainting can instantly shift the stakes in your story.

But how do you write it convincingly? How do you ensure it’s not overly dramatic or medically inaccurate? In this guide, I’ll walk you through the causes, stages, and aftermath of passing out. By the end, you’ll be able to craft a vivid, realistic fainting scene that enhances your narrative without feeling clichéd or contrived.

2. Common Causes of Passing Out

Characters faint for a variety of reasons, and understanding the common causes can help you decide when and why your character might lose consciousness. Below are the major categories that can lead to fainting, each with their own narrative implications.

Physical Causes

Blood Loss: A sudden drop in blood volume from a wound can cause fainting as the body struggles to maintain circulation and oxygen delivery to the brain.

Dehydration: When the body doesn’t have enough fluids, blood pressure can plummet, leading to dizziness and fainting.

Low Blood Pressure (Hypotension): Characters with chronic low blood pressure may faint after standing up too quickly, due to insufficient blood reaching the brain.

Intense Pain: The body can shut down in response to severe pain, leading to fainting as a protective mechanism.

Heatstroke: Extreme heat can cause the body to overheat, resulting in dehydration and loss of consciousness.

Psychological Causes

Emotional Trauma or Shock: Intense fear, grief, or surprise can trigger a fainting episode, as the brain becomes overwhelmed.

Panic Attacks: The hyperventilation and increased heart rate associated with anxiety attacks can deprive the brain of oxygen, causing a character to faint.

Fear-Induced Fainting (Vasovagal Syncope): This occurs when a character is so afraid that their body’s fight-or-flight response leads to fainting.

Environmental Causes

Lack of Oxygen: Situations like suffocation, high altitudes, or enclosed spaces with poor ventilation can deprive the brain of oxygen and cause fainting.

Poisoning or Toxins: Certain chemicals or gasses (e.g., carbon monoxide) can interfere with the body’s ability to transport oxygen, leading to unconsciousness.

3. The Stages of Passing Out

To write a realistic fainting scene, it’s important to understand the stages of syncope. Fainting is usually a process, and characters will likely experience several key warning signs before they fully lose consciousness.

Pre-Syncope (The Warning Signs)

Before losing consciousness, a character will typically go through a pre-syncope phase. This period can last anywhere from a few seconds to a couple of minutes, and it’s full of physical indicators that something is wrong.

Light-Headedness and Dizziness: A feeling that the world is spinning, which can be exacerbated by movement.

Blurred or Tunnel Vision: The character may notice their vision narrowing or going dark at the edges.

Ringing in the Ears: Often accompanied by a feeling of pressure or muffled hearing.

Weakness in Limbs: The character may feel unsteady, like their legs can’t support them.

Sweating and Nausea: A sudden onset of cold sweats, clamminess, and nausea is common.

Rapid Heartbeat (Tachycardia): The heart races as it tries to maintain blood flow to the brain.

Syncope (The Loss of Consciousness)

When the character faints, the actual loss of consciousness happens quickly, often within seconds of the pre-syncope signs.

The Body Going Limp: The character will crumple to the ground, usually without the ability to break their fall.

Breathing: Breathing continues, but it may be shallow and rapid.

Pulse: While fainting, the heart rate can either slow down dramatically or remain rapid, depending on the cause.

Duration: Most fainting episodes last from a few seconds to a minute or two. Prolonged unconsciousness may indicate a more serious issue.

Post-Syncope (The Recovery)

After a character regains consciousness, they’ll typically feel groggy and disoriented. This phase can last several minutes.

Disorientation: The character may not immediately remember where they are or what happened.

Lingering Dizziness: Standing up too quickly after fainting can trigger another fainting spell.

Nausea and Headache: After waking up, the character might feel sick or develop a headache.

Weakness: Even after regaining consciousness, the body might feel weak or shaky for several hours.

4. The Physical Effects of Fainting

Fainting isn’t just about losing consciousness—there are physical consequences too. Depending on the circumstances, your character may suffer additional injuries from falling, especially if they hit something on the way down.

Impact on the Body

Falling Injuries: When someone faints, they usually drop straight to the ground, often hitting their head or body in the process. Characters may suffer cuts, bruises, or even broken bones.

Head Injuries: Falling and hitting their head on the floor or a nearby object can lead to concussions or more severe trauma.

Scrapes and Bruises: If your character faints on a rough surface or near furniture, they may sustain scrapes, bruises, or other minor injuries.

Physical Vulnerability

Uncontrolled Fall: The character’s body crumples or falls in a heap. Without the ability to brace themselves, they are at risk for further injuries.

Exposed While Unconscious: While fainted, the character is vulnerable to their surroundings. This could lead to danger in the form of attackers, environmental hazards, or secondary injuries from their immediate environment.

Signs to Look For While Unconscious

Shallow Breathing: The character's breathing will typically become shallow or irregular while they’re unconscious.

Pale or Flushed Skin: Depending on the cause of fainting, a character’s skin may become very pale or flushed.

Twitching or Muscle Spasms: In some cases, fainting can be accompanied by brief muscle spasms or jerking movements.

5. Writing Different Types of Fainting

There are different types of fainting, and each can serve a distinct narrative purpose. The way a character faints can help enhance the scene's tension or emotion.

Sudden Collapse

In this case, the character blacks out without any warning. This type of fainting is often caused by sudden physical trauma or exhaustion.

No Warning: The character simply drops, startling both themselves and those around them.

Used in High-Tension Scenes: For example, a character fighting in a battle may suddenly collapse from blood loss, raising the stakes instantly.

Slow and Gradual Fainting

This happens when a character feels themselves fading, usually due to emotional stress or exhaustion.

Internal Monologue: The character might have time to realize something is wrong and reflect on what’s happening before they lose consciousness.

Adds Suspense: The reader is aware that the character is fading but may not know when they’ll drop.

Dramatic Fainting

Some stories call for a more theatrical faint, especially in genres like historical fiction or period dramas.

Exaggerated Swooning: A character might faint from shock or fear, clutching their chest or forehead before collapsing.

Evokes a Specific Tone: This type of fainting works well for dramatic, soap-opera-like scenes where the fainting is part of the tension.

6. Aftermath: How Characters Feel After Waking Up

When your character wakes up from fainting, they’re not going to bounce back immediately. There are often lingering effects that last for minutes—or even hours.

Physical Recovery

Dizziness and Nausea: Characters might feel off-balance or sick to their stomach when they first come around.

Headaches: A headache is a common symptom post-fainting, especially if the character hits their head.

Body Aches: Muscle weakness or stiffness may persist, especially if the character fainted for a long period or in an awkward position.

Emotional and Mental Impact

Confusion: The character may not remember why they fainted or what happened leading up to the event.

Embarrassment: Depending on the situation, fainting can be humiliating, especially if it happened in front of others.

Fear: Characters who faint from emotional shock might be afraid of fainting again or of the situation that caused it.

7. Writing Tips: Making It Believable

Writing a fainting scene can be tricky. If not handled properly, it can come across as melodramatic or unrealistic. Here are some key tips to ensure your fainting scenes are both believable and impactful.

Understand the Cause

First and foremost, ensure that the cause of fainting makes sense in the context of your story. Characters shouldn’t pass out randomly—there should always be a logical reason for it.

Foreshadow the Fainting: If your character is losing blood, suffering from dehydration, or undergoing extreme emotional stress, give subtle clues that they might pass out. Show their discomfort building before they collapse.

Avoid Overuse: Fainting should be reserved for moments of high stakes or significant plot shifts. Using it too often diminishes its impact.

Balance Realism with Drama

While you want your fainting scene to be dramatic, don’t overdo it. Excessively long or theatrical collapses can feel unrealistic.

Keep It Short: Fainting typically happens fast. Avoid dragging the loss of consciousness out for too long, as it can slow down the pacing of your story.

Don’t Always Save the Character in Time: In some cases, let the character hit the ground. This adds realism, especially if they’re fainting due to an injury or traumatic event.

Consider the Aftermath

Make sure to give attention to what happens after the character faints. This part is often overlooked, but it’s important for maintaining realism and continuity.

Lingering Effects: Mention the character’s disorientation, dizziness, or confusion upon waking up. It’s rare for someone to bounce back immediately after fainting.

Reactions of Others: If other characters are present, how do they react? Are they alarmed? Do they rush to help, or are they unsure how to respond?

Avoid Overly Romanticized Fainting

In some genres, fainting is used as a dramatic or romantic plot device, but this can feel outdated and unrealistic. Try to focus on the genuine physical or emotional toll fainting takes on a character.

Stay Away from Clichés: Avoid having your character faint simply to be saved by a love interest. If there’s a romantic element, make sure it’s woven naturally into the plot rather than feeling forced.

8. Common Misconceptions About Fainting

Fainting is often misrepresented in fiction, with exaggerated symptoms or unrealistic recoveries. Here are some common myths about fainting, and the truth behind them.

Myth 1: Fainting Always Comes Without Warning

While some fainting episodes are sudden, most people experience warning signs (lightheadedness, blurred vision) before passing out. This gives the character a chance to notice something is wrong before losing consciousness.

Myth 2: Fainting Is Dramatic and Slow

In reality, fainting happens quickly—usually within a few seconds of the first warning signs. Characters won’t have time for long speeches or dramatic gestures before collapsing.

Myth 3: Characters Instantly Bounce Back

Many stories show characters waking up and being perfectly fine after fainting, but this is rarely the case. Fainting usually leaves people disoriented, weak, or even nauseous for several minutes afterward.

Myth 4: Fainting Is Harmless

In some cases, fainting can indicate a serious medical issue, like heart problems or severe dehydration. If your character is fainting frequently, it should be addressed in the story as a sign of something more severe.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[writingpromptsandwhump]

‘Can you stand?’ A asked. B nodded shakily, trying to pull themselves to their feet.

Just as soon as they managed to get upright, their knees buckled. B’s vision went blurry as they tried to grab the wall, or anything, really, to stop them from-

A catches them before they hit the ground, helping B sit back down. ‘S-sorry,’ B stutters. ‘I-’

‘It’s okay.’ A slips a hand under B’s legs and another behind their back and picks them up easily. ‘It’s okay, I’ve got you.’

[writingpromptsandwhump]

Body Aches Sickfic Prompts🤒😫:

1: Constantly clinging to caretaker because everything hurts, they're miserable, and they don't know what to do with themselves.

2: Crying any time something cold touches their sensitive body.

3: Being extra sensitive to bumping into things, or to rough touch.

4: Just straight up inconsolable crying because they feel bad all over and they're just fed up.

5: Cuddling with caretaker in a warm shower/bath.

6: Being fed pain meds by caretaker.

7: Whining while getting a massage from caretaker, because even the lightest touch hurts.

8: Curled up in bed, not wanting to move and swaddled in blankets.

9: Being super uncomfortable on a car ride because every bump is painful.

10: Making a bed for themselves in whatever the warmest room in the house happens to be.

[writingpromptsandwhump]

a character who doesn't know they're about to pass out becaue they've never done it before. rather than saying "I feel faint" or something, they say "I feel a little weird." they only sit because another character points out that they look pale and tells them to sit or lie down.

[writingpromptsandwhump]

Based off this prompt from @jordanstrophe

“Caretaker! Caretaker!”

Whumpee let out a breath of relief as they stumbled into the arms of Caretaker, grasping desperately at the fabric of their shirt and clinging on for dear life.

“Hey, hey Whumpee calm down,” Caretaker rumbled. “Shh, it’s okay.”

“They’re trying to- You have to stop them,” Whumpee blubbered, “Please, please don’t let them get me please-”

Caretaker drew a calming hand down their back. “Shhh calm down, no one is trying to hurt you.”

Whumpee’s sobs softened as they gripped tighter onto Caretaker.

“We just want to make sure you’re safe.”

Whumpee froze. Their eyes raised slowly to Caretaker's and saw an undefinable glint in them. Despite the warmth Caretaker tried to exude, Whumpee could see something hidden under the facade. Something dangerous.

All of a sudden the warm arms surrounding them seemed all too constricting. Whumpee’s eyes widened.

They bucked against Caretaker, suddenly terrified as Caretaker’s hold grew tighter.

“Whumpee stop-”

“Let me go!” Whumpee shouted, panting breathlessly as panic grew. The sound of the footsteps of the medics behind them grew louder and Whumpee’s struggles increased.

“No, no no stop stop please Caretaker Caretaker-”

Caretaker huffed while shifting to pin them down. Whumpee yelped.

“Whumpee we’re doing this for your own good.” Caretaker looked tired out, stressed.

Whumpee wouldn’t buy it. They pulled frantically against the hold but Caretaker wouldn’t budge.

“Caretaker, please-” Tears streamed down their face and they looked up at Caretaker only to see a stony, unwavering face meet them back.

The sound of voices drew their gaze as the medics finally arrived. Their heart dropped. Their last chance at freedom, gone.

A needle pricked them in the neck and they whimpered, slumping against the ground.

Whumpee’s eyes started to droop against their will and they used their last bit of strength to glance at Caretaker, the one they thought was on their side.

Caretaker looked back at them, a look of sadness and concern. They brushed a sweaty lock of hair out of Whumpee’s face and Whumpee would have flinched had they had control of their body.

“We’re going to help you.” Caretaker whispered softly, a sad smile on their face.

Whumpee’s eyes shut to the sound of lies.

[writingpromptsandwhump]

when caretaker has no choice but to cover an injured whumpee’s mouth, when an emergency medical procedure is being performed on them (for instance, an on-field amputation or an act of applying a tourniquet to slow the bleeding), with their hand to prevent whumpee from screaming in pain and agony, and in result give out their location to whumper or other danger.

the food is good and delicious.