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Day 15: Movie

Today's work for Smaugust Am pretty proud of making the background out of focus

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I have no context

But this line makes my heart flutter

"I want to meet you in every place I have loved."

— Amal El-Mohtar & Max Gladstone, This Is How You Lose the Time War

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Smaugust Prompt: Diety

Today is the Black Smoke Shenron from Dragon Ball GT I was really affected by his first appearence when I was young. Sure, GT has a ton of issues - especially the one I watched on Toonami which cut out a bunch of context - but I still adore his design.

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Amazing breakdown

The Matriarch Isn’t the Villain. She’s the Mirror

I often hear a discourse where Celine in K-pop Demon Hunters, Alma in Encanto and Ming in Turning Red are seen as vilains. They’re the ones who restricted the younger generation, hurt them, and are ultimately responsible for their pain, trauma and self-doubt. They’re framed as the real villains of the story. But I’d like to differ.

These are stories of intergenerational trauma. They are women who survived, repressed, and tried to protect their families the only way they knew how: through control, perfectionism, and emotional suppression.

And yet, when the next generation begins to reclaim joy, freedom, softness — they become the obstacle. Not because they’re bad people, but because they’re scarred. Their minds cling to survival strategies, unable to recognize that the environment has changed.

Alma is still stuck fleeing the colonizers.

Ming is still afraid of her true self.

Celine believes that fear and mistakes must be hidden.

It’s not about hating these characters. It’s about how unprocessed trauma twists love into control. How survival, unexamined, turns into rigidity. These women were never given space to process their own pain and they project it onto their daughters and granddaughters.

And here’s something we rarely say enough: intergenerational trauma can create toxic patterns but that doesn’t always mean there was abuse or conscious harm. Even when their love becomes suffocating or controlling, these women are not necessarily “abusive parents.” They are daughters of silence, fear, and sacrifice. And they were never taught another way. It’s important to make that distinction, especially in a world that often pushes a binary, punitive reading of family dynamics.

They’re the product of a generation that was told to endure. But endurance without healing becomes its own kind of violence.

What’s powerful in these stories is that they don’t end in vengeance. They end in confrontation and transformation. The confrontation is necessary: the younger generation refuses the silence. Refuses the shame. Refuses to carry a burden that wasn’t theirs to begin with.

The house is destroyed in Encanto.

Mei accepts her full self.

So does Rumi.

And in the best cases, this confrontation allows the elder to soften too. Alma opens up. Ming listens. And I’m hoping in the sequel, Celine will open too.

Maybe that’s also why these stories speak so deeply to POC audiences. These aren’t stories about cutting ties. They’re stories about how hard it is to transform them, to protect ancestral bonds while refusing to perpetuate inherited pain. In many racialized families, collectivity, loyalty, and intergenerational duty are sacred... even when they come at the cost of personal boundaries.

And sometimes, Western individualist frameworks read these tensions as dysfunction or villainy. But for us, they’re just the difficult truth of growing up and trying to do better.

These women aren’t villains. That would be too easy. They embody the fragile, necessary work of bringing change without breaking the thread. These stories are about refusing to inherit their pain without reflection. Because love, without accountability, is not enough.

These stories show us that each generation has something to learn from the next. And the new generation must also break free from the chains they inherited while preserving what is meaningfull.

But it’s not just their story.

One day, we’ll be the older generation.

And we’ll need to be humble enough to learn from the ones after us.

So don’t be a fool.

We may be Mei, Rumi, or Mirabel today.

But tomorrow, we could be Ming, Celine, or Alma.

And when that time comes, we’ll realize how hard it is to unlearn what once kept us safe.

So let’s have compassion for all these characters.

Because these stories show us not just how the cycle of generations works, but how it can make us better, stronger, and more connected... if we’re all willing to go through the change.

∘₊✧──────✧──────✧₊∘

If you’re curious, I’ve written more on K-pop Demon Hunters:

A post on the mental health themes woven through the songs — right here.

A breakdown of Celine-Rumi in comparaison to Gothel–Rapunzel dynamic — here.

An analysis about Rumi, Jinu, and the danger of sinking together — here.

Some book recs for each of the K-pop Demon Hunters characters — here.

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YOINK (Thank you)

trying to play around with scale textures

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Smaugust thus far

Hi all! I've been drawing dragons for Smaugust and posting them on bluesky (https://bsky.app/profile/xonlic.bsky.social) Here's what we have thus far (Note: 2 just did not work out)

Day 1: Niv-Mizzet the Firemind

Day 3: Blackstar Dragon based off an alligator picture and LoL's dragon

Day 4: Chained up Alligator Dragon (Sorry for no background)

Day 5: Serpentera from Power Rangers Had so much fun drawing a Blue Star and the light shift Happy to try to do Lord Zedd's Zord some love

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Fakimon (Fake/Fan-made Digimon): LadyAlphamon

Feeling productive today so...made a feminine Alphamon I don't know why ... Enjoy

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Pokemon Daily To Improve Art - Ivysaur

Second of the series Tried a more indepth and water color art for the background

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reposting from bsky, but heres a cheat sheet for how to properly send a message to payment processing companies over the recent highly conservative shift in where youre allowed to legally spend your money

more info here!

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Pokemon Daily To Improve Art - Bulbasaur

Starting a wee project on top of drawing Digimon: I'm going to try to get Pokemon down too by drawing them in order as best i can. My rules are: - Some background (the grass under him counts) - Water Paints for the body - Daily as best as possible, if not make up the next day.

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Artfight 2025: Silmi with Gligar

First attempt at replicating Ken Sugimori art style. I think for a first time using a water color too

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Art for VtubersVsICE

Still learning how to draw but created this little piece off the well known Jojo meme below

Would love some feedback and how to maybe improve

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The Bad Guys: "Marginalization and negative stereotypes of people often forces them into harmful, dangerous ways of life, which is reinforced by police brutality and oppression, and the rich and powerful pay shallow lip service to the idea of reformation for their own personal gain."

The Bad Guys 2: "People who have criminal pasts face workplace discrimination that prevents them from living honest lives, which forces them back into the very same crimes that they wanted to move on from and reinforces biases against them."

Hey uh I wonder if there's a pattern to these films' messages or something.

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28th Anniversary of Digimon Celebrate with 28 Digimon Chibi + Geremon for no absolute reason