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dubocs-blog · 6 years

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ᴛʜɪꜱ ɪꜱ 𝒱𝒶𝓁𝑒𝓇𝒾𝑒 𝒟𝓊𝒷𝑜𝒾𝓈

a playlist about a smart and beauty plastic

Valerie, by Amy Winehouse

'Cause since I've come on home, Well my body's been a mess And I've missed your ginger hair And the way you like to dress Won't you come on over Stop making a fool out of me Why don't you come on over Valerie?

Beauty Queen, by Foxes

Why are we so obsessed with cutting skin When the real things in our lives can't get in?Marching to the same drum Every single beat's gone I can hear the dark days comingAnother generation Fighting for attention Can't you see I'm tired of running?

God is a woman, by Ariana Grande

You, you love it how I move you You love it how I touch you My one, when all is said and done You'll believe God is a woman And I, I feel it after midnight A feelin' that you can't fight My one, it lingers when we're done You'll believe God is a woman

Lip & Hip, by HyunA

Trendier accessories Well balancing my eyes, twinkling kling Even your friends fall for me But my eyes are only, eyes on your lips Today, I’m the queen queen queen Just standing next to me makes you the king king king A lot of men want me but it’s you

Agora Sou Solteira, by Valesca Popozuda

Eu vou pro baile procurar o meu negão, Vou subir no palco ao som do tamborzão Sou cachorrona mesmo E late que eu vou passar Agora eu sou solteira e ninguém vai me segurar Dj aumenta o som

Menina Má, by Anitta

Agora eu vou me vingar Menina má, eu vou provocar vou descer Vou instigar, me pede beijo, eu desejo Não vou beijar

Carmen, by Lana Del Rey

The boys, the girls, they all like Carmen She gives them butterflies, bats her cartoon eyes She laughs like God, her mind's like a diamond Buy her tonight, she's still shining Like lightning, light, like lightning

Gods & Monsters, by Lana Del Rey

In the land of gods and monsters, I was an angel. Living in the garden of evil, Screwed up, scared, doing anything that I needed. Shining like a fiery beacon, You got that medicine I need Fame, liquor, love, give it to me slowly. Put your hands on my waist, do it softly. Me and God we don’t get along, so now I sing.

L.I.E, by EXID

I pray that you keep this up until you die And go to hell, go to hell (Go away) Oh baby you You should have never been born What do I do, what do I do I’m losing my mind because I can’t stand seeing you

Something, by Girls’ Day

Don’t you look

Into my eyes and lie again

I’m sick of being alone

Your shaking face and words Seems like something is up A strange scent is all over your body Seems like you’re possessed by something

Maybe you felt guilty at my guess I caught you off guard and you’re so out of it Your story keeps changing here and there, what’s wrong with you Maybe you felt guilty at my guess I caught you off guard and you’re so out of it Why, are you scared all of a sudden? Let go of my hand, don’t lie to me

Egoist, by Olivia Hye (feat. Jinsoul)

Hey, for the sin of swallowing you You get bigger and bigger, beautiful you You are me, now I’m you Little by little, soaked into my veins On&on, you and me the endless cycle We can’t be separated, When I miss you I close my eyes and go to you for a while Close your eyes and you come closer to me

Maremotos, by Supercombo

Às vezes, é fácil sorrir Às vezes, só fecha a cara Às vezes, é só dormir Às vezes, não melhora

Às vezes, é fácil ouvir Às vezes, é gritaria Às vezes, é um poço sem fim Às vezes, é uma escada

Calma, vai passar Espera a tempestade clarear Os maremotos de química surgem Bagunçam tua cabeça a todo vapor

The Best Damn Thing, by Avril Lavigne

Give me an A: Always give me what I want Give me a V: be Very, very good to me R: R you gonna treat me right? I: I can put up a fight Give me an L: Let me hear you scream loud

Killer Queen, by Queen

She keeps her Moet et Chandon In her pretty cabinet "Let them eat cake", she says Just like Marie Antoinette A built-in remedy For Kruschev and Kennedy At anytime an invitation You can't declineCaviar and cigarettes Well versed in etiquette Extraordinarily nice

Bubblegum Bitch, by Marina and the Diamonds

Got a figure like a pin-up Got a figure like a doll Don't care if you think I'm dumb I don't care at all Candy bear, sweety pie I wanna be adored I'm the girl you'd die forI chew you up and I'll spit you out 'Cause that's what young love is all about So pull me closer and kiss me hard I'm gonna pop your bubblegum heart

Power and Control, by Marina and the Diamonds

Give a little, get a lot That’s just how you are with love Give a little, get a lot Yeah, you may be good-looking but you’re not a piece of artPower, control I’m gonna make you fall Power, control I’m gonna make you fall

Women and men, we are the same But love will always be game We give and take a little more Eternal game of tug and war

#nrth:task #finge que o edit n aconteceu #mas é que meu photoshop bugou e eu desisti #( she's got a barbarella silver swimsuit | edits. )

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ftrend · 6 years

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Top 7 best designers collection from New York fashion week S/S 2019

Top 7 best designers collection from New York fashion week S/S 2019 catwalk team Wed, 09/12/2018 - 06:54

New York fashion week spring-summer 2019 season brings the Nomadic vibes and the emergence of the youth culture.

Oscar De La Renta

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According to Garcia “It’s a very nomadic collection,” That meant relaxed shapes done up with decorative elements and controlled exotica, fringing, tassels, embroideries and various patterns from florals to geometrics to ikats to an intricately wrought silk print featuring a montage of imagery from their summer stops.

Shapes were indeed languid, incorporating such tropes of non-specific “far away” as sarongs and caftans. There was tailoring, too, delivered with a sportswear attitude — linen blazer over charmeuse top and crochet silk raffia skirt.

Evening factors significantly into the de la Renta lexicon and the designers worked it here with an evolutionary twist. They want to guide their customers toward relaxed ways to dress at night. Thus, they all but ignored ballgowns, preferring genuine separates — silk ikat bustier over trousers; black asymmetric, fringed jacket over fluid white pants — and long dresses with languid lines, including several slit-to-there goddess beauties.

Day or night, many of the clothes looked appealing, and the designers certainly offered a different variation. However, in fashion speak “nomadic” often means eclectic, and there’s a fine line between eclectic and unfocused. With a tighter edit and fewer subplots, Kim and Garcia’s would have clarified their overall message.

3.1 Phillip Lim

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The collection was highly designed but ultimately wearable — the bulls-eye in the advanced contemporary market.

Instead of piling up as he did for fall, Lim pared down. “Coming from the previous collection where we unpacked a suitcase, I wanted to shed a little bit but keep that nomadic vibe,” he said backstage.

The elements he chose to work with from each genre were quite clear. He let the spare palette, smooth, undulating curves and abbreviated shapes of Sixties Pop frame the rustic Berber textures — fringe, woven stripes, shearling — with a clean modernity. It made for a collection that was highly designed but ultimately wearable, which is the bulls-eye in the advanced contemporary market.

Silhouettes ranged from short and neat to long and loose, always cut with a purist’s eye. A woven striped vest with fringe trim was worn over a silver metallic bra top with a curvy silver button and clean white trousers. A white tailored blazer was elongated into a maxi coat with layers of fringe inspired by a Berber carpet and worn over a black tank dress with a curved neckline. The precise lines of a silver crochet caftan made it fit for a minimalist Barbarella on vacation.

Boss RTW Spring 2019

Boss S/S2019

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The Boss collection is all about the “grounded in suiting,” it brings a collection for the young customer and so offered up more casual options inspired by Los Angeles as well. Wilts infused the line with a soft and soothing color palette of washed pinks, pale blues and stark white that was mixed by burgundy and navy in relaxed silhouettes to impart “a very light, easygoing feel.” Suits were made from crinkled cotton and paper-touch cloth for the very casual styling, while coats and jackets in a glossy nylon took on a crisp texture.

Surf, an extension of the L.A. inspiration, also influenced the collection and was evident in the details. Pants, blouses and backless dresses were fastened with long drawstrings while a woman’s jumpsuit and men’s short-sleeve tops had long zipper pulls that mimicked those of a wetsuit.

Wilts also offered up his take on board shorts and rash guards in technical nylon. Athletic stripes and a pattern abstracted from L.A. city maps adorned standout knitwear, cropped for men and ultrathin for women, as well as a great short-sleeve women’s leather dress.

The show closed with a white story of suiting and lightweight dresses that Wilts said offered up “a little more sophistication” but with the same “airy, beautiful and healthy L.A. vibe.” The collection didn’t stray too far from its elegant roots, but Wilts managed to evolve it into one that incorporates the multifaceted lives of the Hugo Boss man and woman.

Longchamp- Nomadic vibes

Longchamp

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Longchamp’s Sophie Delafontaine when speaking backstage about her inspiration for New York fashion week spring-summer 2019 collection was- a woman who was “elegant and chic but had a twist of eccentricity.”

This translated to a lineup with a palette of cobalt blue, chocolate brown and clay reds shown in a mix of layered dresses, tunics and vests. Delafontaine diluted the rich tones with several pieces in a leopard print and some semi-sheer maxidresses in a bright ikat.

The designer highlighted the French house’s history of leather craftsmanship with leather details that popped up throughout the runway. Delafontaine brings an iconic Sixties pieces like fringed halter tops and dresses and suede shorts, pairing many looks with a thigh-high gladiator sandal, many of which were also embellished with fringe.

Handbags are synonymous with the privately owned house; she upgraded her cross-body Amazone bag, introduced in fall; on the runway, it was reimagined in a variety of iterations, some with earthy stone details with lambskin, a few with fur and of course, more fringe. The fringe was heavy-handed and could have been dialed back some, as nearly every look had some sort of fringe accent.

10 cross by Derek Lam- targeting the Millennial consumers

10 cross by Derek Lam

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The biggest story for the season was the modern range of tailoring targeting the Millennial consumers. Pants have been such a strong selling category that it was time to offer jackets to pair them with.

A soft pink linen blazer was a modern proposition for the office, cut boxy and styled with matching jogger pants. Girls will appreciate their relaxed vibe and versatility. There were also short suits (a big trend for the season) in rainbow stripes, and a polished deconstructed blazer mirroring the buttons of the aforementioned dress.

Here, buttons on the back of shirting allowed it to swing either conservative or daring, and ruffles on a pink dress rotated around the sleeves. Even the new sash bag could be taken apart to become a belt and cute little clutch.

Calvin Klien- Jaws and "The Graduate"

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The theme of the season was "killer instinct", with one beast who devours beachgoers and another who would eat her own young for lunch, only she doesn’t get away with it. The attraction for the designer was Both “Jaws” and “The Graduate,” as Simons’ show notes decoded, “represent transgression, the idea of the predator, and a fundamental questioning of authority — a rebellion that is quintessentially American.”

Simons’ graduates, men, and women wore traditional mortarboards and elegant black coats as robes. As for the bevy of Mrs. Rs — they seduced with high chic rather than sexiness in plentiful takes on a shift dress that nodded beautifully to mid-century couture, the luxe fabrics bunched and “crashed” for heightened surface texture, while big, jeweled broaches added sparkle. Contrasting the haute aura: slouchy sweaters over fluid skirts. In terms of fashion news, that was more or less it.

According to Raf, “The collection explores taboos and temptations, shifts in the culture and community, but ultimately, the overarching theme is love.” Missed that one? Ditto. But so what? If Simons’ outsider musings on American culture sometimes swing pretentious, at least he’s got a thought in his head. Not all deep thoughts translate seamlessly into powerful fashion. Here, Simons allowed storyline to trump clothes, which resulted in a fashion message not fully baked.

Michael Kors- Joy and Bliss

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The styles were exuberant with color and pattern a very cheerful floral, beach scenics, stripes, dots, plaids, and mélange knits that were worn in combination.

What didn’t explode with color came in optic white with flowery surface texture — leather lace, eyelet, matelassé. Michael Kors worked to bring up the multiple styles of ruffled dresses, shirtdresses, retro shifts, floppy-hatted hippie fare, fringed skirts, straight skirts, elevated sweats and on and on, a big, breezy, something-for-everybody romp.

For the men, the collection exuded the same sporty attitude as the women in looks featuring surf sweaters, Baja pullovers, cashmere bike shorts, and cargo track pants. A few more dressed-up pieces included a black cotton blazer, a crushed cotton trench and a suit with short-shorts.

Kors promise of spirit, joy, and charm through his collection. Yet one came away thinking that broad diversity on the runway is best limited to the casting — models of various ethnicities, ages, and body types. In that respect, Kors is a leader.

His collection, though, would have benefited from a little less universality. With so many items and silhouettes, it started to feel as if Kors were checking various merch boxes — embellished jeans, check; swimsuit, check. Along the way, the collection sacrificed some of the distinctive tony allure that typically marks Kors’ work

Michael Kors

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