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#(i try to strategically use selection tools when i can but i don't fully trust them. since my lineart is Like That)
jichanxo · 4 months
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how different is your creative process between writing and drawing (and in which areas)? do you have a different approach in each artform? if you have an idea, you first think how you'd write it or draw it?
This is definitely going to be long so. Cut.
Just to preface, obviously both writing and drawing are a form of art, but I tend to use the word “art” when I mean illustration or drawing, so that’s what I’m going to do here. And of course a disclaimer that I’m only speaking to my subjective experience.
Tbh I don’t think my approach to both is that different from each other, which is odd, because I’m used to thinking of them as very different processes. Probably because the mediums themselves are so different. But like with my writing, I tend to improvise. Feel it out, see how things go, throw ideas at the wall. I would probably say that I’m more willing to experiment with/scrap my art than my writing. Probably because I’m more confident with my art than my writing, so I find it easier to make judgments like that, or because I’ve made so much that throwing stuff away when it isn’t working is very easy. I get a bit more precious about my writing. I always want to keep it or at least try to adapt it into something less bad, lmao. I’m also just not as confident in my ability to judge what writing is worth keeping or worth permanently deleting. I just haven’t polished that skill for writing as much as I have for art.
With regards to planning my art – I definitely do sometimes, because I consider art my Serious Hobby, which means I do like to have a go at more serious projects as opposed to just improvising all the time (a contrast to my writing where my only “serious project” is senseific, and I fell into that by accident). The things I plan out are the idea/s I want to convey, and what imagery would express that. (like this IW art, and the second one in this umineko post) Or sometimes the imagery gets stuck in my head and I work from that. (yagami’s hair clinging to his neck here)
I actually find that planning too much can be detrimental to my art process. That is to say, not in terms of figuring out ideas/themes, but doing too much drafting. I find it very difficult to do things like clean lineart unless I’m having a Weirdly Good Art Moment, so I just don’t. Hence a lot of my art is very sketchy. I’m just not good at capturing the same looseness with “proper” lineart than with my sketches, so I keep them. Not worth fussing over. This is what works for me.
(even in this, and the first image here, you can see a lot of breaks and incomplete looking lines. not to say necessarily that this is a bad thing of course, but you can see that even in what I consider my “polished” work, I won’t use “proper” linework, but instead a high quality/detailed sketch. I imagine some other artists would have their proper linework stage after these sketches, but i choose to stop here)
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this probably reads like I’m talking myself down, but that’s not really what I’m meaning to say – my point is that I don’t figure out details even for my bigger pieces, and that with drawn art I have a better time judging where my time is best spent. I don’t think I have a strong understanding of my writing by comparison, so I can’t decide how to play to my strengths or anything like that, I just have to see how i go.
For writing, either it’s “i’m in the mood for it” or “i’m not in the mood for it”. For art, it’s “today is a good day/bad day”, “today’s a painting day”, “today feels like masking”, “today I just want to sketch”, “today I’m too loose for what I want to work on”, “today I’m too stiff”. You can see the difference in my ability to judge, yeah? So a big difference is to do with just my own (relative) inexperience with writing as opposed to drawing.
I think the other major factor is the differences in the mediums themselves. A fanfic is sequential. There’s a change in time. Illustrations are by nature a single moment in time. Big difference there. Of course, there are comics and animatics and other art that’s both drawn and sequential, but since I don’t do a lot of that, just count that as exceptions for now (and in a way, those are kind of like a combination of writing and illustration, aren’t they?) I find there are some ideas that are conveyed easier or better through writing, and others where the better option is art.
So to answer your last question, often ideas come to me pre-packaged as a “writing idea” or an “art idea”, rather than having to decide that separately. In the case that a sequence is better conveyed with a visual element, that’s when it’s comic time. The gorillashipping comic is a great example of this. The punchline is at its best when it’s not explained in words, and the expression of the final panel does all the heavy lifting. I pitched this idea initially in words (as a joke on discord), but the comic version has more punch.
Comics are also great for when you want to avoid explaining context, and for when you want to force the reader to take a specific pace. Here’s the example I’m thinking of.
The visual space dedicated to the fighting forces you to take time to process, and that time is important for the buildup to the punchline. This wouldn’t work as well if we cut this down to, say, the four panels of the last example. So yeah, timing. And then my other point – context – why are these two fighting? I don’t know. Where are they? I don’t know. It’s not necessary for the joke. The same is true of the gorillashipping joke. How did the relationship between kiryu and kaito happen to make this even remotely possible? I don’t know. But I don’t need to explain it in a joke comic. With writing I find that it feels more necessary to make context clear to the reader so they understand what’s happening, but with illustrations, it’s a lot easier to skip over that. Obviously this isn’t impossible in a written format, but that’s just my personal opinion.
Admittedly I think this second example is doable with just pure writing (replace all the panels with descriptions of the fight that take long enough to simulate the time it takes for the reader to digest the build up, then make the punchline a wham line, yknow), but it varies on a case to case basis. Also I would not want to write fighting. Lmao. I’m not… any good at that. So I guess it is also just in part about playing to strengths.
Anyway, enough comic side tangent. I’ve already started talking about it there, but was going to do a comparison between writing and art as mediums. The main thing, I find, is that they have different strengths. More than strengths/weaknesses though, the mediums themselves convey some things with ambiguity, and other things with detail.
Like I first mentioned, time: it’s easier to convey the passage of time with writing than with illustration. And like I said before with comics – conveying context – because an illustration captures a single moment in time, it’s a lot easier to avoid context entirely, while it’s harder to avoid in writing. I’ve drawn kuwagami cuddles before, and there’s no background, nothing discernable as to the lead up or any other detail. And that’s great! I don’t want to have to invent a plausible reason for them to end up hugging. I can just do it, right? But sometimes it’s the context that makes things significant, so you do want it there. A better job for writing. Writing allows you to be detailed with your context, while illustration leaves it ambiguous. Different strengths. You just pick which best fits the situation.
It’s a similar case for a lot of different factors – they're conveyed differently through both mediums, and depending on your idea, some results are more desirable than others. Rather than explaining, it’s probably better to do a direct comparison. (If it makes any difference to your curiosity, I did the drawing first then the writing. You’ve caught me on a good art day, what a nice sketch…)
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I’ll try not to talk too much because I think the comparison and table say enough, but you can see how, despite depicting basically the same thing, these two things feel pretty different from each other. The mediums do different things. The mood of both is similar, but not quite the same. It’s these differences that inform the choice of mediums instinctually. (but again. points at disclaimer. as is true with all “rules” about art, none of these are absolute. you can make an illustration that conveys a strong context. you can write fic that favours describing facial expressions and leaves the intended emotion ambiguous. i’m generalising to make a point here.)
I guess the other thing is that it’s pretty easy to do writing in bed on my phone compared to my art setup, lmao. Convenience and timing also play into it probably.
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