#78mm

[pwurrz]

i’m sobbing. look at him

[malavoie1]

I was walking around the beach and was intrigued by the pattern of waves washing around a crab carapace.

Taken at Mavilette Beach Provincial Park while on vacation in Nova Scotia. After shooting several frames that were alright, I switched to a slower shutter speed to capture the movement of the water.

Processed with Affinity Photo v2 with selective sharpening using Topaz Sharpen AI.

Camera: Pentax K-3

Lens: smc Pentax DA 18-135mm ED AL [IF] DC WR

78mm / ƒ/16 / 1/25s / ISO 100

Taken: September 7, 2022

[blueiscoool]

Greek Bronze Sword 1200-700 BC

This beautiful cast bronze sword has a tapering, bevelled blade with a raised midrib and beautiful integral handle comprised of long cylindrical grip, with two flat disks, separated by a short section of cylindrical grip. Bronze weaponry production flourished in western Asia, the Aegean, and Mainland Greece from the 2nd millennium BC to about 700 BC, when it was gradually replaced by iron. Swords, spears, and arrows were important symbols of war in Greek Bronze Age societies and served as powerful reminders that authority rested in the hands of those who could earn it.

Size: L:538mm / W:78mm ; 600g;

[karimawadd]

Photo 7

A) F11 / 1/250 / 55mm

B) F11 / 1/250 / 78mm

C) F11 / 1/250 / 120mm

[zimzamkirsty]

End of Year Artist Statement

Kirsty Inglis

BFA Year 3

 Ebb and Flow

Using an assortment of found and commonplace materials such as bubble wrap, cardboard, plastic mesh and wooden battening, the works within this exhibition utilize processes of casting, assembling and both deconstructing and reconstructing elements. Here I use plaster to bond everything together. Applying its transformational shift from liquid to solid, these works host explorations of texture and form. While plaster has a long history in art through its use in fresco, this work sits closer to the everyday of plasterboards used in interior wall construction.

Each individual work is a closed-in space, enclosing an active space, where the structural supports used to hold the plaster surfaces are brought to the forefront. While this would typically go unnoticed, here I celebrate the framing, hanging and plinths within the exhibition. All of these displays highlight and bring attention to the methods of their creation. The work takes on the three dimensions of sculpture while simultaneously behaving like painting. Each contain a range of painterly concerns relating to their composition and textures. They are not quite a painting and not quite a sculpture, but hover somewhere in-between.

  1.       Seep, 2022, 463 x 597 x 78mm, Plaster, wood palette.

2.       Obstructed, 2022, 437 x 1319 x 110mm, Plaster, found wood.

3.       Unintentional, 2022, 535 x 524 x 79mm, Plaster, brown paper, found wood.

4.       Embedded, 2022, 444 x 351 x 121mm, Plaster, found wood.

5.       Traces, 2022, 618 x 633 x 70mm, Plaster, mesh, plastic lighting board, found wood.

6.       Corner Leak, 2022, 195 x 215 x 75mm, Plaster.

7.       Little Line, 2022, 223 x 233 x 59mm, Plaster, found wood.

8.       Bumps, 2022, 435 x 451 x 66mm, Plaster, mesh, found wood.

9.       Sunken, 2022, 329 x 309 x 98mm, Plaster, cardboard, found wood.

10.   Mimic, 2022, 500 x 460 x 56mm, Plaster, wood palette.

11.   Confined, 2022, 357 x 361 x 90mm, Plaster, mesh.

12.   Slats, 2022, 112 x 1099 x 145mm, Plaster, mesh, found wood.

[herbwellcannabis]

Rolling Papers: Types, Sizes, and Materials

Rolling Papers: Facts and Options

Rolling papers are a key part of cannabis culture. They may seem simple, but there’s more to them than you think. Here’s a breakdown of what you need to know.

Rolling Paper Materials

Wood Pulp: The classic. These papers are thicker and easy to roll, even for beginners. But they burn fast and can affect the taste.

Hemp: These have a slower burn and an earthier flavor. Hemp papers are usually unbleached and are popular with users who prefer natural products.

Rice: The thinnest option. They burn slower but are more fragile, which makes them harder to roll. They also produce less ash.

Flax: Less common but eco-friendly. They’re smooth and burn evenly.

Rolling Paper Sizes

There’s no one-size-fits-all here. It depends on how much you want to smoke. Here’s a quick rundown of the most common sizes:

Single Wide (SW): Smallest option, typically measuring around 68-70mm long and 34-36mm wide. Ideal for personal joints with a minimal amount of cannabis.

1¼ Size: A popular choice, measuring about 76-78mm long and 45-48mm wide. Great for mid-sized joints with more cannabis content.

1½ Size: Slightly wider than 1¼ papers, allowing for a larger joint and more herb. Typically around 76-78mm long and 60-62mm wide.

Double Wide (DW): For those who prefer bigger rolls, these are around 76-78mm long and 88-90mm wide. Ideal for a heavy smoke session with multiple people.

King Size: The largest and most popular size for social smoking. Ranges from 100-110mm long and 55-60mm wide, perfect for larger, slower-burning joints.

King Size Slim: Offers the length of king size but with a slimmer width. Ideal for those wanting a long joint without overusing material.

Most smokers use 1 1/4 size for a standard joint. But if you're feeling ambitious, King Size papers hold more.

Related Blogs:

If you're curious about the differences between rolling papers and blunt wraps, check out our guide: Rolling Papers vs. Blunt Wraps: A Guide for Smokers.

Looking for alternatives to rolling papers? Read What Can You Use as a Rolling Paper? 8 Alternatives That Might Surprise You.

Bleached vs. Unbleached Rolling Papers

Bleached: Often white. They’ve been treated with chemicals like chlorine. They burn fast but don’t taste as clean.

Unbleached: Brown or off-white. They’re all-natural, usually slower burning, and have a more neutral taste.

Tips for Choosing the Best Rolling Paper

Material: Want flavor? Choose wood pulp or hemp. Want a clean burn? Rice or flax.

Size: Single Wide if you’re smoking solo. King Size if you’re sharing.

Burn Speed: For a longer session, pick rice or hemp.

Taste: Choose unbleached for a cleaner smoke.

Common Rolling Paper Brands

RAW: Unbleached, hemp-based papers. Known for a clean burn.

Elements: Rice papers. Minimal ash and slow burning.

OCB: Offers a range of materials like wood pulp, hemp, and flax.

‍Conclusion

Rolling papers come in a wide range of materials, sizes, and types. Whether you're looking for a slow-burning hemp paper or a clean rice option, there’s something for everyone. Consider the burn speed, flavor, and ease of use when choosing the right paper. Knowing the differences will help you make a more informed choice and improve your smoking experience.

Rolling Papers FAQ

Can rolling papers expire?Not really, but they can dry out over time. Store them in a cool, dry place.

Are flavored rolling papers good?Flavored papers are fun, but they can add an artificial taste to your joint. They’re not for purists.‍

What's the difference between rolling papers and blunt wraps?Blunt wraps are made from tobacco leaves and are thicker. Rolling papers are thinner and don’t contain tobacco.

[ecig-canada-zone-ultimate]

100% Natural Gum Arabic All Zig-Zag papers have a thin glue line to provide a perfect seal – every time. Derived from the sap of the African acacia tree, the natural properties of gum Arabic provide a consistent seal without impacting the taste of your smoke. 78mm x 44mm Made using Natural Flax Plant Fibers 100% Natural Gum Arabic 100 papers per booklet

[honkitoys]

日本の名器 夏目响

甜酷女星的私密处，根据本人彻底监修完全再现

逼真的呈现柔软的入口到喜欢活塞刺激的通道

再现了皮肤肌理感的日本制高品质名器

容易握持的尺寸和重量，内部确实惊人的肉厚皱褶&包裹感

尺寸：170*78mm

重量：约390g

[charadriusnivosus]

Lately I’ve been looking at storms. Focal length 16-78mm in wide angle apparently. 10-105mm broadly. occasionally 50mm, but more of a toss-up in the final result. DSLR Nikon looks vivid for color.

There’s a photo of downtown Miami at night with 100 iso and 12mm focal length, lens 10-20mm. Canon has the colors of a glossy commercial neutrality, although it’s clear post can edit most anything to look like something else- the character of a company sometimes shines through.

Wide angle screen savors of bright blue waters and jagged arcs of black rock - aperture 8, focal length 12.

Stars at night in long exposure, professional post- aperture 3.2 shutter speed 15 focal length 14 lens 14-24.

A duck with golden bokeh at sunset imputed from the sparks of light only reflected in the waves- aperture 5.6, iso 1000, focal length 560mm- achieved with a 400mm lens plus a 1.4x teleconverter, which sounds like an interesting prospect to consider.

A perfect photo of the ceiling in a cathedral- aperture 2.4 and focal length 4.3mm. (Iso 800.)

A calendar worthy black and white shot of a old boat at 85mm, F4.

Lightning at 6.3 aperture and 22mm.

A spring in yellowstone at 20mm, aperture 11.

A fox like you’d see scrolling tumblr at aperture 6 and 450mm. I like the people who use photography like a journal, they say, “noticed loud shutter. investigated the bush that made odd noises. no luck later on, they went off.” 450 seems like a sweet spot of wildlife photography, unless you preferred beautiful duck bokeh.

Grand canyon in all it’s majesty in aperture 9 and focal length 35. (one 30mm, ap 10). 320 iso. Canon really does remind me of calendars, professional neutrality. I reckon most photographers in national parks keep their 3 stop neutral density filters on (ideal texture caught between .5 and 2 seconds of exposure) and a polarizer to top it off, so I may be noticing a common polarizing character. I hear 10 stop is great for pulling out clouds scudding across the sky.

Semipalmated plover, crisply mid scamper- aperture 8 and focal length 560, 100-400mm lens with a 1.4x multiplier, iso 320.

[cfc8955]

First Photographs of Aotearoa 

In many of the early photographs of Aotearoa, documentation was prevalent. The people, the wildlife, the landscapes, the plants, all feature in the photography produced from that time. An example of plant documentation is seen in Herbert B. Dobbie’s work, where different specimens of New Zealand’s ferns are documented through the process of cyanotype. There are also many photographs that document the scale of the wonders that Aotearoa has to offer. Te Hauturu –o-Toi (Little Barrier Island kauri) depicts two figures standing at the base of a kauri tree that looms above them - one figure is holding an axe up to the base of the trunk. This image could be interpreted in a couple of ways. One perspective would be that this is simply a documentation of New Zealand’s wildlife. Another could be looking through “Western eyes” at these materials as a potential to make money.  

Portraits were another aspect of this documentation. However, many of the portrait images we see today have had aspects modified. For example, in John Kinder’s image of Wiremu Tamihana te Waharoa, Chief of Ngati Haua, the background was painted over. Behind the figure originally stood the side of the Elms Library, which was replaced with a white background in the developing process to give the impression that the sky was behind the figure.  Another example is Daniel Mundy’s image of Sir George Grey, where thefigure is sitting in front of a white backdrop. Used as a reference image, the figure of Grey was then painted onto paper with a backdrop of lush bush and tall grey mountains. To me, these moments remove the image’s authenticity – how are we able to trust these images to show us what was/wasn’t there? This also emphasizes the idea that these images were used to market Aotearoa to the Western world. Showing imagery of the landscapes that New Zealand has to offer would be more appealing to that audience than showing just the figure itself. 

Herbert B. Dobbie, New Zealand ferns, 1880, cyanotype (278 x 340 mm). 

Henry Wright, Te Hauturu –o-Toi / Little Barrier Island kauri, Friday, 30th September 1892, whole-plate gelatin silver glass negative (215 x 165 mm) 

George Henry Swan, Parts three to five of a nine-part panorama of Wellington’s waterfront including Lambton Quay, 1862, albumen silver prints mounted on card (144 x 197 mm, each print, slightly irregular) 

John Kinder, Wiremu Tamihana te Waharoa, Chief of Ngati Haua, 1863, albumen silver print mounted on album page (107 x 78 mm). 

John Kinder, Wiremu Tamihana, William Thompson the kingmaker. New Zealand, 1863, albumen silver print mounted on album page (107 x 78mm). 

[susanlabnic]

Digital Microscope 1000x

Labnic Digital Microscope uses the NIS45 infinite color-corrected optical system for superior color reproduction, with a 30° inclination, adjustable interpupillary distance (47mm to 78mm), 200mm tube length, precise electric focusing via joystick, touch screen and polarized light sample analysis.

[hirental]

삼성 세탁건조기, 하나로 합쳐진 원바디 디자인

장기간 사용하신 세탁가전을 교체하려고 하신다면

이번에는 삼성 세탁건조기 렌탈로 바꾸어보세요.

세탁기와 건조기가 하나로 합쳐진 원바디 디자인에

조작부도 하나로 통합되어 높이는 78mm 낮아지고

하나의 컨트롤로 간편하게 설정하실 수 있습니다.

상단 건조 용량은 20kg에 하단 세탁 용량은 24kg로

부족함없이 넉넉하게 세-건을 진행하실 수 있고~

2종 (블랙캐비어, 화이트) 색상이 있어 설치 환경에

맞추어 인테리어하듯이 고르실 수 있습니다.

주요 기능으로 AI 맞춤 세탁/건조로 빨래의 무게와

종류, 오염도를 인식해 최적화된 코스로 작동되며~

미세플라스틱저감 코스를 사용하시면 최대 60%의

미세플라스틱 발생량을 줄이실 수 있습니다.

기본 세탁은 에코버블과 강력한 초강력 워터샷으로

찌든 때와 세제 찌꺼기까지 싹 헹궈주며~

건조의 경우 추가로 유해세균, 진드기, 꽃가루까지

99.9% 살균 건조를 하실 수 있습니다.

더욱 좋은건 1등급 에너지효율등급 최저기준 보다

최대 20% 더 절약하실 수 있어 전기세까지 최소로

줄이실 수 있어 좋습니다.

여기에 구매가 아닌 렌탈이기에 초반에 큰 목돈을

지불하실 필요없이 후불로 납부하실 수 있고~

추가로 제휴카드를 활용한다면 기본 사용만으로도

17,000원을 청구할인 받으실 수 있습니다.

마지막으로 하이렌탈을 통해 신청후 설치받으시면

현금까지 최대로 지원받으실 수 있습니다.

#삼성세탁건조기 #WF2420HCVVC #WF2420HCWWC #원바디디자인 #낮아진높이 #하나의컨트롤 #세탁건조기렌탈 #삼성가전 #그랑데AI #인공지능빨래 #블랙캐비어 #화이트색상 #제휴카드할인 #현금지원

[karimawadd]

Photo 5

A) F8 / 1/250 / 78mm

B) F5.6 / 1/500 / 66mm

C) F5.6 / 1/1000 / 55mm

[ecig-canada-zone-ultimate]

100% Natural Gum Arabic All Zig-Zag papers have a thin glue line to provide a perfect seal – every time. Derived from the sap of the African acacia tree, the natural properties of gum Arabic provide a consistent seal without impacting the taste of your smoke. 78mm x 44mm Made using Natural Flax Plant Fibers 100% Natural Gum Arabic 100 papers per booklet

[planetopal]

New Floating opal pendants containing a beautiful mix of Andamooka and lightning ridge opal. Largest is 78mm long.

#opal #floatingopal #lightningridgeopal #andamookaopal #floatingopals #australianopal #blackopal #planetopal #gem #opaljewelry