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#Although I have immense sympathy for Minkowski's choice
hephaestuscrew · 1 year
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The most dramatic action that Minkowski takes towards Eiffel in the finale (sending him back in the Sol) is going against Eiffel's choices in an attempt to prevent him coming to harm. In contrast, the most dramatic action that Hera takes towards Eiffel in the finale (the memory-wipe) is causing him to come to harm in order to enact a choice that he's made.
In a sense, these actions are conceptual opposites. But they are both taken with love and respect for Eiffel. They are both extremely selfless actions which Minkowski and Hera find painful to take.
They are also both actions which could be considered to be harming Eiffel. Both of these actions involve doing something to Eiffel that Minkowski/Hera would hate to have done to them. And both of those actions are taken with the awareness that they are fairly likely to result in losing Eiffel in a sense (either because he's headed back to Earth while Minkowski is on the Hephaestus, or because he's losing part of what makes him him). That's part of what makes those acts painful and complicated and significant.
Minkowski and Hera both care about Eiffel so deeply, and their care often expresses itself in contrasting ways because they are very different people. The finale emphasises these different manifestations of their care. Love can be 'I will do whatever I can to keep you safe, even when that's not what you want'. Love can also be 'I will support the choices that you make to bring about our common goal, even when that causes you harm'. The way Minkowski's care for Eiffel manifests is tied up in her sense of responsibility for her crew's safety. The way Hera's care for Eiffel manifests is linked to how she's had to fight for her own autonomy.
Neither of their actions in the finale are perfect or typical expressions of love, but in their very different ways, they both act with love, and that's important to me.
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