#Fou'sse!Ben

[a-beneficial-union]

Which version do you like?

A

B

C

D

I think I like…

Hm….

[a-beneficial-union]

Part 1 of Found Vessel's reference sheet, I wanted to segment them for reasons that will soon be fairly obvious.

Fou'sse is a Ren from the seventh branch, one who's course corrected his timeline to make it less hostile towards him (read: so he wouldn’t be hunted for aport by his countrymen). These corrections (and some medical care) landed him, as many others in his situation, in a gaglaton of debt to Eon's Aid. After Eon's fall, Fou'sse's debt was used for temporary servitude.

The left features her without his hologram, the right showcases him with it. She was given the standard issue version (useful when trying to hide bumps and bruises from the masses, especially before his actions were public knowledge). All of his clothes are stained with ectoplasm but these, along with blemishes of the skin, are hidden with the hologram. Her veiled self lacks his paller, as it also covers over most visually obvious signs of sickness.

He is a laid back, somewhat lazy young adult who needs to learn a thing or two about self-discipline, or so his coworkers are led to believe. Those closest to him know her as a workaholic control freak with a bad habit of hovering and an even worse habit of ignoring forgetting her increasingly hampered limits as her chronic conditions cause him more and more trouble.

(Fou'sse's pronouns are he/they/she.)

[a-beneficial-union]

Have a comparison shot:

Ren is zoned out in their own little world, being playfully pestered by Cujo, and the two in-progress pieces are an experiment in how Ren percieves her surroundings and how others see him.

In the first image, Ren's headphones are the same colour as the background, drawing a barrier between him and all that is around her. Cujo is portrayed as a more realistic puppy, shaded and slightly coloured. The background observer (Drew Saturday) is lost to the surroundings.

In the second image, Ren is seen from behind, inhuman features given central focus. Here, Cujo is seem as more akin to a blob rather than an actual animal. The observer is unseen, as she is from which the perspective comes.