#Gertrud Trude Barkhorn

[tirorah]

’Minna’s Sky’ is Road to Berlin’s Crowning Achievement

A long time ago, in a universe far, far away, three young girls met each other during a war: Minna, the caring leader; Gertrud, the stalwart defender; and Erica, the lazy prodigy who kept them smiling.

As the fighting continued, a friendship began to form. And now, years later, that friendship lies at the heart of something truly exceptional.

Minna’s Sky is the culmination of twelve-and-a-half years of relationship development, and it gives this special trio the sendoff it deserves. I was overcome with conflicting emotions while I watched this episode; when it finished, I was left shaken and almost lost for words.

…Which is why I wrote an essay on it! And that entire essay is contained under the cut, so you’d best buckle up and hold onto something, because today we’re diving into what I believe to be the pièce de résistance of Strike Witches.

In a previous post speculating on what Minna’s Sky could hold—which, by the way, was thoroughly proven wrong—I took a moment to outline my love for Minna and my frustration with her neglect. Initially, this trend continued in Road to Berlin: in episodes 6 and 8, the characters were faced with circumstances that would’ve been greatly helped by a Witch with Space Understanding magic. Of course, I understand why the writers chose to exclude Minna from these events; having Minna there would’ve negated the drama of Trude thinking Erica was dead, and of Sanya and Eila clashing over conflicting sensory reports.

But Minna’s episode hit back hard. If RtB is Strike Witches’ magnum opus, then Minna’s Sky may well be RtB’s masterpiece among masterpieces. It combines the intensity and raw emotion of Hounds of Vengeance with a ticking time bomb that ratchets up the tension all the way through, finishing with a series of events that makes you feel like anything can happen.

Role Reversal

Minna’s Sky starts with a surprise right away. In episode 8, Minna and Trude expressed anxiety over losing their magic. At this point they’re just under three months removed from their 20th birthdays, where decay will certainly start to set in. But in this episode, we learn Minna’s already feelings the effects. At first this confused me, as their birthdays are only nine days apart, but I do recall seeing something about how Trude’s magical reserves are pretty large, second only to Yoshika’s. I can’t find my source for that, but this could be an explanation for Minna’s earlier decline.

Trude notices Minna’s flagging strength, and at that point, a switching of roles takes place.

Minna, who once held Mio at gunpoint for refusing to give up on flight, is now doing the same thing. She’s still herself, but she essentially slips into Mio’s previous role. She takes this burden upon herself and stops communicating with the others over it, even avoiding them during mealtime.

Last episode, we could see her mask starting to slip, and here, all her logic and serenity fades, replaced with a wholly emotional desire. She and her girls have worked so hard to get here, and she wants to uphold her vow of retaking Berlin, so she makes the decision to give this fight everything she has, despite the danger involved.

This puts her at odds with Trude, who slides into the calm and perceptive role Minna used to fill.

You know, Trude may be my favorite character of all time, but she hasn’t always been handled well. In Season 1, she was a great balance of the calm and quiet supporter, and the stern disciplinarian who thought yelling at Erica would make her get up earlier. In Season 2, this equilibrium was lost; it leaned much more into her anger, and there were precious few moments of Trude being the gentle and tender woman I know she can be. The movie had the same problem, as it had to reintroduce eleven characters in one sitting. Operation Victory Arrow worked hard to remedy this problem, focusing on smaller casts which gave them time to show different sides of themselves—like Minna and Trude having breakfast like a married couple. Ahem.

This is one reason why RtB has been so gratifying for me. It knows what it’s doing with Trude and while she’s certainly had some angry moments, RtB has built her up as a more mature, level-headed executive officer. Consequently, it feels natural for her to take up the position Minna would usually hold in this type of situation.

Even when she privately confronts Minna over her magic, there is no anger, only attempts to reason her friend out of her decision. But Minna doesn’t want Kiel to be lost, and at that moment, it’s made clear that she prioritizes Operation Southwind over her own well-being.

And this is entirely contradictory with what she usually tells her girls! Like I said before, the 501st is a circle of love, and while that love motivates them to fight for one another’s sakes, as Sanya did, it now leads Minna down a path of self-sacrifice that would’ve absolutely killed her if it was one of her girls doing it. Moreover, with Trude now filling Minna’s role, she’s the one pleading with Minna not to go, and like Minna once failed to stop Mio, Trude now fails to stop Minna.

This causes inner turmoil. Trude doesn’t want to lose Kiel, but if Minna perishes, she’d never forgive herself. Like she said in Hounds of Vengeance, when she thought Erica was dead, retaking Berlin would have no point if Minna wasn’t there to celebrate it with them.

It says something, then, that Trude chooses to go along with Minna’s wishes, and even keeps her waning magic a secret from the others. Instead of declaring Minna unfit for battle—which I imagine she has every right to do—she instead becomes Minna’s most ardent protector, immediately volunteering for the high-risk operation. When Minna becomes anxious and nearly makes a mistake, Trude is there to rein her in and calm her down. Minna even comments on how this would usually be the other way around.

Fortunately, Minna is better at this self-sacrificing stuff than Mio is. While she initially uses her desire to protect Kiel to justify her actions, a heartfelt campfire scene shows us that she’s aware of the ramifications her death would have. As Erica complains about their fake coffee, Minna promises to make her a proper batch when they return; Trude tells her not to make such promises, but Minna reassures her she’ll come back safe, and even proposes they go to a café together once Berlin is retaken. On the surface, they’re making plans for the future; but underneath, it’s an implied message to Trude: I understand. I’m not going out to die. I’ll come back.

Isn’t that first pic just the cutest Trude shot ever, by the way?

And Trude is pacified. She places her trust in Minna and continues to support her as best she can.

Of course, things are never that simple. Minna succeeds at her objective, and just when the episode seems to be steering to a happy conclusion, the Hive screeches and loads up all its rockets at the same time. As Trude once again begs her to stop, she does the unthinkable: she cuts the line and dives into a suicide run, breaking one promise to keep another.

The facial expressions and body language have been god-tier in RtB.

I must commend Tanaka Rie here. I’ve often complimented Sonozaki Mie (who voices Trude) for her impeccable delivery, but Tanaka Rie is equally excellent, possibly better in some departments (like range, just hear her role in Mai Otome for example). Here, as Negai no Tomoshibi starts playing in the background, the gravity of the scene rests entirely on Tanaka’s voice work. And boy, does she nail it! The exhaustion, the desperation, the sheer will, it’s all there. Her desperate pants and cries at the end are especially powerful, and they make this scene even more dramatic when she faints right after.

Trude manages to catch her—and only Trude was there, because 1: we only saw Trude catching her; 2: the hand we see is Minna’s left, and in the next shot, Trude is carrying her right arm instead; and 3: we only saw one blue dot in the Hive, and the episode previously established one dot was one Witch.

Ahem! Trude catches her and brings her back, and she…breaks down.

Wow. Trude doesn’t cry easily, you know. We’ve seen her depressed, despondent, even heard her sob as she told Yoshika to leave her behind, but until Hounds of Vengeance, we’d never seen Trude cry. While that one ended in a victorious moment, here the emotion is allowed to run its course, and it’s heartbreaking. Trude doesn’t just cry, she weeps, and as she yells and screams at Minna that she could never follow an order that would involve leaving Minna behind, her facial expressions convey just how terrified she truly was.

I said earlier that Minna switched to Mio’s role, and while that’s true, there’s something even more poetic at work here: this episode mirrors Season 1’s Episode 4 in some places, to the point that I feel like it has to be on purpose. That’s one reason why I made this photoset. Just look at this:

Oh look, more apologizing! These two are so emotionally responsible to one another. It’s always good to see.

The roles are shown as reversed, with Trude crying and reprimanding Minna, and Minna apologizing for her actions and agreeing on a better path forward.

Sexy Gal

I also need to devote some space to Erica here. She wasn’t as prominent—Minna and Trude’s bond took center stage—but this episode is probably the best showcase of Erica’s qualities. We already saw her surviving in the woods and rationing her chocolate three episodes prior, but here, it’s clear more than ever what her role is in the Karlsland Trio’s support structure: the morale boost.

In the “Erica Hartmann 1941” manga, we’re shown how Erica becomes a ray of hope for everyone, and especially Minna and Trude, whom she begins to develop a friendship with at that time. It’s this aspect which is finally on full display here: while she’s not as overt with her support as Trude is, she helps in her own way, and her easy-going personality consistently puts a smile on her friends’ faces. That’s why it’s so important that it’s Erica who makes Minna laugh—not once, but twice. In a group where the other two members have their fair share of baggage, Erica is a breath of fresh air and equally important.

Rising Tension

Okay, with the character work out of the way, let’s look at the episode’s story. Because holy crap, I felt like I was watching a movie! At first, I was a little annoyed by some of the stiff animation (especially for RtB’s standards). I was afraid they were going to half-ass Minna’s episode. But as the episode proceeded and absolutely everything got better and better, I realized I was in for a very special ride.

I’ve always had the opinion that Strike Witches is at its best when it plays its war drama straight, but it’s not as simple as striking the serious tone and having the characters fight for their lives. Strike Witches isn’t a pure action show; the stakes in battle often revolve around the characters overcoming their flaws, struggling to protect the world and those they hold dear. Thus, Strike Witches relies on its lighter moments to develop the cast so that when danger comes to them, your emotional investment in the characters helps to create additional tension.

In general, RtB has been great at this, but for me personally, the most emotionally intense episode prior to Minna’s Sky was Episode 6: Hounds of Vengeance.

But that one was different. It started off with relatively low tension, then brought it up to full when Erica was left behind and Trude had a meltdown over it. But when it’s revealed that Trude isn’t just moping around, and that she’s working on a plan, the tension evens out. The central question goes from ‘Will Erica survive?’ to ‘How awesome will Trude be in this episode?’ The climactic action is triumphant, and although Trude’s reaction to Erica’s ‘body’ is heartbreakingly real, we as viewers know that Erica is fine; in fact, she hasn’t seemed that down at all, obviously having faith in her rescue.

Episode 9 doesn’t do that. It immediately confronts you with Minna’s magic issue and her hiding it from her friends, then pretends to be innocent for a while, with Patton being an idiot and Ursula introducing her helmet gun. (“It’s a helmet, with a gun on it.” NO, REALLY?) But as soon as the Komet is introduced, the pressure builds and it never lets up.

It all comes to a head when the trio (plus Ursula) reaches the launch point. Minna’s been dropping death flags all episode, and now things go haywire over and over. An hour left? Nope, the Neuroi spotted you and moved up the rocket’s launch. Barely enough time to intercept the rocket? Hey, there’s that Neuroi that beat the two top aces of the world in single combat, and it’s coming to stop you. Thirty seconds to go for the fuel? The Neuroi gets past Trude and Erica and nearly destroys the Komet, hurts Ursula and blows up one of their trucks. Trude and Erica get it away from there? Oh look, the Hive’s about to launch!

We then get an epic scene where Minna takes off, uses her magic, and destroys the rocket. Speaking of which, I didn’t say anything about this when I talked about episode 8, but I’m so happy we finally get to see some of the Witches’ magic from their point of view! Seeing Eila’s future sight was haunting, and Minna’s is awesome to see as well. Erica and Trude manage to finish off their quarry, showing their skill and adaptability; it seems their prior experience means they’re better prepared to deal with its unique movements this time around.

Erica asks for chocolate and grumbles when Trude tells her she’ll get some later. Minna laughs, but there’s still that tension because Minna’s fuel is almost up, and she’s hanging around that damn Hive.

And then the Hive loads up all its rockets at once, and all hell breaks loose. Trude loses control of the situation as Minna goes on a suicide run, and then the insert song starts playing. It’s difficult to explain the impact of that song without simply showing you the episode. The moment that piano hits, it feels as though a veneer of tragedy descends upon the scene. The Komet nearly stops working, and Minna is on her last legs, and she’s reduced to nothing but cries and gasps. She faints moments after she destroys the last rocket.

And then the music gets louder as Minna plummets into the Hive, red slowly filling the screen. We’re treated to a long shot of Minna falling into the swirling, angry clouds, her tiny form fading into its mass. And at that point I freaked the fuck out.

It was somewhere around Season 2’s finale and watching the movie that I realized Strike Witches doesn’t kill off characters. Let’s just say killing a beloved character probably wouldn’t work too well for future sales. (“Hey, look at this awesome figure of the girl who died! Don’t you just love her? We’ll accept your tears as interest.”) If Mio of all people can have plot armor rivaling the size of the planet, then Minna sure as hell won’t perish here.

And yet, for a fleeting moment, I was absolutely terrified she would. All because of the masterful tension of this episode, and this entire fight scene in particular.

Fortunately, Trude manages to locate Minna in the clouds and brings her back, and the viewer can finally breathe easier as we head to the happy ending they deserve.

…Oh right, the ending.

Yuri alert

Let me start off by saying this ending is complete bullshit. It feels shoehorned in—no, I don’t care what historical event it’s referencing—and it doesn’t fit the tone of the episode at all.

Having said that, as much as this made me laugh (even more than Trude’s literal asspull in Hounds of Vengeance) it did get one thing completely right: yes, Ursula, it IS very beautiful. The love between these three is great. What kind of love that exactly is, I’m not entirely sure anymore.

Yes, you’re going to roll your eyes at this—oh no, she’s going to rant about Minna x Trude again—but…I was watching this ending, right, and I could almost hear the gears in my brain turn as I tried to process this image. Emotionally, I felt like this ending was communicating love of a different sort.

Look, for all I know they’re just best buds who’ve come to deeply rely on one another for emotional and psychological stability, but my god, this ending definitely felt like a ‘oh by the way, the three of them are married to each other’ signal to me. I’m not joking!

Does that make Minna x Trude canon, even as part of an OT3? No. In fact, for all the delightful Minna x Trude subtext this episode had…

Deflection by way of flirtation. Oh là là~!

…Trude did all but confess to Erica in episode 6, and later this week, Mio might finally return in a big way and might have screen time with Minna. But my point is, in that moment, my ship felt realer than ever. In that respect, this episode gave me more than I ever thought I’d receive.

Insert clever ending header here

Right, so that’s my ramble on Minna’s Sky. I hope I’ve managed to get across why I believe it’s the best episode of the entire series. The character writing was top-notch, the tension was through the roof, the music was evocative and the animation was beautiful. Barring an absolutely spectacular final three episodes (and I wouldn’t put it past RtB to deliver that), I think this is as good as it gets. It’s not easy to beat emotional stakes that were established twelve years ago, after all.

Minna’s Sky was absolutely the episode Minna deserved, and I was very happy to see the Karlsland Trio getting its spot in the limelight as we gradually draw closer to the ending. It’s their home they’re trying to take back, after all. And while I have no doubt Minna will continue to fly until the end of the season (she seems to be fine in the preview), Operation Southwind will most likely be the bookend to Minna and Trude’s careers.

I can only hope this won’t be the last we see of Minna and Trude. I’d love it if we got to see their lives after Karlsland’s liberation, either as supporting members of the Wing or trying to live normal lives after fighting a war for nearly a decade. (Shameless plug: I have a Minna x Trude fanfic which explores the latter.)

But most of all, I don’t want Road to Berlin to end.

[animegadaisukiidesu]

[wholesomeyuri]

✧･ﾟ: *✧ Happy Birthday Trude ❤️✧ *:･ﾟ✧

♡  Characters ♡ : Gertrud “Trude” Barkhorn♥ Erica Hartmann

♢  Anime ♢ : Strike Witches

☆ Source ☆ : pixiv

.｡*ﾟ+.*.｡ Art by 槌居（つちい） ｡.*.+*ﾟ｡.

♥*♡+:｡.｡ check out r/wholesomeyuri for more wholesome yuri goodness ~ ｡.｡:+♡*♥

[tirorah]

In ‘Shizuka, Come In!’ Everyone Still Has Much to Learn

That’s right, kids, it’s that time of the week again! I’m back with yet another Strike Witches rant!

This week we had the Shizuka episode, or at least, that’s what the episode’s title led me to believe. But interestingly, this wasn’t totally a Shizuka spotlight. Although it did show us how far she’s come, it also hammers home one of the central themes of Road to Berlin: everyone has flaws, and they need to overcome them to win the day.

The Hattori Dilemma

I’ve had mixed feelings about Shizuka so far. When she was first properly introduced, her hero-worship of Yoshika was understandable but grating. Thankfully, that only lasted for one episode, and she became a nice support character thereafter. Through her, we’ve also gotten a bit of an outsider’s perspective of how the 501st behaves, showing us how much their lofty reputation can deviate from reality. But I wouldn’t say she’s filled any particular roles that couldn’t be handled by one of the other members of the cast. The fact this has come at the cost of so much potential Lynne screen time is a bit disappointing.

When I went into this episode, the above was the number one thing I hoped to see resolved, or at least somewhat alleviated: giving Shizuka a clear role that would justify adding her to a roster of 11 already-developed characters.

Did this episode do that?

No. But I don’t think that was the intention either.

Shizuka Is a Great Soldier

Although this episode wasn’t all-out combat, owing to the setbacks the cast faced, this was definitely the start of a three-part finale. And I think we’re going to see more of Shizuka in the rest of it, all the way up to the ending. Plus, there’s still the matter of what her special magical ability is (if she has one; it might be cool if she didn’t), and this episode seemed more about showing us how much she’s improved since joining the 501st.

In particular, I really enjoyed how much Shizuka valued communication. She’s good at following orders and protocols, and she showed that here: constantly communicating with Minna whenever needed, and holding her own in the meantime. In fact, Minna implicitly trusts her to do well, as when Shizuka reports she’s fighting a new Neuroi solo, Minna doesn’t sound all that concerned. She doesn’t immediately send someone over to help, either (although Shirley did show up to catch her later.)

Did you notice the pool of blood is bigger later on? RtB has been so good at these little details.

Shizuka did everything right, and others even comment on how much she’s improved. But her strong suit is also her glaring flaw: she’s stiff and is incapable of thinking on the fly at times, making her less adaptable in the heat of combat. This is most clearly seen when she realizes the Neuroi’s core isn’t where it was last time; shocked and flat-footed, she stops moving around, and it’s in that moment that the Neuroi’s drones surround her and self-destruct, wounding her. This stiffness also stems from her inexperience; as she matures, she’ll likely learn to adapt to rapidly changing battlefield conditions. And she’ll probably loosen up a bit like Trude has.

This comparison to Trude isn’t accidental: in the Movie, she was introduced as an inexperienced Trude knock-off at first, and in the tail-end of this episode, their similarities are on display once again. As Shizuka sees what’s happened to Yoshika, despite having done everything perfectly fine, she blames herself for her friend’s condition. Yes, her injury did put everyone else in a very tight spot, but there was nothing she could’ve done better. There’s also the factor of her self-confidence; while she’s improved in this regard, there are still moments in this episode where she feels useless—lesser—compared to her more experienced colleagues.

And Shizuka isn’t the only one whose flaws were shown this episode. Episode 10 was, surprisingly, more of an ensemble work than previous episodes; Yoshika, Minna, Trude and Shirley were all given some time in the limelight.

Yoshika Is a Terrible Soldier

Let’s start with Yoshika, because oh boy, she was flawed as all hell. Longtime viewers of Strike Witches will already know that Yoshika isn’t much of a soldier. She starts out as a pacifist, and only takes up the gun when she realizes she can use her power to protect others. Protecting people is so ingrained into her psyche that it’s the very foundation of almost everything she does in this show, and nowhere is this as apparent as here.

This means that although she’s a sweet girl who will happily follow orders, she also disregards those orders the moment it conflicts with her desire to protect people. This trait ebbs and flows throughout the episode: at first, she does her bit for the plan, but when things go tits-up and she’s ordered to retreat fully, the lives lost around her push her to defying her orders. Shizuka manages to placate her by saying she’ll fight in Yoshika’s stead, and Yoshika does end up doing as she’s told; a fact that has Lucchini and Shirley ribbing them, stating that’s the biggest headline of all.

Ah, but then in come Patton and Bradley, and when they find out what’s wrong with Yoshika, they tell her not to use any magic until they go for another attack on the Hive. Before Yoshika can respond to this, a Neuroi appears to attack their facilities in Kiel.

When the need is this great, Yoshika ends up undermining her earlier character growth and runs off to the hangar before Minna or anyone else can even get a word in. She remains adamant when Minna stops her; it’s only Mio’s stinging reprimand, saying she should trust in her comrades, that makes her relent.

You say this, Minna, but it didn’t do much good in the end, did it? Also, another good Commander moment for Minna.

Keep in mind: this relapse of sorts may be frustrating for us as viewers (it did annoy me a little), but it’s all part of the struggle to become a more balanced person. Whether Yoshika will move past this compulsion is hard to judge at this point, but setbacks are also a natural part of progressing as a person.

Finally, when Shizuka is wounded and the others are struggling to stop the bomber Neuroi from crashing into Kiel, Yoshika decides to use her amazing shield to save everyone. Unlike the previous situation, this action is at least justified: Kiel is important for the operation, and had it been wiped out, Operation Southwind would be back at square one and many people would’ve died, including high-ranking personnel.

Her condition is unknown by the end of the episode, leaving us to wonder if she’s finally pushed herself too far again. I suspect the ramifications of this ending won’t be fully felt until the show’s final episode, at which point Yoshika may pull another deus ex machina and fly once again. (I think there’s still one shot of the first PV left unused, where she’s alone in a hangar and she says she wants to protect people.)

Minna Is a Great Commander

Yay, Minna got more to do! She actually gets to fight again, and she also gets to lead the 501st into battle, meaning we were finally shown some more of her leadership abilities in the field. She keeps a cool head, and this time suspects the trap before it’s sprung. She also has to rein in Trude a little this time around. Best of all, she somehow finds the time to give Shizuka some pointers even though they weren’t fighting alongside each other. It’s this grasp of the bigger picture where Minna performs better than anyone else.

But Minna is still incredibly protective of her girls, so when Shizuka’s out cold and they seem to be in an unwinnable situation, Minna gets a bit crazy again and flies at the Neuroi to slow its descent with her shield. This, at least, is born purely out of compassion; she wants to give the others more time to rescue Shizuka. But it is a loss of self-control in a way, not a good look for the person who’s supposed to keep everything under control.

Trude Is Put on the Back Foot

It was interesting to see Trude in this episode. She seemed her usual, level-headed RtB self…right up to the moment things started going wrong. Even though the Wall-type Neuroi have drastically altered the situation—making it clear the Neuroi were prepared to deal with them—she disregards Minna’s warnings and dives at the core. And when the retreat is ordered, she makes it obvious she’s unwilling to leave. Fortunately, for her sake, Minna hits back with this:

Trude does follow orders again after that, but these are curious lapses in her self-control that we haven’t seen for quite a few episodes. And now that Trude is officially the second-in-command of the Wing, such errors in judgement potentially spell disaster for the very people she wants to keep safe.

She indirectly faces a similar challenge later in the episode: when Shizuka is stranded and unresponsive, everyone tries to save her, only for the Neuroi to crowd its explosive drones around her prone body. Trude and the others stop short, and as Shirley asks her for orders, it becomes clear that she has none to give. She doesn’t know what to do. At least she doesn’t lose her cool, which is a small victory.

To contrast her actions earlier in the episode, when the Neuroi starts descending toward Kiel, Trude’s role shifts from attack to support. It’s very fitting that when Minna attempts to slow down the Neuroi to save Shizuka, Trude first once again calls her an idiot—and then goes in to help her anyway, because damn it Minna, you can’t do it by yourself. The two of them, plus Erica, go completely on the defensive, trusting in the others to save Shizuka.

Shirley Is Overconfident

Shirley had a very interesting role this time around. Early on, everything seems to be going smoothly and she gets quite cocky, even saying they might not need Yoshika at all. But she does change her mind once things start going awry; she’s obviously matured a fair bit since the early days, and in this episode, she’s very responsible and quickly feels like things have become dicey.

There are also a few moments where she’s supportive of the others, like telling Yoshika they’re almost in firing range and she just needs to hold on a bit longer, or telling Shizuka she did well and kicked lots of Neuroi ass. This is important, as Shirley technically has a responsibility for many of her younger comrades. But instead of Minna’s nurturing, motherly attitude, or Trude’s mix of tough love and gentle attentiveness, Shirley is the fun big sister who tells the best stories during parties. You need all three.

She also saves Shizuka’s life twice, first when Shizuka faints after defeating the bomber Neuroi solo, and later, when Shizuka is stranded on the Neuroi with a wounded leg. That second rescue is especially nice to see: Shirley zipping between Neuroi mines and grabbing Shizuka’s hand so precisely at that speed; it’s quite impressive! It also rewards the trust Minna and Trude placed in their subordinates (who would then, technically, be under Shirley’s command) to find a way to save their friend while the Karlslanders bought them time. Shizuka’s rescue is a nice team effort, spearheaded by the woman who used to be far more concerned with her own dreams instead of being a responsible figure.

Patton Is a Goddamn Idiot

I would not at all be sorry if he got blasted into space by a Neuroi beam.

What, you thought there’d be more here? Nope. The man is so flawed he wraps right back around to a void of nothingness.

More Importantly, There’s Also Something Fishy Going On

At least Patton and Bradley had some narrative weight in this episode, though, first with the reveal of Yoshika’s old prototype Striker, and then…with this:

For the first time in the season, we see hints of the military being dumbasses by holding onto some sort of secret weapon. Ah, Strike Witches traditions, what wonderful things they are. Anyway, the weapon seems to be some sort of huge tank with two frontal cannons. (Other commenters think it’s this thing, and I believe them.)

Either way, they seem to highly regard this thing as some sort of trump card, and Bradley also had this bizarre line:

…Luck?! I’m pretty sure that’s not how commanding works. If it did, I’d be much better at strategy games.

To me, their dialogue about the secret weapon seems to indicate they have some sort of ulterior motive. But they don’t seem to dislike Witches like Maloney did; it’s more like they’re using them as tools, ready to discard them when they think Witches are no longer needed to achieve victory. That was obvious when, after two tense episodes of retaking Kiel, the military just rolled past the Karlsland Trio with a cheery “Hey, good job! We’re going to go and retake Berlin now, choo choo!” They didn’t even inform Minna and co. of that before their arrival.

There’s also this little fact that Trude—of all people—points out:

Because Operation Southwind has faced delays and the like, the military’s apparently decided to keep the public unaware of their struggles. Instead, the newspapers paint a rosy immediate future, even though they failed in their objectives.

I’d also like to point out that this tidbit, while not followed up on in this episode, was impressive to see mentioned. War propaganda is a real thing—we’ve seen some examples of it in headlines before, such as when Shirley was reading the paper in Episode 4—and it makes perfect sense that the narrative’s been twisted like this to keep people calm. Minna doesn’t show much of her personal feelings on the matter, but while Trude doesn’t show any anger, it’s clear she’s not a fan. I really hope this gets some payoff later, and RtB’s track record gives me confidence it will.

But yeah, all this secrecy and stuff is a bit suspicious. I can’t put my finger on it.

…Or maybe I’m overthinking this. Maybe the military’s higher-ups aren’t as bad this time around. After all, Mio was witness to the whole thing with the secret weapon.

…

Oh shit, Mio!

O Mio, Mio, wherefore art thou Mio?

Considering we heard her in the preview, I was 100% expecting Mio to have a big role in this episode. Except…she didn’t? She barely did anything important. I was very thankful when she told off Yoshika, as Yoshika’s flaw was getting out of control, but she didn’t do much else of note, mostly serving as a link between scenes or conveniently broadcasting Shizuka’s injury just before the chaff cuts off communications.

Heck, she didn’t even have any dialogue with Minna! I was fully prepared to roll my eyes at their drama-filled shipbaiting (wholly different from Minna and Trude’s drama-filled shipbaiting, of course), but no, nothing.

I assume she’ll still have a role to play in things to come. That plane of hers has been teased all season, and in an earlier post I alluded to a way she might be able to fly into combat with it. Well, we’re almost at the end, so I might as well tell you my theory:

I think this has been set up as far back as Episode 2. In that one, we found out some sort of anti-Neuroi technology has been invented. It can be incorporated into an object (like that ship) and it will give that object a certain degree of resistance to Neuroi beams.

It seems to show up as red dots in the material itself, whenever a beam hits it. This shielding isn’t infinite, but it did allow the Doge to survive several otherwise fatal hits. With this technology, as well as the maneuverability of a fighter plane and Mio’s experience and skills, she could be capable of contributing somehow.

Road to Berlin

Is the title of episode 11, which is intriguing. Usually, namedropping the title is reserved for final episodes, or very special ones. As we know, the ‘Road’ is the personal challenges and setbacks the cast must overcome along the way. With some of their flaws built up in this episode, it seems natural for episode 11 to continue this theme, as the final offensive on Berlin begins, Patton and Bradley reveal their weapon (which I assume will backfire in some way), and we’re treated to an ominous shot of Mio watching over a bedridden Shizuka. Will Yoshika and Shizuka recover? Will Mio finally fly into combat?

Interestingly, the preview doesn’t have Mio’s voice in it at all, which makes me wonder how big her role is going to be. Instead, it’s Minna, Erica and Trude we hear, signaling we may have more Karlsland Trio goodness coming our way. I know which I prefer, but I do hope Mio gets one awesome scene all for her, so that Mio fans who’ve been waiting for her return all season won’t be left disappointed.

[tirorah]

Source

[tirorah]

“What were you thinking?! What would we have done if we lost you, too?! We may have lost our homelands and everything else, but we’re a team! No, we’re family!”

“You idiot! You promised to come back! You promised we’d go to that café in Berlin together! So what do you mean you’ll leave the rest to us? I’m not taking an order like that!”

Minna x Trude

Pulling each other back from the brink since 2008

[tirorah]

I’m finally watching episode 8 of Road to Berlin, and SEE?!

Me, literally four days ago:

In fact, Gertrud has a habit of apologizing to Minna when she knows she’s crossed a line. She takes responsibility for her bullshit.

I rest my case.

[animegadaisukiidesu]