#I have to think in what would be Billy's fantasy. The one he reluctantly confesses bc roleplaying is fun but he fills a bit dumb doing it

[giurochedadomani]

Billy thinks that roleplaying is a bit childish and a bit dumb right up until he finds himself "kidnapped" by a "handsome, charming criminal" who pins him to bed "with a dagger to the throat" (the one Eddie made out of foam for d&d)

[avaantares]

My thoughts on Torchwood: Aliens Among Us

Minimal spoilers. I’ll discuss themes and events, but try to avoid any major reveals.

Putting the rest after the jump for length and spoiler protection.

I debated whether to even post this, because I still haven’t quite made up my mind whether or not I actually like S5. I mean, the production values of the episodes are excellent, as usual (Big Finish knows what they’re about in that department), and the performances are great, and even the ongoing series hook is interesting -- but I think the problem is that I’m not actually enjoying the direction the series is headed. It’s done well, but it doesn’t quite feel like Torchwood to me. And that’s not just because more than half the original cast is missing; it’s a shift in something vital and central to the series. Its purpose, perhaps. I’m still digesting the episodes I’ve listened to. (More on that in a bit.)

Anyway, I’ll start with my take on the characters and their new roles:

Jack - Apparently having exhausted all his potential development in previous stories, Jack is relegated almost to the background of this series. He makes the usual lewd jokes and sleeps around and dies when the plot demands it, but he’s practically a cardboard cutout, doing Action Things when necessary and coasting on listeners’ affection for him from previous stories. After four episodes, there’s still no evidence that he’ll have anything resembling a character arc, which is massively disappointing.

Jack also shows some disturbing behavior here -- namely, he pseudo-stalks and seduces a man he’s considering hiring on at Torchwood just to get more information about him, which is not only dishonest and manipulative, but is a REALLY FREAKING CREEPY thing for a potential boss to do, especially if the hiring had gone through.

But no worries on that account, since Jack then bars said potential employee from Torchwood because he made a mistake in the field and got civilians killed. Jack cites the Doctor’s “no second chances” line and pontificates about how he won’t tolerate people dying on his watch. This seems out of character coming from the man who forgave Gwen for unleashing an alien gas that killed dozens of civilians, forgave Ianto for betraying them all and getting two innocent people killed in the Hub, forgave Owen Harper for rebelling and putting a bullet through Jack’s brain, etc.... not to mention Jack’s own tendency to shoot first and apologize later, for which he was often criticized by both Gwen and the Doctor. Even if he’s changed his views on violence in the meantime, I can’t imagine him drawing such a hard line in the sand without at least turning it into a teaching experience. Jack is the king of second chances; it seems hypocritical for him to deny one to a panicked newcomer.

Gwen - I’ve seen several other people say that they didn’t recognize Gwen until the character identified herself at the end of the episode, and I had the same experience. Her Welsh accent seems much stronger than it was in the TV series. There may be plot reasons for that, or it may just be an inconsistency. (EDIT: I’ve since read that, due to plot reasons, Alexandria Riley is actually performing most of Gwen’s speaking parts, so the difference is definitely intentional.)

Gwen doesn’t seem to serve a significant purpose in the stories until the extreme end of episode 2, when she conducts the major reveal of what will be (I suspect) her ongoing story arc for the whole series. That subplot is by far the most compelling thing about this new series, and honestly is probably the only thing with enough hook to keep me listening.

Mr. Colchester - The spiritual successor to the conspicuously absent Ianto Jones, Mr. Colchester is the dry, longsuffering general support. In many ways he’s the most complex and developed of the new characters, and while it took me a bit to warm up to him, I quite like him now. (Of course, since he’s basically replacement-Ianto, that may explain why I enjoy his commentary so much.)

We’ve learned a bit about Mr. Colchester’s personal life, as well as just a sliver of backstory, and I hope that is setting up for some kind of series-long arc for him. I think he has a lot of undeveloped potential. I’m very curious to know exactly how he came to Torchwood.

Orr - Orr manages to be interesting despite the fact that their introduction scene feels a bit too much like Discourse(TM). (I described the scene to a friend as “Tumblr: The Audio Drama.”) As a gender- and biologically-fluid being, Orr can psychically tune in to entities to acquire information in a way I’ve never seen done before, and that leaves open a potential gold mine of story opportunities and mystery resolutions. However, since the two episodes in which Orr features are largely spent establishing their abilities, there’s still not much sign of a dynamic arc. It’s strongly suggested that they will become a full-time Torchwood operative, which should be... interesting, given that crew and their proclivities.

Tyler Steele - Let me put this on record right now: I do not like Tyler. At all. I wouldn’t mind if he got flattened by a spaceship.

Now, that doesn’t mean he’s a bad character -- sometimes the most compelling characters are ones you despise, and Tyler’s role in the story seems to be going in that direction -- but it does bother me that Jack seems intent on carrying on an ongoing sexual relationship with a character who is so morally questionable, disrespectful, self-serving, and generally kind of a jerk. I can’t imagine Jack putting up with that, no matter how good Tyler is in bed, unless we’re just going to undo the past ten years’ worth of Jack’s character development and kick him all the way back to the way he was with Captain John Hart.

Tyler himself is the only one of the new characters who does seem to have the setup for a dynamic story, which could be more interesting if they turn him into a villain or boost his moral grayness to have him play both sides. (Personally, I’d really like to see him waffle for a while, then cross a line and become unredeemable, forcing Jack to have to stop him. That would provide a nice characterization moment for Jack, too.)

Other Characters: Rhys and Mary Cooper (Gwen’s mother) get cameos, but that’s about it. At least two other named characters (Andy and Billis Manger) are coming back for the next set, so we’ll hope for an expanded cast next time.

Before I get critical, I do want to mention a few specifics that this series does well:

It’s implied that either there is no coffee allowed in the Hub, or no one is allowed to use Ianto’s coffee machine. Which is heartbreaking, but also gratifying, as it implies that Jack can’t bear to let that one piece of Ianto be replaced. Many of us were worried that Ianto would be forgotten or just garner a token mention, as he has in most series/publications set post-MD, but it’s nice to see actual evidence that they remember and mourn him.

It’s also suggested that Jack is still thinking constantly about Ianto, even years after he died. Which is small comfort after we’ve had to witness Jack getting it on with that creep Tyler multiple times, but at least Ianto hasn’t been erased completely.

The reveal of the subplot surrounding Gwen came as a complete shock to me. I often work sneaky plot things out beforehand, but I’ll confess, I did not see that one coming. (Others have pointed out that this plot element may have been foreshadowed in a previous episode...? But we’ll need more information about what’s actually going on before confirming that.)

I like that they’re operating out of the literally collapsing ruins of the Hub and are completely broke, even though it does raise some questions about EU continuity (we saw the Hub cleaned up after the explosion in Long Time Dead, and Gwen was trying to rebuild it in Forgotten Lives). It’s nice -- and thematically appropriate -- to have them huddling in a broken ruin of the past while trying to come to terms with the future.

Now, some thoughts on the story itself:

I’m really not sure how to approach this new world, where aliens populate Cardiff and are so far from secret that there are human protest groups lobbying in the streets to remove them. It acknowledges the events of Exodus Code and the Titan Comics series (I have major issues with that, too, but that’s another conversation entirely). At this point the series has split so far from the known Whoniverse that it has more in common with awkward American stepchild Miracle Day than with its own BBC parent series. I feel like we’re now trapped in a bubble universe that is never going to resolve with the original series of Torchwood.

Anyway... Cardiff is overrun by aliens, and apparently instead of Torchwood trying to protect humanity from alien threats, in this brave new Cardiff, Torchwood is trying to protect... the aliens? For motivations that remain unclear to me, in episode 2, Gwen and Mr. Colchester spend a whole night repeatedly putting their lives on the line to protect an alien from capture after they witness her eating innocent humans. Reluctantly, she claims, but the extremes they go to to protect her (including endangering human civilians and hospital staff) just don’t seem justified when she and her family are actual threats to humanity.

The ongoing story of S5 centers around the economic and political takeover of Cardiff from a particular race of aliens. It’s sinister enough, and provides a backdrop for multiple villain-of-the-week episodes, but there’s really no soul to it. Maybe that will change with future episodes, but I think this points to the main reasons I’m not really getting into this series as much as previous Big Finish Torchwood dramas:

Classic Torchwood was a character-driven series set against a dramatic (and often camp) space fantasy backdrop. At the end of the day, we didn’t care what kind of aliens were attacking Earth that week; we worried how Ianto processed his grief, wondered whether or not Owen actually had a heart under his flinty exterior, cheered the little moments when Jack opened up to his friends, and mourned when characters we had grown to care for sacrificed their lives in defense of the people of Cardiff and the world. The character development was the hook, and the episode plots, for the most part, were secondary.

This is one reason so many fans were disappointed in Miracle Day, which was more an American political thriller than space fantasy, and introduced new characters who were wooden and lacked compelling character arcs. The premise of Miracle Day was fascinating, but we couldn’t engage with the story the way we did with the gripping bureaucratic drama of Children of Earth because we were put off by MD’s flat, unlikable protagonists.

AAU, as well, is missing some of those critical elements that let the audience engage deeply with the story. While there are complex things happening in the political sphere, we come into S5 knowing nothing about the new characters, and the characters we do know seem too static. Gwen does get an interesting story hook, but not until the halfway mark of this boxed set.

In short, I just don’t care enough. I miss the depth and complexity of the original characters, and I miss the ongoing growth that made Jack and Gwen interesting. I don’t know the new characters well enough to feel strongly about what happens to them, and there is little indication that they will become dynamic over the course of the next few stories.

It’s a shame, because I love Torchwood and want more of it, but I just don’t feel like I’m getting proper Torchwood with these stories. I’ll probably give the next part of Aliens Among Us a try, but I’ll wait to see how it goes before deciding on the third set. it’s hard to justify the high price of the box set for a series I’m basically ambivalent about.