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pucksandpower · 9 months

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if requests are open, can I pls request baby vettel telling her brothers (the grid kids) she has a "boyfriend" when she comes home from kindergarten one day ??? if requests are closed, please ignore 💗 love your works so much !!

Grid Kids: Cooties

Sebastian Vettel x wife!Reader x platonic!drivers

Summary: the grid kids take being big brothers very seriously

Series Masterlist

“No.”

Max’s voice is firm, his face aghast.

Charles, sitting next to him, nods in agreement. “I thought we agreed that you’re not allowed to date until you’re 40?”

Your daughter looks up from her crayon artwork, her little brows furrowing. “But Tommy said we’re boy ... boyfr …”

Lance interrupts, “Boyfriend and girlfriend? No, no, no. Absolutely not.”

George chimes in, holding up a toy car, “Tell whoever this Tommy is that you’re too busy racing to have a boyfriend.”

Lando adds, “Besides, boyfriends mean cooties. Do you want cooties?”

She tilts her head, pondering the dire consequences of these so-called cooties.

Charles, trying to be the voice of reason, kneels down to her level. “Sweetie, you’re a smart, wonderful little girl. And Tommy is, well ... you can do better.”

Mick, watching the entire exchange, laughs. “Guys, she’s just a kid. They’re probably just sharing crayons.”

Lando looks scandalized, “Crayons today, hearts tomorrow. It’s a slippery slope!”

Sebastian, watching the overprotective madness unfold, turns to you with a smirk, “I think our daughter has a solid set of bodyguards.”

You laugh, wrapping an arm around him. “Good luck to any actual future boyfriends.”

Your daughter simply shrugs, scribbles something on a piece of paper, and hands it to Charles. “For Tommy.”

Charles reads aloud, “We can be friends. But no cooties. Okay?”

***

The next day after school, Max bends down to your daughter’s eye level, “Now, which one is Tommy?”

She points a tiny finger to a little boy playing with a toy car on the playground. He has sandy hair and an innocent expression as he makes car noises.

Lando claps his hands together, “Alright, mates, game faces.”

George rolls his eyes but can’t help his grin, “Really? We’re really doing this?”

Lance nudges him, “We have to ensure he’s good enough for our sister!”

As the grid kids approach Tommy, he looks up, wide-eyed at the small army of grown-ups marching towards him.

Charles squats down, “Hey there, buddy. You Tommy?”

Tommy nods slowly, clutching his toy car.

George, leaning down too, tries to sound stern, “We heard you’re, uh, dating our sister.”

Lando, animatedly acting out air quotes around the word dating, adds, “We just wanted to have a quick chat.”

Mick, clearly finding the whole situation hilarious, jumps in, “You know, about intentions and all.”

Tommy blinks, “Inten-what?”

Max clears his throat, “Look, Tommy, we just want to make sure you’re treating our sister right. No stealing her toys or snacks.”

Lando jumps in again, “And absolutely no cooties. We had a long talk about that.”

Tommy nods fervently, “I don’t have cooties!”

Charles chuckles, “Good to know. So, you’ll play nice with her?”

Tommy nods again, “I promise. I just wanted to show her my new car.” He holds up the toy proudly.

George pats him on the head awkwardly, “Alright, Tommy. Just remember, we’re watching you.”

***

“Operation Sneaky Sneak is a go. Over,” Lando whispers dramatically into his walkie-talkie from his hiding spot behind a bush.

“Copy that,” George responds, trying to peer into Tommy’s living room window from a tree branch, “They’re ... playing with dolls? Oh, and there are some cookies. Over.”

Lance, hidden behind a garden gnome, chimes in, “I hope they're chocolate chip. Over.”

Charles, from his spot on top of a garden shed, adds, “No visual on any suspicious activities. Just some Barbies about to get the worst haircut of their life. Over.”

Mick, wedged between two trash cans, mutters, “Feels like we’re in a bad spy movie.”

Max, crouching behind a car, counters, “Feels? We ARE in a bad spy movie.”

Suddenly, the back door to Tommy’s house swings open and out step his parents, chatting and laughing. The grid kids freeze.

George, panicking, whispers into the walkie-talkie, “Abort mission! I repeat, abort!”

Lance tries to slink away, “Going dark! Going dark! We have been compromised.”

But it’s too late. Tommy’s mother spots them. “Um, gentlemen? What are you doing?”

Charles attempts to play it cool, “Oh, you know, just ... birdwatching. Beautiful sparrows around here.”

Tommy’s father suppresses a grin, “In our backyard? With walkie-talkies?”

Lando, thinking on his feet, responds, “Modern birdwatching. Very high tech. Over.”

Mick gives him a look, “Did you seriously just say over out loud?”

Max tries to salvage the situation, “We just wanted to ensure the playdate went ... smoothly.”

Tommy’s parents burst into laughter. “You guys really care about her, huh?”

Before anyone can respond, there’s a rustling from above. Thunk! “Ow!” Thwack! “Not the face!” Crash! “My hair!”

Everyone’s attention is immediately drawn to George who has dramatically fallen out of the tree, hitting almost every branch on the way down.

Rubbing his back, George groans from where he’s splayed on the ground, “Guess I should leave the climbing to the kids.”

Tommy’s mother takes pity on the fully grown children masquerading as adults in front of her, “Would any of you like to come in for juice boxes?”

The grid kids exchange sheepish glances. “Yes, please,” they reply in unison.

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angelbarelywrites · 3 months

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♡ tommy gets jealous | oneshot

♡ fandom; Texas Chainsaw Massacre (2003/2006)

♡ characters; Thomas Hewitt

♡ reader; gender neutral

♡cw; mentions of kidnapping and violence, don’t date people who want to slash you irl not a good foundation for a relationship

♡notes; I put on my big boy panties and wrote something other than a bulleted list!!

I just love a good “i trust you but i sure as fuck don’t trust anybody else” type jealously trope. Also some Tommy doing ASL!! We love a (selectively?) mute king.

•┈••✦ ❤ ✦••┈•

You were an oblivious person. Most of the time, anyways. You’d been totally shocked when Luda Mae didn’t let you leave the night you arrived at the Hewitt house, totally shocked when Charlie told you Thomas was obsessed with you, and more surprised still that Charlie had been right.

You weren’t stupid— you put two and two together that these folks were cannibals as soon as you saw the basement. You nearly talked Monty into letting you go, and you slipped your restraints a couple times before you were settled in. You’d done well in school and still could read a book in one sitting.

Maybe… socially inept was a better word, harsh as it sounded. It was only people that you had a such a hard time with. You trusted them, but you could almost never wrap your head around what they were thinking.

Like the customers that stayed too long . It happened a lot. Bikers and tourists and all sorts of folks would stop in when you were working in the convenience store, and usually more than once a day a man would stay leaned on the counter, chatting away until his buddies were about to leave him. Sometimes they’d be alone, and Luda would give you a break early and they’d go off looking all huffy.

It very rarely occurred to you that the men were trying to flirt. You didn’t think of yourself as someone that happened to- and treated all customers the same. Why would they think you wanted to bang em when all you did was smile? Being nice was part of your job.

Luda Mae payed no mind to the men or your conversations. If there’d been any cause for concern, she’d be able to quash it very easily. But she found it endearing, especially your confusion and apathy when they did get balls enough to be blunt . In her mind you were so devoted to Thomas that other men were just nuisances.

That’s why no one had mentioned it to Thomas. He rarely came up to help now that you were there to help Luda Mae, but today there was extra stock, and her joints had been aching from the weather. You were on register, Luda Mae relaxed in a rocker on the porch, and Tommy stalked the aisles and put out trinkets and canned food and all the other junk you sold. You were trying not to go distract him and stood leaned over the counter, doodling on some scrap paper between customers.

“Well hello darlin,” A man drawled, hands on his belt buckle. He was trying too hard to be a real Texan, but he wasn’t from up North like you. “You got any cigarettes back there?”

“Sure do! Let’s see… got Camels, Lucky Strike- I really like these ones, the Salems, they’re menthol-“

“You look too sweet to smoke. I’ll take the Camels,”

“Well, only do it on special occasions,” you shrugged, not paying much attention as Thomas stalked towards the front “Anything else?”

“Well. That depends.”

“On?”

“If you’re free or not tonight.”

You blinked, then furrowed your brow “You tryna ask me out?”

“Well I- oho shit!” The man laughed uncomfortably as he noticed Thomas right behind him “You scared me there big guy-“

He huffed and slunk behind the counter as the man nervously tried to get back on topic “Anyways… ahem…so about that date-?”

You huffed and out a hand on your hip “Well, depends?”

He perked up a bit “On what?”

“If you can beat my boyfriend in a fight.” On cue Thomas wrapped his arms around you from behind, growling as he hooked his chin on your head.

The man quickly turned tail and mumbled something about being out of practice, forgetting the cigarettes completely. You could feel Tommy relax and turned to let him pick you up and set you on the counter. Even then you weren’t eye to eye with the giant of a man…but it was closer, and you liked feeling tiny anyway.

“…hi baby.” You cooed and loosely wrapped your arms around his neck. He huffed and nuzzled you, as he often did as a form of reassurance. You giggled and pecked his mask “Annoying, right?”

He nodded and scowled, keeping his grip tight on your hips

“…what’s wrong?”

He hesitated but pulled back to sign ‘Mine. All mine. Right?’

You giggled again “Of course! All yours- always.”

He smiled softly- the sort of expression only you could coax out of him ‘Always’

#slashers #thomas hewitt #slashers x reader #slashers x you #tcm #thomas hewitt x reader #leatherface #texas chainsaw the beginning #texas chainsaw massacre #luda mae hewitt #thomas brown hewitt

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togrowoldinv · 7 months

Text

To Show Thanks

Milf!Wanda Maximoff x Reader

Wanda does all of the cooking for Thanksgiving and you help her see just how thankful you are for her

Warnings: Smut! 18+ please! Kissing, bathtub sex (W receiving), soft sex

Note: The most wonderful time of year indeed. Enjoy the milf!

Wanda Maximoff Masterlist, Main Masterlist

The house smells of turkey and the holiday season as Wanda stands by the stove. She’s been cooking since the crack of dawn, but she wouldn’t have it any other way.

You’ve helped with a few things, but mostly it’s been Wanda who is putting in the work. The twins run around the house and play as they wait for the company to arrive.

“No! I’m running out of time!” Wanda’s voice breaks you from your thoughts.

“It’s only 5, baby. You still have about an hour until the guests arrive,” you say.

“That’s not long enough,” she says, a sigh falling from her perfect lips. They form into a pout as she observes the work she has ahead of her.

“Well, you could use your magic,” you say.

Wanda smiles but shakes her head.

“No magic today. Just me,” she says.

“You are magic no matter what, my love,” you tell her.

You stand up from your chair and hug Wanda from behind. She sinks into your touch. Dropping a kiss to her cheek, you make her feel relaxed even if for just a moment.

“Tell you what,” you begin. “I’ll get the rowdy boys to set the table and I’ll help you do anything you need. We can do this.”

“We can do this,” Wanda repeats though she’s not sure she believes it.

You kiss her cheek once more for good measure and then you go find the boys. They’re in their room playing Mario Kart.

“Hey guys,” you say. “How about we pause the game and go help Mom get ready for the guests?”

“Okay!” Billy answers easily. He’d do anything for his mom.

“Can we finish this level?” Tommy asks.

“Later, buddy,” you say.

“Okay,” he says, a slight sigh in his voice. He pouts like Wanda does.

“I have a super secret task for the two of you,” you tell them before you leave the bedroom.

“What is it?” Tommy asks.

“Today is Thanksgiving, which means that you tell people that you’re thankful for them. I got your mom a card and I was thinking you two could write a sweet note in it for her. What do you think?”

“Yes!” They both agree. Anything for Wanda.

You smile and lead them to the home office where they work on the card. You leave them to go back and help Wanda. Once they’re done, they come downstairs and set the table.

Wanda was right about timing being close, but you manage to have everything cooked and ready to serve at exactly 6 o’clock.

“We did it!” Wanda says excitedly.

“You did it, babe. All you,” you say.

Wanda smiles softly and places a soft kiss to your lips. The boys feign disgust. Soon, the doorbell rings.

She answers the door and lets guests inside one by one. Steve is first with Natasha, Maria, Tony, Sam, and Bucky not far behind. You remember meeting them all at the boys birthday party, but it’s so nice to see them again.

Everyone gathers around the table and begins to eat Wanda’s wonderful food.

“This is amazing, Wanda,” Steve compliments.

“Yeah, great job, Wanda. Reminds me of home,” Sam says.

Wanda smiles shyly and tries to share the credit.

“No, this is all her. I can cook, but not like this. She’s like professional level good,” you say. Everyone nods in agreement.

“So, how’s everything going?” Maria asks Wanda.

You know what she’s referring to. After Wanda and Vision split up, the woman has gone through a hard time with the divorce and now child custody hearings. You’ve been the bright spot in all of it.

“It’s good,” Wanda says. “I didn’t know going to court would be so expensive but it’s almost over.”

“I’d sue his ass for what he’s put you through,” Natasha jumps in. Maria nudges her shoulder but she only shrugs.

You shoot her a smile and she returns a smirk.

“How about we just talk about what we’re thankful for?” Steve, ever the peacemaker, tries to change the subject.

“Great idea,” you agree. “I’ll go first. I’m thankful for Wanda and her wonderful children and friends.”

Wanda smiles and kisses your cheek at your words. You hold her hand under the table. You’ve become her everything over these last few months.

Wanda speaks next. “I’m thankful for friends who have become family, for my precious babies, and for y/n who is truly my best friend.”

Everyone goes around and continues to share what they’re thankful for. Love and laughter fills the air as the hours pass by. After dessert and socializing, the guests go home.

Wanda is in the kitchen running a sink of dishes when you stop her.

“Come with me,” you say, pulling her softly.

“But the dishes, baby. They won’t do themselves,” she tries.

You keep walking and lead Wanda to the living room. The boys are there with Wanda’s card in hand.

“We got you this, Mommy,” Billy says, handing her the card.

“Oh, thank you, baby,” Wanda says. She sits between the two boys. She opens the card and tears fill her eyes.

“We all signed it to say we’re thankful for you,” Tommy explains.

“Wow,” Wanda says softly. “This is so sweet. I’m so thankful for you guys too.”

Wanda kisses them both on the forehead as they lean into her. She reaches out to you too and you join the snuggle pile.

“Can we finish our level before bedtime?” Tommy asks after a moment.

“Yeah go ahead boys. Mom and I will be up to tuck you in soon,” you tell them. They hug you both before running up the stairs.

Wanda tries to get up but you pull her gently back onto the couch. She lands on your lap and you grin at her.

“Thank you for the card,” Wanda says.

“That was from the boys,” you say.

“Mhm. I know you were the mastermind,” she says. “I should really clean up dinner.”

“Nope.”

“What do you mean nope?” Wanda asks.

“You, my dear, did all the cooking so I will do all of the cleaning,” you say. “I’ll pour you some wine and you just get to relax, okay?”

You don’t give her a chance to say no. Instead, you kiss her and get up to start cleaning. Wanda sits at the counter and watches you. After a bit, you tuck the boys into bed and finish up cleaning.

“How about a bath?” You ask Wanda, leaning over the counter in a way you know draws her eyes to your chest.

“Only if you’ll join me,” she replies, pressing a kiss to your lips.

“Yes please,” you say.

You go to the bathroom together and run the water. Wanda slips off her clothes first and slides into the warm water. You join her and settle in behind her.

She rests her head on your shoulder as you softly run your hands over her body.

“Thank you for today,” Wanda says.

“You did the hard part.”

“No, I mean- you didn’t have to clean up or give me a card or anything,” Wanda explains.

“Oh,” you say. “I just thought you’d like it.”

“I did. I loved it,” Wanda rushes to say. “It’s just- no one’s ever done that for me before. It’s new.”

“You deserve it, Wands. Everything doesn’t have to fall on you. And you deserve to hear how thankful we all are for you,” you say.

“Hmm,” Wanda hums. She turns her head to look into your eyes. “I really love you.”

“I really love you too, Wanda Maximoff.”

She leans up and kisses you. You deepen the kiss and let your hand slip between her legs. Wanda gasps at the feeling.

“Just relax, baby. I’ll take care of you,” you say.

She lets herself relax against you as you move your fingers through her folds. Wanda lets out the sweetest sounds with every stroke. You slip fully into her easily and make quick work of getting her to her high.

“That’s it, sweetheart. Let go,” you say softly as she comes against your fingers.

Wanda’s eyes remain closed in pleasure as you simply hold her against you. She stays there until the water gets too cold and you have to get out.

You get dressed in warm pajamas and snuggle into bed next to each other. Wanda clings to you.

“I’m so thankful for you,” Wanda says as her eyes droop closed from exhaustion and relaxation.

“I’m thankful for you too, Wanda. I always will be,” you tell her.

With one more shared kiss, you two fall into a deep slumber that lasts until morning.

Wanda has never been so happy and that’s all thanks to you.

#wanda maximoff x reader #milf!wanda #wanda maximoff #wanda maximoff smut #wanda maximoff comfort #wanda maximoff fluff #milf!wanda x reader

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elvensorceress · 2 months

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idk I get incredibly angry at homophobes being cast on my gay shows. anybody want the start of my fic where Eddie dumps her bigoted ass and then has a gay ole sexy time with his husband and his husband's new boyfriend? because here. you can have. it's cathartic 💕

test drive - 2K, BuckTommy, BuckEddieTommy, Buddie endgame forever / Explicit

The restaurant is dimly lit in a way that might be classy and romantic, but Tommy’s hand is also on Buck’s thigh. And he’s having a lot of very not-classy, not even very romantic sorts of thoughts. Everything is far more along the lines of, he could put his hand on my dick, and I know what his cock feels like down my throat, and why are we here in a public place when we could be back at my loft taking turns fucking each other until we’re both a mess of cum and lube and sweat and sexy bruises and love bites? Because all of that is way more appealing than what they are sitting here, waiting to do.

If it were just one of their dates, it’d be great. Those are fantastic. Tommy likes to pick him up and take him to nice places and he smiles in a really, really soft cute way that also has an air of, I am going to fuck you until you scream and you will love every second. And holy fucking god, does Buck love every second.

Bisexuality, man. Who knew?

It’s so fantastic. It’s so different? Or maybe it’s just that Tommy is different because he’s ridiculously cool and hot and Buck always really liked when someone knew what they wanted and would take the lead and he could do everything in his power to please them and make them feel good. Confidence is infinitely sexy and competence even more so. And Tommy has all of that in spades.

And Buck loves men. Buck really loves men. It makes so much sense and how had he never even considered? Maybe he considered but he sure as hell never realized wanting a man and being attracted to a man was something that fit so well. Fuck, it fits so well.

Maybe he could even end up with a man someday? Maybe he could marry a man and have a relationship that is like this all the time for the rest of his life? Not that he doesn’t like women still. Women are great. People who don’t identify as either or they identify as both or however they choose— they’re great, too.

Everyone is hot and Evan Buckley is very bisexual, and it just might be one of the greatest revelations he’s ever had.

He’s just really, really enjoying being with a man right now.

He is not, however, enjoying the thought of this dinner. Everything about this dinner makes his stomach a washing machine of anxiety. For no reason. He doesn’t know why. There’s nothing wrong with it.

Why wouldn’t he and his boyfriend go on a double date with his best friend who is their mutual friend, and his best friend’s girlfriend. What is wrong with that? It’s fine. Should be— fun?

Shouldn’t be a bad taste in his mouth that the wine still hasn’t gotten rid of and roiling in his stomach that is really killing his appetite. But it very much is.

Tommy squeezes Buck’s thigh and rubs it in a way that surely is supposed to be comforting. But it makes Buck want to drag him out of this restaurant and back to the loft where he can show Tommy how good he is at fucking him now. Not just because it would be a thousand times better than the prospect of this dinner. The bar is so low on the ground, it’s buried at this point. But also because sex with his new boyfriend is better than— actually, Buck is having a hard time thinking of anything that is better right now.

Very hard time.

They’ve been practicing. Everything. Blowjobs, fucking, fingering, ball massages, prostate milking, rimming— all sorts of really fun things Buck never even imagined could feel so good. Not that he was oblivious to a lot of it. He has toys. His ex was into pegging. Buck might have been unaware of how intense and gay— well, bi. He’s bi now. Buck is bi now. Probably always was but he knows it now. He’s bisexual.— his attraction to men could be. But he was not unaware of sexual acts that feel good to his body.

But it’s totally different with a real man and a real cock and being manhandled by someone who might actually be bigger and stronger than you is really fucking hot.

He checks his watch again and it’s already 7:28. They’re almost half an hour late. Which is so not like Eddie. He’s not sure if Marisol is like that but he knows for sure Eddie is either fifteen minutes early for everything or he texts if there is a problem. Even then, he’s only ever a few minutes late. If that. And last Buck checked, there were no new messages on his phone.

He checks again, and still nothing. Not even to Buck’s message of, hey u ok? u on the way? He frowns and sets his phone back on the table and turns to Tommy. “How long before I’m allowed to be really worried?”

Tommy gives him an amused smile. “You can be worried.”

“How long before we need to bother Athena? Ten more minutes? Five? Sh-should I bother Athena now?”

Tommy’s eyebrows scrunch and he looks at Buck like he’s crazy. Okay, it’s probably crazy. Just. He’s worried? That must be the churning in his stomach. “I’m sure Eddie’s fine. It hasn’t been that long. And he’s Eddie.”

Yeah. Yeah, he’s Eddie. But Eddie was also shot downtown in the middle of broad daylight and nearly bled out all over, and there’s not much anyone can do even if they are trained in hand to hand combat and self-defense and those kinds of things. Not many ways to defend against a sniper round that shouldn’t even be a thing.

Not that Buck is thinking about that. Ever.

He’s just turning into a washing machine over this dinner. That’s all.

Five minutes later, some of it finally eases when Eddie finally shows up and sits down across from them. Alone.

Alone?

“Sorry, guys,” Eddie runs a hand through his hair and breathes like he’s run a hundred miles. He’s hardly been looking distressed at all lately. He’s been glowing smiles and pretty laughs. Not pretty. Nice? Good? Good that he’s so much happier and at peace.

But he’s not that now.

“I would’ve—” Eddie checks his own watch, one that was a Christmas present that Buck had engraved with, all the time you need, and must realize how late he actually is. “Fuck. Sorry. Really sorry. I’ll buy? Unless you’ve already eaten and paid and are about to leave.”

Tommy shakes his head and has that nice smile that’s so reassuring. “We haven’t. Don’t worry about it.”

“We were waiting,” Buck adds and itches to ask him what’s wrong, why he’s late, why he looks— like he isn’t okay.

“Great.” Eddie nods tersely and it sounds anything but great. “They got anything stronger than wine and cocktails here? Because—” He doesn’t say. But he does make a face the conveys everything.

“Doubt it,” Tommy says. “But we can get something somewhere else. Is Mar— Mari?”

“Marisol,” Buck supplies. Not that it matters. Not that he cares. Is he supposed to care? There’s nothing wrong with her. She’s fine.

“Right,” Tommy says, which should say everything. Eddie’s been hanging out with Tommy for months, Buck’s been with Tommy for months, and Tommy is pretty damn good at remembering people’s names. “Marisol. Is she still on the way?”

Eddie’s jaw gets very tight. “No. We’re done.”

Tommy looks at Buck and Buck looks at Tommy. They’re done? They broke up? Not that it’s particularly surprising. Part of the curse of dating someone you met on a call. Gotta be. Also the whole thing where Eddie has some kind of commitment issues or something because as soon as he gets a girlfriend, he has to spend all his time doing anything besides being with said girlfriend.

“So, drinking?” Tommy says.

Buck pushes his wine glass across the table. They usually share when they eat together. Drinks, food, anything. And he’s happy to offer it to the cause.

“Yes, drinking.” Eddie takes Buck’s wine and downs all of it.

Eddie’s single again. Marisol isn’t coming to dinner and she’s not part of their lives any longer. Not that Buck has a problem with her. She’s fine. She was nothing really. That wasn’t going to last. Eddie likes the idea of being with someone. So he says. He’s allergic to actually having a relationship for some reason.

The washing machine in Buck’s stomach disappears though. Which is so much better. Now, it’s just Buck hanging out with his best friend and his boyfriend.

Maybe there’s a little washing machine. It’s nothing though.

They order food and drinks, and Eddie only goes through a couple shots and three glasses of wine and one beer. But he eats and also drinks water and doesn’t seem inebriated at all. So, they focus on the meal and Tommy’s latest work stories of helicopter rescues.

It’s not until after Buck discreetly hands their waiter his credit card before they’re actually brought the bill, that Eddie actually starts talking.

“I kind of fucked up. Didn’t mean to. I owe you an apology,” he says and looks at Buck with worlds of regret and sorrow.

Whatever it is, Buck forgives him. He’s sure he’s done far worse than whatever it is. “Why? What, uh, what happened?”

Eddie doesn’t look at him. Or Tommy. He does shake his head but not like he’s saying no. More like he’s disgusted. “I let it slip that you two are— that you’re. Dating. Together. Boyfriends? Do you call each other that? Are you boyf— never mind, I let it slip. I’m sorry. That was my bad. Not my secret to tell.”

Tommy looks scrunched and confused again and Buck— he doesn’t understand what the problem is? No, he hasn’t told many people yet. But it’s not a secret that he and Tommy are together.

“Eds,” Buck says and immediately thinks he probably shouldn’t have called him that. He doesn’t know why. But he shouldn’t. “It’s fine. I’m not— It’s not a secret. I’m not hiding. Or— or in the closet? I’m out. Now. I’m bi and—” And he’s really happy about that. He really loves it. He’s bisexual. He loves women and men and whoever regardless of gender. And holy shit, does he love men right now. He really, really loves being with a man. He looks to his side and grins brightly at Tommy. “And I’m not ashamed or embarrassed that Tommy and I are together.”

There’s a cute half smile that curves the side of Tommy’s mouth and Buck so wants to kiss him. And do all sorts of other things with him.

“Well. Good.” Eddie taps his finger on an empty shot glass like he’s contemplating ordering another. “Still. Didn’t go well. Didn’t mean to out you like that.”

“Didn’t go well?” Tommy asks. “Saying that Evan and I are dating didn’t go well?”

Eddie purses his lips and does a slow, exaggerated shake of his head. “Nope. But at least I learned that now. Has the waiter brought our check yet? Because I’m just going to drink more if I don’t head out soon. Not that I’m sad about her or anything. I’m pissed. You think you know someone, and no. No, she’s a raging homophobe.”

She— oh. Oh, that’s what happened. “She broke up with you because we’re gay? Bi and gay? Or— you know what I mean.” Is Tommy gay? Or bi? Or something else? Buck hasn’t actually asked what label he uses. How he qualifies his sexuality. He felt weird asking. It’s so personal. Is he supposed to ask? All he knows is that Tommy was into him. Tommy kissed him and it was breathtaking, incredible, magnificent and changed Buck’s whole life. He didn’t really think anything beyond that. Couldn’t really think beyond that.

Eddie definitively points at himself and then at phantom nothingness. “I dumped her. Because I said this was a double date with you guys and she said, well not really, and I said, no really. It’s a double date. Her and me and both of you. Double date. Except not her. Ever. Anymore. Because she had to go off about how it was wrong and made her uncomfortable and I ‘let both of you be alone with Christopher?’ And it couldn’t possibly be a date like me and her would go on a date because she’s a woman and I’m a man and that was normal. But you two are both men. Both muscular, powerful, masculine, manly firemen type men— so it could never be the same especially because neither one of you are flamey or girly or whatever, so it could never work, the two of you since neither one of you is ‘The Girl.’ Which is all bullshit. By the way. Obviously. And,” he finally stops and breathes, and there’s a hard swallow in his throat and his eyes are distant and his whole body is strung tight and if he could breathe fire? He probably would. Holy shit, he’s pissed off. Buck isn’t even sure he’s ever seen Eddie this angry at anyone who hasn’t hurt someone he loves.

Although. Technically she did? Not hurt per se, Buck doesn’t give a shit about what she thinks of him. But she was insulting them. So. Yeah, okay, of course fiercely protective Eddie would be angry.

“And anyway,” Eddie says, still never quite looking at Buck or even at Tommy. Never quite focusing on them. “That’s how I’m single and back on the market again.” He smiles a wide, bitter, snarky kind of smile, and steals the half-full beer glass in front of Buck and downs it in one gulp.

(Read on AO3)

#buddie #bucktommy #jenwyn wip #buddie wip #almost done with the whole thing should be up in the next day or so #911 abc #fic: test drive

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letmetellyouaboutmyfeels · 3 months

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why are people so against oliver and ryan talking about buddie, don't we want this, don't we want buddie to be canon? i'm sorry are we rooting for buck to end up with tommy or something, like I don't understand why so many people are saying stop asking them about buddie?

If we want Buddie then shouldn't we be asking buddie questions? I mean I'm so sorry but I'm just very confused, shouldn't we be happy that buddie is getting this much press and love? Why are we against it?

Okay, this is going to be a long one.

There are a few reasons why people are concerned about publications teasing Buddie happening and using the ship name and asking Oliver and Ryan about the ship. I'll try to be as concise as possible.

I would like to note, I'm not going to answer a bunch of questions about this. Other people have answered similar questions plenty of times, if you take a bit to look around 911blr. I'm sure @catdadeddie has gone into this a few times.

However, I understand that we are getting a lot of new fans this season, and so I want to try and explain comprehensively for those who haven't been around. I hope this covers everything.

Whenever a ship is between two people of the same gender as opposed to two people of the opposite gender (I know, I know, but we can't get into the gender spectrum right now just play along with me), everyone involved has to be very, very careful when it comes to talking about that ship ahead of said ship going canon.

It is very easy to slip into something called "queerbaiting." I'm assuming that you and most people online and in fandom by now have heard of this term but just in case: queerbaiting is when a show acts like a queer ship might happen in marketing and promotion in order to draw in a queer audience.

Historically, this was done by having a main character played by a woman have a romantic thing with another woman (flirting, even kissing!) who was a guest star, hinting at the main character's bisexuality/queerness, only for that guest star to never come back and for the show to act like it had never happened. This was done during something called, IIRC, "sweeps week" which was basically an important week for TV viewer ratings in the 90s. It was a way to boost your numbers by drawing in queer viewers with the promise of actual queer rep that then wasn't realized. It's a marketing tactic.

Nowadays the nature of queerbaiting has changed a bit. It's an overused term that frankly people love to (mis)use whenever a ship of theirs doesn't go canon and a show dares to do things like having two people (like say Ryan and Oliver) who play the two halves of the ship do an interview together (whether you ship Buddie or not, they are close friends, and it makes sense that they'd do a few interviews together - that is not queerbaiting). A good example of real queerbaiting is Rizzoli & Isles which, among other things, took out billboards and magazine spreads showing the characters (two women) in suggestively sexual and romantic positions and with slogans hinting that the two had more than just friendship together, then never, ever delivered on it and in fact laughed at the idea of the characters being gay for each other.

(I WAS THERE, GANDALF!!!)

Because of this unfortunate treatment of queer audiences and the (historic) dearth of actual queer characters and queer ships going canon (it's getting better but still), networks, showrunners, and so on have to be very careful when, say, they want to make a queer ship canon.

Look at how ABC handled Chenford, a popular ship in their show The Rookie. Chenford was not a planned ship - the fans adored the chemistry between the two characters (Lucy Chen and Tim Bradford), the writers liked the idea and decided to lean into it, ABC gave the go-ahead, and the ship officially got together and went canon last season. ABC heavily promoted Chenford and the ship and made a lot of jokes about it in the last couple of seasons leading into the ship going canon, using the ship heavily in their marketing.

ABC cannot necessarily do that with Buddie, because even if Buddie is going canon, until that happens, they could get accused of queerbaiting. There's a much bigger minefield to navigate because of this historic misuse of queer audiences and queer characters.

So whenever journalists and publications use a popular non-canonical queer ship name for clicks and fandom interest, if that ship doesn't immediately go canon or if the network/showrunner/etc doesn't say "yeah they're totally gonna kiss! with tongue!" people accuse the show of queerbaiting. This is unfair to the show for two reasons: one, the network is not going to bother sending "shut the fuck up" letters to every single damn publication out there for using a ship name in their headline and talking about a ship - they'll be accused of homophobia and it draws even MORE attention to the issue re: the Barbra Streisand effect (look it up); and two, the people involved in the show are NOT going to spoil the anticipation and surprise by admitting ANY ship is going to go canon before it does.

This is simple marketing - the movie trailer doesn't (or shouldn't, anyway) show you the ending of the movie or everything that happens in it. TV shows want you to tune in every week and speculate and guess. They're not gonna spoil a ship ahead of time.

This means that when journalists and articles pull this shit, they're putting the showrunner, the writers, the actors doing interviews, and the network in a bad situation that they can't really do anything about. Not without causing more mess.

So that's reason number one why a lot of us are annoyed: by yelling about Buddie, these articles and journalists are setting the cast and crew we love up to get yelled at for queerbaiting if Buddie doesn't immediately happen, and there's nothing the cast and crew can do about it, and it's all so the journalists and articles can use us, the fandom, for clicks. So we're also kinda getting used here, and it doesn't feel great.

The second reason we're annoyed about Buddie questions is that it's being asked of the actors who, nine times out of ten, have ZERO CONTROL OVER THE STORYLINES.

Now, there are exceptions. Jennifer Love Hewitt, who plays Maddie, has pushed back on a couple storylines that were given to her and has therefore had a strong hand in shaping Maddie's character. One infamous (in a positive way) example is that Maddie and Eddie were supposed to be an endgame couple. JLH, however, immediately loved the character of Chimney and clicked with Chim's actor Kenneth Choi, so she asked if Maddie could get with Chim instead, feeling he'd be a better fit for her character. And lo, both the beautiful ship Madney and the insanity that is Buddie shipping was born because Buck ended up stepping into that co-parenting-Chris role that Maddie obviously would've originally filled.

However, it should be noted that JLH was an established star before coming onto 9-1-1, and her husband is friends with Tim the showrunner. I would argue that the only other two actors who have any power on their storylines are Peter and Angela, the latter because she can do whatever she wants forever, and the former because (like Angela) he is an executive producer on the show.

It's not that actors never ever get to have a say ever, but the writers, showrunner, and network have much more power. They create the storylines, they make the decisions. Not actors. So when the actors are repeatedly asked about a ship, they're put in an awkward position where they might not even know the full storyline for their character that season and now they need to answer in a way that doesn't reveal any information they do know, but also doesn't insult shippers or dash their hopes. This is a double minefield for queer ships because, again: historic insults to queer fans and characters, nobody wants to be offensive.

The third reason is that this fandom has, historically, treated Tim, Oliver, and others like absolute dogshit over Buddie not going canon. Oliver's left Twitter and taken big social media breaks because of how he was yelled at online. It's not cool, guys. Vent all you want but directing it at the cast and crew isn't okay and maybe if it was just you talking sternly that would be fine (maybe) but when it's dozens of people? It's bullying. Full stop.

Every single time Buddie has not gone canon instantly, the actors and others have gotten verbally abused on social media. Every time the actors have been asked about Buddie and not said "ohmygod yes I want it to happen so bad" (they are not allowed to say this because it might create false hope because again: historical queerbaiting) they've gotten yelled at. We are tired of the actors getting yelled at over something over which they have no control.

The fourth reason is that Oliver, especially, has gotten asked about Buddie a LOT. A lot. The poor man is very tired. He's been cornered about Buddie and asked about it aggressively by certain journalists (one journalist, Max Gao, actually tried to corner Gavin who plays Chris over Buddie - this was a few years ago so Gavin was even younger than he is now and I personally think that is an incredibly unfairly loaded question to give to a child).

If I may dive into speculation for a moment, given how the actors have been SO gleeful about the move to ABC, the fact that they've admitted ABC is letting them do storylines and little moments that FOX wouldn't, and a few other things I won't get into here because this damn thing is long enough already... I suspect FOX would not let Buddie happen. If this is the case, then actors being asked about Buddie is even more loaded because they are being asked questions about it and they can't say "yeah we want to but the network won't let us." THEY WILL GET FIRED FOR THIS.

But, whether or not my speculation is true, the fact remains that when you are repeatedly, over and over, aggressively asked if this fan ship is going to happen or not, you get tired. There's only so many times that someone can give a diplomatic answer before you just want to snap "stop fucking asking me!" Journalists love to take advantage of fandom and social media chatter to get attention for their articles so asking over and over again about Buddie isn't because they genuinely care or think it'll happen, it's to get shippers reading their article, and so bombarding the actors and writers with this question when they've already kinda said their peace a lot about it is frustrating. Just! Leave them alone!

And AGAIN: if this was a M/F ship there could maybe be room for teasing the will-they-won't-they but because of historically bad treatment of queer characters and fans, THEY CANNOT DO THAT. So the only option open to them is to KEEP THEIR MOUTHS SHUT. And keeping one's mouth shut and threading that diplomatic needle for years is EXHAUSTING.

We do want Buddie to be canon, nonny, and in my opinion we are going to get it. All this recent PR supports that, (again: in my opinion).

However, we have seen Oliver get bombarded with what he thinks about Buddie until the cows come home, and he deserves a break. There's nothing new he can say, there's nothing new he's allowed to say. We have seen other parts of the fandom scream that we're being queerbaited because Buddie didn't instantly go canon, without any consideration for the fact that a) queerbaiting is a marketing tactic and b) there might be other factors at play preventing it going canon. We have seen journalists take advantage of us, the shippers, in order to get attention, and we have seen them create an awkward and embarrassing atmosphere in interviews by repeatedly asking about the ship. We have seen shippers make us look bad by hounding the cast and crew on social media about Buddie, treating every woman actress who plays a Buck/Eddie love interest like shit (yes, I know about Edy, but she could be a saint and parts of the fandom would still go onto Instagram to call her names), and generally being absolute pills that would tempt any showrunner, actor, or writer to say "y'know what fuck 'em let's not make Buddie canon I'm not rewarding this shitty behavior."

"If we want Buddie then shouldn't we be asking Buddie questions?" No. Not like journalists and fans have been. It's something to bring up - in my opinion - sparingly and with an awareness of how queer storylines and ships and fandom have been mocked, ignored, baited, and so on over the years. They don't ask about Buddie because they give a shit. They ask because they want our clicks for their ad revenue and they want our retweets and likes and comments. And it's certainly not something to bombard the actors with on social media and bitch at them if it doesn't happen. It just makes the rest of fandom look bad and makes us look like children.

Additionally: These are not new questions! They're not only asking these questions now that it looks like Buddie will go canon, with serious hope and consideration based on the marketing and storylines. They've been asking this since season fucking two, when Buddie was clearly not planned, just to get fangirl (gn) clicks. They wanted to get attention and teehee over how Oliver/Ryan/whoever reacted to people thinking Buck and Eddie should touch dicks. 'Kay?

We know the pattern. So when every piece of media is screaming BUDDIE!!! we are not seeing it as "OMG could we go canon?" We see it as another round of being taken advantage of for article attention, another round of parts of the fandom being bullies and yelling about being baited, and another round of the actors being backed into uncomfortable corners.

That's why we're concerned, worried, and annoyed.

*collapses* I hope this covered everything and explained it all.

#mads answers things #THIS IS SO LONG OH GOD #I wouldn't know concise if it smacked me in the face #making this rebloggable for now so people can spread the information if they find it helpful/informative #but the moment there is clowning (derogatory) I'm turning reblogs OFF I do NOT have the patience #I spent an hour working on this instead of the F&F AU so like not to sound aggressive but this BETTER have answered y'all's questions LOL

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lemotmo · 23 days

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Time for some Buddie fandom positivity!

Okay Buddie fam, the last couple of weeks have really been tough for the fandom, but we're still here thriving. After all the toxicity and discourse, I think it's time to focus on the good things, all things Buddie.

I am, at this point, 100% certain that Buddie is in the works. There are a million different reasons why I am so convinced.

Here's the beginning of a list:

The pre-season Ryan and Oliver interviews where they were completely unhinged and talked so freely about Buddie.

Buck was made canonically bisexual in one single episode.

Buck's current love interest has almost no screen time, which really doubles down on the whole 'they needed a way to out Buck as bi, so they quickly brought in Tommy to fullfill that goal.'

There were talks to make Eddie queer (with Tommy).

Eddie keeps being intertwined in Buck's new romance. He is there all the time and very consistently. Even when he isn't there in body, he is there in the dialogue. To the point where the audience has picked up on it.

Maddie knows! Her 'If there is something you need to tell Eddie' convo was so interesting.

The way Buck is consistently shown as a second father to Christophere, in body and in dialogue. First he talks with Chris about Shannon and then he is also involved in his new romance with Tommy.

Both Oliver and Ryan keep getting questions about Buddie in interviews. They love answering these questions and their grins are alway so wide. It's obvious they talked about it with Tim as well at some point, because their answers are clearly rehearsed. They have been told how to navigate these questions, in order to gently introduce the idea of Buddie to the general audience. I mean, the whole 'We're open to it! Whatever happens happens!' basically screams that they are going there.

The many articles about Buddie. The interest is crazy at this point. I love it!

Buck's new romance is almost never talked about, except in the whole narrative when they talk about bisexual Buck. For the rest it's all Buddie.

The questions to these interviews are pre-approved by ABC and show runners. So the fact that they get asked all the time and they are allowed these very open answers? Very interesting!

There has been no PR around Buck's romance with Tommy. No joined interview with Oliver and Lou, no photoshoots... nothing, nada, crickets. Just Oliver repeating he would like Buck to stay friends with Tommy after they break up. I mean...

...

I'm sure there are soooo many more things that indicate that the show is finally going the Buddie-route. I just can't remember all of them. :)

So I invite all of you Buddie peeps to reblog this post to fill in any other things you want to add to the list. Feel free to add it in the main body of the reblog or even leave things in the tags. If you don't want to reblog, just leave it in the comments of this post.

Let's create and spread some Buddie positivity here. I think we can all use some of that right now.

#buddie #eddie diaz #evan buckley #911 abc #buddie positivity #let's do this buddie fam #let's spread some positivity #Reblog reblog reblog to make sure many Buddie peeps see this!

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sevensoulmates · 1 month

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Buddie 7x06 Meta

HURRAH! It's not a four-parter this time!! Just a one-parter! It's a Madney/Chim-centric episode (which by the way I loved) but the buddie we got was AMAZING! I'm so excited for the rest of the season. We're just gonna dive right in!

First, I want to say that with the hindsight of this episode, we now know that the bachelor party was not ACTUALLY something that needed to happen, narrative-wise. It didn't actually contribute anything to the Chim plot, as that would've happened with or without buddie going crazy in the hotel room. So, all of the Bachelor Party was written purely for the purpose of watching Buck and Eddie have a good time. Maybe for comedic relief, maybe for the purposes of furthering their story at a later point in the series. Time will tell.

First, I've seen other people point out that Buck expected Eddie to be early (even though he's the first person there) because he wanted Eddie to help him set up for Chim's party. To Buck, Eddie is the person who helps him with everything. This is Buck's idea, yes, but Eddie is the proverbial co-host in this married dynamic. So Eddie being "late" feels more like Buck being disappointed his partner wasn't there to help him behind the scenes to make everything perfect. It really does make the whole scene feel like Buck-and-Eddie (the bro-in-laws) throwing the party. So of course Eddie's breaking the unspoken rules by being late.

I love how Eddie walks in completely ready to be fawned over by Buck with their couple's outfit. It's hilarious to me because 1.) Tommy was planning on coming, Buck could've told Eddie he wanted to do a couple outfits with Tommy instead?, and 2.) Eddie was fishing for compliments and it just makes me giggle. If Buck wasn't so stressed out over this bachelor party, he likely would've reacted how Eddie wanted and given him a bunch of compliments on his look. It was jaw-dropping. If most of us (the audience) were blown away seeing Eddie in a pink suit for the first time in the bts (to the point where most of us were like "no way he's in character, this has to be Ryan's wardrobe choice"), I know that the other characters were too. It's not Eddie's typical wardrobe choice. In fact, it's such an out-of-character fashion choice for him, that it's unlikely that Eddie just had this lying around in his closet to throw on. He probably had to go and buy a suit like this just for the occasion. Eddie had to put in a lot of effort to do this couple's costume with Buck, and he did it all happily and enthusiastically. We'll come back to this in just a second because...

CLIPBOARD BUCK IS BACK! sans clipboard but you get my drift. I love how this visually connects Buck to his sister and harkens back to a lovely Buddie moment "This is Eddie's house, I'm not really a guest" back in season 3. This time around, we have Eddie assuming he would get special husband privileges and is pouty when Buck doesn't allow it.

BUT at the same time, he's not getting on Buck's case too much about it beyond the initial pouting. He may not know why Buck's so insistent on throwing a party, but he knows it's what Buck wants, so he moves on, and even watches with somewhat amusement when clipboard Buck gets turned on Ravi for doing the same thing later.

I also want to point out that Eddie has never once, ever, been upset with, annoyed by, or irritated with Buck when he's in Clipboard Buck mode. Most of the time, Eddie either finds it amusing cute, or is just generally accepting of it. This is no exception, however, this later devolves into Buck and Eddie going absolutely wild. This further exemplifies how Buck and Eddie accept and support each other, even when the other is being lowkey stupid (everything they do at the bachelor party) or unreasonable (clipboard Buck). It's all very much partner in crime coded.

Framing. Jesus Christ the FRAMING. Tommy walks in and not even two seconds into the interaction, the camera frames Eddie FRONT AND CENTER between them, watching Buck and then watching Tommy. Buck and Tommy hug and when they pull back, there's Eddie watching them with an odd look on his face. I'm not going to go so far as to call this jealousy/pettiness, but it is odd. There's an intimate physical moment between Buck and Tommy, and then Eddie, who constantly haunts their narrative, is just there. And he's actually objecting to Tommy's presence there. Not in a mean or hostile way, but just a second ago he was high-fiving Tommy, welcoming him in, but once the physical special relationship between Buck and Tommy is established, Eddie starts to bristle a little bit.

This entire exchange is just odd. Eddie knows that Tommy is friends with Chim. He has every right to be there for Chim alone. He's also aware that Buck now has a closer relationship with Tommy, and Buck's the only one who wants this bachelor party, so it should be obvious that Tommy would come. And yet...Eddie is questioning Tommy's presence there. He's reducing Tommy to Buck's "date", not Eddie's friend or Chim's friend, or someone who's slowly integrating into the group. No, it only becomes a problem when Tommy is there as "Buck's date".

This is then proven by Tommy, who's actually known Chimney longer than either Buck or Eddie have known him. He has all the right to be invited. But what's especially interesting is Buck's face when Eddie starts expressing objections to Tommy's presence. He looks shocked, a little worried, loss for words. Like he's worried Eddie is disapproving of them. It could be worry lingering from last episode, where Buck was afraid of his queerness pushing Eddie away. It also showcases a bit of awkwardness between Tommy and Eddie too. Eddie has been established as enjoying spending time with Tommy, and now he's hesitant to have Tommy in spaces with Buck as a romantic partner. It demonstrates that maybe Eddie isn't as comfortable with Buck and Tommy together as he led Buck/the audience to believe. But where is that uncomfortablity stemming from? That's yet to be determined canonically.

Buck then goes on the deny that Tommy is his date (for the bachelor party) and insists that Tommy is only his date officially tomorrow at the wedding. I personally don't understand why Buck would need to clarify that Tommy isn't his date to the bachelor party. If they're dates for one, it's usually assumed they're dates for the other, especially given how close the events are. I get that Buck wants to make the night about Chimney, but it can be about Chimney and still have Tommy there as a date.

This is also an interesting line that I've pondered over. Because while it's true that taking Tommy as a date anywhere would be hard launching both Buck's queerness and his relationship with Tommy, which could draw attention away from Madney and to Buck, but it also shouldn't be that big of a deal (and is proven at the end of the episode too). If the wedding had gone to plan originally, then Buck and Tommy going together wouldn't have had to have drawn too much attention. He could've told Chim, Hen, his parents + everyone separately before the ceremony even began. It didn't have to be such a huge deal, so I was wondering why Eddie brings out the usual phrase the show tends to use when they want to remind Buck that not everything is about him. But Buck wasn't trying to make it about him. Eddie should know this. As much as Buck has had issues in the past of taking things far too personally, and believing things to be more about him than they actually are, that's not what is happening here.

I actually think Eddie saying this line is more revealing of Eddie's feelings than it is about Buck making it about him again. It's revealing that Buck, his relationship with Tommy, and Buck's queerness are a big deal to Eddie, enough so that he believes it will draw a lot of attention. And maybe Eddie's not as cool with the idea of everyone knowing about Buck and Tommy as he tells himself. I want to reiterate that I don't believe any of this stems from legit homophobia towards Buck and/or Tommy, but more so a discomfort Eddie harbors about Buck's queerness, what it means for Eddie, and what Buck being with Tommy takes away from Eddie. All of this is unconscious, confusing, and frustrating for Eddie, and therefore what comes out of Eddie's mouth is a barb at Buck's expense. And it's why his reaction to BuckTommy at the end of the episode is kind of muted but mostly positive. He's confused.

Buck had told Tommy previously that it was an 80s theme party and asked him to dress up. This brings me back to my previous point that Buck could've asked Tommy to dress up with him. Instead, Buck and Eddie are framed as the literal "couple" here visually, and Tommy is framed as the odd one out. Not only that, but what he is wearing is a Henley, which as most of us know, is a staple of Eddie's wardrobe. (General author's note: I don't usually harp on about wardrobe choices in the show because that's not my specialty but I will here because it is a textual part of the plot).

We've previously established in the last few episodes that Tommy is a narrative mirror to Eddie. Tommy's meant to be like Eddie in almost every way, same interests, similar personality types, etc. He's even paralleling Eddie here by dressing the same way Eddie normally dresses. But it's being juxtaposed by Eddie standing right beside him (once again Eddie is framed in the middle throughout this entire exchange with Buck/Tommy when Eddie very easily could've just stepped off to the side to let them have some privacy). EDDIE is dressed way differently than he usually is in a bright pink suit, going out of his way to make Buck happy even if it brings him out of his comfort zone wardrobe-wise. And in contrast, Tommy did not take the time to dress up, even though he knew Buck wanted him to. I'm not saying that this makes Tommy a bad person, or inconsiderate of Buck, but it's just one of those little things. One of those forethought things that Tommy just isn't aware of because he's only been dating Buck for a few weeks at this point.

Others have pointed out that Tommy would've had to change out of his clothes and into his uniform regardless if he was on standby, so why couldn't he have at least just added a little bit of 80s flair to his current outfit? It wouldn't have been any more time-consuming. Maybe it would've put Tommy out of his own comfort-zone, or maybe he would've been a bit embarrassed, but that's the kind of thing that one might reasonably risk in order to make their partner happy.

Tommy isn't aware that by not dressing up, he's hurting Buck's feelings. That's just one of those things he wouldn't know about Buck because he does not have the lived experience of what Buck needs emotionally from his partners. Eddie, on the other hand, has years of experience with Buck and knows that if he really wanted to he could be just like everyone else who didn't dress up and that Buck would put on a face of being fine with it, but deep down inside, it would make Buck feel ignored and hurt. Eddie doesn't want to ignore Buck, and as we've seen from his last line about "making it about you", Eddie can't ignore Buck. So even if it means pushing himself out of his comfort zone, Eddie's going to show up in full costume, ready and enthusiastic to be with Buck.

All of this is being done for a purpose. It's to show us that while Buck and Tommy are still learning and developing their relationship, something is off, specifically in comparison to Eddie. The show is purposely framing Eddie as a better partner to Buck than Tommy is being in the current moment. Which is kind of unfair, if you think about it. If the show was setting Tommy up to be Buck's newest love and future endgame, they would instead be giving them opportunities to grow together, to get to know each other. Instead, the show is telling us in every subtly way it can that hey, wouldn't Buck fit so much better with Eddie instead? It's contradictory and doesn't further the plot if BuckTommy growth was the purpose. These bachelor party scenes as plot devices only work if the purpose is to show the audience that something isn't fitting with Buck and Tommy, but whatever that missing piece is, it does fit with Buck and Eddie.

Tommy then doesn't understand that they're supposed to be dressed up as the Miami Vice characters. He instead assumes The Wedding Singer (1998). First, I want to say that this is the 2nd Adam Sandler/Drew Barrymore romcom that's been mentioned in canon in relation to Buck (the first being 50 First Dates in the season 5 finale) and as a huge fan of those movies, I'm fangirling. Second, it aligns with Tommy's s2 characterization where he loves romcoms (Love, Actually, and now The Wedding Singer). Third, it's an interesting choice from the writers here to pick The Wedding Singer as the movie that springs to Tommy's mind. There are plenty of 80s movies with bright colors that could've been name-dropped. They instead purposely went for a movie about the 80s but made in the late 90s, for the express purpose of having Eddie point out that Tommy's wrong. This is all very subtle, but it definitely does feel like Eddie is trying to lowkey one-up Tommy. But why would he feel the need to do this?

I've seen others point this out as well, but The Wedding Singer is about two people who are engaged to other people who are very obviously not right for them, though they might try to convince themselves differently. I rewatched the movie yesterday morning and I found it very enlightening. Adam Sandler's character is very much in love with Drew Barrymore's character, and almost tells her to leave her fiance for him, but in the end, he assumes incorrectly that she's happy with the other guy, and leaves them be. Drew Barrymore's character was ready to settle with someone she didn't fully love for security, and the only reason she doesn't tell Adam Sandler's character the truth is because she thinks he's still in love with his ex. It's all very miscommunication-y, but at the same time, it's reflective of Buck and Eddie's characters currently too given that neither of them really knows what they're looking for, they're just seeking a feeling, and may or may not be finding it in their current respective partners. But in the end, even after all the miscommunications, there's a HEA in The Wedding Singer.

Something else of mention was how in the movie, Adam Sandler's character was asked how he knew that things weren't working out with his ex and he said something along the lines of "It was the little things. Like, one time we were going to the Grand Canyon, and I had never been there before and she had, and instead of letting me take the window seat in order to see the beauty of it from above, she took the window seat for herself." This reminded me of this scene with Tommy, where it's just the little things that aren't fitting between him and Buck. I will come back to the topic of BuckTommy and misalignment later.

There have been many posts discussing how Crockett and Tubbs are another one of those "manly" buddy-cop pairings who were very queer-coded best friends who obviously never got together. Many people believed Crockett to be bi-coded as well. What's interesting to me is that this marks the second/third time in the last two episodes where they argued about who is the bi-coded character. I just find it interesting meta-textually when you think about the fact that fans used to argue incessantly (still do honestly) about whether Buck or Eddie could be queer and now that Buck is confirmed to be queer, people argue that Eddie can't be queer now. Additionally (I don't watch Miami Vice but I looked at a lot of the pictures) it seems that visually, Eddie should be aware that he is dressed as Tubbs, since most of pictures of them feature Crockett in blue/green semi-casual and Tubbs in pink/elevated suits. Visually, their roles should be obvious to anyone who is familiar with the show. Just like how Buck's queerness is now obvious. But now, the argument is well, there's an argument to be made that Eddie could be Crockett, and subtextually, also queer.

The narrative continues to hint with every single episode that passes that it's very likely Eddie will discover his own queerness at some point in the show. Just like there's no need for Buck and Eddie to argue over who gets to be Crockett, they can both be Crockett for christ's sake, they're both gonna end up queer. Of that I am certain.

So not only was Eddie totally down to clown with Buck at this karaoke bachelor party, but he was the one who suggested the couple's costume. We see more instances of Eddie not trying to tell Buck "hey, Chim said he didn't want a party, so don't do it", instead he goes along with it and finds a way to be even more enthusiastic about it. And I don't think that that was just because Eddie really wanted to party. I think it was because Eddie realizes that Buck must be wanting to do this for a reason. Possibly Buck might be doing this because he wants to show Chimney just how supportive he is of him and Maddie, maybe it's because Buck never got to be too involved with Maddie's last wedding because Doug hated him. Maybe this is his way of trying to make up again for his actions in season 5 when Maddie left and Buck didn't tell Chim. Or hell, maybe it's just now hitting Buck that he's going to have a brother, for real now, after realizing all he lost with Daniel, and wants to make this day special for Chim to showcase his appreciation of their brotherhood.

Buck is obviously overcompensating for something, and Chim and the rest of the gang don't realize why the bachelor party is so important to Buck. Hell, Eddie might not know entirely either, but he does sense that there is something more than just "I want to party" going on with Buck and this bachelor party. And so, as always, he is ride or die for Buck.

Then, when everyone else gets up to leave karaoke, Eddie doesn't even get up. He doesn't make it look like he's also considering leaving either. He doesn't check his watch or phone or make it seem like it's a burden or an inconvenience to be there or like there's somewhere else he'd rather be.

Once again, this scene with Tommy and Buck is framed with Eddie clearly in the picture, to show how he's just chilling, drinking, and ready to stick it out with Buck regardless of what happens. And then Tommy is the last one to finally leave and disappoint Buck that night.

And now I want to bring it back to BuckTommy, misalignment, and the ever-present Screaming Universe. If this was real life, it would just be a coincidence, but it's not. This is scripted fiction and everything is done with a purpose. What purpose did the writers have to get rid of Tommy but keep Eddie around to party with Buck all night long? If the writers wanted, they could've had Tommy stick around, more so to show a juxtaposition between the three of them hanging out. Or the writers could've had Eddie leave, and Tommy stay. It would've served the same purpose. Tommy still could've left the next morning for work and come back sooty for the kiss. Instead, the story/universe wanted Tommy to leave and this undeniably creates a micro-conflict between Buck and Tommy. It's undeniable that Buck is disappointed that Tommy's leaving and that he didn't really seem all that enthused to be there in the first place. Tommy then leaves, he's gone for the majority of the episode and comes back at the end. This is now a pattern for the third time in a row.

In Tommy's introduction episode 7x04, he and Buck have a moment at the beginning of the episode, a conflict between Buck and Tommy is introduced, Tommy is there a couple times throughout but he and Buck do not have any one-on-one scenes again until the end where their "miscommunication" is resolved by their kiss. In 7x05, they have their date at the beginning where weirdness happens and Tommy ends it, is gone the rest of the episode, until he returns at the end for Buck to make up with and rekindle. And now in 7x06, Tommy is there at the beginning, there's a misconnection, Tommy leaves for the rest of the episode, and they reconnect at the very end.

That's three whole instances of conflict with BuckTommy all written in a very similar way back to back to back. All of these conflicts revolve around the theme of misalignment and not knowing what they want personally nor what the other person wants. All of this harkens back to that first little moment with Buck and Tommy in 7x03 where Buck pats Tommy's arm, Tommy reaches to connect their hands and misses. I predicted that this would be a metaphor for the rest of their relationship, and so far I've been right. Because it seems like no matter how hard both of them try, they aren't quite connecting, not to the fullest. There is always a conflict that pops up that pulls them apart every single episode and they have to find ways to resolve this at the end. Again, if this was irl it'd be a different story, but as part of a narrative where they're not only trying to showcase Buck's first-ever queer relationship but also strongly comparing it to his "platonic" relationship with Eddie, it feels pointed and poignant. Buck and Tommy's constant misalignment feels like the "universe" trying to tell them something but they're not yet at the point of understanding what.

I highly doubt Buck would've wanted to party with a bunch of strangers if he wasn't feeling so disappointed by both Tommy and Chim. Eddie too, I'm wondering why he didn't want to go home or go be with Chris and visit his family. Or maybe go and see if maybe Marisol wanted to hang out. In fact, Marisol not being in this episode at all, or even mentioned, after the last episode is telling as well.

Many people have pointed out that the karaoke scene parallels Maddie and Chim, and this is even more pointed when the song that is playing when Maddie and Chim get married is Island in the Stream which is the song they first sang karaoke to. Buck and Eddie we know sing "What I Like About You" by the New Romantics, which Oliver, Ryan, and Tim all described as the best song for them to sing to/with each other at this point in time. I still think of it as canon even though we didn't hear it (I get why, they had little time and also licensing is expensive). This song is a romantic song, that's undeniable, and it also makes me think of Shrek and Fiona so it's double iconic. It's also an interesting choice in the moment where Buck is at a low emotional point, and Eddie chooses to stick around with him, indulge with him, and have fun together. It really is a great moment to show how not only are they there for each other in serious and emotional moments, but they also just enjoy spending time with each other, and would choose to spend time with each other any time they can.

Now I wanna talk about just how close physically Buck and Eddie get in this episode. For a lot of us, it's kind of whiplash because while Buck and Eddie have hugged and touched before, never so much in this way, or this much, or this intimately. Buck has his arm around Eddie's neck, their faces closer than they've probably ever been before? Buck is literally whispering into Eddie's ear ("keep on whispering in my ear, tell me all the things that I wanna hear because it's true, that's what I like about you") pulling Eddie into his chest. Eddie's leaning his entire upper body onto Buck, resting most of his weight on Buck. They're pressed together thigh to thigh, leaning their knees on each other. All of this demonstrates not just an emotional closeness, but a physical closeness (thank you, ABC, fuck u Fox), and not only that but an intimate physical closeness. All of this coming right after an episode where Buck came out. I love this because it shows a lack of Eddie being weirded out by being physically close to a queer man as a (seemingly) straight man. But it's also just so telling because Buck and Eddie have not been this physically close before....like ever...in this show. And now they are at the turning point of Buck's queerness being made textual and Eddie's queerness being STRONG subtext? Oh my goodness it's such strong storytelling.

This might be reading into it, and I acknowledge that, but this dialogue exchange felt to me less like they were talking about all the nameless people who were around them and more so like they were talking about each other. These are strangers, they don't know Chim, let alone love him. Neither do these people know/love Buck or Eddie. Instead, this conversation reads to me more like Buck talking about how Chim should be here because his friends (Buck, Eddie, Hen, etc) love him, and Eddie agrees. Looking even deeper, given that Chim didn't show up and the rest of their friends left them for the night, this feels more like Buck and Eddie talking about themselves. Because why is Eddie here? There's no reason for Eddie to be here partying it up except for the fact that he loves Buck and he wants to make him happy and enjoys spending time with him. This exchange is Buck recognizing that, and Eddie agreeing that he really, really does love Buck. And that's why their shenanigans continue as they all move on to Chim's hotel room.

They could've given up/left once Chim's door was locked, but Eddie encourages Buck to keep on going. Touching Buck like how Eddie loves to touch Buck, in the way that's most appropriate for them, on the shoulder like this. Then he kicks the door in and when Buck is ready to go wake Chim up to party, Eddie's like "Eh let him sleep", because, for Eddie, he doesn't really need Chimney around to have fun. Despite what they were just saying about bringing the party to Chimney so that Chimeny could feel the love too, Eddie's perfectly content just partying it up with Buck and only Buck.

These three clips in the bachelor party montage....I'm just gonna be frank with you, they're so obviously meant to look sexual. So CONTENT WARNING**** for me about to talk about sexual positions and such.

I don't have to tell you that although Buck and Eddie are technically partying with a bunch of other people, none of them are actually important. They're NPCs there to give Buck and Eddie an excuse to do all of this stuff with each other. So everything they do in this scene is more so a reflection of their relationship with each other, as well as their metaphorical queerness than it is about just general partying.

We know (due to bts) that at some point Eddie was leaning over to pour alcohol into Buck's mouth. It looks like Buck is leaning back on the couch in his most favorite/frequent canonical sex position (girl on top/riding) that we've seen in the past. This time with his mouth wide open with a phallic symbol pouring a liquid directly into his mouth. It looks like a blowjob/cum shot. Then we have Eddie with his clothes being pulled off and torn away. From the bts, we know that Buck is behind him and helps the girls pull off his sleeves. Other than the obvious "ripping each other's clothes off" metaphor, there's also the "orgasmic" look on Eddie's face as well. Others have also discussed how Eddie appears to be recreating the "crucifixion pose" /Jesus on the cross with his arms out like that in a reference to his catholic guilt arc and how before he's very much let that guilt control him and now in this scene with his close being ripped off, it can also be a metaphor for Eddie's eventually freedom from compulsory heterosexuality and guilt.

The last still with both Buck and Eddie vigorously shaking champagne bottles near the crotches (mimicking mutual masturbation) and then both of the champagne bottles "explode" mimicking both of them reaching a mutual climax, which then cuts immediately to both of them waking up the next morning. It's very very obviously a metaphorical gay sex scene.

Separately from that, I want to discuss this specific still, with both Buck and Eddie in between 2 very clear-as-day drag queens. This inclusion elevates the scene subtly yet very clearly to represent both Buck AND Eddie in proximity to queerness/the queer community. It further cements the queerness of this entire montage scene.

Finally, to conclude the bachelor party scenes, I just want to reiterate, that Buck and Eddie could've figured out Chim was missing any which way. They could've gone over the next morning w/o partying there. Buck could've gone by himself, etc. There were many ways the "Chim is missing" plot could've been done without needing to go this route for Buck/Eddie. Which means that this plot was not for any necessary reason other than to bring Buck and Eddie together.

Then while they're going on their chase to find Chimney, Buck and Eddie are paired up together the entire time, working together as a team, once again looking more like an established couple than anything else.

Then, as if fitting with the BuckTommy "beginning and ending only" episode pattern, Tommy comes back only at the very end of the episode, and he and Buck kiss, transferring soot onto Buck's face and providing a very quick and easy way to come out to all the rest of the people who haven't yet known about Buck. Most people look surprised, others smug (Henren, we'll get to them) and Eddie gives an interesting close-lipped smile. This moment in and of itself isn't very loud. His face is purposely vague here (hats off to Ryan, king of microexpressions). Of course, Eddie's going to look happy for them, he's not going to look jealous. But his smile could be brighter, his eyes could be warmer. There's again just something off about his expression there. I think it's confusing for a reason, because Eddie too is confused about everything he's feeling.

Hen is incredibly smart, so I'm not surprised that she clocked Buck's queerness a while ago. Her telling Karen this, and Karen's agreement means that this is something they likely discussed in private as well. In my opinion, if she was able to clock Buck, there's no way she hasn't also clocked Eddie. She just isn't saying anything because she's a respectful and empathetic person.

Hen wasn't really there for most of Buck's Tommy-arc, but she WAS front and center for all of Eddie's "performance anxiety" around dating women. Trust me, when Eddie figures it out and he and Buck finally get together, Henren will say something along these lines again, I'm certain of it.

And that's the end of this episode! It was such an emotional ride! I loved everything they did with Maddie and Chimney, and the Buddie plot was so fun! I had a blast, and I'm so excited for next week! I get the feeling the latter half of the season is gonna dive deeper into Eddie's storylines. Yay!

#911 abc #buddie #911 analysis #911 meta #buddie meta #BuckTommy #buck x eddie #meta

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