#I love this comic so much; You get a lot from Werner. Also just where he's at after the Suicide Squad.

[peacerisendove]

Green Arrow (2001) Vol 3, Issue 22

[bamfdaddio]

X-Men Abridged: 1969

The X-Men, those dino-obsessed mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. Want to unravel this tapestry? Then read the Abridged X-Men!

(X-Men 52 - 63) - written by Arnold Drake, Roy Thomas, Linda Fite and Don Heck, drawn by Werner Roth, Barry Smith, Tom Palmer and Neal Adams.

step aside, Wall-E, these Sentinels have nothing on your range of emotions (X-Men 59)

When we last left our X-Men, they were smack-dab in the middle of a big, convoluted plot! Let me refresh your memory:

The X-Men had to beat a hasty retreat;

Polaris had joined her father Magneto

Magneto was injured;

Iceman had quit the team because he still had faith in Polaris;

Eric the Red appeared, making overtures towards Magneto.

And the whirlwind continues! The X-Men (sans Iceman and Cyclops) sneak back into Magneto’s base! Eric the Red reveals himself to be Cyclops! They set a trap for Mesmero! Which is sprung by the wayward Iceman! But he has pertinent information! Lorna is not Magneto’s daughter, she’s just an orphan! Bobby (hilariously) has the papers to prove it!

magneto has now fucked up the relationships he has with all of his children before any of them knew he was their father. mad props (X-Men 52)

Lorna breathes a sigh or relief, glad that she doesn’t have to be evil anymore. (Because obviously, evil is hereditary. And even though she keeps sensing everyone’s ‘evil vibrations’, she stayed with Magneto out of her own volition. SO.) Without Polaris’ power to back them up, Magneto and Mesmero flee.

After this, the X-Men come back to live at the mansion again. No muss, no fuss. Roy Thomas, who’s returning to the book, wastes very little time undoing some stupid decisions made last year. In fact, 1969 has a pretty strong showing, with plotlines flowing almost naturally into one another, a bigger cast and the introduction of one of my favourite villains. It’s pretty palatable.

The one snag is a superfluous issue where the X-Men fight Blastaar and Jean kills someone. (Never comes up again, don’t sweat it.) I wouldn’t even mention it, were it not for this moment where Jean uses some super duper mind machine:

does this remind you of... anything? no? just me then (X-Men 53)

So, anyway, remember Scott’s beloved brother Alex?

i love that jean is all smiles about scotts terrible and all-encompassing ability to repress everything (X-Men 54)

I can sort of understand why that whole third Summers brother was such a huge secret for so long, considering Alex was not even kept a mystery and it still took SIX YEARS for him to be revealed.

Alex is barely introduced before he gets the old plot-bat to the face, getting mixed up in a fight when some pharaoh claims all mutants are pharaohs, being children of the Sun? Apparently, all of them are powered by cosmic rays i.e. the sunlight. Alex is kidnapped, as is Cyclops, and just as Cyclops ponders how happy he is that Alex is not a mutant despite him having the X-Gene, he is attacked by the pharaoh and Alex saves his brother using newly minted energy powers! Oh, the irony.

when I say that I want Alex to wear his old costume, I obviously mean this sexy Egyptian skirt-ensemble (X-Men 55)

Alex and the pharaoh are apparently two sides of the same coin, being charged by the same cosmic rays: when one waxes, the other wanes. The pharaoh locks Alex away in a tomb, cutting him off from those sweet, sweet sunbeams and taking all the power for himself. Like a Power Ranger villain, he grows in size and becomes… the Living Monolith! The X-Men take him down while Alex accidentally blows up the Living Monolith’s temple.

Alex, afraid of his own power, flees into the desert and is apprehended by… the Sentinels?! Surprise, bitch! Lorna is also abducted by them out of her New York apartment. Their next victim is Iceman, and they deliver him to… Larry Trask! (Son of.)

My favorite thing about Sentinels is that, despite the fact that they are objectively huge, they are still able to sneak up on people. Apparently, these murderous periwinkle toaster ovens are so quiet, you only notice when they rip open a roof to get at you. (X-Men 59)

Larry Trask hates mutants because:

They killed his father;

He’s a racist.

Determined not to repeat the sins of his father, Larry has a helmet with which he can use to take direct control of the sentinels, so hopefully they won’t rise up and rebel this time. Somewhere, Asimov is rolling his eyes.

On live television, Larry Trask baits Iceman into attacking him, trying to smear him and mutantkind in general. In the mean time, the Sentinels strike everywhere, taking Unus, Angel, Banshee, the Living Monolith… Even Wanda and Pietro. It´s a literal who´s who of sixties mutandom! The only exempt ones are the Changeling and Magneto, the latter only because he’s been a robot for a while now. Mesmero is just as shocked by this unnecessary retcon as we are.

Just as Larry orders the Sentinels to kill every mutant in the compound (including Bobby, Lorna and Alex), a family heirloom is ripped off his neck. Apparently, this medallion was some kind of protection: the late Bolivar Trask knew little Larry was a mutant and tried to hide this fact from the Sentinels.

The Sentinels turn on Larry faster than you can say “Is being betrayed by AI a hereditary trait?” The X-Men intervene and, after unleashing the might of Havok, they end up in a debate with the Sentinels, turning their own logic against them:

Protecting humans is more important than killing mutants.

So, to protect humanity, they must destroy the cause of mutation.

The Sentinels promptly launch themselves into the sun. Neat.

On a side note, the relationship between Jean and Scott is shelved for now? It seems like they’re dating, but also not? It’s such weird storytelling, especially because their annoying will they or won’t they has gotten so much focus in the past and the relationship between Lorna and Bobby is crystal clear:

Scott. Jean. Is it really going to take Chris Claremont to DTR you two? Fuck’s sake (X-Men 60)

Because Havok’s powers still threaten to overwhelm him, the X-Men contact a former colleague of Professor X… Professor Lykos.

Let me tell you about the sheer, amazing sixties wonder that is Professor Lykos. Originally, Thomas envisioned him as a vampire, but the Comics Code forbade vampires. So, instead, Lykos ends up a human who was bitten by a magical pterodactyl at a young age and who can only survive by draining other people’s life force. He can also hypnotize people into doing his bidding.

Yes.

Lykos suspects mutants might be the cure to his strange, strange ailment, and begins to drain Alex. But to his (and our) sheer delight, he turns into a pterodactyl!

I just love this damn idiot so much (X-Men 60)

Be like Sauron! Choose evil!

The X-Men barely figure in this plot. Ordinarily, I’d be bothered by the fact that these three issues are more about the villain than the heroes, but given that it’s Sauron, I’ll let it slide.

See, Sauron’s tale is a tragic one. Not only is he a weird pterovampire, he is also in love with a sweet girl whose father forbids him from seeing Dr. Lykos, because he is… poor! Gasp! (Those billionaires, not even a doctor is good enough for their daughters.) Sauron, slightly corrupted by his dino-side, realize that it’s a lot easier to just kill Tanya’s father than to impress him by robbing banks for cash.

When he attacks the man and sees the reaction of his star-crossed lover, Lykos realizes Sauron is far too much in control. Sauron is too evil! Lykos/Sauron promptly flees to a cold, distant region, the same place where he got bitten all those years ago, figuring he’ll stay in isolation and starve himself of the human energy he needs. But, just as he is utterly ravenously out of his mind, Tanya finds him! In order to protect her, Sauron sacrifices himself by throwing himself off the mountain… straight into the Savage Land..

The X-Men (sans Angel) follow him into the Savage Land. (It’s unclear why? To retrieve his corpse? Annoyingly, in the next arc, Sauron is not brought up again.) There, they run into Ka-Zar, who’s embroiled in a fight with… prehistoric mutants?

Angel, meanwhile, follows the X-Men in their footsteps, only to end up on the other side of the fight, with a strange white-haired man named the Creator who claims to be the mentor of these Savage Land mutates. Angel pledges him his wings, gets a snazzy new suit and flies off to fight the X-Men. Only then does the man secretly reveal himself: he’s… Magneto! (The true one, not a robot.) And he wishes to rule the savage land!

Angel and the other X-Men briefly fight, but soon the situation is sorted out and the X-Men go and confront the Creator. Magneto, who is way too hammy to ever hide his true nature for too long, reveals himself and the fact that he created these… mutates, including the creepy Brainchild. (He’ll become important later.) The X-Men defeat Magneto and he seemingly dies again.

Without Magneto there, the mutates revert to just being regular cave(wo)men:

I love that Ka-Zar, WHO HAILS FROM THE SAVAGE LAND HIMSELF, has no scruples othering his own kin. (X-Men 63)

The comic accidentally ends on a sad note: the X-Men confessing that they’d give up on their powers in a heartbeat. Not to nitpick, but while I buy that coming from Beast and Cyclops, this issue is less clear-cut when it comes to Jean and Bobby, who have a much better handle on their powers and, more importantly, present as human. It could potentially be an interesting issue to explore, but instead, it is swept under the rug, presenting the team (once again) as a boring but unified front. It remains one of my critiques of this era: the X-Men barely get fleshed out as individuals, other than the broadest of strokes (Leader; Rich Boy; Joker; Smart Guy; Girl). Pity.

Didn’t you take Art History? One thing that has definitely improved is the overall art-style. Artists experiment with panels and splash pages, stepping out of the traditional 2 by 3-grid that Kirby loved so much. It makes the stories more dynamic and, because the writers get more issues to tell their stories, the artists get more space to do their art.

I mean, check this ish out:

Fuck yeah, mental powers represent. (X-Men 57)

Ugliest Costume: None! I really like Havok’s black bodysuit with white stripes and the Sentinels design looks so much less dorkier than before. A+.

Best new character: Sauron, duh. Does he team-up with Dr. Doom at some point? That would be some ham-to-ham combat.

Most audacious retcon: There’s a second Summers brother?

What to read: 57 to 59, which is the plotline dealing with the much improved Sentinels. 60 and 61 if you have a soft spot for vampiric pterodactyls.

[recentanimenews]

THE GREAT CRUNCHYROLL REWATCH Goes On An Escort Mission with Episodes 204 - 210

  Welcome back to THE GREAT CRUNCHYROLL NARUTO REWATCH. I'm Daniel Dockery, your host for this week's batch of episodes, and I gotta say, I'm gonna miss reading these writers' responses to whatever Naruto and His Amazing Friends happen to doing that week. It's got me feeling all sentimental, especially now that we only have two more weeks left. And it's because I was feeling so sentimental that I decided to approach my questions a little more...personally.

  Sure, I wanted their opinions on the latest round of filler, which included an overload of escort-style missions and some fun genjutsu use, but I mostly wanted to dive into their lives and see what makes them tick. What drives a person to watch Naruto and then answer questions about it each week? What lurks in the heart of a Sasuke fan? What are the hidden depths in a being that has committed a chunk of their lives to counting how many bowls of ramen a Shonen Jump character eats? And since I doubt we'll ever get a hard-hitting documentary about the hidden feelings of a Naruto fan, that means it's up to me to do the digging. Consider me your Anime Werner Herzog. 

  So let's dive in!

  Naruto sure does love its escort missions. There's two back-to-back in this set of episodes. What's your take on them? I know that, whenever a video game is like "Ya gotta get the professor to the control room and if he gets blasted, it's lights out!", I want to throw a PS4 out a window. And in anime, it's usually "Ya gotta protect this guy (that has a valuable secret that you won't learn about until it's waaaay too late." But I want to know your feelings.

Joseph: They're not as downright immediately awful in anime as they are in games, but they have to be handled interestingly. Naruto filler does not do that. This week's episodes were, through and through, interminable.

Paul: I don't mind escort missions in general, although as noted above, they all do tend to fall into the same "vital secret withheld" pattern. The living national treasure episode didn't work for me, because the secret artist, Shinemon, was so thoroughly detestable that -- despite attempts to humanize him that came far too late -- I would have been perfectly happy to see him dashed to bits on the rocks.

Kevin: I think I dislike the escort missions more on paper than I do in practice. At least by introducing someone to escort, the show goes to a new location and has a new character or two for Naruto and whoever else he's with to interact with. It's not handled particularly well most of the time, but at least it's an easy way to get something new-ish out of the filler.

Carolyn: Fetch quests < escort missions except in Resident Evil 4. As far as Naruto goes, I don't think it's the escort missions themselves that are the issue, so much as it's the repetitiveness of just about every storyline. But that's a whole other issue.

David: On one hand, escort missions make a lot of sense as something ninjas-for-hire would do frequently, especially the younger ones like our main characters who need the experience. On the other, we've talked enough here about all the more interesting ways "being a ninja" could be portrayed as a concept, so it does feel pretty lazy that they keep returning to this well.

Jared: We've certainly seen our fair share of these types of missions, so they're not terrible when watching compared to when you have to do them in a game, but the execution in the ones we saw this week is the problem. They really didn't bring anything new to the table that we hadn't already seen done better.

Danni: I'm pretty sure I'm the only one who made it through that one mission at the end of Metal Gear Solid 3 without failing on the first try, so as far as Naruto's escort missions go, I guess I didn't hate them. Gantetsu seems cool at least.

  Noelle: Escort missions in general are alright (in anime, not in games), but this one didn't really do it for for me. Lazy execution will bring anything down, really.

  Kara: I played City of Heroes and World of Warcraft so I tired of escort missions pretty quickly from a game standpoint. From a show standpoint, they can be interesting if they're done creatively. To their credit, neither of these even approached the annoyingness that was the rich kid ninja-for-a-day, but I would absolutely have murdered the sculptor and used the rest of the trip home to figure out a noble-sounding death for him.

  Gosh, we're in the home stretch, huh? So I want to know: How does it feel to have made Naruto a part of your weekly routine for so long? Is it something you look forward to? Did you ever have a problem fitting it into your week? Did you ever have to tell someone "No, I can't hang out. I've gotta see what these ninjas are up to"?

  Joseph: I looked forward to it for about 70% of the rewatch, so not bad! I never had to go too out of my way to keep it as part of my routine, but there was a time I had to make sure to download episodes on N*****x so I could watch while in England. Crunchy-hime, gomennasai.

Paul: Just this evening, I had to pass up walking the dog with my sister in order to catch the weekly ninja shenanigans. When we first started, I'd set aside a block of two specific dates and times each week to watch Naruto, but now I just shotgun all seven episodes as soon as the questions are available. It'll take adjustment to fill that Naruto-shaped hole in my schedule. Maybe I'll catch up on the 300+ episodes of One Piece I need to watch...

Kevin: A surprising amount of my life has started revolving around this Rewatch, to the point that I actively plan things like D&D sessions around knowing that questions normally come in on Wednesdays or Thursdays, so I need to either watch the week's episodes early or keep those days clear. At the same time, I'm legitimately looking forward to continuing the Rewatch into other shows and then to Shippuden, since watching these long form shounen series so quickly gives a different viewing experience than watching week to week.

Carolyn: There were definitely a few times I had to pass on things for Naruto but for the most part I was able to watch it while doing other work so it wasn't too inconvenient. I can't say it was the highlight, though the first few arcs definitely reminded me of why I was such a fan so many years ago and I was pleasantly surprised to find Naruto -- a former least favorite character -- is now one of my top favorite characters.

David: Back before this filler started, I would have said Naruto was one of the most highly anticipated parts of my week anime-wise. Now, uh, not so much. I'm looking forward to getting to Shippuden though.

Jared: It certainly feels weird that we're going to be done with OG Naruto in two weeks. As someone who hadn't watched a lick of Naruto before this, it's been fun. Although the filler at times has tested my patience with that. I've definitely had to maneuver some stuff around or make sure I don't record a podcast too late in order to watch episodes which has made for some interesting ways to make sure everything works out.

Danni: It's weird to think how I've ostensibly watched one episode of Naruto a day for nearly the entirety of 2019. To be fair though, I averaged nearly two episodes a day in the 10 months it took me to watch the entirety of the Dragon Ball series, so this just feels like a light continuation of that. I haven't given up on any social obligations to watch Naruto, but it has cut down on my available tea time with my students in Fire Emblem.

  Noelle: I never thought I'd be watching Naruto in 2019, but it's August and I sure did just that! It's been more a trip down memory lane for me, and I think I have a more updated perspective on some of the things I recall that were shaky. It's been pretty interesting comparing what I thought as a teenager to my impressions now, and it's been pretty amusing to see how some things haven't changed. The Rewatch is definitely something I have to specifically make time for in my schedule though.

  Kara: My friends now joke that I'm "watching Naruto for a living." I honestly thought this was going to be like pulling teeth. Really, only the filler has been like that. I was pleasantly surprised to find it's enjoyable at its best. Also couldn't help but do a bit of a double take this week when the words "It's Naruto, he'll be fine" were spoken unironically. How times have changed.

  Are there any points in your life that you regard as filler arcs? I remember taking golf lessons for a week when I was 23, which seemed super out of character for me, since I find golf amazingly dull. So I look back on that as "non-canon Daniel." Is there anything like that from your own life that anime fans would argue isn't part of the official timeline of You?

  Joseph: Off the top of my head, I've been pretty damn canon for my entire run. There were a couple months where I lived in LA to help my friend direct his graduation short, but that was more of a NaruJoe Gaiden. Surely some of the six (6!) years I spent farting around in college were filler, though.

Paul: My filler moments would be when I've struggled with bouts of serious depression. Those portions of my life feel hazy and unreal, and if it turned out that I were merely a character in someone else's comic book, I suspect those would be the awkward bits where they fired the previous writers and artists, and the editors had to fake it until a new batch came along.

Kevin: I lived with my parents for about 18 months after graduating college, just looking for some kind of employment. Day in and day out, basically just lounging around home, occasionally having bursts of productivity by applying to a bunch of jobs all at once. This is also the time when I was seriously studying Japanese and picking up mobile gaming. Near the end, I got a seasonal job working for Target and then started writing features for Crunchyroll. I think that's about as filler as it gets, even down to changing up the formula to stave off boredom.

Carolyn: I had to think about this for quite a long time. I'm not certain I can say there was much that I could call filler except possibly my education, which is kind of depressing. I first started going to college for an elementary education degree before realizing I don't actually have the patience to be a teacher. Later I got a certificate in medical transcription/billing and coding ... and did nothing with it. It's all worked out, but those would have to be the filler arcs, I guess.

David: I spent my first semester of college working on a music degree only for my interest in that to peter out halfway through and basically wasting my time for the rest of the year until I found an interest in computer science, so that's probably the closest.

Jared: For me, I'd probably go with all the choices I went through before settling on what I eventually graduated college with. So, there was the long filler arc where I thought I was going to be an automotive mechanic. That transitioned into the very brief web designer arc. After that was the dark time where I had to work at Walmart for two years after dropping out. Finally, there would've been the journalism arc that would eventually transition me onto the English path that would take me out of college.

Danni: My life is a filler arc.

  Noelle: This is a tough question... I do think a lot of things in my life have lead up to where I am now, even if I did feel they were useless at the time. Maybe all the summers I spent at summer camp; I don't think I retained anything particularly useful from those experiences, except for maybe a Pokemon card or two.

  Kara: I think my almost ten years working for a mainstream news website would constitute that. It started out okay, but then it was just a lot of time-killing with very little new scenery. Turning in my notice and becoming a freelancer was scary, but it really did feel like moving on to a new chapter. Which isn't to say every day is super-exciting plot progression, but at least I'm not seeing the same things over and over with slightly different character designs.

  Okay, in our Naruto slack chat channel, there's a debate going on about genjutsu and how useful it is. So, to give us a little more #content, I wanna know your feelings about it here:

  Joseph: It seems pretty useful, but only at an absurdly high level. I'm a huge sucker for illusions so I don't mind the fact that it's just that most of the time. In these particular filler eps, there's an instance where if you fall in imaginary Genjutsu lava, your body actually thinks it's burning and you could die as a result. I'm not going to put much stock in Filler Power Logic, though, so I dunno. I guess it's just a cool concept rather than one I think is super useful all the time. Freddy Krueger uses Genjutsu, so there's that.

Paul: I actively enjoyed the Yakumo arc, although I feel like having so many Kurama clan members with String-Bean Genjutsu was wasted potential. One of my favorite science fiction films is Forbidden Planet, which also features a super-powered id beast running amok. I know some others were arguing that genjutsu is weak as heck, but applied properly, I think it can be one of the deadliest and most inventive tricks in the ninja arsenal, especially when it fools the brain into damaging the body.

  Kevin: I'm the one who started the discussion, so my thoughts are already well known in the channel. For the audience though: I feel like Genjutsu is almost objectively the worst possible thing to specialize in for a Naruto character. Taijutsu basically lets you bench press mountains and ninjutsu seems to let you do pretty much anything magical, and they both allow you to outright kill your opponent. Meanwhile, outside of the insanely powerful genjutsu shown in this week's episodes and the one that Itachi likes using, genjutsu only ever seems to immobilize the opponent.

On its own, that might be fine, since you could stop them and then kill them easily, but even schoolchildren know how to dispel low level genjutsu, and Kuranai showed that when that doesn't work, you can just stab yourself once to get out of a genjutsu. Not ideal obviously, but much easier to defeat than a man moving faster than the eye can see, or a kid trying to stab you with a ball of lightning.

For some of the others:

Ninja tools (Tenten): Not seen often and also a contender for worst option because of how rarely Tenten gets to win at anything. But being able to summon pretty much any number of any weapon has a lot of versatility.

Ninja animals (Kiba, Shino, etc.): They always seem to end up being more useful than I would expect them to be, while genjutsu always ends up being more boring than I would expect.

Kekkei Genkai: Because they don't need to follow the same rules as standard jutsu, the creators have more freedom to be imaginative with what the abilities can do.

Medical ninjutsu: Always useful in keeping people alive (brought back everyone's favorite bowlcut, after all), and Kabuto showed how it can be used offensively. Tsunade also hasn't showed how powerful medical jutsus can get, yet.

Sealing: We haven't seen much of it yet, but what we know is that if you can't kill something, you can seal it away. Maybe not the most practical specialization on a day-to-day basic, but exceptionally useful when needed.

A different group chat I'm in actually came up with a great way to make genjutsu more engaging, and it's basically what Shikamaru does with his Shadow Possession jutsu. Instead of the ninja casting a genjutsu and then basically nothing happening until either the person under the jutsu breaks out or someone comes along to help them get out, the genjutsu creates an opening for someone else to attack, creating combos and interesting combat scenarios.

  Carolyn: Yeah, I have to agree with Joseph. Even if the logic doesn't exactly make sense, anything that deals with mind-bending and reality manipulation is a plus in my book.

    David: It makes sense to me that genjutsu could be seen as the least useful ninja art to practice if you're a normal person in this world, but in the context of the show where the focus tends to be on the most powerful characters, everything except genjutsu feels completely underpowered. So it depends on your lot in life I suppose.

  Jared: We've certainly seen instances of lower level Genjutsu where it seems easy to get out of and know you're under the influence of it. In that instance, it would probably be less beneficial than other forms of jutsu, but if you have a knack for being a high level practitioner of it, then I'd say it's pretty beneficial. Especially as seen here where you can basically trick the brain into believing everything is real and have it cause legitimate damage. The amount of people who are going to be able to operate on that high of a level is going to be slim though, which makes it seem weaker than what it can actually be.

  Danni: Evo was this past weekend, so I've been thinking of genjutsu like a high-skill ceiling fighting game character. For low level shinobi, genjutsu is so easily countered that it's never a viable option. You're better off polishing your skills taijutsu + ninjutsu combos. However, when a real master sits down and devotes themselves to genjutsu, their ability is almost godlike.

  Noelle: I think I agree most with the sentiment that low-level genjutsu is pretty harmless, but high-level genjutsu is deadly. After all, it does rely on tricking the senses, and if you've lost control of your primary senses, then what is there to trust? They may seem like fun and games, but hallucinations in the real world are bewildering enough as is. Sensory adjustment being weaponized can be downright deadly in the right circumstances.

  Kara: Like Paul, I really enjoyed the Yakumo arc. This was a very "made for me" story, between the genjutsu and the taming of the Id monster - that's all stuff I love. Personally I enjoyed how much time was spent developing the idea of genjutsu: that a lot of it is our mind working against us, and in many cases the more intelligent you are, the harder it gets you. Plus our brains are our own worst enemy, so of course it would be terrifying to have them turn against us. I'd honestly rather be kicked in the face a hundred times than live out some sort of eldritch nightmare I couldn't escape, "real" or not.

  Do y'all like ramen? What's your favorite kind? I know that this isn't very relevant to the episodes, but we've been keeping a ramen count for about eight months and I haven't seen much discussion about how y'all actually feel about ramen. I personally really dig it.

  Joseph: Going back to LA, there's a spot my friend and I were hooked on in Little Tokyo called Orochon Ramen. We were training ourselves to stand up to the spiciest number, but never quite made it there. I would sweat INTO my ramen bowl, It was deliciously excruciating, or excruciatingly delicious; whichever sounds better. I think it did level up my spiciness in general!

  Paul: I've had proper ramen from a proper Japanese ramen restaurant in New York City, but, hypocrite that I am, I actually prefer the store-bought stuff from Nissin and Maruchan. I enjoy the pork flavor, which they label as "Oriental flavor" for some unknown reason.

  Kevin: I'll be perfectly honest, Naruto is the reason I started eating ramen more than a decade ago, and I still probably have a bowl or two per week. It's just so simple to make! Boil some chicken broth, add the noodles, add anything frozen (like peas), wait a few minutes until you can break up the block of noodles, add any other vegetables/eggs/whatever, simmer for a few minutes to cook things through, top with green onion if you feel fancy, serve. I also add soy sauce and ginger for a bit more flavorful broth. Maybe 10 or 15 minutes or so to get a bowl full of tastiness. Great for any time that you don't have a better idea for what to eat.

  Carolyn: I've never had real ramen and I really, really want to. The pork flavor labeled "Pork flavor" is the actual best of the store-bought stuff. Sorry, Paul. Oh, and also the mushroom flavor that doesn't even exist anymore. We can cancel shrimp and chili.

  David: Some friends of mine live next to a good ramen place so I like going there when I get the chance, but otherwise I can't say I eat it often. My diet is pretty terrible actually, being mostly frozen meals and the occasional actual food on days where I feel like I have more free time.

  Jared: I've also never had legitimate ramen, so all I have to go off of is the store bought kind and even then I can't remember the last time I had that.

  Danni: When I was in Japan I went to a grocery store and bought some random cups of instant ramen, which turned out to be curry-flavored, and I love me some curry. I ended up bringing a bunch home with me when I left. I currently have one left in my reserves, but I just can't bring myself to eat it and say goodbye to my curry-flavored ramen yet.

  Noelle: Ramen is my go-to food when I don't feel like putting a lot of effort into cooking. I love it! I usually end up eating tonkotsu or shoyu. In restaurants, I like mine with a good helping of char-siu.

  Kara: I started eating ramen when I was very little because my uncle, who was between college and grad school and living with my grandparents and me at the time, had it for lunch every day. (I thought he was cool, which he is, and I wanted to be like him.) He had beef with a slice of Swiss cheese melted on it. I had vegetable with white American cheese on it and eventually "graduated" to beef (though still with cheese). I've had proper ramen and I really enjoy it when it's possible to get it, but sometimes I just crave college food.

  And highs and lows, I guess:

  Joseph: These'll be quick. My high for the week was the concept of Dropout Ninja. I love the idea of unaffiliated bad dudes who decided to quit school and, presumably, set up a Foot Clan-esque underground network. The low is the Yakumo arc. So much drawn-out explanation for what should have otherwise been a pretty neat bit of intrigue and backstory.

Paul: My high point is the id beast from the Yakumo Arc, because the idea of being betrayed by one's own subconscious is a conflict that I groove on. Honorable mention goes to Kurenai being a quintessential shinobi by being willing to endure misplaced vengeance rather than allowing her student to come to harm. My low point is the sheer number of waterfalls that Naruto got tossed over. Two waterfalls in as many episodes is a Wile E. Coyote thing.

  Kevin: High - Cat-in-the-Craddle ninja. I honestly thought about putting him as my low point, or at least as a head scratching choice for how strange an ability it is, but he's one of the few things that really sticks out to me in this batch of episodes, and I actually do like seeing versatile skillsets, even if they've stopped even pretending to be ninja-inspired.

Low - The guy who made the national treasure. I'm so annoyed by basically everything he ever did that I'm not even bothering to look up his name. He started as a jerk and ended as a jerk. Congratulations, now get out and never come back.

  Carolyn: High point, like I mentioned earlier, would have to be the illusions. That stuff is just always fun for me. Low point, yeah, smugness is a no go.

  David: My high point is the concept behind the Yakumo Rescue arc, especially Yakumo herself, practically jumping into the show as a viewer with being inspired by Rock Lee and all. Low point is just how long that arc is - five episodes is about two too many, so it lost a lot of luster along the way.

  Jared: High point this week was some of the different and spookier styles the show tried to implement in the Yakumo arc, albeit briefly. Outside of that though, the low points would probably be everything else with that arc going too long and the other episodes just being basic concepts we've seen executed better elsewhere.

  Danni: My high point is the Yakumo arc, just because of the parallels her situation had with Naruto's. The weakest part of Naruto in my opinion is how little it bothers delving into the fact that Naruto has a giant, murderous demon sealed inside of him that almost definitely killed his parents. Seeing him recognize the similarities between them and make a silent vow to master his own terrifying power was great, and hopefully will become more significant in Shippuden.

  My low point is...also the Yakumo arc. It's just so unfortunately incongruous with the actual mainline plot. If Kurenai had been tasked with this mission for some time, why did she only just now decide that she's unfit to command her team? Also, I imagine that despite Yakumo's incredible power one day being very much needed in the Hidden Leaf Village, no one will ever say a word about or mention her ever again. Yakumo deserves to be canon, dang it!

Noelle: High point, illusions definitely! I like the idea of using horror when it works, and I think they did a decent enough job in doing so. Low point, the general sense of repetition and overall, I think some points stretched far too long. This could've used some trimming and compression.

Kara: High point is the Yakumo arc in general, with special focus on the horror imagery and Id monster. There were some genuine "NOPE" visuals in there (Yakumo's portrait grabbing her and talking to her), not to mention Sakura opening a door and looking out into the void of space and just screaming.

Low point was the freakin' "national treasure" sculptor who spent the whole episode mocking our lads for not dying on the job. I hope Akamaru got an extra spray on him before they kicked him out of the village.

  And for the weekly numbers:

Counters Week- Ramen: 0 bowls + 3 cups Hokage: 0 Clones: 94 + 2 uncountable scenes Total- Ramen: 201 bowls, 17 cups Hokage: 62 Clones: 912

  And that’s it for this week! Remember that you’re always welcome to watch along with the Rewatch, especially if you’ve never seen the original Naruto! Watch Naruto today!

  Here’s our upcoming schedule:

-On August 16th, NICOLE MEJIAS finishes up a mission!

-And finally, on August 23rd, CAYLA COATES wraps up the Rewatch in its entirety!

CATCH UP ON THE REWATCH!

Episodes 197-203: Solving a Mystery

Episodes 190-196: Matchmaking Gone Wrong

Episodes 183-189: No Laughter Allowed!

Episodes 176-182: Reach for the Stars!

Episodes 169-175: Anko’s Backstory At Sea

Episodes 162-168: The Tale of the Phantom Samurai

Episodes 155-161: Quickfire Curry

Episodes 148-154: The Forest is Abuzz With Ninjas

Episodes 141-147: Mizuki Strikes Back!

Episodes 134-140: The Climactic Clash

Episodes 127-133: Naruto vs Sasuke

Episodes 120-126: The Sand Siblings Return

Episodes 113-119: Operation Rescue Sasuke

Episodes 106-112: Sasuke Goes Rogue

Episodes 99-105: Trouble in the Land of Tea

Episodes 92-98: Clash of the Sannin

Episodes 85-91: A Life-Changing Decision

Episodes 78-84: The Fall of a Legend

Episodes 71-77: Sands of Sorrow

Episodes 64-70: Crashing the Chunin Exam

Episodes 57-63: Family Feud

Episodes 50-56: Rock Lee Rally

Episodes 43-49: The Gate

Episodes 36-42: Through the Woods

Episodes 29-35: Sakura Unleashed

Episodes 22-28: Chunin Exams Kickoff

Episodes 15-21: Leaving the Land of Waves

Episodes 8-14: Beginners' Battle

Episodes 1-7: I'm Gonna Be the Hokage!

  Thank you for joining us for the GREAT CRUNCHYROLL NARUTO REWATCH! See you next time!

  Have anything to say about this batch of episodes? Let us know in the comments! We're accepting questions and comments for next week, so ask away!

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Anime Werner Herzog is a writer and editor for Crunchyroll. You should follow him on Twitter!

By: news+feed@crunchyroll.com

[iammarylastar]

Hollywood star Jai Courtney on why he couldn't resist playing Macbeth at MTC Shakespeare's troubled villain is 'the role of a lifetime'. Sonia Harford Jun 2, 2017 "It's great watching Jai do the fight scenes. You believe he is the best warrior in the army, which is what Macbeth is meant to be," says actor Geraldine Hakewill. Cast as Lady Macbeth to Jai Courtney's foul villain, she can appreciate the stage presence of an action hero – whichever century he finds himself in.  "I haven't seen many Macbeths where that's the case, where you believe he could devastate the opposing army," she says. "It's in his body, how he can handle himself on stage. He knows his way around a gun," she concludes, to laughter from Courtney. He takes the compliment with a good grace, and there's no doubting his presence on and off stage. A star of several Hollywood blockbusters, Courtney has a powerful build and a mighty voice. Shakespeare's lines will no doubt boom right to the back row when the Melbourne Theatre Company production opens this month. In a break from rehearsals, the two share a sofa to explain their contemporary take on Shakespeare's fierce Scottish play of witches, ghosts and human villainy; Hakewill a dark, lean and focused figure to Courtney's reflective film star. At 31, Courtney can count himself a successful member of the Australian pack in Los Angeles. Raised in Sydney, he attended the WAAPA drama school in Perth and soon landed television and film roles in the United States.  Following his malevolent turn as a very, very bad guy opposite Tom Cruise and  Werner Herzog in Jack Reacher, he appeared in A Good Day to Die Hard, Divergent and its sequel Insurgent and as the faintly perplexing Captain Boomerang in the 2016 DC Comics outing Suicide Squad. He's barely revisited the stage since his WAAPA days. So why now, and why Macbeth? "I didn't really see an option for myself once I was offered this," he says with feeling. "It's the role of a lifetime, and it came along at a time when I was exploring where my interest in film really stood, and the jobs I was chasing versus the jobs I took." Shakespeare, of course, requires a bit more than knowing your way around a gun. Courtney and Hakewill both saw Kate Mulvany's recent electrifying performance as Richard III with Bell Shakespeare. Her Richard, embittered by mockery and physical weakness, was a schemer, a villain with more wit than weaponry. Courtney described her as "an absolute force. It was one of the most courageous performances I'd seen on stage." Yet Macbeth is a very different kind of villain, in his view. "He's a man who's embarked on a tyrannical journey, and he's always at odds with the things he has to do. It's an interesting arc to chart as he wrestles with it right up until the end. "At one point, he does give himself over to it and submits to chaos. It's the horror of the acts he chooses to commit that sends him mad. Unlike Richard III, which is all about righting the wrongs endured by him, Macbeth is built on ambition. He bites off more than he can chew in that sense. It's interesting and hard to play the arm wrestle within one's self." What Hakewill saw in Mulvany's performance was "her great feel for a story". "In Macbeth, the characters go to places that aren't justifiable from an audience's point of view but you have to take them with you, because it's your story. "Lady Macbeth is often seen as a villain because she doesn't have someone whispering in her ear, so that's tricky to find the humanity and the empathy but I am searching for that, because I think there are many reasons she acts the way she does. "Even though we're setting this in quite a contemporary context, I'm thinking about when it was written. Even today, here and in other parts of the world, there are constraints that you put yourself under, that society puts women under, that prevent them achieving their ambitions." The role marks a welcome departure for her, she says. "It's a woman playing  a villain! I'm usually playing someone sweet and lovely. This role's frightening and that's why I wanted to do it." Hakewill has mostly based her career in Sydney, but she appeared in Baal at the Malthouse some years ago and in Joanna Murray-Smith's Fury for the Sydney Theatre Company. "I probably seem younger than I am so I ended up playing a lot of teenage girls for a while – usually the broken ingenue who gets screwed over by men, because that's what history has often given us in plays." An action role finally came her way in the television series Wanted which this year earned her a Logie nomination for outstanding new talent. "That was a lovely surprise." It's also well worth hunting down a short film called Young Labor. In this concentrated gem of political satire, Hakewill plays a hilariously narcissistic Labor organiser, browbeating volunteers from party room to fundraising cake stall. Perfect training for Lady Macbeth, perhaps? "Yes, it looks at though it's in me somewhere," she says, laughing. "I got cast for a reason!" Both actors believe director Simon Phillips has the right touch for the heightened theatricality of Macbeth. Says Hakewill: "Simon's shows are always big shows." Big enough, presumably, for the movie star male lead who has left his home in Los Angeles for a few months in downtown Melbourne. Courtney admits theatre is as big a challenge as any he's faced. "I just wanted to get on stage all through my teens. "As you grow and learn more and push yourself, your ambitions grow, of course … I've had funny luck working in film on pre-existing franchises and am often asked about the responsibility to serve those – but the movies can change so much at any part of the process. So in a weird way the pressure is so much greater under these circumstances on stage – because it's on you to rise to it every night."  Courtney says after Macbeth he's  "sticking around to do some film work". He enjoys going back and forth between Australia and the US. He'll soon be seen in World War II drama The Exception with Christopher Plummer. In the past, he has worked on Australian films with his friend Joel Edgerton and with Russell Crowe on The Water Diviner. Next up locally is a planned remake of Storm Boy with Courtney playing Hideaway Tom, the boy's father.  "I'm really excited to be on board with this retelling of such an iconic Australian story and it's so wonderful to have the privilege of working with Geoffrey Rush. I was a fan of the book growing up so it's an honour to be a part of the film