Beyoncé photographed by Bryce Anderson for GQ (2024)
"I create at my own pace, on things that I hope will touch other people. I hope my work encourages people to look within themselves and come to terms with their own creativity, strength, and resilience. I focus on storytelling, growth, and quality. I’m not focused on perfectionism. I focus on evolution, innovation, and shifting perception. Working on the music for Cowboy Carter and launching this exciting new project feel nothing like prison, nor a burden. In fact, I only work on what liberates me. It is fame that can at times feel like prison. So, when you don’t see me on red carpets, and when I disappear until I have art to share, that’s why".
As an entrepreneur, Beyoncé wants to change the narrative for women business owners. “There’s a huge contrast between the business journeys of men and women. Men often have the luxury of being perceived as the strategists, the brains behind their ventures. They’re given the space to focus on the product, the team, the business plan. Women, on the other hand, especially those in the limelight, are frequently pigeonholed into being the face of the brand or the marketing tool. It’s important to me to continue to take the same approach I have taken with my music and apply my learnings to my businesses,” she explains. Read more on how Beyoncé found “personal joy” after three decades in music, raising kids as an international superstar, how she’s prioritizing self-care, and more at the link in bio. Written by Frazier Tharpe Photographed by Bryce Anderson Styled by Katie Grand Hair by Kim Kimble for The Only Agency Skin by Rokael at OPUS Beauty using Rokael Beauty ” Manicure by Miho Okawara Tailoring by Tim White Set design by Ibby Njoya at New School Represents Produced by Alicia Zumback at Camp Productions Special thanks to Shiona Turini, personal stylist to Beyoncé.
Presenting GQ’s October issue cover star, . "It’s not about being perfect. It’s about being revolutionary.” For three decades, the global superstar has shown an unprecedented adeptness at breaking rules and entering new spaces in the music and business worlds. In a rare and sweeping interview, Beyoncé Knowles-Carter opens up about her newest business venture, her extraordinary legacy, motherhood, life outside the spotlight, and much more. Read the full interview at the link in bio. Written by Frazier Tharpe Photographed by Bryce Anderson Styled by Katie Grand Hair by Kim Kimble for The Only Agency Skin by Rokael at OPUS Beauty using Rokael Beauty Manicure by Miho Okawara Tailoring by Tim White Set design by Ibby Njoya at New School Represents Produced by Alicia Zumback at Camp Productions Special thanks to Shiona Turini, personal stylist to Beyoncé.
Alexander Wang - Sisters from Pavel Brenner on Vimeo.
Milano Fashion Film Festival Official Selection 2022
Berlin Fashion Film Festival Official Selection 2021
Berlin Commercial Nomination 2021
1.4 Awards Longlist 2021
Official Summer 21 Campaign for Alexander Wang
Music by GRRL
alexanderwang.com/us-en/projects-sisters
Cast: Ashley Wang, Piya Chitsmaran, Yoa Mizuno, Olive Zuker-Brunzell, Sandra Diola, Seven Liu, Greena Park, Stella Tran, Bayana, Oprah Wambui, Juliet Marcroft, Grace Baik, Celline Lee, Lyn, Alejandra Avalos, Anisa Brown
Stunt Double: Isabella Miller, Serena Li, Rhea Cullentas, Robyn Diamond, Keerati Julsophon, Nicole Cookpitman, Mizzel Serra, Johnathan Gleason
Director: Pavel Brenner
Cinematographer: Christopher Ripley
Executive Producers: Malcolm Duncan, Fabien Colas, David Laven, Alex Wang
Creative Producer: Camilla Gai
Producer: Christina Jobe
Sound Designer: Bastien Benkhelil
Production Designer: Tyler Evans
Art Director: Angus Bernsen
Set Dresser: Theo Cohn, Erica Laguan, Brendan Sheley, Oliver Bernsen
1st Assistant Director: Mel Anderson
2nd Assistant Director: Alex Dolan
1st Assistant Camera: Jacob Perry
2nd Assistant Camera: Joe Ashi
Loader: Chastin Noblett, Jake Duggar
Gaffer: Mathias Peralta
Set Lighting Technician: Chris Ginnaven
Key Grip: Pablo Ruff-Berganza
Best Boy Grip: Andres Gutierrez
Best Boy Electric: Nick Haynes
Grip: Jesse Curl
Steadicam Operator: Bill Hunt
Drone Pilot: Andrew Petersen
Gimbal Operator: Jake Howard
Drone Tech: Bryce Howard
Drone Dudes: Ryan Bunnell
Balloon Tech: Dave Cupp
Digitech: Jason Wang
Motocrane: Robert G Streeper Jr, Neil Maciejewski
Talent / VIP relations: Kameron Kubicki
Casting: Anita Bitton / Establishment New York
Casting Associate: Calvin Wilson
Stunt Choreographer: Isabella Miller, Serena Li
Stylist: Worthy Dye
Background Stylist: Damien Lloyd
Hair Stylist: Edward Lampley
Hair Assistant: Sol Rodriguez, Jessica Padilla, Alysha Walks, Jenelle Oldham
Make Up Artist: Tarezka Fras
Make Up Assistant: Mina Abramovic, Mila Nesmeyanov
Nails: Sojin Oh
Production Manager: Takara Joseph
Production Coordinator: Sho Schrock
Production Assistant: Ari Garber, Chris Hamilton
Storyboard Artist: Camilla Gai
Production Truck Driver: Jesse Martinez
G&E Truck Driver: Filippo Bencaini
Camera Truck Driver: Bill Colino
Motorhome Driver: Richard Linville
Craft Sevices: Xochil Chavira
Studio Teacher: Michelle Garcia
Medic / Safety Officer: Sharr Siamson
Covid-19 Safety Officer: Jamie Pinon
Photographer: Hao Zeng
Photo Assistant: Ryan Elliot, Justin Brooks
Ypsilanti, Michigan, 1945. Engineer Preston Tucker dreams of designing the car of future, but his innovative envision will be repeatedly sabotaged by his own unrealistic expectations and the Detroit automobile industry tycoons.
Credits: TheMovieDb.
Film Cast:
Preston Tucker: Jeff Bridges
Vera: Joan Allen
Abe: Martin Landau
Eddie: Frederic Forrest
Jimmy: Mako
Howard Hughes: Dean Stockwell
Junior: Christian Slater
Marilyn Lee: Nina Siemaszko
Frank: Marshall Bell
Kerner: Peter Donat
Alex: Elias Koteas
Kirby: Jay O. Sanders
Noble: Corin Nemec
Stan: Don Novello
Johnny: Anders Johnson
Bennington: Dean Goodman
Ferguson’s Agent: John X. Heart
Millie: Patti Austin
Stan’s Assistant: Sandy Bull
Judge: Joe Miksak
Floyd Cerf: Scott Beach
Oscar Beasley: Roland Scrivner
Narrator (voice): Bob Safford
Doc: Larry Menkin
Fritz: Ron Close
Dutch: Joe Flood
Gas Station Owner: Leonard Gardner
Garage Owner: Bill Bonham
Ferguson’s Secretary #1: Abigail van Alyn
Ferguson’s Secretary #2: Taylor Gilbert
Woman on Steps: David Booth
Newscaster (voice): Al Hart
Security Guard: Cab Covay
Man in Audience: James Cranna
Board Member: Bill Reddick
Mayor: Ed Loerke
Head Engineer: Jay Jacobus
Bennington’s Secretary: Anne Lawder
Singing Girl #1: Jeanette Lana Sartain
Singing Girl #2: Mary Buffett
Singing Girl #3: Annie Stocking
Recording Engineer: Michael McShane
Tucker’s Secretary #1: Hope Alexander-Willis
Tucker’s Secretary #2: Taylor Young
Police Sergeant: Jim Giovanni
Reporter at Trial: Joe Lerer
Ingram: Morgan Upton
SEC Agent: Ken Grantham
Blue: Mark Anger
Jury Foreman: Al Nalbandian
Senator Homer Ferguson (uncredited): Lloyd Bridges
Girl at Mellon Publicity Event (uncredited): Sofia Coppola
Film Crew:
Executive Producer: George Lucas
Director: Francis Ford Coppola
Producer: Fred Roos
Additional Music: Carmine Coppola
Director of Photography: Vittorio Storaro
Production Design: Dean Tavoularis
Editor: Priscilla Nedd-Friendly
Casting: Janet Hirshenson
Sound Re-Recording Mixer: Richard Beggs
Producer: Fred Fuchs
Casting: Jane Jenkins
Music Editor: Mark Adler
Supervising Sound Editor: Gloria S. Borders
Sound Re-Recording Mixer: Tom Johnson
Set Decoration: Armin Ganz
Costume Designer: Milena Canonero
Unit Production Manager: Ian Bryce
Foley Artist: Dennie Thorpe
Sound Effects Editor: Tim Holland
Leadman: Doug von Koss
Second Unit Director: Buddy Joe Hooker
Assistant Costume Designer: Judianna Makovsky
Assistant Makeup Artist: Karen Bradley
Set Designer: Jim Pohl
Camera Operator: Jamie Anderson
Foley Editor: Sandina Bailo-Lape
Stunts: Jimmy Nickerson
Screenplay: Arnold Schulman
Sound Re-Recording Mixer: Randy Thom
ADR Editor: Louise Rubacky
Original Music Composer: Joe Jackson
Researcher: Anahid Nazarian
Assistant Sound Designer: Mildred Iatrou
Location Casting: Aleta Chappelle
Stunts: Gary McLarty
Screenplay: David Seidler
First Assistant Director: H. Gordon Boos
Stunts: Dick Ziker
Makeup Artist: Richard Dean
ADR Editor: Tom Bellfort
Art Direction: Alex Tavoularis
Assistant Hairstylist: Terry Baliel
Technical Advisor: Enrico Umetelli
Property Master: Douglas E. Madison
Script Supervisor: Wilma Garscadden-Gahret
Still Photographer: Ralph Nelson Jr.
Stunts: Steve M. Davison
Sound Effects Editor: Robert Shoup
Stunts: Tim A. Davison
Assistant Sound Editor: Martha Pike
Hairstylist: Lyndell Quiyou
Costume Supervisor: Winnie D. Brown
Assistant Sound Editor: Michele Perrone
Foley Editor: Diana Pellegrini
First Assistant Camera: Billy Clevenger
Assistant Property Master: Douglas T. Madison
Construction Coordinator: John J. Rutchland Jr.
Unit Publicist: Susan Landau Finch
Second Assistant Director: L. Dean Jones Jr.
Production Sound Mixer: Michael Evje
Assistant Sound Editor: Clare C. Freeman
Assistant Sound Editor: Paige Sartorius
Location Manager: Rory Enke
Second Assistant Director: Daniel R. Suhart
Gaffer: Pat Fitzsimmons
Dialogue Editor: Melissa Dietz
Associate Producer: Teri Fettis-D’Ovidio
Boom Operator: D. G. Fisher
Special Effects Supervisor: David Pier
Production Accountant: Joe Murphy
Negative Cutter: Donah Bassett
Second Assistant C...
Bryce Anderson has worked with many fashion brands styling unconventional images where models are working the clothes instead of the clothes work for the model. Being inspired by both Madonna and Marilyn Monroe this has given the confidence to being both very artistic and visually enticing. Coming from a modelling career he started taking photos out of spit, which I he is funny as always had photos taken of him. But I feel like because he had this little bit of hate, this create a more interesting image. Working with black and white. Creating depth with focal length and using make up as a piece of art instead of a cover up. Bryce Anderson images make you not be afraid to explore outside of the box.
CULLY WRIGHT
Cully Wright is new to the scene. Most of his work is looking into the story telling of the image, and breaking free of the control one would have when coming to taking photos. Cully started taking photos with 35mm at 16. His work showcases people for who they are. His use of colour creates hues that respect freedom sexuality. His use of the backgrounds and working in the outside helps showcase his work. I find his work inspiring and colour. He is always taking uncandid photos which really helps show us his purpose. With his up close photos its give you something personal to read which can create a photo captivating.
Janice Reid
Small time photographer Janice Reid. Her photos showcase identity and realism. Many of her photos work with angles and colour. Changing the hues to enhance the colour and working with texture to fill in empty space. Her worked grabbed my attention as she builds her background around her subject so you feel like the background is working with the subject instead of against. The use of movement for shows texture and adds depth to her images. She is always exploring fashion, sexuality, gender and beauty which creates her work exciting as well as special.