#Slave of the Magic Capital's Elite Troops
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Slave of the Magic Capital's Elite Troops, collar, gloves / 山城恋 - pixiv
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In arrivo la second season dell'anime del manga Chained Soldier
Il sito ufficiale della seconda stagione dell’adattamento anime televisivo del manga Chained Soldier (Mato Seihei no Slave o, letteralmente, Slave of the Magic Capital’s Elite Troops) dello scrittore Takahiro e dell’artista Yōhei Takemura ha rivelato che la nuova stagione avrà un nuovo staff e un nuovo studio. Masafumi Tamura (The World’s Finest Assassin, Ange Vierge, Wise Man’s Grandchild)…

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“Mato Seihei no Slave” The Announces Additional Cast
Three new cast members were introduced at the Jump Studio Red stage for the television anime adaptation of Takahiro and Youhei Takemura's Mato Seihei no Slave (Slave of the Magic Capital's Elite Troops) manga.
#mato seihei no slave#slave of the magic capital's elite troops#kyouka uzen#mato seihei no slave characters#anime#anime adaptation#anime news
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If there's a matriarchal setting in a Fantasy/Isekai Manga but the MC is a dude then it's either going to be some weird social commentary with some mixed in slightly mysoginistic takes or it's going to be Hard F*md*m, no bloody in-between, with "The World of Otome Games are Though for Mobs" being the most social commentary one, and "Slave of the Magic Capital's Elite Troops" being the most F*md*m one.
#isekai#manga#slave of the magic capital's elite troops#(think BNHA but they are magical girls but also child soldiers and the MC is their labourer)#the world of otome games is though for mobs#eh#anime
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I don’t know anything about this manga, but a little pp boy asked my to draw her.
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Mato Seihei no Slave (Slave of the Magic Capital's Elite Troops) Battle Fantasy Manga Is Getting An Anime!
Mato Seihei no Slave (Slave of the Magic Capital’s Elite Troops) Battle Fantasy Manga Is Getting An Anime!
Shueisha announced that Mato Seihei no Slave (Slave of the Magic Capital’s Elite Troops) manga is getting a television anime. Yūya Hirose and Akari Kitō are starring the anime as Yūki Wakura and Kyōka Uzen, respectively. (more…)

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#Anime#Discussion#Manga#Mato Seihei no Slave#Mato Seihei no Slave anime#News#Slave of the Magic Capital&039;s Elite Troops anime
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Mato Seihei no Slave Chapter 22 Bahasa Indonesia Mato Seihei no Slave Chapter 22 Bahasa Indonesia Alternative Native Title : Slave of the Magic Capital's Elite Troops…
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Film Digimon Adventure 02 Umumkan Judul Resmi dan Pemeran
Film Digimon Adventure 02 Umumkan Judul Resmi dan Pemeran
P-media – Pada hari Sabtu, situs resmi untuk adaptasi anime dari manga Chained Soldier (Mato Seihei no Slave atau secara harfiah Slave of the Magic Capital’s Elite Troops) karya Takahiro dan Yohei Takemura mengumumkan para staf, desain karakter, dan tanggal peluncuran 2023. Junji Nishimura (Ranma 1/2) Sebagai sutradara umum anime. Di Seven Arcs (Magical Girl Lyrical Nanoha, White Album, Trinity…

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Slave Of The Magic Capital’s Elite Troops can be read on ModeManga.
Link: https://modemanga.com/manga/slave-of-the-magic-capitals-elite-troops/
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Yet they seek to lack any type

What if you might reverse time
Time travel is just among my much-loved Scifi below genres, yet there are great deals of various variations of it. Nonetheless in the end none of that actually matters, due to the fact that whine about using science theses, ecchi, in a fair harem, romcom. And also slave of the magic capitals elite troops is the best variation of time travel that I've ever before reviewed! I need to claim it's remarkable manga. Let's start with the story of it.
Similar to in almost any type of hareem, there should be a protagonist as well as it comes in the type of Saku Sakuraga. He stays alone, although all Japanese boys presumably do, yet is never ever offered a moment's piece, many thanks to his relative's unexpected entrance and his childhood pal's continuous meddling. Like I pointed out previously as well as well that is it for the basic presumption, the time traveling aspect just plays 2nd fiddle, making this right into another implausible story where some unlucky man has to determine in between multiple little girls. Yet the thinking behind everything is strange. When it pertains to building of the narrative, it is simply what you would certainly anticipate, with each phase having a character or subject focus, to provide chances for some comic alleviation however never actually doing much to improve the story. Ecchi and also the humor mainly originated from the several times the daughters incredibly try to obtain involved, bringing their future modern technology in their antics, yet it is just a couple of jokes that are uncreative that obtained old in the days of Tenchi Muyo & Love Hina.
Regarding hiraheishi wa kako o yumemiru the art work of slave of the magic capitals elite troops. What can I state, It's not distinct as well as you can see the personalities in this manga appearance familar to lots of ecchi manga. In the end the art work of the manga was a bit better, for me just, I don't care much concerning the art. I just appreciate the personalities, their story. The art for me is fine.
The personalities are simplified. They're basically simply cardboard cutouts of that which we're utilized to by today. So there is nothing to the characters, but after that you most definitely will obtain a selection of them to pick from should you enjoy your characters simplified. Yet they seek to lack any type of deepness that'll require you to appreciate them and by the time the mangaka attempts to offer depth to them, it feels like it is far too late.
I remember that one episode of Futurama when Fry met his mishap prone Grandpa, in days gone by and takes it upon himself to make sure that his Grandparents connect. It is this kind of messed but sadly it is not any method near as entertaining. Certainly this manga does have some genuinely amusing moments, however they in fact do not take place frequently enough, to completely redeem its shamelessness. If you wan na some enjoyable time with some free manga after that I advise this! Learn more with this resource: https://yourhealthmattersblog.my-free.website/840s1xpefn7gegktl1e8y1623261449
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“Mato Seihei no Slave” The Manga Gets TV Anime
Pony Canyon unveiled the primary cast, a teaser visual (above), and a teaser trailer for a television anime adaptation of Takahiro and Youhei Takemura's Mato Seihei no Slave (Slave of the Magic Capital's Elite Troops) manga.
#mato seihei no slave#slave of the magic capital's elite troops#kyouka uzen#mato seihei no slave characters#anime#anime news#anime adaptation
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Slave of Magic Capital's Elite Troops is literally "BNHA but only girls have Quirks, so now society is a Matriarchal Utopia, and Deku, who is really good at cleaning house and cooking food and other househusband tasks, is still the MC and still gets some powers but they are completely dependant on Uraraka's Own Quirk so they have to work together as a Protector (Deku)/Mistress (Uraraka) power couple and also she steps on his dick as a reward for a Job well done after every fight and lends him to her girl friends some times."
Which on paper sounds insane and weird but honestly, that's a far more refreshing take I've ever seen in a while ya'll and also there's no Mineta.
#slave of the magic capital's elite troops#anime#manga#eh#IT'S NOT A ISEKAI BTW#WHICH MAKES IT GOOD BY DEFAULF
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2020 was chaotic even in manga

Source: Slave of the Magic Capital's Elite Troops
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Slave Of The Magic Capital's Elite Troops.

Alternative: 魔都精兵のスレイブ, Mato Seihei no Slave, Matoseihei no Slave, Slave of the Magic Capital’s Elite Troops
Description : This battle fantasy manga follows several heroines who protect people from the monsters that appear through a gate connecting to an alternate world known as the Mato (magic capital). #MangaFeeds.com, #ReadFreeMangaOnline MangaFeeds.Com: Read manga online the latest manga comic book, updated daily: https://mangafeeds.com/post/slave-of-the-magic-capital-s-elite-troops-1602483008
Read more.
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SFB Viking Pride Tee (Juneteenth Edition)
What Is Juneteenth?
by Henry Louis Gates, Jr. | Originally posted on The Root
The First Juneteenth
“The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of personal rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired labor. The freedmen are advised to remain quietly at their present homes and work for wages. They are informed that they will not be allowed to collect at military posts and that they will not be supported in idleness either there or elsewhere.” —General Orders, Number 3; Headquarters District of Texas, Galveston, June 19, 1865
When Maj. Gen. Gordon Granger issued the above order, he had no idea that, in establishing the Union Army’s authority over the people of Texas, he was also establishing the basis for a holiday, “Juneteenth” (“June” plus “nineteenth”), today the most popular annual celebration of emancipation from slavery in the United States. After all, by the time Granger assumed command of the Department of Texas, the Confederate capital in Richmond had fallen; the “Executive” to whom he referred, President Lincoln, was dead; and the 13th Amendment abolishing slavery was well on its way to ratification.
But Granger wasn’t just a few months late. The Emancipation Proclamation itself, ending slavery in the Confederacy (at least on paper), had taken effect two-and-a-half years before, and in the interim, close to 200,000 black men had enlisted in the fight. So, formalities aside, wasn’t it all over, literally, but the shouting?
It would be easy to think so in our world of immediate communication, but as Granger and the 1,800 bluecoats under him soon found out, news traveled slowly in Texas. Whatever Gen. Robert E. Lee had surrendered in Virginia, the Army of the Trans-Mississippi had held out until late May, and even with its formal surrender on June 2, a number of ex-rebels in the region took to bushwhacking and plunder.
That’s not all that plagued the extreme western edge of the former Confederate states. Since the capture of New Orleans in 1862, slave owners in Mississippi, Louisiana and other points east had been migrating to Texas to escape the Union Army’s reach. In a hurried re-enactment of the original Middle Passage, more than 150,000 slaves had made the trek west, according to historian Leon Litwack in his book Been in the Storm So Long: The Aftermath of Slavery. As one former slave he quotes recalled, ” ‘It looked like everybody in the world was going to Texas.’ ”
When Texas fell and Granger dispatched his now famous order No. 3, it wasn’t exactly instant magic for most of the Lone Star State’s 250,000 slaves. On plantations, masters had to decide when and how to announce the news — or wait for a government agent to arrive — and it was not uncommon for them to delay until after the harvest. Even in Galveston city, the ex-Confederate mayor flouted the Army by forcing the freed people back to work, as historian Elizabeth Hayes Turner details in her comprehensive essay, “Juneteenth: Emancipation and Memory,” in Lone Star Pasts: Memory and History in Texas.
Those who acted on the news did so at their peril. As quoted in Litwack’s book, former slave Susan Merritt recalled, ” ‘You could see lots of niggers hangin’ to trees in Sabine bottom right after freedom, ’cause they cotch ’em swimmin’ ‘cross Sabine River and shoot ’em.’ ” In one extreme case, according to Hayes Turner, a former slave named Katie Darling continued working for her mistress another six years (She ” ‘whip me after the war jist like she did ‘fore,’ ” Darling said).
Hardly the recipe for a celebration — which is what makes the story of Juneteenth all the more remarkable. Defying confusion and delay, terror and violence, the newly “freed” black men and women of Texas, with the aid of the Freedmen’s Bureau (itself delayed from arriving until September 1865), now had a date to rally around. In one of the most inspiring grassroots efforts of the post-Civil War period, they transformed June 19 from a day of unheeded military orders into their own annual rite, “Juneteenth,” beginning one year later in 1866.
” ‘The way it was explained to me,’ ” one heir to the tradition is quoted in Hayes Turner’s essay, ” ‘the 19th of June wasn’t the exact day the Negro was freed. But that’s the day they told them that they was free … And my daddy told me that they whooped and hollered and bored holes in trees with augers and stopped it up with [gun] powder and light and that would be their blast for the celebration.’ ”
Other Contenders
There were other available anniversaries for celebrating emancipation, to be sure, including the following:
* Sept. 22: the day Lincoln issued his preliminary Emancipation Proclamation Order in 1862
* Jan. 1: the day it took effect in 1863
* Jan. 31: the date the 13th Amendment passed Congress in 1865, officially abolishing the institution of slavery
* Dec. 6: the day the 13th Amendment was ratified that year
* April 3: the day Richmond, Va., fell
* April 9: the day Lee surrendered to Ulysses Grant at Appomattox, Va.
* April 16: the day slavery was abolished in the nation’s capital in 1862
* May 1: Decoration Day, which, as David Blight movingly recounts in Race and Reunion: The Civil War in American Memory, the former slaves of Charleston, S.C., founded by giving the Union war dead a proper burial at the site of the fallen planter elite’s Race Course
* July 4: America’s first Independence Day, some “four score and seven years” before President Lincoln issued the Emancipation Proclamation
Each of these anniversaries has its celebrants today. Each has also had its share of conflicts and confusion. July 4 is compelling, of course, but it was also problematic for many African Americans, since the country’s founders had given in on slavery and their descendants had expanded it through a series of failed “compromises,” at the nadir of which Frederick Douglass had made his own famous declaration to the people of Rochester, N.Y., on July 5, 1852: “What, to the American slave, is your 4th of July? I answer; a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity.”
The most logical candidate for commemoration of the slave’s freedom was Jan. 1. In fact, the minute Lincoln’s Emancipation Proclamation had taken effect at the midpoint of the war, Northern black leaders like Douglass led massive celebrations in midnight jubilees; and on its 20th anniversary in 1883, they gathered again in Washington, D.C., to honor Douglass for all that he and his compatriots had achieved.
Yet even the original Emancipation Day had its drawbacks — not only because it coincided with New Year’s Day and the initiation dates of numerous other laws, but also because the underlying proclamation, while of enormous symbolic significance, didn’t free all the slaves, only those in the Confederate states in areas liberated by Union troops, and not those in the border states in which slavery remained legal until the ratification of the 13th Amendment. (Historians estimate that about 500,000 slaves — out of a total of 3.9 million — liberated themselves by escaping to Union lines between 1863 and the end of the war; the rest remained in slavery.)
Because of its partial effects, some scholars argue that perhaps the most significant aspect of the Emancipation Proclamation was the authorization of black men to fight in the war, both because their service proved to be crucial to the North’s war effort, and because it would be cited as irrefutable proof of the right of blacks to citizenship (which would be granted by the 14th Amendment).
No one in the post-Civil War generation could deny that something fundamental had changed as a result of Lincoln’s war measure, but dwelling on it was a separate matter, David Blight explains. Among those in the ‘It’s time to move on’ camp were Episcopal priest and scholar Alexander Crummell, who, in a May 1885 address to the graduates of Storer College, said, “What I would fain have you guard against is not the memory of slavery, but the constant recollection of it, as the commanding thought of a new people.” On the other side was Douglass, who insisted on lighting a perpetual flame to “the causes, the incidents, and the results of the late rebellion.” After all, he liked to say, the legacy of black people in America could “be traced like that of a wounded man through a crowd by the blood.”
Hard as Douglass tried to make emancipation matter every day, Jan. 1 continued to be exalted — and increasingly weighed down by the betrayal of Reconstruction. (As detailed in Plessy v. Ferguson: Who Was Plessy?, the Supreme Court’s gift to the 20th anniversary of emancipation was striking down the Civil Rights Act of 1875.) W.E.B. Du Bois used this to biting effect in his Swiftian short story, “A Mild Suggestion” (1912), in which he had his black main character provide a final solution to Jim Crow America’s obsession with racial purity: On the next Jan. 1 (“for historical reasons” it would “probably be best,” he explained), all blacks should either be invited to dine with whites and poisoned or gathered in large assemblies to be stabbed and shot. “The next morning there would be ten million funerals,” Du Bois’ protagonist predicted, “and therefore no Negro problem.”
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