#Snowboy productions

[checkthefeed]

[ Pipe Lines 2 | Mountain High X Snowboy Productions ]

Year two of our steel and transition playground on the sunny slopes of Mountain High, CA. Here's a glimpse of what went down over three days in January.

Filmed and edited by Andrew Percival.

Additional filming by Trevor Slattery, Daniel Salazar & Thomas Haraden.

Riders in order of appearance: Irie Jefferson, Andrew Brewer, Casey Pflipsen, Myrie Metzger, J DeForge, Paul Romero, Michael McDaniel, Niall Noel, Tyler Aubrey, Melissa Evans-Gray, Laura Rogoski, Jesse Paul, Mike Gray, Johnny Hancheck, Hunter Butler, Nick Guin, Dilyn Tillie, Ian Sams, Levi Kaseroff, Ryan Pluche & Kolman LeCroy.

Made possible by the support of Mountain High, Arbor Snowboards, Liquid Death, Dragon and Diecutstickers.com.

[brookiidookiii]

brick and jo in some outfits + shes sitting

[montysworld]

ENTROPY from Films.Dance on Vimeo.

The traces we leave behind.

Filmed in London, UK

Director: Joshua Stocker Featuring: Chien-Ming Chang, Rachel P. Fallon, Evelyn Hart, Natalia Gabrielczyk Choreographer: Ochai Ogaba Co-choreographer: Lauren Bridle Producer: Tano Noblia Dance Producer: Rachel P. Fallon Production: NineReasons Cinematographer: Hamish Anderson Steadicam: Tommy McMahon 1st AC: Sinan Yilmaz 2nd AC: Aevzat Altinisik 1st AD: Pedro Rilho Gaffer: Owain Morgan Camera Technician: Matthew Clavey Editors: Gary Coogan, Joshua Stocker Colourist: Tim Smith Set Designer: Zuzanna Skurtys Art Assists: Ruth Parker, Billy River Tourle Stylist: Lara Elizabeth Aerial Rigging: Aaron Marshall Rain: Snowboy Systems Runner & BTS: Dom Compton Runners: Tilly GW, Flurina Music: Bendik Giske Bendik Giske is published by Smalltown Supersound / Sony / ATV Music Publishing (Scandinavia) KB With support from FLIR. No8

PRODUCED BY: Jacob Jonas The Company Executive Producer/Creative Director: Jacob Jonas Producers: Jill Wilson, Emma Rosenzweig-Bock Associate Producers: Joy Isabella Brown, Francisco Cruz, Steve Hackman, Emily Kikta, Rubberlegz, Anibal Sandoval, Mike Tyus, Peter Walker Fashion Director: Christian Stroble

CO-PRESENTED BY: BAM, The Harris, The Soraya, Stanford Live, Stanford Global Studies

[endyedesonnews]

KINDLY WISH HER A HAPPY BIRTHDAY😍 Smallish Nollywood Actress Obio Oluebube Is 18 Years Old Today. She Already Has A Boyfriend And Doing The Do ? ............. This little girl on your screen is actually an 18-year-old actress named Obio Oluebube. Born in 2004, Obio is a proud Igbo girl from Ihiala village in Anambra State whose fast-rising career has got many tongues wagging. She is currently being regarded as the female version of Aki and Pawpaw due to her small size and her appearances in comedy movies. Within her short time in the Nigerian movie enterprise, Obio Oluebube has acted alongside many prime Nollywood actors, including Mercy Johnson, Nkechi Nweje, and Chinenye Nnebe. Her rise to fame can be credited to Uche Nancy, a famous movie producer who adopted and featured her in several movies, including Pride of the Land, When Love is Gone and Crazy Hustler. Aside from filmmaking, Obio works with several Nigerian comedians on funny skits. Her size and ability to make people laugh have made her the rave of the moment in the film industry. While there isn't much known about her family, what we know is that her brother is an Asaba-based rapper and singer known by his stage name, Snowboy Obio. Like Phyno and Zoro, Snowboy sings and raps in his native Igbo language, and he has many songs in his discography. GUYS, WHAT DO YOU THINK? ,..,..... #nollywoodactress #actresslife #actressimages #small #HappyBirthdayWishes ............. LINKS YOU MIGHT LIKE ( OPTIONAL TO CLICK) 1. Visit My Blog For More News : www.edesononlinenews.com 2. I Register Business Names, Limited Liability Company, NGO, Social Clubs, etc At Corporate Affairs Commission. I Do Nationwide Newspaper Publication. 08136125128. 3. I Design Websites, Blogs & Graphics. I Publish Apps On Google PlayStore. 4. Know More About My Products And Services On My Company Website: www.edesoninfotech.com.ng 7. Connect With Me On LinkedIn : linkedin.com/in/endy-edeson-54a55819b 8. Follow Me On Twitter : twitter.com/endyedesonnews (at Lagos, Nigeria) https://www.instagram.com/p/ChLNb1lsT4A/?igshid=NGJjMDIxMWI=

[theforgottenmcrmy]

you’re too good… ur latest update???? girl… the way i SCREECHED bc of gee tar’s unfinished conversation with roxie. also, i wanted to ask who you visualise as gee tar when you write about him? i can’t seem to put a fitting face to him, so i always visualise a mixture of skink and snowboy’s faces.

Oooo, thank you so much!😊💙 I'm excited to get into Gee-Tar's drama over the next few parts, and I'm glad you're enjoying it as well!

In all honestly, I didn't initially have someone in mind for Gee-Tar. When I began writing the story, I didn't even know that I was going to give Gee-Tar as big of a role as I've recently decided to. I googled a few lists of the names of the Jets from a couple different stage productions, and Gee-Tar was such a fun name I couldn't resist using it. It was like a week or two later I realized that there was no Gee-Tar in the 2021 movie.😅

Before I tell you who I've been mentally picturing Gee-Tar as, please proceed to visualize him as whoever you'd like him to be. However, I wanted to say I do love your description of him. And, as such, I would like to present you with a little something I made. ✨Behold✨- a facemorph of Skink and Snowboy.

And between you and me... I don't think this made-up man is too hard on the eyes at all.👀

But in all seriousness, the person I've been imagining Gee-Tar as while writing about him lately has been Daniel Sharman. I've discussed this with @sallymakesstuff before- I loved MTV's Teen Wolf and I've always had a soft spot for Daniel's character Isaac. He's tall, and a little bit goofy at times, so I thought he fit who I pictured was the character of Gee-Tar to a tee.

[mysticalhearth]

W

Waiting for Godot - Broadway - November 24, 2013 (Opening Night) (Lanelle's master) FORMAT:  MP4 (HD) CAST: Aidan Gemme (The Boy), Billy Crudup (Lucky), Ian McKellen (Estragon), Patrick Stewart (Vladimir), Shuler Hensley (Pozzo)

War Horse - West End - February 27, 2014 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Sion Daniel Young (Albert Narracott), Josie Walker (Rose Narracott), Alistair Brammer (Billy Narracott), Alex Avery (Captain Nicholls), Steve North (Ted Narracott), Tom Hodgkins (Arthur Narracott) NOTES: Multi-cam pro-shot broadcast live to cinemas as part of National Theatre Live, Includes interval interview and documentary. 

War Paint - Broadway - March 11, 2017 (Preview) (SunsetBlvd79's master) FORMAT:  MP4 (SD) CAST: Patti LuPone (Helena Rubinstein), Christine Ebersole (Elizabeth Arden), John Dossett (Tommy Lewis), Douglas Sills (Harry Fleming) NOTES: Beautiful HD capture of the Broadway transfer. Some changes for Broadway from the previous Goodman Theater production. Excellent performances from the entire cast with clear picture and great sound throughout; very good video. 2 DVDs. A War Paint - Broadway - April 29, 2017 (Matinee) (NYCG8R's master) FORMAT:  VOB (with smalls) (SD) CAST: Patti LuPone (Helena Rubinstein), Christine Ebersole (Elizabeth Arden), John Dossett (Tommy Lewis), Douglas Sills (Harry Fleming) NOTES: The master gets caught during Face to Face. You can hear someone say “TURN IT OFF”. Blackout during that part. Wasted - Southwark Playhouse - 2018 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Matthew Jacobs Morgan (Branwell Brontë), Molly Lynch (Anne Brontë), Natasha Barnes (Charlotte Brontë), Siobhan Athwal (Emily Brontë) We Are The Tigers - Off-Broadway - March, 2019 (StarCuffedJeans's master) FORMAT:  MP4 (HD) CAST: Lauren Zakrin (Riley Williams), Wonu Ogunfowora (Cairo), Jenny Rose Baker (Kate Dalton), MiMi Scardulla (Reese), Kaitlyn Frank (Annleigh), Cathy Ang (Mattie Wheeler), Celeste Rose (Chess), Zoe Jensen (Farrah), Sydney Parra (Eva Sanchez), Louis Griffin (Clark) NOTES: Starts at the beginning of "I Just Wanna" and missing part of "Mattie's Lament." The theater was really full tonight so there are a good number of heads in this video, but they are worked around to the best of my ability. This is a super small theater (less than 160 seats) and at times the cast members were definitely singing to the camera and honestly giving their best performances because of it. All of the things on the upper level (the bathroom, the pathway, and the kitchen) are captured perfectly, and the zooms on the lower level (the living room and bench) look good as well. Obviously because this is a murder mystery kind of show the lighting can get a little bit dark, but my camera handles low lighting incredibly well. This is honestly the best video you could expect from this venue We Will Rock You - Germany (Cologne) - August, 2005 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Alex Melcher (Galileo), Vera Bolten (Scaramouche), Brigitte Oelke (Killer Queen), Martin Berger (Khashoggi), Michaela Kovarikova (Meat/Oz), DMJ (Brit/J.B.), James Sbano (Pop/Buddy/Bap), Harald Tauber (Teacher), Willemijn Verkaik NOTES: Multicam proshot We Will Rock You - Utrecht (The Netherlands) - October, 2010 FORMAT:  VOB (with smalls) (SD) CAST: John Vooijs (Galileo), Marjolein Teepen (Scaramouche), Pia Douwes (Killer Queen), Paul Donkers (Khashoggi), Floortje Smit (Meat/Oz), Ruud van Overdijk (Brit/J.B.), Rutger le Poole (Pop/Buddy/Bap) NOTES: Good capture. Heads in the way, but also a lot of good close-ups. Dubble DVD! We Will Rock You - West End - February 11, 2003 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Tony Vincent (Galileo), Hannah Jane Fox (Scaramouche), Sharon D Clarke (Killer Queen), Alexander Hanson (Khashoggi), Kerry Ellis (Meat/Oz), Nigel Clauzner (Brit/J.B.), Nigel Planer (Pop/Buddy/Bap) The Wedding Singer - Broadway - April 1, 2006 (Preview) FORMAT:  VOB (with smalls) (SD) CAST: Stephen Lynch (Robbie Hart), Laura Benanti (Julia), Matthew Saldivar (Sammy), Kevin Cahoon (George), Rita Gardner (Rosie), Amy Spanger (Holly), Richard H Blake (Glen), Felicia Finley (Linda) NOTES: Includes pictures of outside of the theatre and playbill. This was before the changes were made to the production. Blackouts throughout the show. The Wedding Singer - Off-West End - March 1, 2020 (Matinee) (Closing Night) (Highlights) (queenofthedead's master) FORMAT:  VOB (with smalls) (SD) CAST: Kevin Clifton (Robbie Hart), Rhiannon Chesterman (Julia), Ashley Emmerson (Sammy), Andrew Carthy (George), Sandra Dickinson (Rosie), Tara Verloop (Holly), Jonny Fines (Glen), Erin Bell (Linda), Lori Haley Fox (Angie), Andy Brady (David Fonda), Nathan Ryles (Harold Fonda), Jordan Crouch (Donnie), Aimee Moore (Tiffany), Simon Anthony (Shane McDonough), Paris Green (Donatella), Vanessa Grace Lee (Donatella’s Mother), Morgan Jackson (Mookie), Ellie Seaton (Crystal) NOTES: 38 minutes of act 1 of the closing performance, unobstructed. Welcome To The Club - Broadway - April 8, 1989 FORMAT:  VOB (with smalls) (SD) CAST: Avery Schreiber (Milton), Bill Buell (Gus), Jodi Benson (Betty), Marcia Mitzman (Carol), Marilyn Sokol (Arlene), Sally Mayes (Winona), Samuel E Wright (Bruce), Scott Waara (Kevin), Scott Wentworth (Aaron), Terri White (Eve) NOTES: Filmed during previews. Well filmed from the balcony. Mostly a full stage shot. Some generational loss. Wenn Rosenblätter Fallen - Oberhausen - June 13, 2016 (Rumpel's master) FORMAT:  VOB (with smalls) (SD) CAST: Pia Douwes (Rose), Anton Zetterholm (Till), Annemieke van Dam (Iris)  

West Side Story - Hollywood Bowl - July 19, 2016 (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Jeremy Jordan (Tony), Solea Pfeiffer (Maria), Karen Olivo (Anita), Matthew James Thomas (Riff), George Akram (Bernardo), Drew Foster (Action), Jose Moreno Brooks (Chino), Anthony C Chatmon II (A-Rab), Kyle Selig (Baby John), Mike Schwitter (Big Deal), Jeff Smith (Diesel), Kevin Chamberlin (Krupke), Jennifer Sanchez (Rosalia), Erica Dorfler (Consuela) NOTES: This concert version of the show is abridged with shortened scenes, simple costumes, and no sets or choreography, but Jeremy, Solea, and Karen are absolutely phenomenal with soaring vocals and emotional performances. Very well captured with no dropouts, no obstruction, and no washout. The stage is filmed directly most of the time; the screens are occasionally filmed, usually when the actors are not onstage. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call and playbill scans. West Side Story - Leicester Curve - December, 2019 (queenofthedead's master) FORMAT:  MP4 (HD) CAST: Jamie Muscato (Tony), Adriana Ivelisse (Maria), Carly Mercedes Dyer (Anita), Ronan Burns (Riff), Jonathan Hermosa-Lopez (Bernardo), Isaac Gryn (Action), Damian Buhagiar (Chino), Ryan Anderson (A-Rab), Alex Christian (Baby John), Dale White (Big Deal), Michael O’Reilly (Diesel), Beth Hinton-Lever (Anybodys), Darren Bennett (Lt. Schrank), Christopher Wright (Krupke), Christopher Wright (Doc), Darren Bennett (Glad Hand), Mireia Mambo (Rosalia), Abigail Climer (Consuela), Thea Bunting (Graziella), Katie Lee (Velma), Richard Appiah-Sarpong (Pepe), Dominic Sibanda (Indio) NOTES: Missing 7 minutes at the beginning. No dropouts and no obstruction. West Side Story - Second Broadway Revival - February 23, 2009 (Preview) (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Matt Cavenaugh (Tony), Josefina Scaglione (Maria), Karen Olivo (Anita), Cody Green (Riff), George Akram (Bernardo), Curtis Holbrook (Action), Joey Haro (Chino), Kyle Coffman (A-Rab), Ryan Steele (Baby John), Tro Shaw (Anybodys), Steve Bassett (Lt. Schrank), Lee Sellars (Krupke), Greg Vinkler (Doc) NOTES: Stunning production of this revival. Josefina and Karen still steal the show. The cast was on fire and there was a lot of energy in the audience as it was the first performance on Broadway. There are some changes from the DC run, which work better. Beautiful production and capture with no obstructions. West Side Story - Second Broadway Revival - November 16, 2009 FORMAT:  VOB (with smalls) (SD) CAST: Matt Cavenaugh (Tony), Josefina Scaglione (Maria), Karen Olivo (Anita), Wes Hart (u/s Riff), George Akram (Bernardo), Eric Hatch (u/s Action), Joey Haro (Chino), Kyle Coffman (A-Rab), Brendon Stimson (u/s Baby John), Joshua Buscher (Diesel), Mike Cannon (Snowboy), Kaitlin Mesh (Anybodys), Steve Bassett (Lt. Schrank), Lee Sellars (Krupke), Mark Zimmerman (s/b Doc), Lindsay Estelle Dunn (Velma), Michael Williams (u/s Pepe), Kaitlin Mesh (Zaza) West Side Story - Third Broadway Revival - January 6, 2020 (Preview) FORMAT:  MKV (HD) CAST: Jordan Dobson (u/s Tony), Mia Pinero (u/s Maria), Yesenia Ayala (Anita), Corey John Snide (u/s Riff), Amar Ramasar (Bernardo), Dharon E Jones (Action), Jacob Guzman (Chino), Kevin Csolak (A-Rab), Matthew Johnson (Baby John), Tyler Eisenreich (Big Deal), Ahmad Simmons (Diesel), Daniel Ching (Snowboy), Zuri Noelle Ford (Anybodys), Thomas Jay Ryan (Lt. Schrank), Danny Wolohan (Krupke), Daniel Oreskes (Doc), Pippa Pearthree (Glad Hand), Lorna Courtney (Rosalia), Gabi Campo (Consuela), Marissa Brown (Francisca), Alexa de Barr (Graziella), Madison Vomastek (Velma), Gus Reed (Gee-tar), John Snide (Tiger), Carlos Gonzales (Pepe), Ricky Ubeda (Indio), Roman Cruz (Luis), Israel del Rosario (Anxious), Michaela Marfori (Nibbles), Marc Crousillat (Juano), Sheldon True (Toro), Stephanie Crousillat (Teresita), Marlon Geliz (Estella), Satori Folkes-Stone (Margarita), Uni-Seng Francois (Minnie), Jennifer Gruener (Pauline) NOTES: Wideshot. Stage right is slightly obstructed due to where the master was sitting. Good audio. SD M4V (567.0 MB) West Side Story - UK Tour - May 23, 2009 FORMAT:  MP4 (HD) CAST: Daniel Koek (Tony), Hazel Gardner (u/s Maria), Jayde Westaby (Anita), Edd Post (u/s Riff), Dan Burton (Bernardo), Aki Omoshaybi (Chino), Ged Simmons (Lt. Schrank), Martin Chaimberain (Krupke) When We're Gone - Joe's Pub (2014) - March 12, 2014 FORMAT:  MP4 (HD) CAST: Gerard Canonico (Todd), Jeremy Kushnier (John), Luke Wygodny (Ashton), Hannah Whitney (Rosie), Eric William Morris (Colin), Bradley Dean (William) NOTES: Concert performance.   

The Wild Party (Lippa) - Encores! Off-Center - July 17, 2015 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Sutton Foster (Queenie), Steven Pasquale (Burrs), Brandon Victor Dixon (Black), Joaquina Kalukango (Kate), Miriam Shor (Madeline True), Talene Monahon (Mae), Ryan Andes (Eddie) NOTES: Excellent HD capture from the Encores Summer Series! The cast was terrific and full of energy giving everything they had. Great to see these songs performed again by this caliber of talent! A The Wild Party (Lippa) - Off-Broadway - 2000 (Highlights) (Press Reel's master) FORMAT:  VOB (with smalls) (SD) CAST: Julia Murney (Queenie), Brian d'Arcy James (Burrs), Taye Diggs (Black), Idina Menzel (Kate), Alix Korey (Madeline True), Charles Dillon (Oscar d'Armano), Kevin Cahoon (Phil d'Armano), James Delisco Beeks (Max), Todd Anderson (Reno), Jennifer Cody (Mae), Kena Tangi Dorsey (Dolores), Felicia Finley (Rose Himmelsteen), Peter Kapetan (Sam Himmelsteen), Lawrence Keigwin (Jackie), Charlie Marcus (The Neighbor), Kristin McDonald (Nadine), Raymond Jaramillo McLeod (Eddie), Steven Pasquale (Cop), Megan Sikora (Peggy), Ron Todorowski (Kegs), Amanda Watkins (Ellie) The Winter's Tale - West End - November 26, 2015 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Kenneth Branagh (Leontes), Dame Judi Dench (Paulina), Miranda Raison (Hermione), Jessie Buckley (Perdita), Hadley Fraser (Polixenes), Tom Bateman (Florizel), John Dagleish (Autolycus) The Winter's Tale - West End - November 26, 2015 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Kenneth Branagh (Leontes), Dame Judi Dench (Paulina), Miranda Raison (Hermione), Jessie Buckley (Perdita), Hadley Fraser (Polixenes), Tom Bateman (Florizel), John Dagleish (Autolycus) The Witches of Eastwick - UK Tour - April 4, 2009 FORMAT:  VOB (with smalls) (SD) CAST: James Graeme (Clyde), Marti Pellow (Darryl), Poppy Tierney (Jane), Rachel Izen (Felicia), Rebecca Thornhill (Sukie), Ria Jones (Alex) NOTES: Beautifully filmed from the balcony, with a great mix of close-ups and full stage shots. Crystal clear. Widescreen. The Wiz - NBC Live! - December 3, 2015 (Pro-Shot's master) FORMAT:  MP4 (4K) CAST: Shanice Williams (Dorothy), David Alan Grier (Lion), Ne-Yo (Tinman), Elijah Kelley (Scarecrow), Uzo Aduba (Glinda), Queen Latifah (The Wiz), Mary J Blige (Evillene), Stephanie Mills (Aunt Em), Amber Riley (Addaperle) NOTES: A live production of the 1975 musical The Wiz produced for television; excellent video. A+ The Wizard of Oz (Webber) - First National Tour - September 28, 2013 FORMAT:  VOB (no smalls) (SD) CAST: Danielle Wade (Dorothy Gale), Jamie McKnight (Scarecrow/Hunk), Mike Jackson (Tin Man/Hickory), Lee MacDougall (Cowardly Lion/Zeke), Jacquelyn Piro Donovan (The Wicked Witch of the West/Miss Gulch), Cedric Smith (The Wizard of Oz/Professor Marvel), Robin Evan Willis (Glinda the Good Witch), Charlotte Moore (Aunt Em/Munchkin Barrister), Larry Mannell (Uncle Henry/Philippe/Head Guard) NOTES: Nice capture of Andrew Lloyd Webber's re-imagined classic; no obstruction and very little washout; a few quick dropouts in act one and a couple in act two, only last about three minutes all together; filmed in 16:9 with a mix of wides, mediums,and close-ups. The Woman in Black - West End - July 8, 2001 FORMAT:  VOB (with smalls) (SD) CAST: Christopher Ravenscroft (Arthur Kipps), Sebastian Harcombe (The Actor) The Woman in White - Broadway - November 30, 2005 FORMAT:  VOB (with smalls) (SD) CAST: Adam Brazier (Walter Hartwright), Angela Christian (Anne Catherick), Jill Paice (Laura Fairlie), Lisa Brescia (Marian Halcombe), Michael Ball (Count Fosco), Ron Bohmer (Sir Percival Glyde)  

The Woman in White - West End - February 25, 2005 FORMAT:  VOB (with smalls) (SD) CAST: Maria Friedman, Michael Ball, Adrian der Gregorian (u/s), Oliver Darley, Jill Paice, Elinor Collett (u/s) NOTES: Nice video with good closeups and zooms and great sound. Woman of the Year - Broadway - March 27, 1982 FORMAT:  VOB (with smalls) (SD) CAST: Lauren Bacall (Tess Harding), Harry Guardino (Sam Craig), Eivind Harum (Alexi Petrikov), Roderick Cook (Gerald), Grace Keagy (Helga), Jamie Ross (Larry Donovan), Marilyn Cooper (Jan Donovan), Rex Everhart (Maury) NOTES: Good color video with clear sound with some generation loss, but a nice video. B+ Women on the Verge of a Nervous Breakdown - Broadway - December 29, 2010 FORMAT:  VOB (with smalls) (SD) CAST: Sherie Rene Scott (Pepa), Laura Benanti (Candela), Patti LuPone (Lucia), Brian Stokes Mitchell (Ivan), Justin Guarini (Carlos), de’Adre Aziza (Paulina), Danny Burstein (Taxi Driver), Nikka Graff Lanzarone (Marisa), Mary Beth Peil (Pepa's Concierge/TV and Radio Announcer), Samantha Shafer (u/s Woman at Train/Ana) NOTES: Also includes press reels, cast/creative interviews and video of David Yazbek singing songs from the show.

  Women on the Verge of a Nervous Breakdown - Broadway - January 2, 2011 (Matinee) FORMAT:  MP3 (tracked) CAST: Sherie Rene Scott (Pepa), Laura Benanti (Candela), Patti LuPone (Lucia), Brian Stokes Mitchell (Ivan), Justin Guarini (Carlos), de’Adre Aziza (Paulina), Danny Burstein (Taxi Driver), Nikka Graff Lanzarone (Marisa), Mary Beth Peil (Pepa's Concierge/TV and Radio Announcer), Samantha Shafer (u/s Woman at Train/Ana) NOTES: Also includes press reels, cast/creative interviews and video of David Yazbek singing songs from the show. Wonderful Town - Television Production - November 30, 1958 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Rosalind Russell (Ruth Sherwood), Sydney Chaplin (Robert Baker), Jacquelyn McKeever (Eileen Sherwood), Joseph Buloff (Mr. Appopolous), Dort Clark (Chick Clark), Jordan Bentley (Wreck), Cris Alexander (Frank Lippencott), Jack Fletcher (Night Club Patron), Michele Burke (Helen Wade), Ted Beniades (“Speedy” Valenti), Isabella Hoopes (Mrs. Wade), Ray Weaver (Shore Patrolman), Gene Carrons (Violet), John Wheeler (Officer Lonigan), Don Grusso (Fireman) Wonderland - Broadway - March 23, 2011 (Preview) FORMAT:  VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare), Darren Ritchie (The Victorian Gentleman), Karen Mason (Edwina) NOTES: Very limited trade 3:1 at the master's request. Wonderland - Broadway - April 2, 2011 (Preview) (SunsetBlvd79's master) FORMAT:  MP4 (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare), Darren Ritchie (The Victorian Gentleman), Karen Mason (Edwina) NOTES: Beautiful bright capture of this short lived show that only played 31 previews and 33 performances. I thought this show was very enjoyable and fun with great music. Great performances and voices from the cast! A+ Wonderland - Broadway - May 12, 2011 (juniper47's master) FORMAT:  VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare) NOTES: Filmed in widescreen with very few obstructions except for a head blocking the farthest corners of downstage stage left and right, but very little is missed there. Very good video and excellent picture and sound. Wonderland - Broadway - May 12, 2011 (juniper47's master) FORMAT:  VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare) NOTES: Filmed in widescreen with very few obstructions except for a head blocking the farthest corners of downstage stage left and right, but very little is missed there. Very good video and excellent picture and sound. Wonderland - UK Tour - June 10, 2017 (Matinee) (bestworstcase's master) FORMAT:  VOB (with smalls) (SD) CAST: Rachael Wooding (Alice), Francesca Lara Gordon (u/s Mad Hatter), Naomi Morris (Chloe/Ellie), Dave Willetts (The White Rabbit), Wendi Peters (Queen of Hearts), Stephen Webb (Jack the White Knight), Kayi Ushe (Caterpillar), Dominic Owen (El Gato/Chesire Cat), Ben Kerr (Morris the March Hare) NOTES: DVD menu states June 6 2017 matinee, but all other evidence, even the master's weebly claim it's June 10 2017. Good video! Wonderland (Beth Steel Play) - Hampstead Theatre - July 14, 2014 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Unknown NOTES: Livestreamed April 2020. The Worst Witch - West End - August 22, 2019 (Matinee) (wheredidtherockgo's master) FORMAT:  MTS CAST: Danielle Bird (Mildred Hubble), Rosie Abraham (Ethel Hallow), Molly-Grace Cutler (Miss Bat/Piano/Guitar/Cello/Dulcimer), Meg Forgan (Fenella Feverfew/Bass Guitar), Rachel Heaton (Miss Hardbroom), Rebecca Killick (Maud Spellbody), Emma Lau (Drusilla Paddock), Megan Leigh Mason (Miss Drill/Guitar/Drums/Percussion/Clarinet/Bass Guitar), Polly Lister (Agatha/Miss Cackle), Consuela Rolle (Enid Nightshade), Lauryn Redding (Griselda Blackwood/Sax) NOTES: A very good show! It’s a show aimed more toward kids so there was a lot of kids in the audience. An amazing performance by Polly Lister as Agatha/Miss Cackle in particular. The Wrong Man - Off-Broadway - November, 2019 (StarCuffedJeans's master) FORMAT:  MP3 (untracked) CAST: Joshua Henry (Duran), Ciara Renée (Mariana), Ryan Vasquez (Man in Black), Amber Pickens, Anoop Desai, Debbie Christine Tjong, Julius Williams, Libby Lloyd, Malik Shabazz Kitchen, Tilly Evans-Krueger NOTES: Near perfect HD capture of this new Off-Broadway show with fabulous performances by the whole cast. There is some wandering throughout but overall a very centered orchestra video with extremely vivid colors. Please do not post screenshots of this video on Twitter ever. Gifs on Tumblr are okay after the NFT date, but don't go linking things to actors and shows. Das Wunder von Bern - Hamburg - July 6, 2015 FORMAT:  VOB (with smalls) (SD) CAST: Ruben (Matthias Lubanski), Vera Bolten (Christa Lubanski), Patrick Imhof (alt. Richard Lubanski), Marie Lumpp (Ingrid Lubanski), Patrick A. Stamme (alt. Bruno Lubanski), Elisabeth Hübert (Anette Ackermann), Florian Soyka (alt. Paul Ackermann), Robin Brosch (Sepp Herberger(Bohse), Jogi Kaiser (Tiburski/Putzfrau/Adi Dassler), Tetje Mierendorf (Pfarrer Keuchel), Alexandra Farkic/Franziska Trunte/Esther Mink (Wunderfräulein), Dominik Hees (Helmut Rahn), Mark Weigel (Fritz Walter), Dennis Henschel (Berni Klodt), Robin Koger (Horst Eckel), Matteo Vigna (Max Morlock), Hendrik Schall (Toni Turek), Matt Cox (Werner Kohlmeyer), Daniel Therrien (Ottmar Walter), Giuliano Mercoli (Josef Posipal), Fabian Kaiser (u/s Karl mai/Fußballartist), Dominik Kaiser (Hans Schäfer/Fußballartist) NOTES: This video was recorded right after some changes on the show were made (doesn't include the new song which will be published on 11th July, 2015). Full show; beautiful picture quality and nice close-ups but rather shaky in the beginning/end of both acts Das Wunder von Bern - Hamburg - July 23, 2015 FORMAT:  VOB (with smalls) (SD) CAST: Tanja Schön (u/s Christa Lubanski), Patrick Imhof (alt Richard Lubanski), Marie Lumpp (Ingrid Lubanski), David Jakobs (Bruno Lubanski), Shari Lynn Stewen (alt Anette Ackermann), Patrick A Stamme (alt Paul Ackermann), Mark Weigel (Sepp Herberger/Bohse), Michael Ophelders (alt Tiburski/Putzfrau im Hotel/Adi Dassler), Tetje Mierendorf (Pfarrer Keuchel), Alexandra Farkic (Wunderfräulein), Amaya Keller (Wunderfräulein), Franziska Trunte (Wunderfräulein), Dominik Hees (Helmut Rahn), Florian Soyka (alt Fritz Walter), Hendrik Schall (alt Berni Klodt), Robin Koger (Horst Eckel), Matteo Vigna (Max Morlock), Fabian Kaiser (Toni Turek), James Cook (Werner Kohlmeyer), Daniel Therrien (Ottmar Walter), Pasha Antonov (Josef Posipal), Adrian Fogel (Kar Mai/Fußballartist), Dominik Kaiser (Hans Schäfer/Fußballartist) NOTES: "Julius" as Matthias Lubanski. Full show. Great picture quality and beautiful close-ups, though some little obstruction due a railing. The last few minutes of both acts are shot blind without zooms but still capturing the action on stage

[finsandstuff]

Hey does anyone know anything about the history of this beanie buddy? His name is Snowboy and his tag says “snowboy the beanie baby was never made! This is the first and only time this pattern will be used!”, and he was introduced in August ‘99 and retired December 12 ‘99, meaning he was in production for only 4 months before the Holiday season and not during???

[chris-bicourt]

ENTROPY from Films.Dance on Vimeo.

The traces we leave behind.

Filmed in London, UK

Director: Joshua Stocker Featuring: Chien-Ming Chang, Rachel P. Fallon, Evelyn Hart, Natalia Gabrielczyk Choreographer: Ochai Ogaba Co-choreographer: Lauren Bridle Producer: Tano Noblia Dance Producer: Rachel P. Fallon Production: NineReasons Cinematographer: Hamish Anderson Steadicam: Tommy McMahon 1st AC: Sinan Yilmaz 2nd AC: Aevzat Altinisik 1st AD: Pedro Rilho Gaffer: Owain Morgan Camera Technician: Matthew Clavey Editors: Gary Coogan, Joshua Stocker Colourist: Tim Smith Set Designer: Zuzanna Skurtys Art Assists: Ruth Parker, Billy River Tourle Stylist: Lara Elizabeth Aerial Rigging: Aaron Marshall Rain: Snowboy Systems Runner & BTS: Dom Compton Runners: Tilly GW, Flurina Music: Bendik Giske Bendik Giske is published by Smalltown Supersound / Sony / ATV Music Publishing (Scandinavia) KB With support from FLIR. No8

PRODUCED BY: Jacob Jonas The Company Executive Producer/Creative Director: Jacob Jonas Producers: Jill Wilson, Emma Rosenzweig-Bock Associate Producers: Joy Isabella Brown, Francisco Cruz, Steve Hackman, Emily Kikta, Rubberlegz, Anibal Sandoval, Mike Tyus, Peter Walker Fashion Director: Christian Stroble

CO-PRESENTED BY: BAM, The Harris, The Soraya, Stanford Live, Stanford Global Studies

[artwalktv]

The traces we leave behind. Filmed in London, UK Director: Joshua Stocker Featuring: Chien-Ming Chang, Rachel P. Fallon, Evelyn Hart, Natalia Gabrielczyk Choreographer: Ochai Ogaba Co-choreographer: Lauren Bridle Producer: Tano Noblia Dance Producer: Rachel P. Fallon Production: NineReasons Cinematographer: Hamish Anderson Steadicam: Tommy McMahon 1st AC: Sinan Yilmaz 2nd AC: Aevzat Altinisik 1st AD: Pedro Rilho Gaffer: Owain Morgan Camera Technician: Matthew Clavey Editors: Gary Coogan, Joshua Stocker Colourist: Tim Smith Set Designer: Zuzanna Skurtys Art Assists: Ruth Parker, Billy River Tourle Stylist: Lara Elizabeth Aerial Rigging: Aaron Marshall Rain: Snowboy Systems Runner & BTS: Dom Compton Runners: Tilly GW, Flurina Music: Bendik Giske Bendik Giske is published by Smalltown Supersound / Sony / ATV Music Publishing (Scandinavia) KB With support from FLIR. No8 PRODUCED BY: Jacob Jonas The Company Executive Producer/Creative Director: Jacob Jonas Producers: Jill Wilson, Emma Rosenzweig-Bock Associate Producers: Joy Isabella Brown, Francisco Cruz, Steve Hackman, Emily Kikta, Rubberlegz, Anibal Sandoval, Mike Tyus, Peter Walker Fashion Director: Christian Stroble CO-PRESENTED BY: BAM, The Harris, The Soraya, Stanford Live, Stanford Global Studies

[flashbrosales]

CAPiTA Snowboards | Holy Bowly 2021

CAPiTA Snowboards | Holy Bowly 2021

The CAPiTA Snowboards team at Snowboy Productions Holy Bowly 2021 at Timberline, Oregon. Holy Bowly has become one of the marquee annual events in snowboarding, a gathering of riders from all over, and one of the most impressive resort builds time after time. Featuring Scott Stevens, Mike Rav, Benny Milam, Miles Fallon, Austin Vizz, Kaleah Opal Driscoll, Marcus Rand, Chase Josey, Joey Fava, Matt…

[checkthefeed]

[ The High Project // CHECK IN | Because I Got High ]

Recap from a couple days @mthighsnow for the @snowboyproductions #TheHighProject presented by @arborsnowboards @valsurf1962 @10barrelbrewing @ikaniklife @diecutstickersdotcom

Thank you to @trustkrush & @jedipauls for making this happen!

Riders: Nate Haust @natehaust, Nial Romanek @bigmountainjibber, Levi Kaserof @levi_the_lion2, Nick Strother @stroboarder, Dillyn Tillie @d_till_, Johnny Hancheck @jhancheck, & Nolan Quinn @no1an

Filming by: @paullwall1.0 @jhancheck @dabstarr @levi_the_lion2 with shots from @hotsnake @pbnj_all_day @jeepeddy

[snackpointcharlie]

Snackpoint Charlie’s Sunday afternoon pinch-hit bonus round filling in for for Neva Wartell’s Music for the Masses is ready for your podcast perusal — and you may not have even know it existed. Wonders never cease, I tell ya, revel in them at https://wavefarm.org/wf/archive/j6hmwq

photo by Evgenia Arbugaeva evgeniaarbugaeva.com

Snackpoint Charlie - Transmission 076: Snackpoint for the Masses - 2021.09.19 PLAYLIST

1) Jason Gay - “Jasmine Flower” from THE PRESENT AND THE PAST https://alohagotsoul.bandcamp.com/album/the-present-and-the-past

2) Tamikrest - “Aratane N' Adagh” from ADAGH https://tamikrest.bandcamp.com/album/adagh

(underbed throughout) Pinetop Gherkins - “Plinkyring”

3) Omar Khorshid - “Johnny Guitar” from BELLY DANCE WITH OMAR KHORSHID & HIS MAGIC GUITAR https://www.discogs.com/Omar-Khorshid-Belly-Dance-With-Omar-Khorshid-And-His-Magic-Guitar/master/553933 http://africangrooves.fr/2021/09/08/omar-khorshid-johnny-guitar-egypt-1974-parlophone-voix-de-lorient/

4) Phairin Phonphibun - “Lam Klom Thung (Phantom White Bird)” from LAM KLOM THUNG: ESSENTIAL PHAIRIN PHONPHIBUN https://emrecords.bandcamp.com/album/lam-klom-thung-essential-phairin-phonphibun

5) Attarazat Addahabia & Faradjallah - “Chama'a الشمعة” from HABIBI FUNK 011: AL HADAOUI https://habibifunkrecords.bandcamp.com/album/habibi-funk-011-al-hadaoui

6) SJOB Movement - “Stone Funk” from A MOVE IN THE RIGHT DIRECTION https://www.discogs.com/SJOB-Movement-A-Move-In-The-Right-Direction/master/233969

7) Moussa Thingou - “Amidinine” https://www.facebook.com/moussatchingou https://www.instagram.com/moussa_tchingou/

8) Hassan Wargui - “Gar Miden - ⴳⴰⵔ ⵎⵉⴷⵏ - The Corrupt” from TIDDUKLA https://hassanwargui.bandcamp.com/album/tiddukla

9) Soun San - “Pjanch Meah (Defeat the Giant)” from THEY WILL KILL YOU, IF YOU CRY http://survivors.bandcamp.com

10) Iftiin Band feat. Mahmud Abdalla "Jerry" Hussen & Maryan Naasir - “Xuduud Ma Leh Xubigaan (This Love Has No Boundaries)” from SWEET AS BROKEN DATES: LOST SOMALI TAPES FROM THE HORN OF AFRICA https://ostinatorecords.bandcamp.com/album/sweet-as-broken-dates-lost-somali-tapes-from-the-horn-of-africa

11) Orkes Teruna Ria - “Ngajuh Hudjan” from LIES EMBARSARI BERSAMA & ZAENAL COMBO https://www.discogs.com/Orkes-Teruna-Ria-Dajung-Palenggam-/release/15178818

12) Amiri Baraka & Craig Harris - “We Travel The Spaceways” https://www.youtube.com/watch?v=FaUqGOHt2yU

13) Sublime Frequencies - “Agadez Fatimata” from RADIO NIGER https://sublime-frequencies.bandcamp.com/album/radio-niger https://www.sublimefrequencies.com/products/576390-radio-niger

14) Joujma - “Mel Fadda (From Boredom/De l’ennui) – Studio Version” from AS I OPEN MY EYES/A PEINE J'OUVRE LES YEUX (ORIGINAL SOUNDTRACK) https://khyamallami.bandcamp.com/album/as-i-open-my-eyes-a-peine-jouvre-les-yeux-original-soundtrack

15) Charanjit Singh - “Raga: Meghmalhar” from TEN RAGAS TO A DISCO BEAT https://www.discogs.com/Charanjit-Singh-Synthesizing-Ten-Ragas-To-A-Disco-Beat/master/225128

16) Půlnoc - “Kanárek (Little Canary)” from CITY OF HYSTERIA https://www.discogs.com/Pulnoc-City-Of-Hysteria/release/6469478

17) Os Mutantes - “Le Premier Bonheur du Jour” from OS MUTANTES https://www.discogs.com/Os-Mutantes-Os-Mutantes/master/54526

18) Eric (Snowboy) Akaeze and His Royal Ericos - “Ife Nwanne Melu Nwanne” from IKOTO ROCK https://everland-music.bandcamp.com/album/eric-snowboy-akaeze-and-his-royal-ericos-ikoto-rock-1974

[westsidestoryismylife-blog]

West Side Story is set in the mid 1950's, when many Puerto Ricans moved to NYC. The Jets are from Manhattan. They have ruled their "turf" for years, after defeating the Emeralds. The Sharks are from Puerto Rico. They have just recently come to NY, and want a "turf" of their own.

Who wrote West Side Story:

West Side Story is based on a conception by Jerome Robbins. Book by Arthur Laurents Lyrics by Stephen Sondheim Music by Leonard Bernstein Entire Original Production Directed and Choreographed by Jerome Robbins Orchestrations by Leonard Bernstein with Sid Ramin and Irwin Kostal Film Version: Directed by: Robert Wise & Jerome Robbins Screenplay: Ernest Lehman Choreography: Jerome Robbins

When was West Side Story written:

Jerome Robbins' proposed the idea for writing a musical based on Romeo and Juliet to Leonard Bernstein in January of 1949 (working title: East Side Story, set in the slums at the coincidence of Easter-Passover celebrations). In August of 1955, a meeting with Arthur Laurents produced another idea -- two teen-age gangs as the warring factions, one of them newly-arrived Puerto Ricans, the other self-styled "Americans." In November, 1955 Stephen Sondheim joined the project as lyricist. A year and a half later, rehearsals began for the Broadway premiere of West Side Story.

DIRECTED BY

Jerome Robbins

Robert Wise

WRITING CREDITS  

Lehman ...(screenplay)

Arthur Laurents ...(book)

Jerome Robbins ...(play)

William Shakespeare ...(play) (uncredited)

CAST (IN CREDITS ORDER) 

Natalie Wood ... Maria

Richard Beymer ... Tony

Russ Tamblyn ... Riff

Rita Moreno ... Anita

George Chakiris ... Bernardo

Simon Oakland ... Schrank

Ned Glass ... Doc

William Bramley ... Krupke

Tucker Smith ... Ice

Tony Mordente ... Action

David Winters ... A-rab

Eliot Feld ... Baby John

Bert Michaels ... Snowboy

David Bean ... Tiger

Robert Banas ... Joyboy

Anthony 'Scooter' Teague ... Big Deal (as Scooter Teague)

Harvey Evans ... Mouthpiece (as Harvey Hohnecker)

Tommy Abbott ... Gee-Tar

Susan Oakes ... Anybodys

Gina Trikonis ... Graziella

Carole D'Andrea ... Velma

Jose De Vega ... Chino

Jay Norman ... Pepe

Gus Trikonis ... Indio

Eddie Verso ... Juano

Jaime Rogers ... Loco

Larry Roquemore ... Rocco

Robert E. Thompson ... Luis (as Robert Thompson)

Nick Navarro ... Toro (as Nick Covacevich)

Rudy Del Campo ... Del Campo

Andre Tayir ... Chile

Yvonne Wilder ... Consuelo (as Yvonne Othon)

Suzie Kaye ... Rosalia

Joanne Miya ... Francisca

REST OF CAST LISTED ALPHABETICALLY:

John Astin ... Glad Hand (uncredited)

Francesca Bellini ... Debby, Snowboy's Girlfriend (uncredited)

Elaine Joyce ... Hotsie, Tiger's Girlfriend (uncredited)

Priscilla Lopez ... Child Extra (uncredited)

Marni Nixon ... Playback vocalist for Natalie Wood (uncredited)

Olivia Perez ... Margarita, Rocco's Girlfriend (uncredited)

Lou Ruggiero ... Police Officer #3 (uncredited)

Penny Santon ... Madam Lucia (uncredited)

Luci Stone ... Estella, Loco's Girlfriend (uncredited)

Pat Tribble ... Minnie, Baby John's Girlfriend (uncredited)

Gary Troy ... Dancer (uncredited)

Produced by Saul Chaplin ...associate producer

Walter Mirisch ...executive producer (uncredited)

Robert Wise ...producer (uncredited)

MUSIC BY

Leonard Bernstein

Irwin Kostal ...(uncredited)

CINEMATOGRAPHY BY

Daniel L. Fapp ...director of photography

FILM EDITING BY

Thomas Stanford ...film editor

PRODUCTION DESIGN BY

Boris Leven ...(production designed by)

SET DECORATION BY

Victor A. Gangelin ...(as Victor Gangelin)

COSTUME DESIGN BY

Irene Sharaff ...(costume designed by)

MAKEUP DEPARTMENT

Emile LaVigne ...makeup (as Emile La Vigne)

Alice Monte ...hairdresser

PRODUCTION MANAGEMENT

Allen K. Wood ...production manager

Hubert Fröhlich ...production manager (uncredited)

SECOND UNIT DIRECTOR OR ASSISTANT DIRECTOR

Robert E. Relyea ...assistant director

Jerome M. Siegel ...second assistant director

Ridgeway Callow ...assistant director (uncredited)

ART DEPARTMENT

Sam Gordon ...property

Maurice Zuberano ...production artist (as M. Zuberano)

Leon Harris ...production illustrator (uncredited)

William Maldonado ...construction coordinator (uncredited)

SOUND DEPARTMENT

Fred Lau ...sound

Gilbert D. Marchant ...sound editor

Murray Spivack ...sound

Vinton Vernon ...sound

Richard Gramaglia ...sound mixer (uncredited)

Fred Hynes ...sound recording supervisor (uncredited)

Gordon Sawyer ...sound supervisor (uncredited)

VISUAL EFFECTS BY

Saul Bass ...visual consultant

Linwood G. Dunn ...photographic effects (as Linwood Dunn)

STUNTS

Eli Bo Jack Blackfeather ...stunts (uncredited)

CAMERA AND ELECTRICAL DEPARTMENT

Linwood G. Dunn ...title photographer (uncredited)

John Finger ...camera operator: title sequence (uncredited)

Ernst Haas ...still photographer (uncredited)

Jerome H. Klein ...electrician (uncredited)

Louis Kulsey ...dolly grip: title sequence (uncredited)

Tom May ...grip (uncredited)

Phil Stern ...still photographer (uncredited)

COSTUME AND WARDROBE DEPARTMENT

Bert Henrikson ...wardrobe

Editorial Department 

Marshall M. Borden ...assistant editor

MUSIC DEPARTMENT

Leonard Bernstein ...music by

Richard Carruth ...music editor

Saul Chaplin ...musical supervisor

Johnny Green ...music conductor / musical supervisor

Irwin Kostal ...musical supervisor / orchestrator

Sid Ramin ...musical supervisor / orchestrator

Stephen Sondheim ...lyrics by

Robert Tucker ... vocal coach (as Bobby Tucker)

Betty Walberg ...musical assistant

Pete Candoli ...musician (uncredited)

Jack Dumont ...musician: saxophone (uncredited)

Walter A. Gest ...production music playback operator (uncredited)

Shelly Manne ...musician (uncredited)

Red Mitchell ...musician (uncredited)

Uan Rasey ...musician: trumpet soloist (uncredited)

Albert T. Viola ...musician (uncredited)

OTHER CREW

Tommy Abbott ...dance assistant

Margaret Banks ...dance assistant

Saul Bass ...titles

Robert E. Griffith ...based upon the play produced on the stage by

Howard Jeffrey ...dance assistant

Tony Mordente ...dance assistant

Harold Prince ...based upon the play produced on the stage by (as Harold S. Prince)

Jerome Robbins ...choreography by / stage play: director / stage play: orchestrator

Stanley Scheuer ...script supervisor (as Stanley K. Scheuer)

Roger L. Stevens ...by arrangement with

Hal Bell ...assistant choreographer (uncredited)

Jimmy Bryant ...singing voice: Tony (uncredited)

Kit Culkin ...dancer (uncredited)

John Flynn ...script supervisor (uncredited)

Gerald Freedman ...assistant: Mr. Robbins (uncredited)

Peter Gennaro ...co-choreographer (uncredited)

Maria Henley ...Shark dancer Teresita (uncredited)

Eliot Hyman ...production executive (uncredited)

Howard Jeffrey ...assistant choreographer: Mr. Robbins (uncredited)

Elaine Joyce ...dancer (uncredited)

George Lake ...assistant stage manager: stage production (uncredited)

Harold Mirisch ...production executive (uncredited)

Marvin Mirisch ...production executive (uncredited)

Howard Newman ...press representative (uncredited)

Arthur Rubin ...assistant stage manager: stage production (uncredited)

Wallace Siebert ...assistant: Mr. Gennaro (uncredited)

Ray Stark ...production executive (uncredited)

Lee Theodore ...assistant choreographer (uncredited) / dancer (uncredited)

Roxanne Tunis ...dancer (uncredited)

Betty Wand ...singing voice: Anita - "A Boy Like That/I Have a Love" (uncredited)

The Academy Award for Best Picture of 1961 went to the movie version of WSS. It earned a total of ten Oscars. Although Bernstein did not suffer the indignity of the mayhem perpetrated on his score in the movie of On The Town, the movie of WSS did make some minor alterations. I Feel Pretty was transferred to an earlier scene, the bridal shop. The location of Gee, Officer Krupke was interchanged with Cool. Sondheim also wrote new lyrics for America, performed by all the Sharks and their girls (in the stage version it is presented by four girls only).

These changes were judged to be necessary to sustain an on-rushing sense of doom. After all, the movie was not interrupted by an intermission during which an audience could recover form the devastation wrought by the danced Rumble. On stage, the bubbly I Feel Pretty, at the beginning of Act II, was a kind of extension of intermission babble. Good theater, but not good movie.

Despite this film being an update of Shakespeare's "Romeo & Juliet", one of, if not the most famous element from that story is different here, in that both of the leads do not die at the end. Tony dies, but Maria survives.

Timeline: The process of the movie

6 JANUARY 1949

New York, NY

Jerome Robbins sets the West Side Story concept in motion.

25 AUGUST 1955

Beverly Hills, CA

A meeting with Arthur Laurents produces another idea: two teen-age gangs as the warring factions, one of them newly-arrived Puerto Ricans, the other self-styled "Americans."

14 NOVEMBER 1955 "A young lyricist named Stephen Sondheim came and sang us some of his songs today. What a talent! I think he's ideal for this project, as do we all. The collaboration grows."

-Leonard Bernstein

8 JULY 1957

New York, NY

Rehearsals begin.

20 AUGUST 1957

Washington D.C.

West Side Story opens in Washington D.C.

26 SEPTEMBER 1957

New York, NY

West Side Story opens on Broadway at the Winter Garden Theatre, runs for 732 performances.

1957

Original Broadway Cast Recording 

13 APRIL 1958

Tony Awards

Best Choreographer (Jerome Robbins)

Best Scenic Designer (Oliver Smith)

18 OCTOBER 1961

United Artists motion picture released:

Directed by Robert Wise and Jerome Robbins

Starring Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris

1961

Film Soundtrack Recording

Reviews and Articles of West Side Story

THE NEW YORK TIMES 

27 September 1957

Theatre: "West Side Story," The Jungles of the City

By BROOKS ATKINSON

Although the material is horrifying, the workmanship is admirable.

Gang warfare is the material of "West Side Story," which opened at the Winter Garden last evening, and very little of the hideousness has been left out. But the author, composer and ballet designer are creative artists. Pooling imagination and virtuosity, they have written a profoundly moving show that is as ugly as the city jungles and also pathetic, tender and forgiving.

Arthur Laurents has written the story of two hostile teen-age gangs fighting for supremacy amid the tenement houses, corner stores and bridges of the West Side. The story is a powerful one, partly, no doubt, because Mr. Laurents has deliberately given it the shape of "Romeo and Juliet." In the design of "West Side Story" he has powerful allies. Leonard Bernstein has composed another one of his nervous, flaring scores that capture the shrill beat of life in the streets. And Jerome Robbins, who has directed the production, is also its choreographer.

Since the characters are kids of the streets, their speech is curt and jeering. Mr. Laurents has provided the raw material of a tragedy that occurs because none of the young people involved understands what is happening to them. And his contribution is the essential one. But it is Mr. Bernstein and Mr. Robbins who orchestrate it. Using music and movement they have given Mr. Laurents' story passion and depth and some glimpses of unattainable glory. They have pitched into it with personal conviction as well as the skill of accomplished craftsmen.

In its early scenes of gang skirmishes, "West Side Story" is facile and a little forbidding -- the shrill music and the taut dancing movement being harsh and sinister. But once Tony of the Jets gang sees Maria of the Sharks gang, the magic of an immortal story takes hold. As Tony, Larry Kert is perfectly cast, plain in speech and manner; and as Maria, Carol Lawrence, maidenly soft and glowing, is perfectly cast also. Their balcony scene on the firescape of a dreary tenement is tender and affecting. From that moment on, "West Side Story" is an incandescent piece of work that finds odd bits of beauty amid the rubbish of the streets.

Everything in "West Side Story," is of a piece. Everything contributes to the total impression of wildness, ecstasy and anguish. The astringent score has moments of tranquility and rapture, and occasionally a touch of sardonic humor. And the ballets convey the things that Mr. Laurents is inhibited from saying because the characters are so inarticulate. The hostility and suspicion between the gangs, the glory of the nuptials, the terror of the rumble, the devastating climax -- Mr. Robbins has found the patterns of movement that express these parts of the story.

Most of the characters, in fact, are dancers with some images of personality lifted out of the whirlwind -- characters sketched on the wing. Like everything also in "West Side Story," they are admirable. Chita Rivera in a part equivalent to the nurse in the Shakespeare play; Ken Le Roy as leader of The Sharks; Mickey Calin as leader of The Jets; Lee Becker as a hobbledehoy girl in one gang -- give terse and vigorous performances.

Everything in "West Side Story" blends -- the scenery by Oliver Smith, the costumes by Irene Sharaff, the lighting by Jean Rosenthal. For this is one of those occasions when theatre people, engrossed in an original project, are all in top form. The subject is not beautiful. But what "West Side Story" draws out of it is beautiful. For it has a searching point of view.

THE DAILY NEWS

27 September 1957

(Originally published by the Daily News on September 27, 1957. This story was written by John Chapman.)

‘West Side Story’ premieres on Broadway in 1957

BY JOHN CHAPMAN

The American theatre took a venturesome forward step when the firm of Griffith & Prince presented "West Side Story" at the Winter Garden last evening.

This is a bold new kind of musical theatre - a juke-box Manhattan opera. It is, to me, extraordinarily exciting. In it, the various fine skills of show business are put to new tests, and as a result a different kind of musical has emerged.

The story is, roughly, Shakespeare's recounting of the love and deaths of Romeo and Juliet. But the setting is today's Manhattan, and the manner of telling the story is a provocative and artful blend of music, dance and plot - and the music and the dancing are superb.

Superb Score

In this present-day version of the theatre's greatest romance, the Montagus and Capulets become young New York gangs, one white, the other Puerto Rican. The Romeo is a white boy, the Juliet a Puerto Rican girl. In the big fight switch-blade knives are used instead of swords. The apothecary who gave Romeo his fateful potion now is a mild druggist who mans his soda fountain and wonders what the younger generation is coming to. And the younger generation, even if it does indulge in one rumble which results in murder, is not nearly as blackhearted as current news stories might make us believe.

The music of "West Side Story" is by Leonard Bernstein, and it is superb - and splendidly played by an orchestra directed by Max Goberman. In it there is the drive, the bounce, the restlessness and the sweetness of our town. It takes up the American musical idiom where it was left when George Gershwin died. It is fascinatingly tricky and melodically beguiling, and it marks the progression of admirable composer.

The story, about the fundamentally innocent hoodlums of our town, is by Arthur Laurents, and it is a lovely and moving one. But Laurents is not alone in telling this story, for his collaborator is Jerome Robbins, the choreographer. Robbins and his superb young dancers carry the plot as much as the spoken words and lyrics do.

The lyrics, by Stephen Sondheim, have simple grace, and there is a lovely tribute by the sidewalk Romeo to his dusky girl, Maria. There is a really beautiful scene in which the boy and the girl go through a make believe wedding in a shop for bridal clothing. And there is an uproariously funny one in which a so-called juvenile delinquent gets a going-over by all the authorities whose problem he is - the cop, the judge, the social worker and the psychiatrist. This young hoodlum manages to make his elders look pretty silly.

Wonderful Cast

The cast of "West Side Story" is, next to the music, the best part of the production. It is composed of young people of whom few have been heard. Carol Lawrence and Larry Kert carry the love story with effortless simplicity, and they sing beautifully. There are other engaging performances by Chita Rivera, Mickey Calin, Ken Le Roy and Art Smith (the druggist). But the company itself is the star of the show. These boys and girls sing, dance and act with such skill and sincerity that they bring the audience out of its seats and up on the stage with them - and the stage is not a stage but this fascinating and fearful town of Manhattan.

And the settings by Oliver Smith and the costumes by Irene Sharaff are a perfect part of a perfect production.

NEW YORK HERALD TRIBUNE

27 September 1957

New York Herald Tribune, 9/27/57

Theater critic Walter Kerr wrote the following review of West Side Story for the New York Herald Tribune on September 27, 1957: The radioactive fallout from "West Side Story" must still be descending on Broadway this morning. Director, choreographer, and idea-man Jerome Robbins has put together, and then blasted apart, the most savage, restless, electrifying dance patterns we've been exposed to in a dozen seasons. The curtain rises on a silence, and a pause. It is the last silence and the last pause. Against an empty-eyed background of warehouse windows five or six blue-jacketed young delinquents, with the tribal-mark "Jets" scrawled across their taut shoulders, are lounging, waiting for the first faint whisper of violence. Their impatience comes to life in their fingers. A snapping rhythm begins to tap out a warning of mayhem to come. Knees begin to itch, and move, under the lazy, overcast mid-summer sky in Puerto-Rican New York. The Sharks--equally young, equally sick with very old hatreds--appear from the alleyways in twos and threes. There is a sneer, a hiss, a tempting and tantalizing thrust of an arm, and then--with a powerhouse downbeat from the orchestra pit--the sorry and meaningless frenzy is on. From this moment the show rides with a catastrophic roar over the spider-web fire-escapes, the shadowed trestles, and the plain dirt battlegrounds of a big city feud. Mr. Robbins never runs out of his original explosive life-force. Though the essential images are always the same--two spitting groups of people advancing with bared teeth and clawed fists upon one another--there is fresh excitement in the next debacle, and the next. When a gang leader advises his cohorts to play it "Cool," the intolerable tension between and effort at control and the instinctive drives of these potential killers is stingingly graphic. When the knives come out, and bodies begin to fly wildly through space under buttermilk clouds, the sheer visual excitement is breathtaking. .[Robbins] has almost sacrificially assisted in this macabre and murderous onslaught of movement by composer Leonard Bernstein. Mr. Bernstein has permitted himself a few moments of graceful, lingering melody: in a yearning "Maria," in the hushed falling line of "Tonight," in the wistful declaration of "I Have a Love." But for the most part he has served the needs of the onstage threshing machine, setting the fierce beat that fuses a gymnasium dance, putting a mocking insistence behind taunts at a policeman, dramatizing the footwork rather than lifting emotions into song. When hero Larry Kert is stomping out the visionary insistence of "Something's Coming" both music and tumultuous story are given their due. Otherwise it's the danced narrative that takes urgent precedence.

A Clip of a full description of the film and the actors thought on the film:

[sm4701-teletummies]

Difficulties and Problems when testing AIY Projects

In the middle of April, I tested out the all the basic functions of AIY Voice Kit, now I am able to ask questions and issue voice commands to my programs. However, as a newbie to the linux, python and raspberry pi environment, I encountered quite a lot of problems while testing the AIY Kits. Besides, there are limitation with the AIY Kit, I figured out some ways to solve the problems.

With my very basic knowledge, I often struggled at some points with my Voice Kit. At the early stage, I encountered problem with the audio and cannot run the google assistant grpc demo. I fixed the audio problem by adjusting volume in Alsamixer. For the assistant grpc demo, the error message shows: “KeyError: 'unsupported language_code'”. I searched this error on AIY Project Forum, found out that quite a lot of people encountered the same problem. What we have in common is our locale language are not English. Since Google only supports a limited numbers of languages, I then changed the language to one of the supported languages and change my country. It works like a magic.

Sound Testing in AlsaMixer

Error Message

After these problems are solved, I moved on to the next stage: I began to talk to the Google Assistant. Instead of talking to a person, the google assistant really sounds like an assistant, it called herself as Google Assistant sometimes:

Testing Video #4:

She asks me to give permission and tell me to open the Google Home app on my phone.

I tried to fix the problem by using IFTTT to create custom command and response. IFTTT is a separate company from Google, it provides a software platform that connects apps, devices and services from different developers in order to trigger one or more automations involving those apps, devices and services.

Demo Video

I created an IFTTT applet, and then use webhook to do HTTP callbacks, invoke Google Assistant to do custom responses, but I realized it is not a solution to all answers from Google Assistant, and it takes more reaction time from the cloud platform. Later on, more problems were found: Google Assistant services do not support continued conversation outside US, many services are not available in Hong Kong, but many Google services are bundled together. Besides, when I am trying to share my feelings to the voice kit, it always give me the same response: Sorry, I don’t know how to help.

To solve this problem, I will try to work with Google Dialogflow to create an agent (also known as chatbot) to train an AI chatbot that is able to talk to and listen to their user, for a more natural conversation.

Except the continued conversation is not available, google also does not support custom hotword detection, I use a customizable hotword detection engine SNOWBOY to generate custom hotword for my Voice Kit using its API, demo video is in the article: Documentation of work process.

More about SnowBoy:

https://github.com/Kitt-AI/snowboy

Another difficulty is that the instructions given in magiPi magazine (comes together with the AIY Voice Kit) and AIY Project offical website is outdated and not suitable to my V1 Project (The updated version is V2) The update speed of AIY Project is very fast since it is a new product and platform. Therefore, I have problems importing the modules, but luckily I can find some solutions on the AIY forums and Github sometimes, so it is not a very big problem.

My current plan is to build a chatbot for my project. At this point, I am quite confused with the environment because I am not familiar with passing data using JSON etc. But I will try to learn about it.

[whileiamdying]

www.koruashapes.com America! Land of the free, home of the onion pizza. Volume 7 follows us on a short trip to the US of A for the infamous Holy Bowly gathering. After a powder-heavy season at home in Europe, there was still some pop left in our legs as we packed our bags and hopped across the pond to Mt. Hood, Oregon. Upon arrival awaited a seemingly endless setup of jumps, bumps, hips, bowls, transitions – a true masterpiece from the crew around Krush & Snowboy Productions. The week flew by quickly in a haze of bowly-laps, parking lot hangs and Coors Banquet's, and what’s left is this short film to help us remember what a holy hell of a time we had. Featuring: Gabriele Torriani, Lars Popp and Christian Haller Filmed by: Stephan Maurer and Aaron Schwartz Edited by: Stephan Maurer Graphics: Aaron Schwartz Music Supervisor: Florent De Maria / MIDNIGHT Music Music: “Palais D'Amour” Written by Kirsten Klemm, Manfred Asmus, Matthias Schuster Performed by Bal Paré Published by Minimal Wave Courtesy of Minimal Wave https://ift.tt/2z5hxw9 https://ift.tt/2BnEEYV

[bharatiyamedia-blog]

The right way to Add Alexa to Your Sensible Mirror

http://tinyurl.com/y3kpkdw8 A sensible mirror with an Amazon Echo mirrored. Josh Hendrickson In the event you built a smart mirror, you have already got useful entry to calendars, climate, and information. However you are able to do greater than that! The Magic Mirror software program helps you to add modules for additional options, like Alexa for voice management. Different builders create these modules. The choices range from the helpful, like Alexa or presence detection (via a digital camera or Passive Infrared sensor), to the entertaining, like snowflakes and Spotify playback information. We advocate mmm-awesome-alexa because it seems to be properly maintained by an energetic developer, though there are different Alexa modules for the Magic Mirror software program. In the event you would like to put in Google Assistant, Google presents a complete tutorial for putting in Assistant on a Raspberry Pi, together with steps, photos, and obtain hyperlinks. Whereas just a few Magic Mirror modules for Google Assistant exist, our investigation revealed the modules to be problematic, usually crashing or masking the mirror info. If you would like probably the most simple setup, we advocate including the Google AIY kit and utilizing its specific tutorial. To put in most modules, you’ll undergo some fundamental steps: Obtain the module code from GitHub Configure module-specific choices Add the module to the mirror configuration Relying on the module, steps two and three could also be kind of concerned. Organising Alexa requires extra configuration than including snowflakes, for example. Moreover, this specific Alexa module requires putting in some extra software program (dependencies) earlier than downloading the module. RELATED: How to Build Your Own Futuristic Smart Mirror The Supplies You’ll Want Google This information assumes you’ve already created a Smart Mirror. In the event you haven’t but, begin there however take into account the additional supplies listed right here in your prices and house issues. Accomplished Sensible Mirror Microphone Speaker For the microphone and speaker, we advocate the unique Google AIY Voice Kit. At $16, you’ll be hard-pressed to discover a cheaper microphone and speaker mixture. You don’t essentially want to make use of the included cardboard field; it could be more practical to go away the parts out and run the microphone and speaker outdoors the mirror. A second model of the Google AIY Voice Kit is offered, but it surely’s costlier and features a Raspberry Pi Zero, which isn’t highly effective sufficient to run wake phrases or the Magic Mirror software program, so it’s best to skip it. Join your speaker and microphone, and also you’re prepared to put in the Alexa module. In the event you’re utilizing the Google AIY package, simply observe its assembly guide for connecting the microphone and speaker parts. Putting in Module Dependencies Earlier than you’ll be able to obtain and configure mmm-awesome-alexa, it’s essential to set up just a few dependencies the module depends on. It’s at all times a good suggestion to replace your Raspberry Pi earlier than attempting to put in the rest. In your Raspberry Pi, begin by working this command: sudo apt replace && sudo apt improve As soon as your Raspberry Pi is updated, run the next instructions one after the other: sudo apt-get set up sox libsox-fmt-all sudo apt-get set up swig3.Zero python-pyaudio python3-pyaudio sox pip set up pyaudio sudo apt-get set up libasound-dev portaudio19-dev libportaudio2 libportaudiocpp0 ffmpeg libav-tools sudo apt-get set up libatlas-base-dev Every command installs a dependency, they usually’re all essential to run. Simply run a command, look ahead to the obtain and set up to complete, then run the subsequent command. Downloading the Module Code Step one to including any module for the Magic Mirror is to obtain the module’s code Github. To do that, you’ll have to log into the Raspberry Pi, open terminal, and alter listing to the place modules are saved. You then’ll use a obtain command to tug the code from Github When you have shell access, you are able to do all of this remotely. Upon getting a terminal open, kind the next: cd ~/MagicMirror/modules This command strikes you to the working listing of the modules folder for the Magic Mirror software program. Anytime you obtain a brand new module, you’ll wish to be right here to maintain all the pieces organized. The subsequent step is to obtain the software program from Github with this command: git clone https://github.com/dolanmiu/MMM-awesome-alexa.git When it finishes, change directories into the module with the next command: cd MMM-awesome-alexa The Alexa module requires just a few extra dependencies to work appropriately. Run this command to put in them: npm set up --only=prod Now, change directories into the newly created node_modules folder: cd node_modules Delete the snowboy folder the earlier instructions added. We want a more moderen model of snowboy: rm -rf snowboy Subsequent, we’ll obtain the newest model of snowboy with the next command: git clone https://github.com/Kitt-AI/snowboy.git Earlier than we proceed, change listing to the brand new snowboy folder. cd snowboy Now we have to take away the node_modules folder and set up some extra dependencies. It’s vital that you just keep contained in the snowboy folder for these steps; don’t change directories. Run the next instructions one after the other: rm -rf node_modules npm set up nan --save  npm set up node-pre-gyp@0.12.0 --save  npm set up  npm run prepublish  npm set up --save-dev electron-rebuild  npm set up nan  ./node_modules/.bin/electron-rebuild Now the module is totally downloaded and put in. Configuring the Alexa Module Now that the mmm-awesome-alexa module is put in, we have to configure it. Step one is to vary directories to the basis of the module. In terminal kind the next command after which hit Enter: cd ~/MagicMirror/modules/MMM-awesome-alexa This Alexa module has a configuration helper; we wish to run that. In terminal kind: npm run config-helper You’ll see a immediate asking for a Shopper ID. Because you’re basically establishing a custom-built Echo, you’ll have to open a browser and head to the Alexa developer site. Then check in along with your Amazon account. As soon as signed in, click on on the “Get Began” button. You’re creating a tool, so click on “Merchandise” and click on “Create Product.” On the subsequent display screen, give your product a reputation and product ID—we recommend “Magic_Mirror_Alexa” for the title and “YourFirstName_MM_Alexa” for the product ID. Choose Sensible Dwelling for the class, and allow each the hands-free and far-field choices. You’ll see a sequence of sure or no questions, choose “No” for all of them after which click on “Subsequent.” On the safety profile display screen, click on “Create new profile.” Use the identical title in your safety profile as you probably did for the product ID. Then kind any description you prefer to, then click on Subsequent. Test the settlement and click on End. Click on in your newly created product, then safety profile, and it’s best to see a Shopper ID and consumer secret. Within the allowed return URL entry kind:https://magic-mirror-avs.github.io/Alexa-Internet-Helper/authresponse Then click on the add button. Scroll down and click on the replace field to complete including the URL. Within the terminal, you’ll see a immediate for the consumer ID. Copy the consumer ID from the browser, paste it into the Terminal, after which hit Enter. Now the terminal will immediate for a consumer secret. Change again to the browser, copy the consumer secret, then paste it into Terminal and hit Enter. When prompted for the System ID, Enter the title you created above as a product ID (Magic_Mirror_Alexa in our instance). Whenever you’re requested to offer a return URL, kind the next command and press Enter: https://magic-mirror-avs.github.io/Alexa-Internet-Helper/authresponse The terminal will show a {custom} constructed hyperlink. Copy that and paste it into your browser. Then log in along with your Amazon account, if prompted. Click on Enable on the subsequent display screen. You’ll see an error on the browser, however don’t fear! That is anticipated. Scroll via the URL of the error web page and discover the “Code=xxxxxx” part. Copy the letters and numbers that seem between “code=” and “&scope” and paste them into the terminal. Hit Enter whenever you’re finished. When requested if you wish to generate the MagicMirror config, kind Y, and hit Enter. You’ll be requested which wake phrase to make use of. Alexa is the default choice so hit Enter. Reply no for utilizing lite mode and visualization. The configuration helper will generate your module info. It’ll look one thing like this: { module: "MMM-awesome-alexa", place: "bottom_bar", config: { wakeWord: "Alexa", clientId: "YOUR_CLIENT_ID", clientSecret: "YOUR_CLIENT_SECRET", deviceId: "YOUR_DEVICE_ID", refreshToken: "YOUR_REFRESH_TOKEN", lite: false, isSpeechVisualizationEnabled: false } } Copy these strains. We have to add them to the Magic Mirror configuration. Add the Alexa Module to the Magic Mirror Configuration Then change listing to the Magic Mirror config folder with the next command: cd ~/MagicMirror/config And open the config.js utilizing the nano command: nano config.js Simply after the primary occasion of }, (which is the top of the module) hit Enter to create a clean line earlier than the subsequent { entry (which is the beginning of a brand new module). On the brand new clean line you created, paste within the module code from the config helper steps. The auto-generated code does have a mistake; you’ll additionally have to kind a comma after the ultimate bracket in order that your module ends with }, Use Ctrl+x to shut the file. When prompted, kind “y” to substantiate the save and hit Enter to maintain the file title the identical. The module is accomplished. To restart your Magic Mirror software program with the module in place, kind pm2 restart mm and the Magic Mirror software program will reboot. Alexa ought to now work in your Magic Mirror. This is among the extra difficult modules you’ll be able to arrange for the Magic Mirror. However for different modules, the fundamental steps are the identical, obtain the code, configure module-specific choices, add the module to configuration. You possibly can add snowflakes to your mirror, or motion detection, and even show your Google Photos. !function(f,b,e,v,n,t,s) {if(f.fbq)return;n=f.fbq=function(){n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments)}; if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)}(window, document,'script', 'https://connect.facebook.net/en_US/fbevents.js'); fbq('init', '335401813750447'); fbq('track', 'PageView'); Source link