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#aang's refusal to take Ozai's life was not tacked on at the end
rotationalsymmetry · 5 months
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Gonna write a bit of ATLA meta about Uncle Iroh.
Since I saw a post that rubbed me the wrong way, but in the opposite of the way posts about Iroh usually rub me the wrong way, so I'll need a bit of a lead up to explain why both approaches are wrong. Spoilers ahead.
When people look back on a story, they tend to compress it in their minds, as though everything happened all at once. People have a static image of Camelot that includes both Merlin and Lancelot, even though they were never both at Camelot at the same time.
And I think when people look back at Avatar: The Last Airbender, they look at it knowing that Zuko joins the Gaang in the end, and knowing that, they forget how Zuko looks and what Zuko does at the start of the story. Because Zuko is a pretty unambiguous classic cartoon villain at the start of the story.
He's substantially more powerful than the protagonists (look at how easily he bats Sokka out of the way.) His goals are in direct opposition to the protagonists' goals, and if he is successful it will be disastrous to both them and the world. And like most cartoon villains, he's personally a dick: he's constantly angry/impatient, he lashes out, his introduction isn't quite like Azula's where she tells the ship's captain that she expects him to be more afraid of her than the tides, but he does treat the lives of his crew as disposable in an early episode, when there's a storm. (He gets better at the end of the episode, call that foreshadowing.) He's even got a scar on his face, in the long tradition of physically disfigured villains.
And once you've watched the whole show once, sure, it's hard to see him that way. And you can point to some signs that he was going to come around -- he didn't kill anyone (that we know of), when Aang let himself be captured in exchange for Zuko leaving the village alone, he did leave it alone, rather than backing out on his promise once he could. But so what? Plenty of unrepentant villains have a sense of honor and will keep their word, makes for interesting stories.
The point I'm trying to make is: there is only so much one show can do, only so much story they can get in to one story. And in that finite amount of story, they spent a TON of time showing the audience that no matter how much of a villain someone looks to be at first, that villain is still a person.
And they also spend a lot of time showing other people are people. Random Earth Kingdom civilians like Haru. Random Earth Kingdom guerilla fighters like Jet. When we get to the Northern Water Tribe, we find a bunch of people who are just people: old men who are set in their misogynistic ways but maybe can be coaxed into changing, young men who are kind of jerks (but who still don't deserve to die at the hands of an invasive force), young women torn between their own desires and their sense of duty, people people people. And when we get flashbacks to the Air Nomads, they're people: some more serious, some more fun and flighty, just people. And when we get to the Fire Nation, they're just people.
So let's look at the rest of the Fire Nation royal family. Azula's a sympathetic villain: she's scary, she's dangerous, she does appalling things, we see her suffering and the show gives us enough information about her and her family's dynamics, the way their father played them off against each other, to see why she did what she did. Azula ends the story in a situation similar to the one where Zuko is at the start: Zuko starts having lost everything and nearly everyone who ever mattered to him; Azula ends having lost everything and everyone. And we don't see that with Ozai, all we get of a potentially softer side of Ozai is a picture of him as a small child, but it's a short story and there's only so much time and it's not really about Ozai, and surely we can infer that there is something like Azula's story in his, something going on where to him his actions made sense.
Something going on where if you had Ozai's life, his background, his circumstances, his worldview, maybe you would act the same.
What I mean is, Zuko did not become a person because he stopped being a villain. His personhood was there when he was a villain, and was still there when he joined the heroes. And Azula's personhood and her villainhood can coexist. And Ozai's villainhood and personhood, with a little extrapolation, can coexist.
And Iroh. The Dragon of the West, the general of the great siege of Ba Sing Se. He's one person. He doesn't need to be split, either you ignore the harm he did or you decide that the harm he did means he must suffer for it, must be punished for it. He can be a person, and a person who did harm, and a person who did harm for reasons that made sense to him at the time, this is all one thing, it is all there in the story, not all of it is there for Iroh because it is not Iroh's story, but if you look at Zuko's story and Azula's and Chit Sang (guy at the boiling rock they tried to escape with) and Jet and Jeong Jeong and Hama and Yon Rha and Hei Bai, and how things went down with Aang in the Avatar Day episode (ie the town that wanted to punish him for a very old murder that the Avatar did, and they were in the wrong for that even though the Avatar did kill the person they said the Avatar killed) and what happened in The Great Divide (ie that ultimately it didn't matter who was at fault) it's all there in other parts of the story, you can extrapolate.
Iroh doesn't need to be punished, not by anyone else and not by himself in the form of feeling agonized over the harm he caused (much as I love angst in fiction.) Nobody needs to be punished; suffering is bad, causing more suffering does not make other people's suffering less. And he doesn't need to be innocent and pure to not deserve punishment. He's not innocent. He did a lot of harm. We can infer that he caused that harm for reasons that made sense to him at the time, whether they make sense to him in retrospect or not and whether he actually did have better options under the circumstances, which he may well not have. We're all people. We're all people. We're all people.
Like it or not, agree with it or not, ATLA is about forgiveness, about not seeking revenge, about not increasing the amount of suffering in the world by taking an eye for an eye. The story did not punish Zuko for having started on the wrong side, even though he started out as a stereotypical cartoon villain and he would have caused unspeakable devastation to the world if he'd succeeded at his initial goal. And it would not punish Iroh for what he did. And anyone looking for either a way to completely exonerate Iroh -- pretend he has never done anything harmful in his life -- or to criticize the show for not having him punished for his wrongdoing, has completely missed the central theme of the show.
Which is not separate from any imperialism/colonialism is bad messaging you want to draw from it. The show is not claiming colonialism is bad because it sides specifically with the Water Tribe or with everyone-but-the-Fire-Nation. It's against colonialism because...colonialism is bad...for people. Who have inherent value, whose lives have inherent value, whose lives do not stop having inherent value when they harm other people. It's one message.
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