It’s finally here! My third and final installment of playlists for fans of We Are Lady Parts, who are interested in hearing from women and people of color in the punk scene. My first two playlists focused on the 70s-80s and the 90s-2000s, while this playlist is intended to introduce people to some contemporary artists. (As always, this list is not definitive. Please feel free to reblog and recommend your own faves!)
Tracklist and artist information under the cut
While the nature of these playlists necessitates that I only include artists available on spotify, most of them have music available to download on bandcamp! I highly encourage you to directly purchase any music that you enjoy. The relative ease with which bands can produce and distribute music over the internet today does not mean that bands have seen a similar increase in income from that music, and it is impossible for smaller artists to support themselves through streaming alone. As we’ve discussed, many of these more marginalized artists face enormous barriers to getting their music made and heard. Please support artists that you would like to see more from!
I Was a Teenage Anarchist - Against Me! Laura Jane Grace, singer, songwriter, and guitarist, founded Against Me! in 1997, but I’ve waited to talk about them until this playlist because they are still actively putting out albums. Grace came out as a transgender woman in 2012, and that experience has been a prominent theme in her music.
Henry Don’t Got Love - Le Butcherettes A Mexican punk band formed in 2007 by Teri Gender Bender. They were initially based in Guadalajara, but moved to LA after a falling out in 2009. Their most recent release was in 2019.
Let Go of the Past - The Tuts A multi-racial, all-female trio based in London, The Tuts formed as teenagers while all the members were still in school. After building a following online and through live gigs, they crowd-sourced the funding to produce their first album, Update Your Brain, which this song is the lead single from. They are politically active and use their music to speak out against the conservative British government.
Bassline Bitch - Nova Twins A duo of black English women who use bass and guitar distortion pedals to create a unique sound. The success of their EPs was followed by the release of their first album, Who Are the Girls? in 2020. (If you live in the UK, they are currently touring!)
Okay - Skinny Girl Diet Three cousins who began playing together as teenagers in the early 2010s, Skinny Girl Diet’s first gig was opening for the Slits. (Which gives me the chance to make a digression about how many of today’s artists were supported by and given exposure by groups we’ve already discussed! I’m not going to point out every group that’s ever collaborated with each other, because there’s a ton on this list alone, but it’s really wonderful to see the connections within the punk community.) This song is from their debut album, Heavy Flow.
Targets of Men Targets of Men - G.L.O.S.S. Their name stands for Girls Living Outside Society’s Shit. The band is comprised of queer and transgender women, who are outspoken activists and who push back against the straight, white, and male domination of the hardcore punk scene.
We Got Time - The Kominas Formed by two Pakistani-Americans (although the band lineup has gone through many iterations), The Kominas are part of the emerging punk subculture of Taqwacore, or muslim punk rock. They draw from a wide range of musical influences, from covers of classic Bollywood songs to reggae. Their name can be translated as “scoundrels.”
Turn it Up - Alice Bag I finally get to talk about Alice Bag!! A chicana punk legend, she was the lead singer for Bags beginning in 1977. While they were one of the most influential groups in the West Coast early punk scene, they only put out one single (Survive, which is not on spotify). Alice Bag was continuously active as a live performer over the decades, playing with many different groups (including Castration Squad and Cholita), but it took until 2016 for her to release an album. She’s put out an album every two years since.
Fall Asleep - Big Joanie A trio of black women based in London, Big Joanie is named after their lead singer’s mother. Like so many of these other groups, the members met and were moved to form after being frustrated by the lack of intersectionality in the punk scene. Along with their great original tracks, they’ve done some fun covers including Cranes in the Sky and No Scrubs!
Hive - Pleasure Venom An experimental garage-punk band based in Austin Texas and headed by Audrey Campbell, a black woman. This song is from their 2018 self-titled EP, but they are set to release a full album this year.
Buckshot - 1865 Founded by musician/filmmaker Sacha Jenkins, 1865′s lead singer is Honeychild Coleman, one of the establishing members of the Sista Grrl Riot movement that we discussed on the 90s playlist! Their name is a reference to the year the Confederacy surrendered, the Thirteenth Amendment was ratified, and slavery was legally abolished in the United States.
It’s All Right - Secondlady Founded by Alyse, a black woman and DJ who moved to Osaka, Japan, Secondlady began as a way to make friends with similar interests. In the ten years since then the four person, all female band has been consistently performing live. This song is their first single, released in 2019.
Sick of it All - Magnolia Park A multi-racial, five-piece, pop-punk band from Orlando, Florida. I’ve neglected pop punk on these playlists so far, but Magnolia Park and several other bands coming up on this list are great examples of the recent resurgence of pop punk! (They are also touring in August, if anyone wants to buy tickets!)
Barbie Girl - Bad Skin I couldn’t make one of these playlists without a great cover on it, and this is a really fun one! Bad Skin is a multi-racial all-female group from Montreal, Canada. (Their latest music video dropped while I was writing this bio!)
Lavender - Initiate A hardcore (but surprisingly melodic) punk group from California. This song is off their second EP. It is inspired by Alice Walker’s In Search of Our Mothers’ Gardens, which the vocalist, Crystal, read in class.
Street Pulse Beat - Special Interest A four-piece punk band from New Orleans, Louisiana, with lyrics written and sung by Alli Logout. Special Interest are all queer and all people of color. Their name is a reference to the “special interest” section of video stores, where cult classics (and porn) could be found.
Garden - Meet Me @ the Altar An American pop-punk band that formed in 2015, and initially collaborated exclusively online, since all three members lived in different states. They’ve released one full album and multiple EPs. (They are also currently touring!)
Blink 9-11 - The Muslims Formed in the aftermath of the 2016 American presidential election, The Muslims use their music to speak out against American conservative politics and racism. This song, a biting parody of Blink-182′s ‘What’s My Age Again?’, is off of their 2020 album, Gentrified Chicken. (I don’t think they’re touring right now, but they’re putting one together and should be releasing dates soon!)
Rainwalk - Pinkshift A pop-punk group from Baltimore, Pinkshift gained unexpected attention when their single I’m Gonna Tell My Therapist On You went moderately viral. Rainwalk is a song off that same album. (Fun fact: they found their bassist on tinder!)
Racist, Sexist Boy - The Linda Lindas The youngest group on this list, ranging in age from 10 to 16, the Linda Lindas began getting a lot of attention for their high-energy covers of classic punk songs. They got exposure opening for legends like Alice Bag and Bikini Kill, and appeared in movies like Moxie. Since, they have begun writing their own material including this song, inspired by a racist comment from a classmate.
Nakhu Ses’Fika - Shameless Band A group from Soweto, South Africa, who combine a wide range of musical styles to create a versitile african rock sound that they refer to as Nkabi Rock/I Rock Yase Kasi (isizulu for Assassin Rock/Rock from the township).
This playlist got long, but that’s because there’s such a wealth of artists making great punk music today! I hope people found someone that they enjoy, and feel free to comment with artists I’ve left off. If you’re coming across these playlists without having watched the show that inspired me to make them, I hope you go check out We Are Lady Parts!
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2005
My Chemical Romance
Jimmy Eat World
Green Day
2006
Panic! At the Disco
Kisschasey
Aiden
Street Drum Corps
Closure in Moscow
2007
Paramore
Mayday Parade
Hot Rod Circuit
Bring Me The Horizon
The Red Shore
The Daylight Curse
2008
All Time Low
Boys Like Girls
The Academy Is
Panic! At the Disco
Atreyu
Avenged Sevenfold
Behind Crimson Eyes
The Black and White
Bring Me the Horizon
I Killed the Prom Queen
Cobra Starship
Confession
A Day to Remember
The Devil Wears Prada
The Ghost Inside
Jack the Stripper
House Vs Hurricane
Metro Station
Missing Hours
Mindless Self Indulgence
Motion City Soundtrack
The Offspring
Parkway Drive
Plain White Ts
Saosin
Scary Kids Scaring Kids
The Seduction
Sugarcult
Suicide Silence
Acacia Strain
2009
Anti-Flag
Set Your Goals
All Time Low
The Maine (x2)
(Warped Tour, Dallas)
Chiodos
Aiden
Dance Gavin Dance
Forever the Sickest Kids
Jeffrey Star
Jet Lag Gemini
The Millionaires
A Rocket to the Moon
Sing It Loud
Alana Grace
This Century
The White Tie Affair
Underoath
Escape the Fate
Gallows
2010
All Time Low
(x2)
The Almost
HIM
Boys Like Girls
Hot Chelle Rae
Heroes for Hire
Dance Gavin Dance
Escape the Fate
The Get up Kids
Lady GaGa
Semi Precious Weapons
One Day as A Lion
You Me at Six
2011
The Maine (x2)
Mayday Parade (x3)
Breathe Carolina (x3)
30 Seconds to Mars (x2)
We the Kings (x3)
Nevershoutnever (x2)
Bullet For My Valentine
Foxy Shazam
Every Avenue
Feeder
I See Stars
Iron Maiden
Placebo
The Rocket Summer
Slash
This Town Needs Guns
Avenged Sevenfold (x2)
Dream on Dreamer (x2)
Mission in Motion
You Me At Six
Motley Crue
Bret Michaels Band
Panic! At the Disco
All Time Low
We Are The In Crowd
Alesana
Make Do and Mend
The Swellers
Go Radio
This Providence
Young Guns
Hellogoodbye
D.R.U.G.S
Funeral
For A Friend
Set Your Goals
Face to Face
The Damned Things
Yellowcard
Story of the Year
Simple Plan
Tonight Alive
2012
Closure in Moscow
My Chemical Romance
A Rocket to the Moon (x4)
The Summer Set (x4)
The Ready Set (x4)
The Dangerous Summer (x2)
AQUA
New Found Glory
Taking Back Sunday
The Maine
Marilyn Manson
A Day to Remember
Steel Panther
Angels and Airwaves
You Me At Six (x3)
The Cab (x2)
Zebrahead
Dashboard Confessional
Conditions
Heroes for Hire
Madina Lake
The Pretty Reckless
Jack's Mannequin
Circa Survive
Kids in Glass Houses
These Kids Wear Crowns
Kill Hannah
Forever the Sickest Kids
Wednesday 13
Kittie
Black Veil Brides
The Never Ever
We the Kings (x2) (Warped Tour, Boston)
Simple Plan
We are the in Crowd
Vanna
Lostprophets
Machine Gun Kelly
Of Mice and Men
Blood on the Dancefloor
Miss May I
Breathe Carolina
Pierce the Veil
The Ghost Inside
Tonight Alive
Marianas Trench
For Our Hero
2013
Polar Bear Club
All Time Low
Woe Is Me
Memphis May Fire
Sleeping with Sirens x2
Pierce the Veil
Ed Sheeran
Bring Me the Horizon X2 (Warped Tour, Pomona)
Go Radio
Set if Off
I See Stars
Forever the Sickest Kids
The Summer Set
We Came As Romans x2
Black Veil Brides
The Maine
5 Seconds of Summer x4
One Direction x6
Confession
Simple Plan
Milencolin
2014
Avenged Sevenfold x5
Asking Alexandria
AFI X3
Rob Zombie X2
Devil You Know
Korn
Gwar
Mayday Parade
Breathe Carolina
Black Veil Brides x3
Green Day
Jimmy Eat World
Alice in Chains
Five Finger Death Punch
Bowling for Soup
Panic! At the Disco x4
American Authors
2015
One Direction x4 (March 11th Singapore)
McBusted x3
5 Seconds of Summer
Walk The Moon
The Maine
2016
5 Seconds of Summer 2x (Singapore & Hong Kong)
DNCE x2
McFly x3 (London)
2017
Panic! At The Disco (x2)
Adele
Niall Horan x2 ( Las Vegas, Sydney)
Muna
Harry Styles x3 (Amsterdam, Singapore, Auckland)
Shawn Mendes
The Weeknd
2018
The Maine
We the Kings
Simple Plan
5 Seconds of Summer (Singapore)
Harry Styles (x7 Perth, Melbourne, Sydney, Brisbane, Singapore, Hong Kong, Vancouver)
Niall Horan (x5 Auckland, Brisbane, Sydney, Melbourne, Singapore)
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Wombwell Rainbow Interviews
I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me. I gave the writers two options: an emailed list of questions or a more fluid interview via messenger.
The usual ground is covered about motivation, daily routines and work ethic, but some surprises too. Some of these poets you may know, others may be new to you. I hope you enjoy the experience as much as I do.
Vivien Jones
Vivien writes short stories, poetry and plays. Her first poetry collection – About Time, Too – was published in September 2010 by Indigo Dreams Publishing. She also won the Poetry London Prize that year. A second collection – Short of Breath – was published in 2012 (Cultured Llama Press) She has twice performed as a Poetry Double with Jacob Polley and Jen Hadfield. She has two short fiction collections in print, and numerous other publication credits, nationally and internationally. She currently divides her writing time between creating award-winning plays and devising and leading writing workshops – especially in museums and historic properties.
The Interview
1. What inspired you to write poetry?
Not so much inspired, as required to, when as a mature student at the University of Glasgow (Crichton Campus) I took a Creative Writing course with the poet, Tom Pow, I was asked to produce a portfolio of six poems. I had written poetry as a teenager, with plenty of angst and little restraint, and
even had them read at the old Traverse Theatre when it was in the Grassmarket in Edinburgh, but I had written no poetry since. ‘Write what you know,’ everyone said, so my first pieces explored no grand themes but were about cooking and nurture, and family life. Once started I couldn’t stop and with the generous encouragement of Tom and my fellow students I began to extend my range. This was thirteen years ago and I have been writing poetry amongst other things ever since.
2. Who introduced you to poetry?
At Plympton Grammar School in Devon, two of my English teachers, the intimidating ‘spinster’ (that’s how she proudly described herself) Miss Blake and the rebellious Jack Bevan put books my way – the classics of English poetry from Miss Blake; the mischievous questing of comtemporary poets
from Jack. So I learnt respect for form from one and the fact that anything and everything is fit subject of poetry from the other.
3. How aware were you of the dominating presence of older poets?
I didn’t know any actual poets at that time – once I did in 1960s Edinburgh the ones I met were all men and pretty egotistical. They would flirt but not engage in conversation about literature with someone so young and female.
I have always remembered my astonishment at reading the verse of Gerard Manley Hopkins and the warmth of recognition in the poetry of DH Lawrence.
4. What is your daily writing routine?
I’m very fortunate in having ‘a room of my own’. My husband and I are both self-employed and work at home so I can write at will. I do a lot of writing project leading so much of my work is planning and organising. reviewing and editing. I’m also one of three editors of our regional arts magazine called
‘Southlight’. I’m more likely to write for myself in the mornings after a prolonged shared breakfast when he heads for his workshop and I head to my room.
5. What motivates you to write?
The non-stop picture show in my head. It was only when I resumed writing at university that I realised that not everyone has this experience. When a particular idea strikes me I seem able to pause the action and examine it – thus when I write about my childhood I’m seeing it with sound and colour.
I feel I have to do something with such vivid stimulus.
6. What is your work ethic?
I’m a fast worker – too fast sometimes, I have to make myself work at review and re-drafting, but I’m also a hard worker and like the projects I lead to be well-planned and structured. I like to work in peer groups and spend time in making sure that everyone has a voice and equal speaking time. This is very important with new writers who need to work from where they are. For my own work I have a couple of trusted writing friends who are also good, honest critics.
7. How do the writers you read when you were young influence you today ?Reading and drawing were such important parts of my childhood, much of my playtime spent in one of the other, so my reading was absorbed into my growing self very deeply. I don’t really know that I can identify what influence they were except to say I loved the writers who wrote of real life rather than talking animals (eg though I have come to admire the later Mrs Heelis, I couldn’t stand the tweeness of Beatrix Potter or many of the children’s classics – I think the fame of such books often reflect the love of adults looking back) and it’s been a strong thread in my own writing. So it was probably the feisty books I found to read to my sons that pleased me more
8. Who of today’s writers do you admire the most and why?
Toni Morrison – for ‘Beloved’ especially, in which she explores each corner of the human heart in all its complexity. I re-read it, at least in part, most years. Alice Walker for similar reasons.
John Le Carré – for the eloquence of his prose and the fine detail in the ideas he persues.
Jackie Kay – especially her poetry which looks at difference in ways which broaden understanding. She is one of very few writers who can write about music and its intoxication.
Philip Pullman – for his fresh, unsentimental imagination used to create a fabled world for children (and adults) and for his fierce defence of the need for children to read quality literature.
Not many truly of ‘today’, not because I don’t read them but because it takes me time to take them in and I realise there are few poets in my list. That’s because I find it hard to measure poetry against itself. In no special order I also like :
Ian Banks, Sebastion Faulks, Alice Munro, William Boyd
9. Why do you write?
I want to leave something behind. Being a young woman in the 1970s first wave of feminism had a deep and lasting effect on my desire to write of women’s experience where it differed hugely from men’s, and was largely unvoiced. I felt there were gentle things to say, subtle negotiations to be made and I wanted to make a plea for equality between genders rather than
replacing the dominance of one over the other. I think we need to learn to love each other from a stance of respect which makes demands of both, and teach our children those values. So I write to persuade.
10. What would you say to someone who asked you “How do you become a writer?”
Write. Read. Listen. Join a writing group, preferably in person but there are lots online. Construct a writer’s CV by sending work to a steadily expanding list of publications. Not sure about entering competitions which can be expensive and are totally unpredictable but if that’s something that appeals then try that. There are lots of pamphlet competitions which could be a first step, and can be added to that CV. Once you have some history of publication apply to be on your national equivalent of the Scottish Book Trust Live Literature scheme, which will allow you financial support to go to writing groups and schools as a leader. My advice would be don’t self-publish – I know many people do and there’s less stigma about it these days but it remains unedited, and can disqualify the work from counting when making funding applications. But above all, write.
11. Tell me about the writing projects you have on at the moment.
Drama : ‘Transgressions’ – two short plays in performance in November 2018
Poetry : ‘Finding a Voice’ – working with other writers giving voice to the women subjects of 19th/20th century photgraphs for display in the Ewart Library, Dumfries. November 2019, and development as a theatre piece.
‘Records of War’ – an 18th month project in Annan and Dumfries with writers
in response to an exhibition at both museums on WW1. Also an associated reading event – ‘Little is known….’ based on the centena I wrote for the Imperial War Museum/26 Writers Collective Armistace event. November 2018.
Title TBC : writing project with Gracefield Art Gallery, responding to 19th/20th century paintings by women. March 2019.
‘ Embedded’ Putting together a third poetry collection – have a potential publisher interested. 2019/20
Details :
http://www.vivienjones.info
https://www.facebook.com/vivien.jones1?fref=ts&ref=br_tf
http://www.southlight.ukwriters.net
e-mail :
[email protected]
Publications :
Poetry – collections
‘Hare’ erbacce press 2008
‘Something in the Blood’ Lapwing Press 2008
‘About Time, Too’ Indigo Dreams 2010
‘Short of Breath’ Cultured Llama 2014
Short Stories – collections
‘Perfect 10’ Pewter Rose Press* 2009
‘White Poppies’ Pewter Rose Press 2012
*Pewter Rose Press closed down in 2017
I still have some copies of both collections.
Wombwell Rainbow Interviews: Vivien Jones Wombwell Rainbow Interviews I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me.
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