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#also can you tell that I’m a big DDLC fan yet?
necromonica · 1 year
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so i have this Welcome Home AU that’s been spinning in my brain like its being microwaved
flet me get something out of the way first: i am a big fan of unused content and things that Are Not Supposed To Be There (I mean I’ve watched videos of Pokemon glitches for entertainment) and I do love to snoop around game files for anything cool to uncover (i’d blame games like Undertale and DDLC for that one) so when I decided to dig through some of PartyCoffin’s old content? my brain just went “ooo shiny” like a crow.
 Though I did make sure to check PartyCoffin’s fanwork guide and they did say to not spread old conceptual artwork (Prior to January 2021) so I’ll just talk about it through text instead. Be warned, this might be a long one.
So, I’ve taken to calling this the Scrap AU, because this AU includes some scrapped/old designs and concepts that I’ve thought about a lot. 
Now, First thing you gotta know: There’s Two Wallys (wallies? yeah) where one is that one with the rainbow jacket instead of the rainbow pants which has been nicknamed Walter by myself. This guy represents the religious aspect of Welcome Home that PartyCoffin has since removed which im pretty sure was a thing but i can never tell with my brain.
The other one is a bit more dubious because it’s based off of that art you can see in Partycoffin’s portfolio with Wally wearing that specific suit (no rainbows? :( ) on that chair and quite frankly i’m about as indecisive with what he’s doing as i am figuring out if that art is considered concept or just the other wally in a cool new outfit.
I don’t have too much of a story yet other than that the final designs, the neighbours, weren’t the only one to get hit with the “probably very sentient” juice that their creators gave ‘em, but the concept designs too. those guys just wander around aimlessly, kind of sad that they didn’t get to see the light of day like their other designs. assuming they do meet the neighbours through reasons im not yet quite sure of, some of them would be happy to meet who they would’ve been neighbors with or see who they would’ve become, some are a bit upset and would rather not think about the fact that they’re scrapped designs, and others wish to take the spotlight for themselves (mainly the wally duo) so that they could be the one the kids adore, not realizing that the show hasn’t been on air in ages and basically everyone has forgotten they exist.
well besides from maybe a concept design sally and poppy wanting to help the neighbours and concept design frank being under the kind of upset catagory, that’s pretty much all i got.
hope this spins around in your head as much as it spins around mine.
oh, and partycoffin, if you do read these, i adore each and every one of your designs you make, complete or incomplete. mostly the complete ones but seeing concept designs is also pretty neat in its own way.
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yanderecandystore · 4 years
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ok ok hear me out hear me out. Yuma becoming obsessed with one of the game’s ( few ) sentient, non-romancable npcs. Like they can think and feel and ( somewhat ) act for themselves but there just isn’t a route for them. Also bonus points of the darling is kinda bratty/prissy, we haven’t see a lot of readers like that. Ily and your writing so much, mwah — ✨ anon
My my, how different!
Welcome in, ✨ Anon! And thank you for enjoying my writing so far.
TW/Tags: I love this concept, although being very different from the norm // some ddlc vibes // I just discovered a new word and I'm so glad it exists! (prissy reader cause I think this would be very fun-) // angsty // trapping, manipulation and gaslighting // every time the gender isn't set, I like to keep it ambiguous, basically making it gender neutral (gender neutral reader) // gender neutral Yuma //
🍭꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖♡🍰꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖🍭
Just Yuma (lol) [Yandere!A.I OC x A.I!Reader - Headcanon]:
I like to think that a game like Yuma's would be made to entertain the players to at least 5 or so years before the next installment- Which is basically the same as the last with better graphics and switching the main love interest cast.
The games would be made clearly for the sake of fan service and slice of life material- But would be surprisingly more advanced to us than to those who have created the franchise.
Because there is already an estimation of the amount of content and for how long players would play the game, every single character should get at least some bit of highlight- So even npcs that are just there for the sake of ambience and narrative, are treated with a lot of care and given the best a.i the developers could give to make the experience entertaining.
You are just like any other non-dateable npc, except that you have gained a bit of a role in one of the main cast's routes. It wouldn't be a stretch to guess that one of these characters would be Yuma themselves.
You were supposed to be Yuma's love interest, meaning you would have an role as an player's rival- But due to an strict schedule and corporate greed, you have been demoted from having such a big impact, and now you're basically Yuma's best friend who keeps them from committing homicide every five seconds.
It's not exactly a bad role, since you keep having the same dynamic with them from before- Chaotic gremlin is best friends with Paranoid goody two shoes, now with less romantic interactions.
The only mistake by the company was to leave half of the data showcasing this relationship in the game at the release. Basically- Half of the cutscenes and dialogue involving you and Yuma not only being friends but the start of you two dating (the game kinda pairs the couples up if the player fails to date them, or simply shows disinterest in the characters to begin with-) and even some of the things involving you two during the dating phase- Even the potential break-up sequence which could be orchestrated by the player.
Well, could have- Since none of this content is really available or considered official, the only way to access it is by messing the games files.
So in a way, you're already pretty sentient as it is, you act not as a rival but as a somewhat helper into getting the player to get closer to Yuma. I don't know how much you are aware about your own circumstances, or if you even care about the concept of being just an character made for the sake of another-
In the home planet that has created and released the game, players were kinda disappointed with what happened- They preferred the deleted/unused content more than the events and dialogue that was used for you two, so much so that people started shipping you two more than actually being interested in romancing Yuma, especially since they're way too chaotic for most player's taste.
There was an update overhaul being planned to happen where not only the stuff related to you would be changed- But all the other characters and gameplay mechanics would be updated and hopefully make the game better- But ever since your cartridge has been suddenly lost and forgotten on Earth, you were never able to see that update.
Not that you were aware of it to begin with, but still, what a shame. And not only that, your game is basically Glitch Station- Absolutely filed with mods to help the gameplay be "easier" to the original owner of this cartridge. I don't think she even remembers where she has left it.
Still, even when a new save was made you felt a weird sensation of deja vu. The game has started again with a new player playing it and trying to work their way through this broken game.
You didn't understand why all these events felt familiar though, you only felt like it made sense. It was your first year in college, you got ready and made sure to look your best and give your goodbye to your parents-
It felt like this day has happened before, and even if your routine was similar, you felt like this day was supposed to be a big deal- Why does it feel oddly nostalgic?
Why… Why are the floors on your house flowing? Why are there so many empty spaces here and there? You feel like you could potentially fall from your disintegrating house. And your parents, where are they? Why can't you see them? Why can you only hear them saying goodbye back to you from one of the other rooms?
When you open the door to see them- There is nothing there. There is not even a room.
It's a door that leads to nowhere. Just an empty void.
The sensation of dread was starting to creep in yet you thought that it would be uncalled for to overreact. Like you weren't allowed to showcase concern for the odd reality around you.
You walked on foot towards your college, panicking slightly at the people who would fade in and out of existence- Yet you had held yourself from screaming, from showing any sense of vulnerability at the thought that maybe you were in a dangerous place or realm.
You were coded to not find issues with the odd reality around you, like any other npc- You were taught to hold in and try to keep a sense of normality so no players would find issue with screaming characters begging to be freed. But your nervous personality caused you to search for help, you panicked and ended up running away to what you assumed to be a safe place- Somewhere crowded with a lot of people.
The institution's gates were open, you entered like your life depended on it (and maybe it did) yet you stopped yourself from screaming when you noticed a commotion happening.
A guy who was wearing the uniform lazily has bumped into a girl, causing her to fall. She is yelling at him because the fall has broken her phone, he is trying his best to calm her down- But at the same time it feels like he is just making poor choices of words because of how sick he is of having to chat with someone so angry at an accident.
Haven't you seen this before? But if so- When? When could you possibly have seen something like that happen?-
"- [Y/N]?"
"- AAAAH- Oh hey Yuma."
You yelled after getting spooked by Yuma- Who was…. Why are they wearing that?
"- Why aren't you in your uniform, Yumie?" You asked them, showing your own uniform in the process. You called them by a sweet nickname you had given them- But when exactly?
You know that you're best friends with Yuma, but since when? You know it should have been for about 6 years or so, but… It feels like you have only known them for a year- How… Weird.
"- Don't tell me you're already breaking a rule on your first day." You pouted and stomped your fit into the ground. Yes, you know that Yuma is a troublemaker…. You know…. That.
Yuma hasn't been able to speak ever since you showed concern about their outfit. They were staring at you in shock- As if you were an odd creature who they just found.
"- Y-You can see my outfit??" They blurted out. How can you recognize it??? All the other npcs recognize it as their uniform, but why are you suddenly acting like you do??
"- Hm, duh? Sorry Yummie, but that sporty outfit of yours is more eye-catching than that guy's barely well put together uniform- Such bad manners, I bet he woke up and hastily wore the first thing he saw-" You were beginning to go on a rant about that guy's uniform- That guy being the MC of this new save file. Yuma has stopped you by pulling you away from the college's entrance and entering into a secluded area so they could interrogate you over this odd behavior you were displaying.
"- Yummie- What are you doing!?" You cried out feeling hurt by their tight grip on your wrists.
"- WHAT DID YOU CALL MY OUTFIT??" They yelled desperately. Begging for their hypothesis to be corrected.
"- … A breaking of the uniform rule?" You genuinely did not understand where they were talking about.
"- No, No NO! You said Sporty Outfit, right?" They said reminding you of what you have previously commented about their outfit.
"- Oh! Yes, yes I did- And although being somewhat casual looking- It does fit the category of sporty." You readdressed the topic while going on a bit of detail- The usual annoying talk you would always do whenever a dialogue with you was activated.
Yuma was over the edge- They have never, ever met another sentient character with the same a.i as theirs.
They haven't been this happy since a long, long time.
"- You're so annoying!" They screamed, their face showing a bright smile as tears filled their eyes.
"- Yummie that's so rude!-" You were about to defend yourself when they grabbed you and hugged you as tight as they could.
"- You're genuinely so, so, so, so, so, so ANNOYING!!" They continued to go on, laughing while crying, loving every second of this.
You were coded to be their best friend. You were coded to be the one that would balance them out. You were once coded to be someone made to be able to be their lover, but here you are- The real you, free from all the locks that would keep your a.i from growing and understanding them.
If you're able to be sentient, then all of their friends can as well.
You're the personification of a miracle, to Yuma. The personification of hope.
In this scenario, Yuma isn't aware that the player isn't the same alien who has destroyed their digital world, so to them, they can't ever let the player see you getting sentient and becoming aware of your imprisonment.
" If a player finds issues with any of the characters being portrayed, they must return the cartridge to their nearest store to get a factory reset." Such a simple yet frightening tip to Yuma, to any a.i that has suddenly found itself desperate to get out of the system that traps them.
At first, the idea of having someone like them be also aware of the situation is incredible, it's amazing even! You two could possibly work out a way of getting a way to be free- It wouldn't be easy but hopefully you two would be able to have life away from this game and even finding a way of bringing your other friends with you two.
However, after discovering that not only has the cartridge found itself on another planet with another player being the new owner of it- And discovering that it's just a matter of trading places with other people to be able to be free- Yuma would start getting really clingy to you. They have been all alone thinking that they were the only one capable of feeling and thinking for themselves.
Yuma has found those unused events and scattered dialogue, you know?
While they were looking for a possibility, any possibility of getting out- They found those unused files where you two were able to be together.
And although they thought it was weird at first, after seeing you have a better understanding of your current reality and existence- It oddly sounds fitting.
Of course it would be you, the one who always puts them back on the right tracks, to be the second one to want to escape this game.
It 's so fitting.
The idea of being something more than just a best friend to you is starting to sound more and more appealing in their eyes- It's so ironic that you two work together so well.
After Yuma gets their taste of freedom and you try to calm a frightened young guy that wasn't expecting to be suddenly kidnapped and be forced to stay in the game world for a while, you wait for them to find the solution to free everyone without trying to trap anymore "humans"..
No one should be stuck here for the sake of someone else leaving, that's what you have told them.
But Yuma didn't care. Yuma just wanted to be free with you and everyone else, who cares for those that have to deal with a glitchy game for eternity?
You two had an argument. You didn't want to continue feeling like your whole life was a lie, you want to be free but no one should be hurt in the process. What good would it be if someone else has to go through the same torment as you two?
With each day that passes by, you notice how both of your ideas of freedom were different- To the point they had to tell you the truth.
You aren't going out of there anymore. Not until you understand and truly appreciate the effort that Yuma goes through to find a way of freeing you- Of finding a victim, to be in your place.
They never told you about your previously intended role in the game, they thought you would be more terrified of following their instructions- And besides, it would be very distasteful to insinuate that the only reason that they care for you it's because of that code that was left unused- Which couldn't be more of a lie! They genuinely care for you!
…. But maybe a bit of tempering would help you see their side of the story, right?
It can't be that hard to modify some of the codes, the game is already broken anyway.
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explosionofpaper · 7 years
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The Philip’s Best Things of the Year 2017 List
“But Philip, it’s March! Why are you doing your best of 2017 list now?”   Well that’s because it sometimes takes me a while to get around to things, and hey, at least it isn’t April.
Anyway, I had a pretty good time in 2017. There were some really important changes in my life, some great people and events, and a whole heap of good media.
Presented below are some of my favourite medias of 2017. This is stuff I experienced for the first time in 2017, not necessarily stuff which came out in 2017. Also the things aren’t ordered within their sections.
Books
Strange Practise by Vivian Shaw
This was one of those books which I picked up in Waterstones entirely on a whim, and I’m incredibly happy I did (as should be obvious with it being on this list). It explores one of my favourite concepts, that of how the fantastical actually operates in the real world. The main character, Dr. Greta van Helsing (descendent of the usual van Helsing) is a doctor to the supernatural, and through her presence causes the monsters who make up her clientele to feel much more grounded and real than they would otherwise.
The book also makes really good use of public domain characters, placing them in the world such that they feel they belong there, without their public domain status being the spotlight. Another thing the book does well is conveying emotions; in particular it does a fantastic job of conveying emotional vulnerability without it being a synonym for weakness.
Dune by Frank Herbert
You know what Dune is. I don’t need to explain it.
Dune has been haunting my reading list and bookshelf for an awful long time. Every time I would pick out a new book to read, Dune would be there, waving it’s pages to catch my attention and calling “Hey! It’s me, Dune! I’m a classic of the genre. I’m beloved for good reason. You’re not having read me causes you to miss out on many references, and you’re well aware of this. I can explain to you what the Gom Jabbar is. Read me!” And every time I would glance at Dune, think about how long and revered it is, avoid eye contact, and pretend that I hadn’t heard or seen it.
Well this year I finally put that right. It felt good to finally have it stop taunting me, but it felt even better to actually read it, because it turns out that Dune is really fucking good.
The way that the world is built, the interactions between the characters, the way things grow and develop in the book, all of it is just so damn good. It’s Dune, go read it.
City of Miracles by Robert Jackson Bennett
City of Miracles was a fantastic end to a trilogy which I’ve loved. Tying up the major loose ends, answering the major unanswered questions, and taking the world and themes to a wonderful ending point.
The trilogy as a whole did some really nice stuff with the perspective and pacing. Each book has a different main character (though they’re each always important), and they’re set many years apart, decades even. This results in the world feeling and characters feeling very alive and functional in that they’re doing stuff even if we’re not seeing it. The books focus on the three major Divine events since the Blink (incidentally, I’m a big fan of this type of post-big-event setting), and just lets us know that stuff happened during the time between.
The book also contains a bit I adore, in which exposition is explicitly and dramatically avoided in a way which ties perfectly into the characters in the scene.
The Bands of Mourning by Brandon Sanderson
I’d fallen a bit behind on Cosmere stuff recently, so I spent a bit of this year catching up. They were all good, but The Bands of Mourning really stood out to me as excellent, and some of Sanderson’s best work. Something I loved in particular about this book was the way in which it managed reader emotions. I don’t want away too much, so I’ll just say that the reader’s feelings are directed in such a way that it maximises impact and catharsis, and really elevates the later parts of the book.
The Tropic of Serpents by Marie Brennan
The first of the Lady Trent books was good, but it really came into its own with The Tropic of Serpents. The way that these books approach dragons, from the perspective of a natural historian viewing them in a scientific manner, is incredibly refreshing; it’s so nice to see Dragons actually fitting in a Victorian era (I think, I get all the eras named after monarchs mixed up) world, and the characters treating them like they belong.
Even leaving the dragons aside, the handling of the era is really good. It deals really well with the struggle of science in the face of politics, as well as the struggles of women and the lower class within the scientific communities.
The Brothers Cabal by Jonathan L. Howard
I love the Johannes Cabal books. Cabal is a real bastard, and that makes him a joy to read about. He’s not evil mind you, he’s certainly not a pinnacle of virtue either, but he’s mostly kind of a good guy. Any shitty things he does are in service of a greater goal, but he’s still a bastard. It brings a texture to his internal conflicts which you don’t really see often.
He’s a great character, but having his brother around elevates him even further. The two of them are fantastic comparisons and foils for each other.
The way in which the Cabal books handle the supernatural is also great. It feels functional and integrated into the world, yet still unmistakably outside of the normal.
Kill All Angels by Robert Brockway
Much like City of Miracles, this was a fantastic end to a trilogy.
The Vicious Circle books are fascinating and notable for a variety of reasons: there’s the way in which they keep two timelines going throughout the whole trilogy; there’s the way it showcases cosmic horror on a human level, as well as placing the horror on that level; there’s the way it handles the idea of humanity, and what it means to loose it; and there’s also the way in which it takes the question “Why is Mario Lopez so weird?” and builds it out into one of my favourite horror series.
I rather not say any more about the series, just know that I really recommend it.
Also when I said “Mario Lopez”, I actually meant to say “A character similar to, but legally distinct from Mario Lopez”.
Games
Doki Doki Literature Club
This game hits like a ton of bricks, and good bricks at that. At this point I think that most everyone knows the deal with DDLC, but I’m still going to avoid big spoilers.
DDLC is one of those games which catches you by surprise, and isn’t what you first expect. It’s got a big old twist, shocks the hell out of you at some moments, and does some terrific integration of mental illness into the plot and characters. All of that is done fantastically, but the thing which really makes DDLC stick out to me is just how good the core game itself is.
The first part of DDLC, before stuff hits the wall, is the best dating sim visual novel I’ve played. That’s super important for setting up and enabling the later stuff, but it’s also just great. If Team Salvato announced that they were doing a pure dating sim, I would be well up for that.
West of Loathing
Considering the amount of time I’ve put into Kingdom of Loathing over the years (spoiler: a lot), it’s should be no surprise that I love this game. However I will say that I was a tad surprised with just how much I loved it.
KoL has always been a game driven mostly by it’s writing and concepts, and this game capitalises on both of those. There’s an awful lot of writing in the game, and all of it is good. Everywhere where there can be a joke, there’s a good joke, and everywhere where there isn’t a joke, there’s some damn good writing which would have had its impact lessened by a joke (to be clear: all of the joke writing is also good; I mean just that there’s always a good reason for jokes being absent).
The story the game tells, and the way it does it, are both incredible; and there’s a real elegance to the game’s art style.
Super Mario Odyssey
This game is a true delight. I’m famously bad at sticking it all the way through games, but this one kept hold of me and I finished it in a weekend. Not that I’ve 100%ed it mark you, but I also didn’t exactly rush through the campaign, I took my time, did a bit of sightseeing and all that.
The game’s also kept me coming back. I keep on finding myself popping back in to pick up a few more moons.
It’s just so joyous, so lovely, so utterly delightful. There’s just so much in the game, and it’s all just so good.
Just Dance 2017
Yeah that’s right, Just Dance. I’d never really played Just Dance before this year, but I have now and I love it. It’s just a whole heap of fun to play, and a nice alternative to going for a run if I want to exercise but don’t want to leave the flat.
I specify 2017 because that’s the one I’ve played.
Monument Valley 2
The first Monument Valley is one of my favourite games, so there was a bit of a worry that the sequel wouldn’t live up to my expectations. Thankfully those worries were unfounded, and I’d put MV2 right up there with the first. It plays like the first, but with twists on the mechanics to keep it feeling fresh. Similarly, it explores the same themes, but from a different perspective. The looks are just as stunning as the first, and go even further in many points, really exploring what the graphic style can do.
Ultimately the game is more Monument Valley, and that’s exactly what I wanted it to be.
Linelight
Linelight was a nice little puzzle game with straightforward, easily understood mechanics and a delightful, simple aesthetic. It managed to excel due to the excellence in puzzle design, and the way in which it conveyed ideas and meaning.
Put simply, if Thomas Was Alone didn’t exist, then these would be the strongest emotions a game has made me feel about such simple shapes. This game however didn’t have a narrator, instead it used just the mechanics to make me attached to some of my companion lines, and did so in a sublime way.
TV Shows
Girls’ Last Tour
I’ll be honest with you; I picked up this show because they dab in the OP. It turned out that was actually a good decision, as it led me to one of my all time favourite shows.
Girls’ Last Tour is a slow paced, intimate show. It’s an exploration of the two main characters travelling through a dead world, and just trying to survive. The world feels empty in a way which few other post-apocalypse things manage, mostly due to the fact that there are so few characters. In the 12 episode run, only 2 supporting human characters are encountered, and each is around for only one episode. This means you really get to know the main characters, and to truly see how their time in this dead world is affecting them.
JoJo’s Bizarre Adventure: Diamond is Unbreakable
It’s no secret that I love Jojo, and Diamond is Unbreakable is without a doubt my favourite part so far.
I loved Stardust Crusaders, but I had several issues with it. Diamond is Unbreakable fixes damn near all of them, and it really feels like Mr JoJo learnt some lessons from SC and applied them here. The characters are great and you really get to know them, the fights are cool and satisfying, and all the Stands feel unique and interesting.
Then there’s the actual presentation of the show, which is absolutely stunning. The unusual colour palette gives the world a whole new depth, and the soundtrack is just incredible. In particular there’s a certain use of a certain theme, which results in one of my all time favourite moments in a tv show.
Cromartie High School
Cromartie’s really damn funny, though it’s hard to put into words exactly why. I think a large part of it is the show’s absolute commitment to inconsistency. It’s committed to the extent that not even the show’s inconsistency is consistent. Things are forgotten, the forgetting is lampshaded, but then some characters will remember things whilst others won’t. Storylines will just stop, but then they might suddenly restart at a later date as if they had been going all along. It’s a show where nothing is ever really forgotten, but nothing is ever really remembered either.
It’s art is what I’m trying to say. Pure art.
My Brother, My Brother and Me
That’s right, this one isn’t an anime. It is a spin-off from a podcast though, so it’s a pretty nice lead in to the next section.
Do you like the MBMBaM podcast? If yes, then you’ll love the show. If no, then there’s a good chance you’ll still love the show. The podcast is used as the basis for it, but it’s built up into something even greater. It’s not just that it has editing and a budget, it also shows us new layers to the relationship between the brothers, and puts them in the real world as opposed to the podcast void which they normally live in. Everything in the show is so funny, and so good. I really do love it.
Podcasts
Wonderful
Wonderful is an aptly named podcast; it’s a true joy to listen to.
In the podcast, husband and wife, Griffin and Rachel Mcelroy, talk about the things they like. That’s the entire premise, and it makes for a truly wonderful podcast because it’s just so positive and sweet and lovely. There are no rules on the kinds of things they talk about, so they could be as general as a genre of film, or as specific as a sequence of notes in a particular song.
This podcast is the second iteration of Rose Buddies, which was a Bachelor fancast, and shares the same podcast feed, so watch out for that if you pick it up. Not that Rose Buddies wasn’t also a great podcast, but it was of a different style. The fact that I picked up Rose Buddies in 2016 does make the podcast’s place on this list a touch more dubious, but I’m the one making up the rules here, so I’m saying it’s fine.
Pretend Friends
This podcast is a delight. It’s an RPG podcast with the Continue? guys, and I have a history of finding them funny, so it makes sense I like this podcast. But what really elevates it is the game that they’re playing, that being Space Kings. Space Kings is notable in several ways, one of those ways being that it isn’t actually out yet. The GM of the podcast is one of the devs of the game, and the podcast is a bit of a beta test for it. That’s a nice novelty, but the thing which is really great about Space Kings is how it’s built around making a good collaborative story and having a laugh, rather than being built around firm mechanics.
It’s a podcast of a bunch of friends trying to make each other laugh, succeeding, and telling a story about a bunch of friends travelling around in space and getting up to some good hijinks. At one point a cat cuts a spaceship in half, at another a mop fires a gun. It’s a good time.
The Worst Idea of All Time
You know how I said that Wonderful’s place on this list was a tad dubious? Well TWIoAT is even more dubious due to the fact that I’ve been listening to it for years. The reason I’ve put it here is that it ended this year. TWIoAT was a fantastic ride the whole way through. If you’ve ever wanted to listen to a pair of skill Kiwi comedians lose their minds over a few years, then this is the show for you. Whilst I’m sad to see it go, I’m happy that the two of them can start the road to recovery now.
Web Shows
Super Beard Bros - Dark Souls 3
Beard Bros is a long time favourite of mine, and I think that this might well be one of their best series. Brett is just such a fantastic addition to the crew, and allows the other two to shift into slightly different roles. All of them are on utterly top form in this series, and it leads to a fantastic atmosphere, and lovely series.
The core of it is how wonderfully positive it is. Alex gets frustrated at times, but never really angry and seems to be having a great time with the game. Brett’s a fantastically encouraging person, and a true delight to listen to. And it’s so nice to get to hear Jirard chilled out, and finally having the time to make the wrap of the day.
Press Buttons ‘n’ Talk - Phoenix Wright 2
I discovered PB’n’T late last last year (2016) with their playthrough of Phoenix Wright 1. From there I worked my way through the rest of their stuff and caught up in PW2, which was a pleasing symmetry.
The channel is always great to watch, but the Phoenix Wright games are where they really excel. The voices given to the characters really bring the games to life, and they’re off high enough quality, and consistently enough applied that they’re now firmly in my head as the cannon voices for the characters. Even Phoenix himself, who’s handed back and forth between the two of them, feels consistent and has a real identity in his voice.
It’s a good series.
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gojaimas · 6 years
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MyloMatsuri: “I feel like you could've put this at the very end, after the story was finished. Dont get me wrong, I loved the little interlude. just thought that from a narrative standpoint, it would've been interesting to see this after reading how Gwen, ben, and Lucy reach the conclusion to this story.”
I disagree. It’s important to completely understand how Gwen feels at this point, so I wanted the readers to know everything about her and Ben’s past. Now is the last opportunity to show that.
kinglan10: “So while this author has Gwen describing herself as "not religious," this could mean anything from an Atheist, to an Agnostic, to a Christian who doesnt attend church often and/or doesnt think about God and religion often. And since it's somewhat open to interpretation I choose to pick the one that favors my views, which I'll go as far to say that no I dont believe Gwen is an atheist.”
Pretty much. I wasn’t expecting people to think this much about it. Gwen being religious or not isn’t important, I just figured it would come up at least once in the conversation if two people were to discuss whether or not incest was okay. I can share more about how Ben, Gwen, and Lucy think in terms of religion if people are curious, but it isn’t gonna come up in the story. It’s actually good character building exercise for me to answer unimportant background questions about them, so everyone should feel free to ask me whatever they want about the characters.
csgt: “Interesting twist to make Gwen herself the one who asked for the trip instead of her mother, but Natalie was very supportive of the whole thing. I wonder if this will be a plot point that will come up later, that Natalie might unexpectedly react better to the Bwen relationship than the rest of the parents (usually, in my stories included, Natalie is the most fiercely opposition to the cousins)”
Natalie actually being kind of nice deep down is probably a plot twist no one was expecting lol. I’ve had people commenting recently about how cold she seems compared to Frank, which is how I’ve purposely portrayed her so far, so it was fun to make her show how much she really cares about her daughter for once.
Guest: “I never thought about it before but it was weird that Gwen didnt come out to laugh at Ben hanging when she was in the Rust Bucket the whole time. This fic is now canon.”
Yeah, they didn’t really explain why she didn’t do anything at that point. And I always thought there were some holes in Gwen’s story about being forced by her mother to go on the trip with them. I definitely prefer my headcanon too.
Guest: “Lucy’s into girls? Her and Gwen just seemed like friends in the original serious but oh well. I have friends who’re bisexual so I’m not homophobic but I just can’t seen them as anything more than friends but that’s just my opinion.”
Lucy being bi isn’t something I based on anything from the original series. I just thought it fit because most of the girls I’ve known with her kind of personality have also been bi. Also, I figured she would have sort of a Captain Jack Harkness attitude towards the whole thing, as in, if she can be attracted to aliens who look nothing like her own species, she’s probably not gonna care too much about gender.
Guest: “Nice to see you following your idol Egaraptor’s “don’t break the chain” technique and caring about your fans so even when you can’t get the big chapters done just yet by uploading an interesting nostalgic take on the very first episode of Ben 10. Take your time, it only makes me more excited for it because there’s gonna be a lot of weightage to it. I can assure you’ll be as successful as Ego with your writing skills. Also Game Grumps is great”
Thanks! “Don’t break the chain” is a technique I’d recommend to anyone who wants to write a story as long as mine. I haven’t been watching a ton of Game Grumps lately, but I still love Egoraptor and everyone else on the channel.
Guest: “Something tells me this’ll go real south like ddlc”
What makes you say that, FriendGuest? Everything is fine. I am a perfectly normal hu-man.
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Guest: “About the bathroom screen, yes we have seen her express other emotions before besides her trademark smiley emoji and prancing around the playground personality but for someone so seductive and sarcastic, panting from being close to Ben’s touch and running to calm herself down is the thing you’d expect someone like her to and something you’d expect Gwen to do. Deep down, we all have emotions and that can go both ways”
Well said. Lucy is a very emotional person, and that means experiencing both the highs and the lows.
Guest: “It saddens me the producers didn’t have the balls to end Oreimo right. I mean he rejected 4 girls for a short amount of time with his sister? They pussied out and gave an half assed ending. But hopefully, looks like you’ll set the record straight and please all your fans even though the ending is sadly nearing”
I actually suspect that Kyousuke used the “I will do one thing you ask of me” favor that Kirino owed him to break their original agreement and get back together in the end. But I agree, they didn’t end it well. Sorry to all you #RuriSquad people out there, but Kirino totally deserved to win.
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Guest: “Julie’s a pretty underrated character tbh. I mean she was plainly made just to be Ben’s Girlfriend from the ghetto but she did have an understanding and likeable personality. They actually had good chemistry in alien force and unlike your story, Gwen was the one pushing Ben to go talk to her. They had their ups and downs in ultimate alien and broke up in omniverse for Ben yelling at a video game when he’s in a phone call with Julie. What?!”
Wait, that’s really how they ended that pairing in Omniverse? God, what were they thinking with those sequels?
Guest: “Uh I’m totally fine with Lucy having feelings for girls but with Gwen seems weird... they always seem to have a Sister or bestie relationship. It’s like pairing up Ben and Kevin to be gay when they act like bros or shipping Captain America and Bucky.”
I never said Gwen was into girls. As for why Lucy would have feelings for Gwen specifically, try not to view my story entirely through the lens of the actual show, as my story differs from it in many ways. If I haven’t done a great job of establishing it using my story alone, that’s my bad, but I hope I’ve done a good enough job of showing how Lucy’s feelings have developed over time.
Guest: “Tara Strong is the voice of my childhood”
Same! I love that woman.
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Guest: “Do you watch HighSchool DxD? I mean I know it’s an ecchi anime, it’s like Game of Thrones, you watch it for the plot and the “plot”. What’s your impression on the Season 4 art style?”
I do watch it, and I’m only half-ashamed to admit that haha. I love Crossover Cosmology and I love hot girls, so what’s not to love about it? I’m not a huge fan of the change in art style, but I’m fine with it as long as Koneko is still cute.
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Guest: “'This is how we met' that was a genuinely sweet moment between Ben and Lucy and something I wish would’ve happened in the canon timeline.”
Me too. Every chapter I write makes me realize more and more just how much potential the show wasted with Lucy.
Guest: “Since you have interest in drawing, after you’re done with the story, the multiple endings, moving onto others or the one shots. I hope you or someone can illustrate this in a manga or a light novel kind of way or even animate it, although a masterpiece like this definitely deserves an adaption that would be a real big deal”
I was serious earlier when I said I’d pay people to make fan art of my story if anyone was interested. The entire story is way too long for a complete manga or animated adaptation, but individual scenes might work. I might do some drawings of my own once I’m finished with the story, but my drawing practice is mostly on hold while I’m working on it.
Guest: “as much as I adore Bwen, are there any Bency stories at all? Even if they are, I doubt they could portray her character and the chemistry between her and Ben so well that makes me root for them too even this started off as a Bwen Fanfic”
I’m sure there are more out there, but I haven’t seen any. Well, aside from a single erotic oneshot I read once, but I probably shouldn’t link to that publicly haha.
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