Tumgik
#and this was during covid so like double yikes
dustedmagazine · 4 years
Text
Slept Ons: The Best Records of 2020 That We Never Got Around To
Tumblr media
Tattoos and shorts! How did we miss the Oily Boys?
It happens pretty much every year.  After much fussing and second-guessing, the year-end list gets finalized, set in stone really, encapsulating 12 months of enthusiastic listening, and surely these are the best ten records anyone could find, right? Right?  And then, a day or a week later, someone else puts up their list or records their year-end radio show, and there it is, the record you could have loved and pushed and written about…if only you’d known about it.  My self-kick in the shins came during Joe Belock’s 2020 round-up on WFMU when he played the Chats.  Others on our staff knew, earlier on, that they weren’t writing about records they loved for whatever reason — work, family, mp3 overload, etc. Except now they are.  Here.  Now. Enjoy.  
Contributors include me (Jennifer Kelly), Eric McDowell, Jonathan Shaw, Justin Cober-Lake, Bill Meyer, Bryon Hayes, Ian Mathers, Andrew Forell, Michael Rosenstein and Patrick Masterson. 
The Chats — High Risk Behavior (Bargain Bin)
High Risk Behaviour by The Chats
Cartoonishly primitive and gleefully out of luck, The Chats hurl Molotov cocktails of punk, bright and exploding even as they come. They’re from Australia, which totally makes sense; there’s a sunny, health-care-subsidized, devil-may-care vibe to their down-on-their luck stories. Musically, the songs are stripped down like Billy Childish, sped up like the Ramones, brute simple like Eddy Current Suppression Ring. Most of them are about alcohol: drinking, being drunk, getting arrested for being drunk, eating while drunk…etc. etc. But there’s an art to singing about getting hammered, and few manage the butt-headed conviction of “Drunk & Disorderly.” Its jungle rhythms, vicious, saw-toothed bass, quick knife jabs of guitar frame an all-hands drum-shocked chant: “Relaxation, mood alteration, boredom leads to intoxication.” Later singer Eamon Sandwith cuts right to the point about romance with the couplet, “I was cautious, double wrapped, but still I got the clap.” The album’s highlights include the most belligerently glorious song ever about cyber-fraud in “Identity Theft,” whose shout along chorus buoys you up, even as the dark web drains your savings account dry. The album strings together a laundry list of dead-end, unfortunate situations, one after another truly hopeless developments, but nonetheless it explodes with joy. Bandcamp says the guitar player has already left—so you’re too late to see the Chats live—but it must have been fun while it lasted.
Jennifer Kelly
Oliver Coates — skins n slime  (RVNG Intl)
skins n slime by Oliver Coates
2020 was a year of loss, of losing, of feeling lost. Whether weathering the despair of illness and death, the discomfort of displacement or the drift of temporal reverie, English cellist Oliver Coates creates music to reflect all this and more on skins n slime. Using modulators, loops and effects, Coates employs elements from drone, shoegaze and industrial to extend the range of the cello and conjure otherworldly sounds of crushing intensity and great beauty. Beneath the layering, distortion and dissonance, the human element remains strong. The tactility of fingers and bow on strings and the expressive essence of tone form the core of Coates composition and performance. If his experiments seem a willful swipe at the restrictions of the classical world from whence he came, the visceral power of a track like “Reunification 2018”, which hunkers in the same netherworld as anything by Deathprod or Lawrence English, the liminal, static bedecked ache of “Honey” and the unadorned minimalism of “Caretaker Part 1 (Breathing)” are works of a serious talent. skins n slime is an album to sit with and soak in; allow it to percolate and permeate and you’ll find yourself forgetting the outside world, if only for a while.  
Andrew Forell  
Bertrand Denzler / Antonin Gerbal — Sbatax (Umlaut Records)
Sbatax by Denzler - Gerbal
Tenor sax player Bertrand Denzler and drummer Antonin Gerbal released this duo recording last summer which slipped under the radar of many listeners. Denzler is as likely to be heard these days composing and performing pieces by others in the French ensemble ONCEIM, playing solo, or in settings for quiet improvisation. But he’s been burning it up as a free jazz player for years now as well. Gerbal also casts a broad net, as a member of ONCEIM, deconstructing free bop in the group Peeping Tom, or recontextualizing the music of Ahmed Abdul-Malik along with Pat Thomas, Joel Grip and Seymour Wright in the group Ahmed amongst many other projects. The two have worked together in a variety of contexts for a decade now, recording a fantastic duo back in 2014. Sbatax, recorded five years later at a live performance in Berlin is a worthy follow-up.  
Gerbal attacks his kit with ferocity out of the gate, with slashing cymbals and thundering kit, cascading along with drubbing momentum. Denzler charges in with a husky, jagged, repeated motif which he loops and teases apart, matching the caterwauling vigor of his partner straightaway. Over the course of this 40-minute outing, one can hear the two lock in, coursing forward with mounting intensity. Denzler increasingly peppers his playing with trenchant blasts and rasping salvos, riding along on Gerbal’s torrential fusillades. Throughout, one can hear the two dive deep in to free jazz traditions while shaping the arc of the improvisation with an acute ear toward the overall form of the piece. Midway through, Denzler steps back for a torrid drum solo, then jumps back in with renewed dynamism as the two ride waves of commanding potency and focus to a rousing conclusion, goaded on by the cheering audience. Anyone wondering whether there is still life in the tenor/drum duo format should dig this one up.  
Michael Rosenstein
Kaelin Ellis — After Thoughts (self-released)
After Thoughts by KAELIN ELLIS
To be sure, “slept on” hardly characterizes Kaelin Ellis in 2020. After a trickle of lone tracks in the first months of the year, a Twitter video posted by the 23-year-old producer and multi-instrumentalist caught the attention of Lupe Fiasco, quickly precipitating the joint EP House. It’s a catchy story from any number of angles — the star-powered “discovery” of a young talent, the interconnectedness of the digital age, the silver linings of the COVID-19 pandemic — but it risks overshadowing Ellis’s two 2020 solo records: Moments, released in the lead-up to House, and After Thoughts, released in October. It doesn’t help that each album’s dozen tracks scarcely add up to as many minutes, or that the producer’s titles deliberately downplay the results. And some, of course, will judge these jazzy, deeply soulful beats only against their potential as platforms for some other, more extroverted artist. “I’d like to think I’m a jack of all trades,” Ellis told one interviewer, “but in all honesty my specialty is creating a space for others to stand out.”
Yet as with all small, good things, there’s reward in savoring these miniatures on their own terms, and After Thoughts in particular proved an unexpected retreat from last fall’s anxieties. Ellis has a poet’s gift for distillation and juxtaposition, a director’s knack for pathos and dramatic sequencing — powers that combine to somehow render a fully realized world. As fleeting as it is, Ellis’s work communicates a generosity of care and concentration, opening a space for others not just to stand out but also to settle in.
Eric McDowell   
Lloyd Miller with Ian Camp and Adam Michael Terry — At the Ends of the World
At the Ends of the World by Lloyd Miller with Ian Camp and Adam Michael Terry
Miller and company fuse the feel of a contemporary classical concert with eastern modalities and instrumentation. The recordings sound live off the floor, and give a welcome sense of space and detail to the sensitive playing. Miller has explored the intersection between Persian and other cultural traditions and jazz through the lens of academic scholarship and recorded output since the 1960s. With this release, the performances linger in a space where vibe is as important as compositional structure. The results revel in the beauty when seemingly unrelated musical ideas emerge together in the same moment, with startling results.
Arthur Krumins
 Oily Boys — Cro Memory Grin (Cool Death)
Cro Memory Grin by Oily Boys
The title of this 2020 LP by Australian punks Oily Boys sounds like a pun on “Cro-Magnon,” an outmoded scientific name for early humans. It’s apt: the music is smarter than knuckle-dragger beatdown or run-of-the-mill powerviolence, but still driven by a rancorous, id-bound savagery. The smarts are just perceptible enough to keep things pretty interesting. Some of the noisier, droning and semi-melodic stretches of Cro Memory Grin recall the records made by the Men (especially Leave Home) before they decided to try to make like Uncle Tupelo, or some lesser version of the Hold Steady. Oily Boys inhabit a darker sensibility, and their music is more profoundly bonkers than anything those other bands got up to. Aggro, discordant punk; flagellating hardcore burners; psych-rock-adjacent sonic exorcisms — you get it all, sometimes in a single five-minute passage of Cro Memory Grin (check out the sequence from “Lizard Scheme” to “Heat Harmony” to “Stick Him.” Yikes). A bunch of the tunes spill over into one another, feedback and sustain jumping the gap from one track to the next, which gives the record a live vibe. It feels volatile and sweaty. The ill intent and unmitigated nastiness accumulate into a palpable force, tainting the air and leaving stains on your tee shirt. Oily Boys have been kicking around Sydney’s punk scene since at least 2014, but this is their first full-length record. One hopes they can continue to play with this degree of possessed abandon without completing burning themselves to down to smoldering cinders. At least long enough to record some more music.
Jonathan Shaw
 Dougie Poole — The Freelancer's Blues (Wharf Cat)
The Freelancer's Blues by Dougie Poole
A cursory listen might misconstrue the heart of Dougie Poole's second album, The Freelancer's Blues. When he mixes his wobbly country sound with lyrics like those in “Vaping on the Job,” it sounds like genre play, a smirking look at millennial life through an urban cowboy's vintage sound. Poole does target a particular set of issues, but mapping them with his own slightly psychedelic country comes with very little of the postmodern itch. His characters feel just as troubled as anyone coming out of 1970s Nashville, and as Poole explores these lives with wit and empathy, the songs quickly find their resonance.
The album, though it wouldn't reach for pretentious terms, carries an existential problem at its center. Poole circles around the fundamental void: work deadens, relocation doesn't help, spiritual pursuits falter, intelligence burdens, and even the drugs don't help. When Poole finally gets the title track, the preceding album gives his confession extra weight, a mix of life's strictures and personal limitation combining for a crisis best avoided but wonderfully shared. The Freelancer's Blues comes rich in Nashville tradition but finds an ideal fit in its contemporary place, likely providing a soundtrack for a variety of times and spaces yet to come.
Justin Cober-Lake
 Schlippenbach Quartett — Three Nails Left (Corbett Vs. Dempsey)
Tumblr media
You might say that this record has been slept on twice. The second recording to be released by the Alexander von Schlippenbach, Evan Parker and Paul Lovens (augmented this time by Peter Kowald) was released in 1975, and didn’t get a second pressing — on vinyl — until 2019. So, Corbett Vs. Dempsey stepped up last summer, it had never been on CD. But this writer was so stumped on how to relate how intense, startling, and unlike any other free improvisation it was and is, that he just… slept on it. Until now. Even if you know this band, if you don’t know this album, well, it’s time you got acquainted.
Bill Meyer 
Stonegrass — Stonegrass (Cosmic Range)
STONEGRASS by Stonegrass
Released on the cusp of a tentative re-opening for the city of Toronto after two months of lock-down, this slab of psychedelic funk-rock was the perfect antidote to the COVID blues when it arrived at the tail end of a Spring spent in near-isolation. The jam sessions that became Stonegrass were also a new beginning for multi-instrumentalist Matthew “Doc” Dunn and drummer Jay Anderson, who reignited a spirit of collaboration after a decade of sonic estrangement following the demise of their Spiritual Sky Blues Band project. Listening to these songs, you’d never know they spent any time apart. The tight, bottom-wagging jams on offer are evidence that these two are joined together at the third eye. Anderson’s grooves run deep, and Dunn — whether he’s traipsing along on guitar, keys or flutes — is right there with him. There’s enough fuzz here to satiate the heads, but the real treat here is the rhythmic interplay. Strap in and prepare to get down. 
Bryon Hayes 
 Bob Vylan — We Live Here EP (Venn Records)
youtube
Bob Vylan flew under the radar in 2020 successfully enough that when someone nominated them for the best of 2020 poll in Tom Ewing’s Peoples’ Pop Polls project on Twitter (each month a different year or category gets voted on in World Cup-style brackets, it’s great fun and only occasionally maddening), most of the reaction was “is that one a typo?” Nobody had that response after listening to “We Live Here” — my wife also participates in the poll, so we just play all the candidates in our apartment, and Bob Vylan was the first time both of our jaws dropped in amazement; the song got played about ten times in a row at that point. Bobby (vocals/guitar/production) and Bobbie (drums/“spiritual inspiration”) Vylan’s 18-minute EP lives up to that title track, fireball after fireball aimed directly at the corrupt, crumbling, racist state that seems utterly indifferent to human suffering unless there’s profit in it. Whether it’s the raging catharsis of the title track or the cool, precise hostility of “Lynch Your Leaders,” Bob Vylan have made something vital and essential here, that very much speaks to 2020 but sadly will stay relevant long past it.  
Ian Mathers
 Working Men’s Club — Working Men’s Club (Heavenly Recordings)
youtube
It’s been evident these past few years that I’ve retreated from music and committed myself to the slower world of books as a way of giving my mind a break from the accelerating madness outside, but I could never really leave my radio family the same way I could never really leave Dusted. Another great example why: A fellow CHIRP volunteer played “John Cooper Clarke” in a December Zoom social I actually managed to catch, and I’ve been addicted to Working Men’s Club’s debut LP from October ever since. The quartet hails from Todmodren, a market town you won’t be surprised upon listening to discover is roughly equidistant between Leeds and Manchester; the album screams Hacienda vibes in its seamless integration of post-punk signifiers and dancefloor style. It’s easy to bandy about names from Rip It Up and Start Again or even The Velvet Underground in 12-minute closer “Angel,” certainly one of the most arresting tracks of the year, but the thing that struck me immediately is that this was the record I’d always anticipated but never got from Factory Floor — smart, aloof and occasionally calculated, yet still fun enough to play for any crowd itching to move. Until the community of a dance party or Working Men’s Club live set is once again possible, patience and a fully formed first album will have to suffice. You’ll have to imagine the part where I corner you at the party to rave about it, I’m afraid.
Patrick Masterson
5 notes · View notes
40sandfabulousaf · 3 years
Text
Tumblr media
Hihi all except warmongers, 大家好! Yikes, we have discovered our first Omicron cases! Thankfully, the infected persons were quarantined at the time. So far their symptoms are mild, probably because they are relatively young and vaccinated. Elsewhere the new variant has been found in over 38 countries now. Effects on the elderly remain unknown.
Our booster shots are due 5 months from the time we reached full vaccination status. I'd thought of delaying it for a month. Since it's possible that we might return to office in early 2022 and Omicron is likely to sneak past our borders sooner or later, it looks like I'll have to wear my big girl pants and get mine next month. Bleah, I hate needles!
All my precious elderly loved ones have received their third vaccine doses. Thus, they can double mask with either a cloth or surgical mask as the outer layer. Mummy is very vain so she continues to use beautiful embroidered or printed reusable ones with a surgical mask on the inside. As a Xmas present, I've bought her some vibrant replacements for those which are worn out by now. I'll share them in due course.
I am still in the midst of replenishing KN95 stocks just in case vaccine efficacy wanes again for the elderly or in the event of an emergency. I will also need some during the first week of WFH at my parents' in the event we are told to return to office. I'm currently working on the numbers for future orders. So much for the festive spirit! 😅. I wouldn't have it any other way though.
Globally, our death rates remain very low. And yet each citizen lost to the Delta variant is a stab in the heart. Death is inevitable; incredible suffering before death is not and this is what is so devastating about the current outbreak. Sometimes I wish I could reach out to every single citizen who has not succumbed to covid fatigue so that their elderly folks have a fighting chance.
Tumblr media
And then you have this little mite who understands nothing about our continued fight against the virus. Meatball has adopted me as his human armchair. He began grabbing my hand to dance and, when I sang along to Incy Wincy Spider, he decided that yeah, it was time to get comfortable. Douglas arrived with our coffees just in time to see him comfortably nestled in my lap! This icy little fella has melted!
Tumblr media
My block leave starts midweek. Meanwhile, I'm in a good mood. Some new local food ahead of a needed break. Seafood assam pedas, prawns, fish chunks and squid stewed with tomatoes, brinjal strips and okra in a tangy broth. The gravy is so delicious spooned over rice! For some reason, my helper went crazy over this dish and eagerly asked when we may order it again.
Till the next time, 下次见!
0 notes
anxiouspregnantlady · 3 years
Text
17+4
First...I want to note that I’ve (for the most part) stopped counting the days/weeks of my pregnancy - like I had to think for a bit before I wrote the title of this post. I think this is a small but lovely marker of how much less anxious I am feeling, and how I’m not in survival mode anymore (aka I just need to make it one more day...one more day...).
So, in this week of pregnancy:
Maternity clothing purchases. Uhhh... I’ve bought a lot of stuff this week. First I bought a pair of inordinately expensive joggers from *yikes* lululemon. I have a lot of unreasonable shame about this. But last Saturday I just couldn’t find any bottoms that weren’t uncomfortable on my belly (I don’t have any maternity pants yet, and it was 32 degrees out so no skirts/dresses unfortunately), and so...I stormed off to lululemon in a somewhat emotional state. BUT I am so very happy with my purchase and most of all am confident that they’re going to last throughout the pregnancy AND be wearable postpartum (I went up two pant sizes). I know everyone raves abt the align leggings but I just couldn’t make them work, maybe my legs are abnormal? Like when I went up one size, the belly was too tight still, but when I went up two or more sizes, the ankle was super loose.
My rule of thumb re: maternity-specific clothes is that I won’t pay more than $20 for an item and hope not to buy more than 1 pair of jeans and a few pairs of shorts. This week I scored a pair of (used) madewell maternity jeans for $20! They have the adjustable side panel rather than the belly band which I think will be better for summer. They haven’t come yet but I’m hoping they are it.
K & I also went to the chinatown mall this weekend and walked into H&M to ask if they carried any maternity clothing..the guy just looked at us like we were crazy. “No.” Like, why would we?? Same at Gap, Old Navy, etc. Sooooo I bought a nursing bra and a pair of maternity sweatshorts off the H&M website. I think the last time I ordered something from H&M was over 8 years ago lolol but apparently they have good maternity stuff, so...we’ll see!
Baby purchases. This week I bought my first ever thing for baby. This is a HUGE milestone. I’ve been way too scared to buy anything for the past four months (for fear of what if, blahblahblah). So I guess this was more symbolic than anything? Anyway I bought this hat from a super fancy baby shop downtown and it’s SO FREAKKIINNGGG CUTE and teeny. Damage about $10, oh well. Also fairly gender neutral. We know bb’s gender/Biological sex but still are hoping to dress them in all kinds of colors.
Tumblr media
Baby movements. Feeling baby move quite consistently, and yesterday while we were lying in bed watching TV k put his hand on my belly and felt his first kick!!! Honestly this has been such a double edged sword...feeling baby move is SUCH a lovely relief and so precious. But when I don’t feel bb move when I feel like I ought to I get stupid anxious even though you aren’t even supposed to worry about consistent movement for like...another two months.
Nausea. So. This past weekend nausea came back with a VENGEANCE. I had 2-3 days of nausea + migraine + fatigue and felt so sad/defeated because I didn’t know how long the spell was going to last. Thankfully it lifted and I’m feeling back to my second trimester self. THANK U HORMONES. THANK U BB.
My weight. I unintentionally found out my weight - it was written on a labcorp report for my alpha fetoprotein blood test - which came back negative yay (means vvvv low risk for spina bifida/downs). I guess your weight affects the interpretation of the results. I think ... it mattered a lot less to me than I thought? It was also lower than I thought (but not that much). Also I was just happy that the result was normal. I’m actually pretty glad that I know my weight (taken at 16+4) even though it’s just one data point. It’s a couple lbs over what I’m assuming to be my pre-pregnancy weight so I think what happened is I lost 5-ish lbs during the first trimester and then gained a little more back over the past 5-6 weeks, which seems pretty good to me. I think I might be ok knowing my weight at various milestones moving forward (like I’d be curious to know what I weigh around delivery) but I’m pleasantly surprised that it doesn’t mean that much to me / it’s actually not that big of a deal. I feel good in my body and that’s what matters.
18 weeks. I need to just get this out somewhere... I’m a little nervous about crossing 18 weeks because my mom had a stillbirth/late miscarriage at 18 weeks. There. I said it. That’s all. She said it was due to low amniotic fluid so you’d best believe I am chugging water like there is no tomorrow.
Dental cleaning. Feeling anxious about dental appointment in .. one hour hahaha. I have been avoiding the dentist for a year (COVID was a good excuse). I know it’s so important to see the dentist during pregnancy BUT my stupid insurance is so bad that nobody I call will take this plan anymore so I am going to pay out of pocket for a cleaning. And refuse x rays. I am quite religious about dental hygiene but somehow I still have teeth problems - probably get this from my dad. Anyway. I am trying to adopt a ‘curiosity’ mindset and say, let’s DISCOVER how my dental health is and FIND OUT what we can do to be as healthy as possible (sounds so stupid lolol) rather than just lapsing straight into anxiety. AHHHHH. will report back later.
0 notes
anxiety-trademark · 4 years
Text
The week in review:
Raw 10/05 NXT 10/07 NXT UK 10/08 Smackdown 10/09 + Main Event 10/08
Tumblr media
Raw:
Tumblr media
“This Asuka reign has been spectacular thus far,” d e b a t a b l e
Is Asuka continuing her feud with Zelina? If so, why? If not, why is this 6 woman match happening? Just spinning your wheels some more?
It’s been an interesting experience watching Dana grow throughout the years. Also nice flip by Nattie off of Dana’s headscissors takedown.
Love to see Dana and Mandy matching colors. Tag teams matching gear is my jam. Next is a theme song/name.
Lovely delayed double suplex by Dandy.
Small mistake in Mandy nearly falling over, but I mostly want to compliment the slide her boots did against the mat lmao. That was probably unintended, but looked super smooth.
I actually like Mandy now that she’s not imitating a stripper, but I’d really appreciate it if she could learn new trash talk that isn’t just, “who do you think you are,” repeated ad nauseam.
I don’t watch Main Event, but they should consider having Mandy and Dana wrestle more on there if they don’t already. Those are 2 that can use the consistent practice.
There’s so many minor things Natalya does to keep matches together with greener women. She deserves more respect.
Man these women work incredibly well together. Asuka, Nattie, Dana, Lana, Mandy... so cohesive. Loved that entire ending sequence from the moment Lana and Asuka tagged in. Lana has really increased her speed as well.
I am here to dole out positive praise for the blondes that nobody gives any credit to. Remembering where Dana was in 2016, Lana was in 2017, or even Mandy was in 2018, and seeing them all now? They get my applause. The midcard on Raw is entertaining, sue me. Fun match.
Tumblr media
pppfffftttttt love how Zelina just slowly slinks outta the ring like, “yeahhhh have fun with that, this ain’t my fight peace.”
Alright ngl, I am now starting to get sad that Lana is getting rekt nearly every week. rip. First match of the night btw and the commentators are losing their desk lmao.
Tumblr media
Does KO have to spell out everything happening in wrestling? Sir I actually pay attention to the stories y’all be telling me. Can I get a condensed version?
“He’s everywhere,” Alexa is creepy and compelling, I’m gonna keep singing her praises til she gives me a reason not to.
I personally just hope Fiend uses new gloves for every new victim, what with covid and all.
“Bury a body together in the woods,” SIR.
I like that Alexa is kept separate from Bray and is solely attached to Fiend. I know that’s going to change, but for now, I like that line being drawn in the sand.
Omg he shed tears. Whew.
Tumblr media
Why y’all allergic to showcasing Bianca against people who I fucking recognize lmao.
Again, I know she’s a college graduate. I know she’s smart on some fucking level. Telling me why the sky is blue (cept not really as it just appears that way) AIN’T IT THOUGH.
Put her in a match, that’s where she needs the most work. Jesus.
Tumblr media
Oh good we get to hear Nia’s music on the way to the ring. She has the superior theme.
Nia body checking Ruby in the corner. I felt that.
I like Shayna’s joint manipulation, I only wish she’d wear down her opponents before she started in on it, cuz it drastically slows down the pacing of the match. There’s a spot for it if you get the momentum of the match going first, but she almost always just jumps straight into this. 
Ruby getting rekt. What Riott Squad need is a good showing. Not to be damn near demolished. I doubt anyone actually expected them to win this match, but come on.
At least Shayna sold the tornado ddt well.
Meh could’ve been a better showing for RS. Kind of disappointing. Liv didn’t even use any offense to break the Kirifuda Clutch, just yelled dramatically af. Tears galore.
Highlight: Seeing Lana/Mandy/Dana improve & work cohesively with veterans in Nattie & Asuka
---
NXT:
Tumblr media
Isn’t nxt supposed to be the brand that hides a performer’s weakness? Why does Ember Moon have a mic in the middle of the ring? Have her do a quick interview in the back, or better yet wrestle. Hello??
Don’t thank them, they are your coworkers, and only one of them even said welcome back. sigh.
GIRL I’M SHOCKED THEY LET YOU TALK ON THE MIC TOO like for what reason???
This is why Ember Moon will never be a champion on the main roster jfc. At least she can get away with being nxt champ if she refrains from speaking.
Well damn I was actually interested in Rhea’s promo, thanks a lot Raquel smh.
Io’s like “...nah, I’m good right here.”
Tumblr media
Io is a woman of few words, but they are always flawlessly spoken and drenched in logic. Still a huge fan of her as champion.
Tumblr media
Storytime. Becky Lynch has named 2 people as potential break out stars that could reach (close to) the heights she has reached. Sonya Deville was one, whom I believe Becky was right on the money with, and Toni Storm was the other. Now I don’t see whatever the hell Becky sees in Toni, but damn it if she was right about Sonya, I want her to be right about Toni as well. So I hope this heel turn actually brings the fire, decent acting, and passable promos from her.
Toni has a swagger you can’t teach; she has an aura and confidence to her. There are just some pieces that have been missing. We’ll see though, I’ll give her a clean slate to win me over.
*The Garganos receive a gift* No.
Tumblr media
I kind of like that there’s an unspoken agreement between Raquel and Dakota that Dakota is the star who should win the title, with no lingering feelings of animosity or resentment between them.
Anyway Dakota you lost to Io, plz lol.
*The Garganos see potential in Indi Hartwell* No.
Tumblr media
I hate Shotzi’s entrance and dialogue so damn much lmao. She’s so annoying, I’m not sorry. I’ll give her props in the ring where I see fit, but her personality is such a turn off to me.
Such a short match that I have nothing to say about it. Good for Shotzi gaining some momentum. Still waiting to see where Xia Li goes with these losses amounting.
Tumblr media
Cool one of the best themes has been changed :/ rip Ember’s og theme.
Sloppy, sloppy attempt at a standing crucifix by Ember. oof.
Ember is short but she can sure jump high, this is true.
Ember plz sell.
Jeeze I nearly forgot how good Ember’s suicide dive is. One of the best, truly.
Great bump onto the floor by Rhea.
Flat landing by Dakota. Bravo. Love how Dakota bumps Rhea’s bench press.
No excuse for Dakota not tagging in when Ember got the tag. Awkward.
Looked more like a modified flatliner rather than a uranage, but sure. 
Love watching Dakota and Rhea work together. They have great chemistry.
LOVE Dakota’s Kairopractor. One of my favorite moves in nxt.
Great save by Raquel, great ddt taken by Raquel.
Sloppy “powerbomb” from Ember to Dakota... that’s a yikes. Ember indeed has ring rust. Eclipse is still a thing of beauty though, so there’s that.
I just want to say, I really like Rhea as a babyface and I hope wwe doesn’t turn her heel when she moves to the MR.
Highlight: Dakota & Rhea working together is always a treat
---
NXT UK:
Tumblr media
Tell me why the beginning of Dani’s theme reminded me of White Wedding by Billy Joel? The lack of lighting in her entrance does her song a disservice.
Really like Nina’s theme... irritating how they cut off Amale’s theme so quickly to introduce her, though.
HAHA Xia tried kipping up out of the leg scissors and she got popped on the midsection.
Lovely escape...? Alright well, fill the dead air with meaningless comments I guess. No, don’t pipe in applause for that.
Twisting her arms in reverse and then forward accomplished nothing.
I appreciate Dani’s underrated strength.
Decent reverse suplex by Nina.
Deadweight suplex by Dani. Nice.
Amale is... abysmally green.
Took a beautiful German suplex, though.
Do not like Xia’s finisher.
This match wasn’t a mistake, but man talk about lower card.
Tumblr media
Much like I did with Toni Storm, all I see when I look at Piper now, is when she cried during the match with KLR lmao. Round of applause for KLR making all of her opponents cry kekekek.
Tumblr media
“[KLR] better watch what she says, or else..” or else what? More of y’all gonna cry in her direction? oof your champ is HEAD AND SHOULDERS above everyone else on that roster, plz.
Tumblr media
Sure she’s held the title for a year cuz of the pandemic, but if we remove all of that time UK spent isolated, she should still hold that title for a year minimum. Whenever someone wants to exhibit possessing the full package she has, they can step up. Even on the mic, KLR is untouchable.
Lol y’all can waltz out pissy all you want. I laugh.
“We've got witches that can't cast spells, Valkyries that can't fly, and these two can't even get along long enough to challenge me. And here she is, the worst of them all, the ultimate letdown... a piper that plays to my tune.” LMFAOOO. This is such a good promo, I can’t.
Knowing NXT, they’ll throw them in a battle royal to decide Kay Lee’s next opponent. Should run a tournament though.
KLR makes that title prestigious, goodbye.
Highlight: Fantastic KLR promo
---
Smackdown:
Tumblr media
Alright real talk, why did Sasha get a title shot here? Why would Bayley give it to her without a struggle when she damn well knows Sasha could easily be the one to take it from her? When was it even accepted by Bayley?
Tbh I kind of hate this feud unless they’re in the same room/arena together. They work magic together, truly, but all of the inbetween stuff was garbage.
Love how Sasha just wants to beat the crap out of Bayley. Solid stuff.
Lol Bayley goes to leave lololol.
These are some clean counters and roll throughs. Always give props to Sasha for her counters.
See, cool, Sasha and Becky’s hiac match was set up with a chair, too... cept they had a great match for 15 mins and then brawled all over the arena. This could’ve all been set up SO much better. Then again tbf, it doesn’t even make sense for Bayley to accept this match with her to begin with, so I get the intentional dq as quickly as possibly on Bayley’s behalf. Would’ve been better if a gm had set this match up instead.
Great acting by Sasha.
Tumblr media
How long til KO just pops Bliss across the face? No I’m kidding, wwe would never do that. Setting fire to someone, on the other hand...
Tumblr media
Nothing about this promo felt genuine to me; the delivery was subpar.
Tumblr media
When does Alexa receive an upgrade from ‘supportive mistress’ to ‘queen that helps fuck up Fiend’s victims’? I do appreciate them taking their time with her arc, it’s rare to see them do such a slow burn and not drop the ball with it.
Highlight: Sasha’s aggression in the ring
---
*BONUS*
Main Event:
Tumblr media
The sheer hatred I have for Peyton’s theme. Awful.
Peyton vs Billie matches reminds me of the type of stuff I used to skip back in the late 2000s.
You watch best friends Sasha/Bayley, and you see some innovative, impactful moves. You watch best friends Becky/Charlotte, and you see 2 people beating the absolute shit out of each other with vitriol. You watch best friends Billie/Peyton, and you see 2 people who are afraid of hurting one another :/
Nice roll through pin by Billie.
Positive: there’s no crowd to boo them.
Just noticed the bottom row of monitors are behind the barricade, and I just want to know why tf they exist lmao.
Oh perfect, the second I began to regret turning this on, it ended. Okay anyway.
---
*NXT shined the brightest. Love how they utilized their women’s division, even if some of it was a hit or miss. Also love seeing Dakota and Rhea work together.
0 notes
junker-town · 4 years
Text
Our experts preview the top 25 men’s college basketball teams
Tumblr media
This is everything you need to know about the top 25 teams in men’s college basketball.
The 2020-21 men’s basketball season gets underway on Wednesday, November 25, as the coronavirus pandemic continues to rage on nationwide. The COVID-19 shutdowns began in March of this year as all postseason basketball — and then the rest of NCAA sports — were canceled en masse.
Well, we’re back, baby!
Kind of. There are already myriad teams that have paused their seasons due to outbreaks within their programs — including No. 2 Baylor, No. 12 Tennessee, Ole Miss, and Florida — causing some reshuffling of multi-team events or canceling season openers.
But we will have some men’s college basketball action starting, so we’re here to prepare you for the season. We reached out to the experts across our NCAA team communities to get the low-down on the 25 teams that are ranked in the 2020-21 preseason AP Poll.
Let’s get to it!
25. Michigan
Projected lineup: G Mike Smith, G Eli Brooks, F Franz Wagner, F Isaiah Livers, C Austin Davis
This should be a deeper team with an influx of young talent in the form of Juwan Howard’s first recruiting class (No. 1 in Big Ten, No. 15 nationally) and Chaundee Brown and Mike Smith entering the fold as immediately-eligible transfers. Smith and Eli Brooks will handle primary ballhandling duties, while fifth-year senior Austin Davis is expected to have an expanded role as freshman Hunter Dickinson comes along. What this team does still have is one of the best one-two punches in the Big Ten with Isaiah Livers and a still-ascending Franz Wagner, who was arguably Michigan’s best player at the tail end of last season. — Anthony Broome, Maize n Brew
Tumblr media
Photo by Justin Casterline/Getty Images
24. Rutgers
Projected lineup: G Geo Baker, G Jacob Young, G Montez Mathis, F Ron Harper Jr., F Myles Johnson
Great expectations have arrived for the Scarlet Knights. After winning 20 regular season games for the first time in 37 years and producing a winning record in Big Ten play for the first time since joining the league, they have the potential to be even better this season. They are ranked in the preseason for the first time in 42 years. Six of the top eight contributors from last season return and they’ve added a top 40 recruiting class that includes 4-star big man Cliff Omoruyi, as well as 3-star wings Mawot Mag and Oskar Palmquist.
After finishing 6th nationally in defensive efficiency last season, their increased size and versatility give hope they may be even better on that end of the floor. The ceiling for this season will likely be determined by how much they improve offensively, particularly from the free throw line and three-point range. However, Baker is one of the best closing playmakers in the country and Harper Jr. is poised to become a star, giving the program the potential to have its best season since the Final Four run 44 years ago. — Aaron Breitman, On the Banks
Tumblr media
Photo by Justin Casterline/Getty Images
23. Ohio State
Projected lineup: G CJ Walker, G Duane Washington Jr., F E.J. Liddell, F Kyle Young, F Justice Sueing
Having trouble keeping up with who currently plays basketball for Ohio State? Us too. The Buckeyes saw three players leave via transfer during the offseason and three others graduate, leaving a whopping five scholarships open for the taking. Chris Holtmann pulled in combo guard Jimmy Sotos from Bucknell and former Ivy League Player of the Year Seth Towns from Harvard, in addition to the freshman class of Zed Key, Eugene Brown, and Meechie Johnson. While there are still a few holdovers from last year’s team, it may take a little time for fans to get familiar with the new faces.
The main question for Ohio State this season will be the health of key contributors such as Towns, Kyle Young, and Justice Sueing. The Buckeyes have four players who are recovering from various surgeries (yikes), so how they hold up over the course of a full season will largely dictate OSU’s success in the Big Ten conference this season.
— Connor Lemons, Land-Grant Holy Land
Tumblr media
Photo by John McCoy/Getty Images
22. UCLA
Projected lineup: G Tyger Campbell, G Johnny Juzang, G Chris Smith, F Jaime Jaquez, F Jalen Hill
Everyone’s back for UCLA, PLUS they receive the services of Johnny Juzang who received clearance to play immediately this season from the NCAA. The backcourt should be nearly impossible to defend against as such with Campbell who can penetrate on any defense in the country, Juzang who is probably the best pure shooter on the team and Smith, who spurned the NBA for another run at it with UCLA. Smith is a true guard who just so happens to stand 6’9 and averaged 13 points while making nearly 50% of his shots. Jaime Jaquez is a star-in-the-making and Jalen Hill may very well be the Pac-12’s best offensive rebounder. Add in the fact that Mick Cronin’s crew was the hottest team in basketball when the season was canceled last year, the fact that there’s 14 starts from last year sitting on the bench with David Singleton and also a top 75 recruit in Jaylen Clark waiting in the wings, and this team is afraid of no one, but everyone should be afraid of it.
— Cam Mellor, Bruins Nation
Tumblr media
Photo by Ryan M. Kelly/Getty Images
21. Florida State
Projected lineup: G Scottie Barnes, G MJ Walker, G RayQuan Evans, F Malik Osborne, F Balsa Koprivika
Sure, the defending ACC champions are the only team in the country forced to replace multiple lottery picks. And yes, they must also replace Trent Forrest, who left FSU having played in more wins (104) than any other player in school history.
But the ‘Noles still return seven guys who played at least 20 percent of the total possible minutes during last year’s 26-5 campaign, including 3 starters. Oh and FSU just happened to add a 5 star point guard (Scottie Barnes) and one of the top JUCO recruits in the country (Sardaar Calhoun). Leonard Hamilton’s squad is long, deep, athletic, and play with a chip on their shoulder—overlook them at your own risk.
— Matt Minnick, Tomahawk Nation
Tumblr media
Photo by Cody Glenn/Icon Sportswire via Getty Images
20. Oregon
Projected lineup: G Will Richardson, G Chris Duarte, G Eric Williams Jr., F Eugene Omoruyi, C N’Faly Dante
Payton Pritchard may have graduated, but don’t expect the Ducks to drop off a lot from the squad that went 24-7 last season. Guards Will Richardson and Chris Duarte will be crucial for Dana Altman’s squad, and the Ducks bring four-star recruit Jalen Terry into the mix. KenPom expects the Oregon defense to improve (they finished the season No. 76 last season) but the offense to slip just a tad.
The Ducks are an extremely experienced team with nine players listed as upperclassmen on the roster. That said, Pritchard played 35.5 minutes per game (88.8% of available minutes) and Oregon will need someone to step up as the leader in the backcourt.
— Caroline Darney, SB Nation
Tumblr media
Photo by John Rivera/Icon Sportswire via Getty Images
19. Texas
Projected lineup: G Matt Coleman, G Courtney Ramey, G Andrew Jones, F Greg Brown III, F Jericho Sims
After inheriting an experienced team from Rick Barnes in 2015-16, Shaka Smart has spent the ensuing seasons building an experienced roster. Now Texas has a senior point guard, returned every player from last year’s team, and added Brown, a high-flying top-10 prospect. Not only is this team Smart’s most experienced in years, it’s also his deepest and most talented group, which could finally mean a return to the pressing, fast-paced Havoc style that Smart used to make a Final Four appearance at VCU.
— Wescott Eberts, Burnt Orange Nation
Tumblr media
Photo by Larry Placido/Icon Sportswire via Getty Images
18. Arizona State
Projected lineup: G Remy Martin, G Alonzo Verge Jr., G Joshua Christopher, F Marcus Bagley, F Jalen Graham
This team is by far Bobby Hurley’s most talented since his arrival in Tempe. Associated Press preseason All-American Remy Martin decided to return for his senior season. He is joined by Pac-12 Sixth Man of the Year Alonzo Verge as well as the highly touted freshmen Joshua Christopher and Marcus Bagley. Martin, Verge and Christopher certainly have the talent to make Arizona State “Guard U” again.
There’s a ton of depth on this team as well. Jalen Graham came on strong late last season. Taeshon Cherry and Jaelen House are both guys that contribute from the three-point line and on defense. Kimani Lawrence, Ohio State transfer Luther Muhammad, Portland State transfer Holland Woods all bring in a veteran presence too. Then there’s Pavlo Dziuba, a european freshman who as a pure athlete might be the most dynamic. There’s been a lot of buzz about the Sun Devils, and for good reason.
— Brady Vernon, House of Sparky
Tumblr media
Troy Taormina-USA TODAY Sports
17. Houston
Projected lineup: G DeJon Jarreau, G Marcus Sasser, G Caleb Mills, G Quentin Grimes, F Justin Gorham
Houston returns all of the major players from a Cougars squad that went 23-8 last season. Redshirt sophomore Caleb Mills is a player to watch this season after leading his team with 13.2 points per game last year en route to being named to the AAC All-Freshman team. Fellow double-digit scorer Quentin Grimes (12.1 points per game) returns for Kelvin Sampson’s squad, and the Cougars add four-star recruit Tramon Mark to the mix.
Expect a high-flying offense that can make up for any deficiencies on the defensive end of the court.
— Caroline Darney, SB Nation
Tumblr media
Photo by Michael Hickey/Getty Images
16. North Carolina
Projected lineup: G Caleb Love, G RJ Davis, G Leaky Black, F Garrison Brooks, F Day’Ron Sharpe
After an extremely disappointing 2019-2020 campaign, Roy Williams has reloaded his roster with a number of talented freshmen in hopes of returning things back to normal. The engine of this team is preseason ACC Player of the Year Garrison Brooks, and he will be surrounded with a lot more talent than last year in Caleb Love, RJ Davis, Day’Ron Sharpe, and Walker Kessler. The big question will be whether or not this team will be able to gel together well enough to return to the NCAA tournament, but the odds of that happening look pretty good. Roy Williams certainly hasn’t let them forget what happened last season, and that may be more than enough motivation for this team to make a deep tournament run.
— Brandon Anderson, Tar Heel Blog
Tumblr media
Photo by John E. Moore III/Getty Images
15. West Virginia
Projected lineup: G Deuce McBride, G Taz Sherman, F Emmitt Matthews, F Derek Culver, C Oscar Tshiebwe
The Mountaineers enter the 2020 season with an exceptional combination of talent, size, depth, and experience, losing just one meaningful contributor from last year’s 21-10 squad and adding a trio of freshmen who are all expected to contribute right away. They feature arguably the best front court tandem in America in Derek Culver and Oscar Tshiebwe, a rising star in guard Deuce McBride, and an abundance of length and depth on the wing.
The metrics like West Virginia, as well - the Mountaineers are currently No. 8 in KenPom, with the No. 12 adjusted offense and No. 7 adjusted defense. Considering everything they bring back they should again be among the nation’s best at rebounding (1st nationally in OREB in 2019, 5th in rebounding margin) and defending (15th in PPG allowed), and if the 3-point shooting improves as expected, this will be a battle-hardened unit that has everything needed to make a deep tournament run come March.
— Jordan Pinto, The Smoking Musket
Tumblr media
Photo by John E. Moore III/Getty Images
14. Texas Tech
Projected lineup: G Mac McClung, G Kyler Edwards, G Nimari Burnett, F Terrence Shannon Jr., F Marcus Santos-Silva
This is by far the deepest and most talented roster Chris Beard has coached in his five years at Texas Tech. The lineup mixes established veterans with highly touted freshmen and capable role players, not to mention one of the most dynamic backcourts in the country. It’ll take some time for the team to come together as a unit, and enduring the gauntlet that is the Big 12 Conference regular season schedule will test the Red Raiders on a weekly basis. But, with a top-5 coach in the country on the bench, this team has every tool it needs to make another deep postseason run.
— Zach Mason, Viva the Matadors
Tumblr media
Photo by Gregory Shamus/Getty Images
13. Michigan State
Projected lineup: G Rocket Watts, G Joshua Langford, G/F Aaron Henry, F Joey Hauser, F Marcus Bingham Jr.
Michigan State loses the Big Ten’s all-time leader in assists in Cassius Winston and versatile big man/defensive lockdown specialist Xavier Tillman, which hurts, but still returns a lot of talent. Joshua Langford makes his return after missing the past year-and-a-half due to a foot injury, and Joey Hauser finally gets his chance to play, after having to sit out a season following his transfer from Marquette. Aaron Henry will step into a leadership role with fellow captains Langford and Foster Loyer. MSU has a deep bench, with players like Malik Hall and Gabe Brown able to provide scoring and a spark in a hurry. The Spartans also bring in two true freshmen who could earn immediate playing time in guard AJ Hoggard and center Mady Sissoko.
The question marks come at point guard — will Rocket Watts — much more of a self shot creator than a facilitator — be able to transition to the point guard spot, or will he stick to the two-guard? And at center, the starting spot is up for grabs. Marcus Bingham Jr. likely has the first shot at it, with Sissoko challenging him, and Thomas Kithier and Julius Marble factoring into the rotation somewhere. While there isn’t quite as much hype for Tom Izzo’s squad this year, this Michigan State team is deep, talented, and will challenge for its fourth consecutive Big Ten title.
— Ryan O’Bleness, The Only Colors
Tumblr media
Photo by Wesley Hitt/Getty Images
12. Tennessee
Projected lineup: G Santiago Vescovi, G Keon Johnson, G Josiah-Jordan James, F Yves Pons, F John Fulkerson
Rick Barnes is ready for another run at an SEC title, now armed with a roster full of experience and elite prospects. Following breakout seasons, Fulkerson and Pons return to the post as seniors. Guards Vescovi and Josiah-Jordan James enter year two after taking their lumps as freshmen last season. The real excitement here comes with the addition of five-star guards Keon Johnson and Jaden Springer. Oh, the Volunteers also have veteran point guard Victor Bailey Jr. eligible for depth and will add senior grad-transfer E.J. Anosike to the post for some added toughness. This team is deep and brings legitimate NBA talent to the table, the only question is how quickly those freshmen guards come along.
— Terry Lambert, Rocky Top Talk
Tumblr media
Photo by Porter Binks/Getty Images
11. Creighton
Projected lineup: G Marcus Zegarowski, G Mitchell Ballock, G Antwann Jones, F Damien Jefferson, F Christian Bishop
If there’s a team that’s going to challenge the Villanova Wildcats for Big East supremacy this season, it’s the Creighton Blue Jays. They return most of their major players from a team that finished 24-7 last season, led by point guard Marcus Zegarowski. The Blue Jays shot nearly 40% as a team from three last year and are projected as the No. 6 offense per KenPom.
Defensively there may be some questions to answer, but we should get a good glimpse at who Creighton is when they play Kansas on December 8.
— Caroline Darney, SB Nation
Tumblr media
Photo by Andy Lyons/Getty Images
10. Kentucky
Projected lineup: G Devin Askew, G Brandon Boston, G Terrence Clarke, F Keion Brooks Jr., C Olivier Sarr
This Kentucky team has a little bit of everything, but one area they’ll stand out more than maybe anyone in college hoops is their ridiculous size and length. They have nine scholarship players at 6-foot-6+ and nine with a 6-foot-11+ wingspan. And they have the athleticism to go with it, so this has the potential to be one of John Calipari’s best rebounding and shot-blocking teams ever.
There will be the usual growing pains with only two scholarship players returning and nine newcomers, but they have all the tools to become a Final Four-caliber team come March. The key to becoming a team capable of winning it all is how good prized freshmen Terrence Clarke and Brandon Boston are come tourney time. That’s the usual big ‘if’ with Cal-coached teams. He always has elite freshmen in Lexington, though they don’t always hit their stride before being drafted into the NBA.
Clarke and Boston both have the potential to be All-Americans and top-10 NBA Draft picks in 2021. If they reach their potential this season, good luck stopping two 6-7 guards capable of scoring at all three levels with an all-conference big man in Olivier Sarr roaming the paint.
— Jason Marcum, A Sea of Blue
Tumblr media
Photo by Jacob Kupferman/Getty Images
9. Duke
Projected lineup: G Jordan Goldwire, G Jeremy Roach, G Wendell Moore Jr., F Jalen Johnson, F Mathew Hurt
The 2020-21 edition of the Duke Blue Devils is a good mix of experience and new blood. They return players like Jordan Goldwire (Sr.), Joey Baker (Jr.), Matthew Hurt (So.), and Wendell Moore Jr. (So.) and add the No. 3 incoming class. Coach Krzyzewski brings four five-star recruits into the program in Jalen Johnson, Jeremy Roach, DJ Steward, and Mark Williams and two four-star players in Jaemyn Brakefield and Henry Coleman.
Expect the Blue Devils to have a top-10 defense on KenPom and compete for both the ACC and National Championships.
— Caroline Darney, SB Nation
Tumblr media
Photo by Michael Hickey/Getty Images
8. Illinois
Projected lineup: G Trent Frazier, G Ayo Dosunmu, G Adam Miller, G Da’Monte Williams, C Kofi Cockburn
Simply put, Ayo and Kofi are back. That’s why the Illini are ranked the highest they’ve been in over a decade. Dosunmu averaged 16.6 points, 4.3 rebounds and 3.3 assists as a sophomore last year, and he’s already been named a preseason All-American for 2020-21. He’s the best closer in college basketball, and he’ll be the catalyst to Illinois’ success this year. Cockburn returns for his sophomore campaign after testing the NBA Draft waters as well this offseason. The Illini’s man in the middle was the difference maker down low that Brad Underwood’s program needed. All the 7-footer did last year was smash program records and average 13.3 points and 8.8 rebounds per game en route to being named the Big Ten Freshman of the Year. Surround those two with veteran role players (Frazier, Williams, Giorgi Bezhanishvili), a couple talented freshmen (Miller, Andre Curbelo) and some promising transfers (Austin Hutcherson, Jacob Grandison), and you have all the makings for what should be an exciting tournament run.
— Tristen Kissack, The Champaign Room
Tumblr media
Photo by Aaron J. Thornton/Getty Images
7. Wisconsin
Projected lineup: G D’Mitrik Trice, G Brad Davison, F Aleem Ford, F Nate Reuvers, F Micah Potter
If you enjoyed last season’s Wisconsin Badgers basketball team I’ve got some good news for you! They, except for Brevin Pritzl, are all back and ready to make another run at a Big Ten title. The all-senior starting lineup is not something you see very often in modern college basketball, but the Badgers have one and even feature a senior as the first guard off the bench. This should be a fierce defensive team that has size down low and grit on the perimeter. The offense will be efficient and anyone in the starting five could be the leading scorer on any given night. In an ultra-competitive Big Ten, the Badgers should be in contention all season.
— Drew Hamm, Bucky’s 5th Quarter
Tumblr media
Photo by Ed Zurga/Getty Images
6. Kansas
Projected lineup: G Marcus Garrett, G Bryce Thompson, G Ochai Agbaji, F Christian Braun, C David McCormack
The Jayhawks, along with Dayton and Florida State, are one of the squads you have to feel absolutely gutted for over losing the postseason this past spring. Kansas finished 28-3 on the season and hadn’t lost a game since January 11 before the rug was pulled out from underneath everyone. Big time names like Devon Dotson and Udoka Azubuike are gone, but Bill Self returns Ochai Agbaji and Marcus Garrett and adds five-star freshman Bryce Thompson.
This season, there shouldn’t be a huge drop off. They are preseason No. 5 on KenPom and will get two big tests early in the season with No. 1 Gonzaga on Thanksgiving and No. 10 Kentucky on December 1.
— Caroline Darney, SB Nation
Tumblr media
Photo by Michael Hickey/Getty Images
5. Iowa
Projected lineup: G Connor McCaffery, G Jordan Bohannon, G CJ Fredrick, G Joe Wieskamp, C Luka Garza
The Iowa Hawkeyes will boast one of the best offenses in the country with a four-, sometimes five-, out lineup built around reigning consensus All-American Luka Garza. Bohannon returns after recovering from surgery in his hip to a group which has seven players (Joe Toussaint and Jack Nunge) with starting experience. The questions are two-fold for Iowa: 1) can the Hawks make strides on the defensive end with a deeper group in 2020-21 and 2) will it matter if everyone struggles to keep pace with this high-octane bunch?
— Harrison Starr, Black Heart Gold Pants
Tumblr media
Photo by Ryan M. Kelly/Getty Images
4. Virginia
Projected lineup: G Kihei Clark, G Casey Morsell, G Tomas Woldetensae, F Sam Hauser, F Jay Huff
The Virginia Cavaliers are still the reigning champions after no team was crowned in 2020. Bad news for everyone else: the Hoos are going to be good again. After a masterful coaching job that took a team with the No. 234 offense to a 23-7 record and second place finish in the ACC, Tony Bennett is getting some reinforcements on offense. Marquette transfer Sam Hauser is finally eligible and is an immediate scoring threat from anywhere on the court. Once you add in the steady hand of point guard Kihei Clark, the three-point shooting of Tomas Woldetensae, and the versatility of big man Jay Huff, you have something cooking.
Virginia will also have some new faces with Jabri Abdur-Rahim, Reece Beekman, and Carson McCorkle joining the fray. The 2020 incoming class — ranked No. 18 nationally per 247 — is Bennett’s best since the class that featured Kyle Guy, De’Andre Hunter, and Ty Jerome. Because I’m legally obligated to talk about the defense in a Virginia basketball post, just know that they should be very good once again. KenPom has them at No. 1 to start the season, but we’ll see if they’re a little rusty after the wacky offseason.
— Caroline Darney, Streaking the Lawn
Tumblr media
Photo by Rich Schultz/Getty Images
3. Villanova
Projected lineup: G Collin Gillespie, G Justin Moore, G Bryan Antoine, F Jermaine Samuels, C Jeremiah Robinson-Earl
The big reason for the excitement? Villanova enters the season as a legitimate national title contender, eyeing its 3rd in five seasons. This team looks more like the 2016 champs (tough and deep across the board) than the 2018 champs (truly elite at the top-end). After only losing Saddiq Bey (admittedly a big loss) to the NBA, the ‘Cats are loaded with plenty of knowns - Collin Gillespie, Jeremiah Robinson-Earl and Justin Moore - who are All-Big East talents and will push for national honors. On top of that, throw in the exciting unknowns; Former 5-star guard Bryan Antoine is healthy and the redshirts are off guard Caleb Daniels and forward Eric Dixon. Daniels and Dixon have drawn rave reviews from the coaching staff, making this ‘Nova squad as deep as it is talented.
Even in a COVID-shortened season, the ‘Cats will test their title aspirations early and often with a schedule built for the fans. They could face fellow contender Baylor in the second game of the season and get another Top-25 test at Texas 10 days later. And that’s before the annual gauntlet of the Big East. After peaking right as last season was canceled, this team will have their eyes on the ultimate prize this Spring.
— Chris Lane, VU Hoops
Tumblr media
Photo by Matthew Visinsky/Icon Sportswire via Getty Images
2. Baylor
Projected lineup: G Davion Mitchell, G Jared Butler, G MaCio Teague, F Mark Vital, F Jonathan Tchamwa Tchatchoua
Get ready for the 2020-2021 Bears: Baylor opens the campaign ranked No. 1 on KenPom and the USA Today Coaches Poll. The Bears return four starters from last season’s likely No. 1 seed in the NCAA Tournament. Jared Butler is the Big 12 Preseason Player of the Year, and Adam Flagler should slide in well to form the nation’s best backcourt. With Mitchell and Vital back—two finalists for the national defensive player of the year award—the Bears figure to be a monster to score against. You can make an argument for Gonzaga or Villanova, but the Bears should be the national title favorites.
— Kendall Kaut, Our Daily Bears
Tumblr media
Photo by Ethan Miller/Getty Images
1. Gonzaga
Projected lineup: G Jalen Suggs, G Joel Ayayi, F Corey Kispert, F Anton Watson, C Drew Timme
By now you are probably aware that the AP preseason No. 1 Gonzaga Bulldogs are the most overrated preseason No. 1 in school history. If you can put aside your existing biases against the Zags, it is important to note that this is essentially the same team that finished the season last year ranked No. 2. Sure, losing Filip Petrusev hurts, but it doesn’t hurt at all when you can slot in future star Drew Timme and welcome the highest-rated recruiting class in school history, headlined by five-star PG Jalen Suggs. Oh yeah, Corey Kispert is also a preseason All-American. The Zags are loaded at every single position. If there was ever a year to bet on Mark Few finally getting that first national championship, this is it.
— Peter Woodburn, The Slipper Still Fits
0 notes
placetobenation · 4 years
Link
6 months into the COVID-19 pandemic and this is the week that the wrestling world was hit all around with positive tests. Most affected seems to be NXT and AEW. While no cases have been publicly confirmed on the NXT, RAW or SmackDown roster this week by WWE, reports are that there was quite a bit of movement with storylines being rewritten and some superstars not being in attendance. Meanwhile, on AEW, #1 contender Lance Archer is out due to the coronavirus.
It’s hard to believe that the NXT #1 contender’s match was supposed to be KUSHIDA vs. Cameron Grimes, Bronson Reed, Timothy Thatcher and Kyle O’Reilly. No disrespect intended to those 5, but the lack of superstar talent is quite striking. It would be hard to believe that the folks running NXT (yes, you Triple H and Shawn Michaels), wanted it to be that way. Unfortunately, there’s no transparency in the WWE, so we’ll never really know. The WWE should be very transparent and honest when dealing with the pandemic and its effects on the product. But then again, this is the same company that still hasn’t come clean on why Roman Reigns wasn’t around during WrestleMania and the months afterwards.
The other thing that’s really bugging me these days about the WWE? Disqualifications. It’s lazy booking and the WWE is relying on it 2-3 times a show these days. It’s unnecessary. Please stop!
Finally, what the hell was that with RETRIBUTION! Yikes! We’ll discuss more in our RAW recap! But first, some PPV’s to attend to first.
Clash of Champions – UPDATED CARD
WWE Championship Ambulance Match: Drew McIntyre vs. Randy Orton
WWE Universal Championship Match: Roman Reigns vs. Jey Uso
SmackDown Women’s Championship Match: Bayley vs. Nikki Cross
WWE Women’s Championship Match: Shayna Baszler and Nia Jax vs. The Riott Squad
Smackdown Tag Team Championship Match: Cesaro and Shinsuke Nakamura vs. Lucha House Party
RAW Tag Team Championship Match: The Street Profits vs. Angel Garza and Andrade
WWE Undisputed Intercontinental Championship Ladder Match: Jeff Hardy vs. AJ Styles vs. Sami Zayn
WWE United States Championship Match: Bobby Lashley vs. Apollo Crews
RAW Women’s Championship Kickoff Show Match: Asuka vs. Zelina Vega
NXT:TakeOver – UPDATED CARD
NXT Championship Match: Finn Balor vs. Kyle O’Reilly
NXT Women’s Championship Match: Io Shirai vs. Candice LeRae
NXT North American Championship Match: Damian Priest vs. Johnny Gargano
Star of the Week:
Alexa Bliss – A rockstar to be sure! Whether it’s been as a face or a heel, in the ring, out of the ring, on the mic or just being there, Miss Bliss is fabulous! And now, with this tweener chartacter with influence from The Fiend, she’s rocking it in every way! The glances and facial expressions are on point and we can’t wait to see where it goes next!
RAW
RESULTS
RAW Tag Team Championship #1 Contender Match: Andrade & Angel Garza defeated Humberto Carrillo & Dominik Mysterio and Seth Rollins & Murphy
Non-title WWE Championship Match: Drew McIntyre defeated Keith Lee via DQ
RAW Women’s Championship #1 Contender Match: Zelina Vega defeated Mickie James
Apollo Crews defeated Cedric Alexander
RAW Underground: Dolph Ziggler defeated Arturo Ruas
Non-title Women’s Championship Match: Nia Jax & Shayna Baszler defeated Natalya & Lana
RAW Underground: Riddick Moss defeated Erik
Non-title RAW Women’s Championship Match: Asuka defeated Peyton Royce
RAW Underground: Braun Strowman defeated Dabba-Kato
The Hurt Business vs. RETRIBUTION went to a no-contest
#RETRIBUTION has spoken on #WWERaw. pic.twitter.com/aKMKxThhSG
— WWE (@WWE) September 22, 2020
Straight-up POWER from MACE and T-BAR.#WWERaw #RETRIBUTION pic.twitter.com/WTSZdYyweK
— WWE (@WWE) September 22, 2020
There was absolutely NOTHING I loved about RAW this week. So utterly disappointed in how the go-home show before Clash of Champions was laid out. From the start of the show where it’s announced that RETRIBUTION has contracts to their ridiculous names (T-BAR, Mace & Slapjack) and masks (childish!) to the cluster of a chaos #!* that was the main event, it has now set up RETRIBUTION for utter failure! The five main members of Dominki Dijokovic, Dio Maddin, Shane Thorne, Mia Yim and Mercedes Martinez has been undercut and has little or no chance to survive without a major happening at Clash. How do they have credibility when they called out WWE superstars for their contracts and greed and then they agree to a WWE contract? Ridiculous! How do they have any credibility when they can’t even take on the Hurt Business to get a victory in their first match? Absurd! Can you imagine the NWO or Hall/Nash not going over at Bash at the Beach?
"@reymysterio … you are NOT THE FATHER!" – @WWERollins
Tumblr media Tumblr media Tumblr media
#WWERaw pic.twitter.com/YBaQf6831a
— WWE (@WWE) September 22, 2020
Seth Rollins dragging up a redux of the Eddie Guerrero vs. Rey Mysterio feud from the past with news that maybe Rey’s not the father of Dominik is tired, old rehash. Then, Rollins send his wrath towards daughter Aalyah. The writing is on the wall my friends, Aalyah will be a minion with the Monday Night Messiah before we know it.
A fired-up @RandyOrton is READY to face @DMcIntyreWWE in an #AmbulanceMatch at #WWEClash of Champions THIS SUNDAY for the #WWEChampionship!#WWERaw pic.twitter.com/HrfM44973M
— WWE (@WWE) September 22, 2020
Elsewhere, Drew McIntyre vs. Keith Lee has been a utter waste of time as a backdrop for Randy Orton, who continues to be doing some of his best work of his 20-year career. That promo, including a nice catch of himself, was spot-on. I like him going over this Sunday!
What a HUGE victory for @BraunStrowman in #RawUnderground!#WWERaw pic.twitter.com/S4Bj3evqMn
— WWE (@WWE) September 22, 2020
RAW Underground had its moments with Braun Strowman having a good night and even Dolph Ziggler getting a victory. The right team, Andrade & Angel Garza got the tag team title match against The Street Profits Sunday night.
All in all, not an enjoyable night for me for RAW. A ton of wasteful opportunities.
NXT
RESULTS
NXT Women’s Championship #1 Contender Battle Royale: Candice LeRae wins shot at Io Shirai at NXT: TakeOver
Tommaso Ciampa defeated Jake Atlas
Danny Burch & Roderick Strong defeated Fabian Aichner & Raul Mendoza to win a spot in #1 Contender Match for NXT Tag Team Championship
Non-title NXT North American Championship Match: Damian Priest defeated Austin Theory
Ridge Holland defeated Antonio DeLuca
Gauntlet Eliminator Match: Kyle O’Reilly defeated Bronson Reed, Kushida, Cameron Grimes & Timothy Thatcher to win shot at NXT Championship
Best show of the week!
G O L D E N P R O P H E C Y The winner of the AMAZING 'Gauntlet Eliminator' and challenging @FinnBalor at #NXTTakeOver is @KORcombat! #WWENXT pic.twitter.com/C4fcbLvrYJ
— WWE on FOX (@WWEonFOX) September 24, 2020
Kudos to Kyle O’Reilly. i don’t think anyone saw him running the table and winning the Gauntlet Eliminator Match. Plus, let’s be honest, no one saw him being in the match to begin with. But, having said that, while the five-man match lacked star firepower, the match itself was very good. I, personally, saw KUSHIDA going over but it’s nice to see O’Reilly got his day in the sun vs. Finn Balor at NXT:TakeOver. It’ll be an enjoyable match with a predictable outcome. Time will tell just how much COVID-19 affected the booking here and who was available, but NXT, as usual, made the best of a bad situation.
We see you, @KacyCatanzaro!
Tumblr media Tumblr media Tumblr media Tumblr media
CC: @TrueKofi @NaomiWWE @TheRealMorrison #WWENXT #BattleRoyal pic.twitter.com/Rz49y8gOco
— WWE (@WWE) September 24, 2020
The Women’s Battle Royale for a shot at the NXT Women’s Championship was entertaining as hell! Yes, I”m a Kacy Catanzaro mark, so it was fun to see her make the final four with all the fancy footwork and antics that should make her an annual entrant into the Royal Rumble. Having Candice LeRae go over to win it to makes absolute sense! Now, with LeRae having a title match at NXT:TakeOver and husband Johnny Gargano ready to face Damian Priest for the NXT North American Championship has the makings of a double-gold night for the Gargano Way. Maybe we’ll get an Edge/Lita type celebration.
What a supportive husband.
Tumblr media
#CoupleGoals #WWENXT #BattleRoyal @CandiceLeRae @JohnnyGargano pic.twitter.com/83CsVcET8z
— WWE NXT (@WWENXT) September 24, 2020
Squash matches for Tommaso Ciampa and Ridge Holland made sense. Plus, having Fandango make an interesting #1 Contender match of his own for the tag team titles was out of nowhere, but was needed with the unavailable superstars.
The TakeOver is theirs… but 𝘸𝘩𝘰 are they?
Tumblr media
#WWENXT pic.twitter.com/KaAy6QABtM
— WWE (@WWE) September 24, 2020
Who is they? What former NXT Champion is the Insurgent coming back at NXT:TakeOver? Is it Bobby Roode, Bo Dallas, Ember Moon
SMACKDOWN
RESULTS
Triple Threat Match: Sami Zayn defeated AJ Styles & Jeff Hardy
Shinsuke Nakamura defeated Gran Metalik
King Corbin defeated Matt Riddle
Lacey Evans defeated Alexa Bliss by DQ
LOVED IT:
"Uce vs. Uce. Cuz vs. Cuz." THIS SUNDAY at #WWEClash of Champions! #SmackDown Jey @WWEUsos @WWERomanReigns @HeymanHustle pic.twitter.com/ipUCRebFQj
— WWE (@WWE) September 26, 2020
"You're gonna take the payday. You're gonna take the ass whooping that comes with it but you will NEVER take my title." – @WWERomanReigns /w @HeymanHustle to Jey @WWEUsos #SmackDown pic.twitter.com/Tt2M1kNY4R
— WWE on FOX (@WWEonFOX) September 26, 2020
Family affair – Roman Reigns being blunt that “It will never be you, because it will always be me” line was killer. But, Jey Uso’s reaction, with emotion and desparation was fantastic. I’m invested! Short, sweet and no in-ring fisticuffs. And then, one Superman punch and the tonuge-lashing from the Universal Champion. When Reigns said he’ll feed my family with this title and told Uso that he should take the payday and the ass-whooping, he’s not far from the truth. The most impactful 3:00 of Friday night.
Tumblr media Tumblr media Tumblr media Tumblr media
#SmackDown pic.twitter.com/uk3Bl9SYwl
— WWE on FOX (@WWEonFOX) September 26, 2020
Alexa Bliss – First off, the match with Lacey Evans was very good. Secondly, the addition of The Fiend’s red lighting causing Bliss to absolutely lose control was fitting. Then, the look from Bliss to Roman Reigns on the ramp was the cherry on the SmackDown sundae. Delicious!
Wasted effort:
LHP feud – We’ve said it before and we’ll say it again, NO ONE wants to see a feud between the members of the Lucha House Party. Wasting it while in the midst of a tag team championship squirmish with Cesaro & Shinsuke Nakamura is just a pure waste of everyone’s time.
Otis vs. The Miz – Really not feeling the lawsuit vibe here at all. I’d rather see either team in the mix for the tag team championships.
Good stuff:
Matt Riddle – Every time he’s in the ring, this time in a losing Payback rematch against King Corbin, Riddle doesn’t disappoint. He’s on the rise and good things are ahead for the Bro Show.
A sign of things to come this Sunday at #WWEClash of Champions?? #ICTitle@SamiZayn picks up the win on #SmackDown! pic.twitter.com/rWKXRkRynY
— WWE (@WWE) September 26, 2020
Triple Threat IC – While I’m not a fan of having the same 3 guys face off in a match two days before a PPV, Sami Zayn and AJ Styles put their best foot forward for Sunday’s Intercontinental Title Ladder Match at Clash of Champions. It makes me thing Jeff Hardy and his new contract will walk away with all the gold!
𝒰𝒩𝒯𝒪𝒰𝒞𝐻𝒜𝐵𝐿𝐸.
Tumblr media
The mystery continues… #SmackDown pic.twitter.com/W4MZjonauD
— WWE (@WWE) September 26, 2020
Untouchable – So, if reports are true that it’s really Carmella and her tattoo in these vignettes, it’s not a bad thing. I just wonder if they give reality to her relationship with Corey Graves too. BTW, I didn’t think anyone still owned a polaroid camera these days!
Bayley – As usual. Solid and getting better on the mic. Can’t wait for the Sasha feud to go full blown.
Parting shots:
#RIPAnimal.
Tumblr media
#SmackDown pic.twitter.com/Dwt2U6z1AZ
— WWE (@WWE) September 26, 2020
RIP John Laurinaitis – Road Warrior Animal passed away much too young this week at age 60. The Road Warriors, Hawk and Animal, changed the sport and tag team wrestling forever. Long live the Road Warrior pop!
Clash of Champions – Predictions
WWE Championship Ambulance Match: Randy Orton defeats Drew McIntyre to win title
WWE Universal Championship Match: Roman Reigns defeats Jey Uso
SmackDown Women’s Championship Match: Nikki Cross defeats Bayley (thanks to Sasha Banks) to win title – Alexa Bliss comes out to congratulate her and gives her a Sister Abigail
WWE Women’s Championship Match: Shayna Baszler and Nia Jax defeats The Riott Squad to retain title
Smackdown Tag Team Championship Match: Cesaro and Shinsuke Nakamura defeats Lucha House Party to retain title
RAW Tag Team Championship Match: The Street Profits defeats Angel Garza and Andrade to retain title
WWE Undisputed Intercontinental Championship Ladder Match: Jeff Hardy defeats AJ Styles & Sami Zayn to win undisputed title
WWE United States Championship Match: Bobby Lashley defeats Apollo Crews to retain title
RAW Women’s Championship Kickoff Show Match: Asuka defeats Zelina Vega to retain title
Coming up this week:
RAW: Clash of Champions Fallout
NXT: Shawn Michaels hosts face-off between Finn Balor and Kyle O’Reilly Shotzi Blackheart vs. Dakota Kai
SMACKDOWN: Clash of Champions Fallout
Thanks for letting us share our thoughts! Shoot me an email at [email protected]. We’d love to hear your comments and suggestions! You can also check out my blog, The Crowe’s Nest as we delve into more pro wrestling, sports entertainment and the World of Sports. My apologies ahead of time – I AM a Patriots, Red Sox, Celtics and Bruins fan! If you’re not down with that, I’ve got TWO WORDS for you… NEW ENGLAND
0 notes
momtemplative · 4 years
Text
The Long Game
Tumblr media
A conversation about schools reopening:                               Part one (uno, un) of presumably many.
There was one year I celebrated the First Day Of School with such vigor and rebelliousness that the moment I got home from the double-drop-off, I stripped down to my undies and ate pesto from the jar, on the couch, like a crazy woman. 
Last year, the first day of school was delayed for four days because of construction and I had a full-on meltdown. Get these kids out of the house!!
Now, here we sit, atop an entirely different perspective. That Holiest of Days means nothing. 
Finish lines and dates-to-look-forward-to-with-certainty during this pandemic are as arbitrary as the outcome of a toddler game of pin-the-tail-on-the-donkey. I’ve been applying a lowered-gaze to these long, long days, a here-and-now approach to get us through to the finish line of school starting. Not thinking about the Long Game has been a survival tactic to avoid an onslaught of overwhelm and to allow more room for joy and sanity. (There are plenty of tough days that happen organically, without the pressure of trying to figure it all out.)
Back in March, I thought, (many of us thought), ok this is crazy, but they’ll surely get back to school in the fall. And what an epic celebration THAT First Day will be! 
Especially after this four+ month stint of no school, no sitters, no public places open (safely), no playdates or kid swaps, no summer camps or extracurriculars, and no travel! I’d be lying if I said I wasn’t holding up the First Day as a beacon of hope, grabbing at it like fruit for a starving soul that hangs way beyond my reach.
Up until last Wednesday, we could still speculate about school as some far-off agenda. Of course there was no way school could start up again as per usual, but I pushed that slippery little thought out of my mind every time it landed.
Now, heavy with reluctance, I am beginning to mourn the loss of the reality I was hoping for—to have Opal back in school and Ruth in preschool three full-days a week! (That was new, for the two years prior, she attended preschool for three half-days, which just barely covered my part-time work load.) The generous portions of un-scheduled time (that far surpass the needs of my job, which I will not be doing for the foreseeable future anyhow, since giving massage to elders with dementia and Alzheimers is such a dangerous gig right now) were joyfully staggering to think about. 
Once the facts came to light, hard and fast on the computer screen, it no longer worked to play dumb about what the fall might look like. They announced this week that BVSD (Boulder Valley School District) would be opening schools for two days a week, a “hybrid model,” starting one week late, end of August. Half the class will attend Tuesday and Wednesday, half will attend Thursday and Friday. On the not-in-person days, kids will do online schooling. (Kids can also opt out of this for fully online, at-home schooling.)
The kids will be required to wear masks and keep their distance. There will be partitions and well-spaced desks and lots of outside time. The precautions will be thorough and lengthy, but necessary.
Joseph G. Allens, assistant professor of exposure assessment science at Harvard says, “On prevention, we are seeing that in many hospitals, the number of infections of front-line doctors and nurses has dropped way down. Why? Strict controls are in place focusing on just three things: mask-wearing, hand-washing and air-cleaning.”
This is positive news for the kids who are old enough to be mindful and take precautions. Luckily, Opal is old enough to be developmentally capable of following all the rules, not only because that is who she is, but because she understands this is what needs to happen for the public’s health. Five years ago, she may have had good intentions, but would’ve been developmentally unable of doing what needed to be done. Five years from now, she may be nursing a rebellious phase—who knows. So, we rejoice at the fact that she is eddying in the safest spot—age and development-wise—that she possibly could. (Not to mention her motivator-of-wise-choices is far more ubiquitous and scary than simply aiming to be a ‘good girl.’)
Ruth, who is four and still taste things from the ground, is another story altogether. And to intensify that reality is that she’d be in a classroom of 11 other small-children-examples. When I imagine a birds-eye-view of her classroom, I see piles of children, not individual bodies, all heaped onto a particular play area like puppies on a teat. The personified opposite of social distancing. 
And because we have grandparents to think about, we have chosen to keep Ruth from the fray of preschool for the time being. (I acknowledge we are fortunate to have this choice.) This is devastating and confusing for her, she is longing for her friends and teachers, the world she cultivated for the prior two years, half her life. She still doesn’t understand why school stopped so abruptly, why she never got to say goodbye to her class, why she can’t see any of them now, except for on a screen. 
(Ruth sometimes refers to The Virus as almost a villain-character. She’ll be lying in bed and suddenly, disgustedly, shout, “THAT VIRUS IS SO RUDE!”)
For the last few days, I’ve been saturating myself in news articles about how schools plan to re-open next month and the safety of it all—for grandparents, for teachers, for us. I vacillate between, this will be weird but fine and yikes and wait, is this the best approach? 
There is a staggering amount to consider, and yet a minuscule amount of certain information out there. Almost every article I read about young kids and COVID—can they spread it??—is filed under the opinion section of the paper. Info feels sparse and mostly speculative. I don’t trust it. At least not on her grandparents’ lives. Schools in Europe reopened months ago, where is the research from that?
Brian P. Gill, senior fellow at Mathematica, (a nonpartisan public-policy research and analysis firm), had some optimistic things to say. He said, “When reopening schools, he’d most recommend a staggered start and to reduce the number of students in schools and classrooms. “We believe this can dramatically slow the spread of COVID-19—even if children are not especially good at wearing masks or maintaining physical distance.”
I really don’t know who or what to believe at this point. I find myself glomming on to the positive bits, sharing a hopeful thought or article with friends, accompanied by a prayer-hands emoji. Then I will read something that troubles me and I turn leaden and sink to the bottom of my mental well. I usually don’t share those articles. It cycles back and forth like this. 
But returning to the bricks-and-mortar plans for Opal’s upcoming school year:
I try to imagine what this will all look like. The rooms will be half-full of socially distanced little bodies, all looking like mini-surgeons in their masks and ranging in age and size and from approximately 5 to 10 years old. Opal is on the older end, and I imagine her classroom to look like theater—where everyone has an excessive personal bubble and the plastic partition creates a glare from every angle and warps the images on either side. Connections will have to be made in code, sideways, or way too loud to overcome the cloth curtains that cover mouths. I imagine the resurgence of note-passing, like when I was a kid and we’d fold them into little origami packages and pass them along to the desired recipient, hopefully out of the teacher’s gaze. But in this case, they’d need to be tossed rather than passed—the closest desk will be six feet away.
Will they be able to see the preposterousness in all of it? Will they be able to share a good laugh about it or will it all seem like dreadful torture? I’m sure perspectives will vacillate from one end of the spectrum to the other, the way they do now. 
I do solemnly wish that everyone enter the first day of school expecting nothing less than chaos and confusion, and because of that, they will offer each other more slack and kindness. This sucks equally for everyone, the whole dang village. There’s got to be some solace in that?
(And can I get a moment of silent mercy for all these teachers, even the grumpiest ones? I cannot fathom the ninja-brainwork required to hold all these pieces together. The effort is heroic.)
We would probably consider kiboshing the whole operation if it were to last any longer than two days. That’s plenty manageable. And Opal wants it so bad. The sense of purpose, of community, of life-beyond-the-walls-of-our-home. She told me she’s dying to see the eyes of all her friends, even above a mask, as long as it’s not on a screen! Preach.
I am well aware that this equation doesn’t help parents who are trying to get back to work, but, again, I appreciate what Brian P. Gill has to say about it:
“As parents ourselves, we would much prefer that our child’s school be open for a predictable two days a week than a highly unpredictable cycle of opening and closing. But more important than our own preferences are these facts: Unpredictably difficult experiences create more stress and more downstream health problems than predictably difficult experiences, even if the experience itself is equivalent in all other respects. And for children, more predictability yields better emotional health, a key predictor of life outcomes.”
SO here we are, bouncing around the map of this pandemic with, what often feels like, no real direction. At the entrance of yet another entirely foreign trail to blaze—with kids, with grandparents, woven into the threads of our decision making more than ever before in our previous lives.
We want to give our kids the moon, but for right now, maybe the best thing we can give them is predictability. 
Joseph Allen said it well, “I wish it was different. We can continue to push for things to get better — and maybe our government will course-correct. Until then, we must forge a path forward with the reality we have, not the one we want.”
0 notes
dustedmagazine · 4 years
Text
Dust, Volume 6, Number 11
Tumblr media
HAAi
As it was with September, so it is with October. After what felt like the dam breaking on all those albums optimistically held back by the pandemic, October continued to rain down releases and there was no shortage of them to cover. As ever, if diversity’s your thing, we have it: From pimp-rap to free jazz, death-metal to AM gold, jungle to Azerbaijani guitar jams, we got it all for you to peruse. Contributions this go ‘round come care of Ray Garraty, Ian Mathers, Bill Meyer, Jonathan Shaw, Andrew Forell, Tim Clarke, Justin Cober-Lake, Patrick Masterson and MIchael Rosenstein.
AllBlack — No Shame 3 (Play Runners Association/Empire)
youtube
Just when we thought that pimp-rap was going out of business, AllBlack blessed us with No Shame 3. It is a lot of what it claims: playfulness with no shame, ignorant beefs, endless balling during California nights and showing off in earnest. AllBlack alludes to the fact that even though he’s getting that rap check, he’s far from quitting the pimp game: “Made 40K in eight days, that was just off pimpin'.” But behind this happy façade is something darker that’s looming on: “As I got older, I ain't scared, I guess I'm cool with death / You speak the truth and they gon' knock you down like Malcolm X.” While admitting that rap is a cutthroat game, AllBlack is only one of the few artists of a younger generation who is ready to pay respects in his songs to the OGs — the godfathers of pimp-rap, to Willie D, Dru Down and Too $hort. The standout track here is “Pizza Rolls,” where DaBoii and Cash Kidd drop in to deliver the funniest lines. 
Ray Garraty
Bardo Pond — Adrop/Circuit VIII (Three Lobed Recordings)
Adrop / Circuit VIII by Bardo Pond
There are plenty of reasons to do small, limited runs of certain releases, in music as in other artistic fields, ranging from the brutally practical/logistical to the aesthetic, but when the material released in that fashion is good enough, it can be a relief to see it given further life (and not just digitally). This year saw the mighty Three Lobed Recordings (who we featured in an anniversary Listed here) has seen fit to reissue on vinyl two Bardo Pond LP-length pieces that were originally issued in limited run series back in 2006 and 2008. They were in good (and varied) company then, but resonate together in a pretty special way, whether it’s the tripartite Adrop wandering from gnarled, crepuscular grind to violin-powered epiphany or back down to delicate nocturnal acoustics. The longer Circuit VIII doesn’t have as distinct phases but still builds to an all-time Bardo Pond-style crescendo, featuring Isabel Sollenberger’s only vocals of the duo. Even with a band and label this consistently on point, these particular recordings are worth the wider dissemination, whether considered as archival releases or just a hell of a double album.
Ian Mathers
John Butcher & Rhodri Davies — Japanese Duets (Weight of Wax)
Japanese Duets by John Butcher & Rhodri Davies
There’s a bittersweetness about Japanese Duets that’s as pungent as the puckered, perfectly placed reports that English saxophonist John Butcher sometimes punches out of his horns. This is the third in an ongoing series of download-only releases that Butcher, idled by COVID-19, has culled from his archive, The Memory of Live Music, and the unbearable lightness of its format, only accentuates the sense of lost opportunities and experiences. One of the things that a touring musician gains in exchange for their embrace of uncertainty is the chance to go to some unlikely place and undergo something extraordinary. The four-page PDF that comes with this download reproduces photos from Butcher and Welsh harpist Rhodri Davies’ 2004 tour of Japan, which took in swanky museums and shoebox-sized jazz cafes; each image looks like a moment worth living. But if all you can do is hear the evidence, that’s not exactly settling. This improvising duo was audibly on a roll, pushing reeds and strings to sound quite unlike their usual selves, and challenging each other to move beyond logic to the rightness of jointly made and imagined moments. Thanks, guys, for sharing the memories. 
Bill Meyer
Ceremonial Bloodbath — The Tides of Blood (Sentient Ruin Laboratories)
The Tides of Blood by Ceremonial Bloodbath
Yikes — talk about truth in advertising. Canadian death-metal band Ceremonial Bloodbath delivers the goods promised by their moniker and this new LP’s title. It’s a repellent record created by dudes that play in a bunch of other death-metal bands based in British Columbia: Grave Infestation, Encoffinate (not Encoffination), Nightfucker and numerous others that tunnel even further under the broader public’s attention. Give these guys credit for their single-mindedness: None of those bands is likely to make you feel any happier about the human condition. Neither will listening to The Tides of Blood, but it’s a better record than any that those other acts have released. The songs are low-tech, dissonant and about as subtle as a bulldozer’s blade knocking through your front door. In other words, the record is largely in line with what we’ve come to expect from the death-metal recently dug up by Sentient Ruin Laboratories, and for a certain kind of listener, that’s a good thing. Check out “The Throat of Belial,” which comes on hard and fast, then downshifts into second gear and unleashes a tangled, coruscating sort-of-guitar-solo. The mechanical chug reasserts itself, then speeds up again, unleashing steam and the smell of something… organic. The song has a ruthless momentum, as does the rest of the record. Pretty good Halloween music if you want to scare all the trick-or-treaters off your lawn.
Jonathan Shaw
Cut Worms – Nobody Lives Here Anymore (Jagjaguwar)
youtube
Max Clarke evokes a wistful nostalgia for an America that existed perhaps only in the mind, the warm campfire glow of an era personified by The Everly Brothers’ harmonies, the twanging guitars of country rock and 1970s singer songwriters. On his new album as Cut Worms, Clarke literally doubles down on his musical project. Nobody Lives Here Anymore comes in at 17 songs that, while individually fine enough, meld into one another and gradually fade from the memory as the album unwinds. Clarke never quite transcends his influences and is not a strong enough lyricist to engage at this length. The effect is similar to that of The Traveling Wilburys where the whole is lesser than the sum of its parts. That said, Clarke is engaging company with a voice that splits the difference between the aforementioned siblings, Roy Orbison and Tom Petty. He has an ear for a melody and skillfully recreates an AM radio sound that trips the memory for anyone who grew up with this music either as inescapable background of their lives or soundtrack for their teen dreams and heartaches. 
Andrew Forell
Dead End America — Crush the Machine (Southern Lord)
Crush the Machine by Dead End America
This new EP by Dead End America (DEA — see what they did there?) comprises four short, piledriving hardcore songs, all directly addressed to the current occupant of the Oval Office. “Bullet for 45 (Straight From a .45)” neatly captures the EP’s essential sentiments, and also suggests the general level of restraint exercised by the whole enterprise. Hint: Restraint and nuance are not Dead End America’s strong suits. That’s not surprising, given the folks involved. The band and record were conceived by Steve “Thee Hippy Slayer” Hanford, late of Poison Idea, and of this world. It’s pretty wonderful that this is some of the last music Hanford produced — pissed off and irreverent to the very end. Additional contributors include Nick “Rex Everything” Oliveri (the Dwarves), Mike IX Williams (Eyehategod), Blaine Cook (the Fartz) and Tony Avila (World of Lies). Sort of remarkable that a record including players from all those legendarily vile, venomous bands doesn’t just spontaneously self-combust; maybe it helps that they focus their collective rage on such a deserving target. RIP Steve Hanford. The wrong people are dying.
Jonathan Shaw
Chloe Alison Escott — Stars Under Contract (Chapter Music)
Stars Under Contract by Chloe Alison Escott
Chloe Alison Escott is the frontwoman of Tasmanian post-punk duo The Native Cats, and her pre-transition solo album, The Long O, released on Bedroom Suck back in 2014, received justified plaudits upon its release. (It remains a low-key favorite of mine.) New solo piano-and-vocals album Stars Under Contract was all recorded in one day by Evelyn Ida Morris (Pikelet), which lends these performances an on-the-fly liveliness. For the most part, it’s rollicking fun, with some wryly funny lyrics that betray Escott’s sideline in standup comedy. This performative confidence comes through in early highlight “There’s Money in the Basement,” which has the jaunty barroom bounce of “Benny and the Jets.” Later, Escott reaches for the heavens on single “Back Behind the Eyes Again,” with a truly heartbreaking piano progression. Though the 16 tracks are wisely interspersed with short instrumentals such as “What Are You Reaching For,” “Evening, Sunshine” and “Playfair,” 43 minutes is a lot of piano-and-vocals songs to get through in a single sitting. On closing track “Permanent Thief,” there’s a tantalizing flash of drum machine and bass, which could be a nod there’s another Native Cats album on the way soon. 
Tim Clarke
Eiko Ishibashi — Mugen no Juunin - Immortal - Original Soundtrack (King)
youtube
If you sit up nights fretting about how Eiko Ishibashi and her partner, Jim O’Rourke, pay the bills, this music may be your melatonin for your worried mind. Immortal is the soundtrack for Blade of the Immortal, an anime adaption of a popular manga that’s been picked up by Amazon Prime. Ishibashi composed and played the music with contributions from Tetuzi Akiyama, joe Talia, Atsuko Hatano, and O’Rourke, who also mixed the music. Ishibashi’s music echoes the affect-stirring melodies of her song-oriented material and the careful sound placement of her recent electro-acoustic work for Black Truffle; when the swirl of keyboard tones looms over her piano on “Animal,” there’s no mistaking it for anyone else’s work. But this is still made for a mass market, with unabashed classical music lifts and big, booming electronic percussion that would make a multiplex’s walls throb if you gave it a chance. There’s no physical release or Bandcamp option, so if you want to check this out, Apple Music and iTunes are your options. 
Bill Meyer
Ela Minus — Acts of Rebellion (Domino)
youtube
Colombian musician Gabriela Jimeno’s debut album as Ela Minus is a collection of original tracks that merge songcraft and club sounds into an assured mix of electronica on which she plays all the instruments and sings in both Spanish and English. After spending her teenage years drumming for hardcore band Ratón Pérez, Jimeno studied jazz drums as well as the design and construction of synthesizers, and she eschews the use of computers to create her music. She brings a DIY spirit to her work combined with meticulous production style that gives acts of rebellion the experimental edge of early 1980s independent synthpop. The highlight "Megapunk” is musically close in spirit to Cabaret Voltaire, its defiant lyrics — “There’s No Way Out But to Fight” — tying freedom of expression to wider human progress. A textured and nuanced album, Ela Minus joins an ever-growing group of South American producers to tune into.
Andrew Forell
Erik Friedlander — Sentinel (Skipstone)
Sentinel by Erik Friedlander
Cellist Erik Friedlander seems to pop up in the oddest places, playing now with the Mountain Goats, then with Dave Douglas, and finding a little time for film scoring on the side. It's reasonable that for new album Sentinel, he'd connect with a couple of other artists — guitarist Ava Mendoza and percussionist Diego Espinosa — equally comfortable with finding unexpected sounds in a variety of styles. The group, given their background, sounds their best when they're blending genres. “Flash” starts off as new jazz, turns into rock for a moment, then some strange cello lead pushes it into alien territory. At the edges of the trio's work, heavy rock often feels about to break out, but the group refrains from ever indulging that impulse. “Feeling You” even provides some light, pretty pop, allowing the band to show its full breadth.
Friedlander's compositions provide the basis for the album, but Sentinel never feels like just his album. The band, assembled for what sounds like a hurried set of takes, found their partnership quickly, turning the pieces into fluid performances. “Bristle Cone” lets all three members shine and functions like a microcosm of the disc as a whole: As soon as you think it's a guitar album, you start paying attention to the percussive elements; as soon as you remember it's experimental cello work, you're back to guitar rock. The trio's engagement with the music and with each other comes through, the playful innovation guiding each piece into a multifaceted whole.
Justin Cober-Lake
HAAi — Put Your Head Above the Parakeets EP (Mute) 
Put Your Head Above The Parakeets by HAAi
Though it was Teneil Throssell’s mixes that initially made her name as HAAi (and remain strong even amid the pandemic, her latest for XLR8R another beauty), her own productions are a wonder unto themselves that demand repeat listens even as they come a trickling single or carefully cultivated EP at a time. The Karratha, Australia native, Coconut Beats hostess and Rinse and Worldwide FM veteran’s latest is the delightfully titled Keep Your Head Above the Parakeets EP, pure headphones music meant for sunrises, sunsets, walks in deep snow, rain-swept moors, you name it. Her talent is in balancing airy synth melodies with ever-shifting percussion influenced primarily by jungle, breaks and (ultimately) house; when people talk about psychedelic dance music, this is something like what I always hope to hear. Another unmissable missive.
Patrick Masterson
Hübsch, Martel, Zoubek — Ize (Insub)
Ize by HÜBSCH, MARTEL, ZOUBEK
Decades have passed since Derek Bailey wrote his book, Improvisation. At that time, it was already clear that the intentionally non-idiomatic music he pioneered and practiced was a subset of the more universal matter of improvising as a necessary aspect of playing music. It was also becoming clear that non-idiomatic improvisation’s aspirations and proscriptions amounted to a new but quite identifiable idiom, and this Swiss trio is okay with that. If you told Carl Ludwig Hübsch (tuba, objects),Pierre-Yves Martel (viola da gamba harmonica, pitch pipes) and Philip Zoubek (piano, synthesizer) that the music on Ize sounds a bit like the British ensemble AMM’s, they’d likely nod and thank you for noticing. They’re not trying to make a new kind of music, they’re trying to be good at a kind of music that they love, and on those terms, they succeed. Aside from the occasional Feldman-esque piano phrase, they mostly trade in layers of tone and texture, operating in complementary parallel to one another, taking the listener through states of meditative stillness and slow-motion vertigo. 
Bill Meyer
J Majik — Your Sound - Photek & Digital V​.​I​.​P 12” (Infrared) 
J Majik - Your Sound - Photek & Digital V.I.P by J Majik / Photek / Digital
Released on the same day as the “This Sound” single that allegedly was refashioned from “unfinished jungle project from the vaults,” “Your Sound” was further proof that UK drum n’ bass vet Jamie Spratling bka J Majik still has plenty of material from the golden era to get out into the world. The original is a certified mid-’90s Metalheadz classic, but Photek and Digital’s reworking on the a-side “originally only destined for the dubplate boxes of the ultra-elite” has been floating in the ether for years as an alternative; its light Amen sequences and booming bass will have you yearning for every closed club you can’t attend. J Majik’s remix of his own tune on the flip was originally the b-side to a 1997 Goldie VIP edit, so having a more readily available remaster here does it a world of good. One for the headz, obviously.
Patrick Masterson
KTL — VII (Editions Mego)
VII by KTL
Most of KTL’s recordings have been seeded by theater and film soundtrack commissions. But when Stephen O’Malley (Sunn 0))), Khanate) and Peter Rehberg (Pita, Fenn O’Berg) found themselves in Berlin this past March with more time on their hands than they expected, they booked themselves into Mouse On Mars’ MOM Paraverse Studio sans portfolio and set to work. The first track, “The Director,” seems to acknowledge the situation by introducing the Shephard-Risset glissando, a repeated scale that sounds like it is endlessly ascending or descending. The titular figure never arrives, but while you’re waiting, fat looped electronics impart the experience of going somewhere while leaving you exactly where you’re at. The director isn’t the only value missing from this equation; O’Malley’s default sonic signature, a massive metallic wall of sound, has been softened to a close-shaving buzz that rattles and circles around within Rehberg’s synthetic/sonic biodome. That’s right, while you’ve been baking bread and putting on that COVID-15, KTL has actually lost weight! 
Bill Meyer
Lisa Cay Miller/Vicky Mettler/Raphaël Foisy-Couture — Grind Halts (Notice Recordings)
Grind Halts by Lisa Cay Miller/Vicky Mettler/Raphaël Foisy-Couture
Montreal-based guitarist Vicky Mettler, bassist Raphaël Foisy-Couture and Vancouver-based pianist Lisa Cay Miller are all new names to me. For their trio collaboration on Notice Recordings, the three work their way through a set of eight free improvisations that range from one and a half minutes to eight minutes long. The combination of piano, guitar and upright bass is striking from the start: Miller slips seamlessly between the keyboard and inside-string preparations, mostly eschewing readily identifiable sonorities of her instrument. Mettler’s resonant, brittle electric guitar is the perfect foil to Miller’s piano and one often has a hard time teasing apart where inside piano strings end and guitar strings begin. Add to that Foisy-Couture’s dark low-end bass, which he attacks with groaning scrapes, shuddering arco and assorted string treatments. The three engage in active improvisations, plying their respective instruments into a collective whole while steering clear of garrulous interaction. The fourth piece, “Lower” is as close to trio exchanges as things get, opening up the ensemble sound to allow shredded guitar textures, resounding piano chords and scabrous bass abrasions to accrue into pulsating timbral layers. A piece like “As It Spins” is more about process, adding in the rumble and clatter of assorted percussive detritus, used on their own and to activate the strings of the instruments, which jangle with resultant shimmering overtones. The pieces often segue one into the other, creating an enveloping sound-space throughout. Based on this one, I look forward to hearing more from each of the participants.
Michael Rosenstein
Mint Field — Sentimiento Mundial (Felte)
Sentimiento Mundial by Mint Field
Mexico City-based duo Estrella del Sol Sánchez (voice, guitar) and Sebastian Neyra (bass) enlist drummer Callum Brown to expand the range of their dreamily psychedelic shoegaze on Mint Field’s second album Sentimiento Mundial. Sánchez has the breathy cadence of Rachel Goswell and moves easily between an almost folky introspection in her guitar playing to squalling walls of sound underpinned by Brown’s often motorik drums on tracks like “Contingenicia” and “No te caigas.” The bulk of the album is more reflective, Sánchez’ Spanish vocals close to your ear as she concentrates on atmosphere and dynamics. The result is a dreamscape that lulls, then hits with febrile bursts of restless dread, an impressive collection that fans of 4AD in particular should recognize and embrace. 
Andrew Forell
Takuji Naka/Tim Olive — Minouragatake (Notice Recordings)
Minouragatake by Takuji Naka/Tim Olive
Minouragatake (a mountain outside of Kyoto, Japan) is the fourth recording by Takuji Naka and Tim Olive, a duo that has played together for close to a decade now, melding together music of slowly evolving rich timbral abstraction. Each are consummate collaborators and for this session, they make their way across the seven untitled tracks with steadfast focus to the nuanced details of their respective sound sources. Naka utilizes “long loops of sagging/distressed cassette tape winding into and out of similarly distressed portable tape players, with real-time analog processing.” Olive uses his regular array of magnetic pickups and low-tech analog electronics, drawing out volatile hums and changeable striations that coalesce with his partner’s slowly devolving layers of sound. These pieces are imbued with unflappable deliberation, each sound integrated into the cohesive, gradually unfolding improvisations. Each of the pieces sound as if one is tuning in mid-stream and end with a sense that they could continue on indefinitely. Rather than adhering to any formal developmental arcs, the two patiently sit within unfurling sonic worlds as layers ebb and flow. Naka’s degraded tapes lend an aura of catching wafts from some distant celestial emission which Olive subtly shades and colors with hisses, whispered mutable fuzzed gradations and aural grit. Snatches of scumbled lyricism morph into static-laden swirls; washes of flaked and tattered textures disperse into shuddering thrums. Naka doesn’t record much so it’s good to hear another project from him. Olive has been on a particular roll as of late and this one is a laudable addition to his discography.
Michael Rosenstein
Okuden Quartet — Every Dog Has Its Day But It Doesn’t Matter Because Fat Cat Is Getting Fatter (ESP-Disk)
Every Dog Has Its Day But It Doesn't Matter Because Fat Cat Is Getting Fatter by Okuden Quartet: Mat Walerian/Matthew Shipp/William Parker/ Hamid Drake
Put aside the bleakness of this double album’s title because this music embodies the idea that things can get better. Not that there was anything wrong with Polish woodwinds player Mat Walerian’s previous recordings, which have all involved some combination of the musicians on this one. But Walerian has never sounded so strong on his various instruments (alto saxophone, bass and soprano clarinets, flute); so clear on how to get the most out of Matthew Shipp, William Parker and Hamid Drake; or so engaged with jazz, and not just the free jazz that he’s made with these gentlemen to date. By turns subdued, impassioned and bathed in all the shades of the blues, Walerian no longer sounds like a guy who has great taste in sidemen who happen to have played with some of the greats of our time, but a guy who sounds like he belongs in their company. Each lengthy track (they range from 11 to 18 minutes long) imparts a narrative feel without dispelling the mystery that makes you want to hear them again. Here’s hoping that when things start moving again, this band finds a way to move around the world and move us in person. 
Bill Meyer
Om — It’s About Time (Intakt) 
It’s About Time by OM - Urs Leimgruber, Christy Doran, Bobby Burri, Fredy Studer
To a fan, It’s About Time might sum up the feeling upon learning that the Swiss quartet Om finally recorded a new studio album 40 years after its predecessor, Cerberus (ECM). It also captures the existential question facing a quartet of improvisers, some of whose paths have often crossed during that time, but some of whom have taken very different roads. On the one hand, drummer Fredy Studer and guitarist Christy Doran play in a Jim Hendrix cover band with Jamaladeen Tacuma; on the other, soprano saxophonist Urs Leimgruber works mainly in freely improvised settings with the likes of Alvin Curran and Joelle Leandre these days. Burri seems to be the guy who has maintained connections with everybody. How to make sense of such a history without denying anyone’s musical identity? During their first go-around, between 1972 and 1982, Om was played polyrhythmic electric jazz. During the mostly low-profile gigs they’ve played since reconvening in 2008, they’ve had time to forge an updated vocabulary that is less groove-oriented but takes full advantage of the timbral resources on hand. While it’s evident that time has passed, it’s by no means a waste of time. 
Bill Meyer
Rüstəm Quliyev — Azerbaijani Gitara (Bongo Joe)
youtube
Azerbaijani music, by and large, hasn't broken through to the American mainstream. That might not change, but the new anthology release of Rüstəm Quliyev's work, titled Azerbaijani Gitara, at least makes a case against our insularity. Quliyev's work, even for an insider, would be hard to pin down given that the overriding goal seems to be the synthesis of as many styles of music as possible. Western ears will be most comfortable with the psych-rock influences here. Quliyev also reworks Bollywood, folk, Middle Eastern dance and more on his electric guitar. Taken from recordings from 1999-2004, this nine-song collection sounds more coherent than that idea might suggest, but no less frantic. Quliyev plays with a persistent energy, his kinetic approach matched my his chops, often with a tone reminiscent of Carlos Santana (if we reach a little). On songs like “İran Təranələri,” he allows the piece to develop patiently, but these cuts rely on movement and virtuosity. Quliyev had a challenging life cut short by lung cancer, but his music finds itself unleashed through apparent joy.
Justin Cober-Lake
ShooterGang Kony — Still Kony 2 (Empire) 
youtube
A fortnight shy of his 22nd birthday (this coming Wednesday, mark your calendars and send best wishes), Sacramento rapper ShooterGang Kony has dropped his second full-length project of the year in Still Kony 2, a skit-free set of songs with a Biggie homage as the cover that explores further his emotional depths while still retaining the bouncy Bay Area nature of his livelier side. There’s stuff like “Red Ice” and “Fasholy Good,” of course, but there’s also the stretch of sobering songs later in the tracklist, including “Overdose,” “Flaggin” and the particularly affecting “Do or Die.” No matter the type of beat, though, Kony feels completely at ease with his cadence and wholly in control of his verses despite occasionally verging on a Detroit-like dismissal of the beat. Even if you can’t see the geekin’, you can certainly feel it.
Patrick Masterson
Suuns — Fiction EP (Joyful Noise)
FICTION EP by SUUNS
For better or worse, Suuns’ new Fiction EP is pretty much the sound of 2020 encapsulated, not in the sense of distilling current musical trends, but rather in succinctly conveying the disorientating feeling of living through a year that has been such a traumatic mess. Across these six tracks, the Montreal-based band creates a fuzzy, feedback-streaked, claustrophobic racket that just about coalesces into song forms around breakneck rhythm tracks. “Fiction” and “Pray” will meet the expectations of anyone expecting Suuns to continue sounding like fellow noise-rockers Clinic, but elsewhere there’s surprising variation to the band’s sound palette. Opener “Look” emerges out of the darkness like a warped apparition, concluding with a chant of what sounds like “Sheep, sheep, sheep.” They enlist the help of Jerusalem In My Heart for droning instrumental “Breathe,” and Amber Webber lends ghostly vocals to “Death.” At the EP’s end, the Mothers of Invention’s wailing blues-rock classic “Trouble Every Day” is barely recognizable, foregrounding Zappa’s lyrics and chewing them up into a garbled rush of splenetic invective. Though short, there’s something satisfyingly ghastly and cathartic about this EP that really cuts through.
Tim Clarke
Women — Rarities 2007-2010 (Flemish Eye/Jagjaguwar) 
Rarities 2007 - 2010 by Women
Some outlets rode much harder for Women than others when the band was still a dysfunctioning unit (RIP Cokemachineglow, namely), but there’s little doubt left a decade on that what the Calgary quartet had going was a volatile yet beautiful indie-rock ideal that hasn’t been duplicated in Viet Cong/Preoccupations or Cindy Lee since. These rarities, affixed to a deluxe decennial reissue of Public Strain due out in November, could all have made the final tracklistings of either of their full-lengths. The music veers between sunny ‘60s singalongs and dark guitar dissonance; I find myself thinking of The Walkmen’s first LP on “Bullfight” (a free release from 2011 in the aftermath of the band’s collapse the year before) and of The Chameleons on “Group Transport,” which is considerably more Janus-faced with its juxtaposed harmonies, for example. It took me much longer than it should have to come around on Women, but in case you’re still on the fence or also just never got around to them in the first place, perhaps this small coda will sway you in their favor once and for all.
Patrick Masterson
Yo La Tengo — Sleepless Night EP (Matador)
youtube
In July, Yo La Tengo released the abstract, droning instrumental EP We Have Amnesia Sometimes, harking back to the sound of their excellent soundtrack album The Sounds of the Sounds of Science (2002). This new Sleepless Night EP brings together five covers and one original, first released in conjunction with an L.A. exhibition by Japanese artist Yoshitomo Nara, who helped the band pick the songs. Sleepless Night opens with “Blues Stay Away” by The Delmore Brothers and “Wasn’t Born to Follow” by The Byrds, both fairly straight renditions of the blues and country-rock originals. The real keeper in this collection comes next in the form of Ronnie Lane’s “Roll On Babe,” beautifully sung by Georgia, which hypnotizes with its languid sway. Their cover of Dylan’s “It Takes a Lot to Laugh, It Takes a Train to Cry” also has Georgia take the lead over beatless organ, bass and guitar. “Bleeding” is the sole original, a shimmering atmospheric piece with ghostly vocals from Ira, which dissolves in a pool of pitchshifted reverb. Finally, “Smile a Little Smile for Me” strips out the rhythm section from the Flying Machine original and slows the tempo, Ira’s measured vocal performance lending the song an affectingly forlorn slant. Though the material here offers few surprises, it’s a reassuring release from a justifiably loved band at a time when we could all use a little more reassurance.
Tim Clarke
1 note · View note