#anyway that realisation sinks in as we hear sam start screaming from the panic room

[thesummoningdark]

Okay, while I love everything you write I think for the DVD commentary I'd like a behind-the-scenes look into chapter 3 of At the Edge of the World. The entire fic is lush and gorgeous but I'm a sucker for the bits where Goody and Sam interact, and with the easy, sure steadiness that Billy brings to this experience that's so harrowing for Goody and would love your additional thoughts on either/both. -The Anon Formerly Known As Thrillingest

So this took forever. I’m happy to do more of these DVD commentaries (you can hit me up over on my writing sideblog!) if anyone’s interested, but I’d appreciate it if any further requests are for scenes rather than whole chapters. A chapter takes too long to do.

Anyway, answer below the cut~

When I originally set out to write this fic, the first neural handshake was what I’d actually been prompted to write (as a christmas present for @b-r-a-h iirc). It grew and took on a life of its own in the writing, but even so, that one scene was always going to make or break the whole fic. I spent a lot of time working on getting it just right.

It’s late enough by the time he finally leaves the kwoon that he doesn’t expect to find Sam in his office; he hesitates before going looking for him at all. But the prospect of another night stewing is unbearable. He doesn’t trust himself not to have lost his nerve by morning if he doesn’t commit to this now.

The shatterdome is quiet as he makes his way through. The overhead lights, motion-activated, flare one by one as he passes and settle into a steadily glowing trail behind him. It does nothing to quiet the sick unease simmering under his skin, feeling painfully exposed as his footsteps echo loudly in the silence of the bare corridors. He doesn’t know what he’s going to say. He can’t shake the conviction that there’s no choice he can make here which won’t turn out to have been a horrible mistake.

I was very pleased with the description of the shatterdome late at night, of how the quiet makes Goody feel so much more exposed and on edge. This opening part of the chapter was all about really showing his unease and how trapped he feels by the situation.

He hesitates in front of Sam’s door. Raises his hand; lowers it again.

He takes a deep breath, swears, and knocks.

These two lines work very well as punctuation to the scene, I think, slowing things down and underlining Goody’s hesitation. The short, sharp phrases are very different from how I normally write prose from Goody’s point of view - it’s actually a lot more like how I’d write Billy, oddly enough - but I like the sense it gives of these jerky, aborted movements and Goody second-guessing himself.

There are a few endless moments of silence before the sounds of movement emerge faintly from the other side of the door, a few muffled thumps and the quiet shuffle of footsteps. Goody hears the hollow clunk of the lock sliding back, but somehow it still startles him when the door swings open, his heart in his throat as he takes a step back and meets Sam’s tired eyes.

“I’ll do it,” he says in a rush before Sam can ask why he’s here. Sam regards him solemnly for a long moment before nodding.

“Good.”

“…I have some conditions,” Goody clarifies in a more measured tone, something sick and shocked crawling feverishly over the back of his neck as the magnitude of what he’s just agreed to tries to sink in. He pushes it away.

Sam sighs, and glances up and down the corridor before stepping aside. “Why don’t you come in.”

Writing this fic was the first time I really got to write interactions between Sam and Goody, and honestly, at first it was a little intimidating. Their conversation in the first chapter was the first time I’d ever written Sam period. I pretty much wrote this fic sequentially from start to finish, so by this point I was a lot more comfortable in their dynamic. I really love the ease between them, the sense of history in how well they know each other. A lot goes unspoken in their conversations because of it.

The Marshall’s quarters are larger than most others in the shatterdome, designed with the thought in mind that the occupant would be entertaining visiting dignitaries and the like. Still, it would take an impressive stretch of the definition to call any of the living quarters homey, and Sam’s have a certain barren neatness about them that speaks of a man who doesn’t own enough to clutter them, or spend enough time there to generate other mess. It’s very clearly a space where someone comes to sleep, not to live; there’s a distinct lack of personal touches. Save one.

Tacked to the back of the door is a single photo, unframed and a touch singed along one side, depicting a laughing family. Goody looks at it for a long moment before lowering his eyes out of some vestigial sense of respect. They all have their ghosts.

He sits on one of the spartan sofas, his gaze catching on the neat stacks of files spread out over the coffee table. Some he can identify; repair and maintenance records, duty reports, cadet evaluations. Others he doesn’t recognise at all. It’s truly startling, the amount of paperwork an organisation like the PPDC can generate in a day. “Has no-one ever told you it’s unhealthy to bring your work home with you?” he asks lightly. Sam snorts.

Some nice little set-dressing pieces of characterisation for Sam here. It doesn’t come up in any detail, but I imagine that he would have lost his family in a kaiju attack sometime before meeting Goody/joining the PPDC. That very clear sense of what he’s fighting for and why is something I consider to be pretty central to Sam’s character. I like having the old family photo there as a nod to his backstory - it crops up in the polyamory fill from KTT as well.

His room being fairly spartan is another hint at his character - very focused, all business - but it also handily doubles as a way of reinforcing the uncomfortable nature of Goody’s situation. The scene just wouldn’t feel quite the same if Sam’s quarters were cosy and welcoming.

“You mentioned conditions,” he says, sitting down opposite Goody and reaching for a gently steaming mug.

“Privacy,” Goody replies without hesitation. “And for it to be kept quiet. I’d rather not have an audience for this. And what a failed handshake would do to morale is the last thing the shatterdome needs right now.”

“We can arrange that,” Sam says, giving a nod, and Goody hadn’t even realised he was anticipating a fight until suddenly the tension is flowing out of him at the easy agreement. He sighs and sinks a little deeper into the sofa, scrubbing a weary hand over his face. Some part of him had half been hoping for an argument, for a refusal, but…here they are. For better or for worse, this is happening.

“For the record,” he says, “I’m still not convinced this is going to work.”

Sam considers him for a long moment. “So why agree?”

“Because…” Goody shakes his head, swallowing the sudden bitter taste at the back of his throat, some choking tightness wrapping around his chest. “Because in six months or a year, some green pilot pair riding a shaky drift are going to die in that damn jaeger.” He can see it clear as day from inside and out. The alarms screaming in the red-lit cockpit, the searing shock of the connection being violently severed; the roar of chaos over the radio back in the LOCCENT before everything goes abruptly, horribly silent. “I don’t need another what if to carry around.”

It was important to me in writing the first half of this fic to really work through Goody’s motivations: why he’s initially reluctant, and why he ultimately agrees. The progression from wanting to run from this to being willing to stand and fight even knowing how it’s likely to end for him is a parallel to canon I really wanted to keep. In a way this whole fic is about how he comes to that decision in this particular universe.

“I know the feeling,” Sam says quietly.

Goody gives him a thin, exhausted ghost of a grin. “Remember when we were young and bold and going to live forever?”

Sam snorts and shakes his head. “No.”

Have I mentioned that I really enjoyed writing their interactions?

Perhaps unsurprisingly he doesn’t sleep well that night. He can feel the enormity of the decision he’s just committed to hanging over him, a frozen tidal wave poised to come crashing down if he dares acknowledge it. He dozes restlessly and wakes often to the lingering claws of formless nightmares, a cold sweat on his skin and his heart beating too fast in his chest, fighting his way free of tangled sheets in a panic. The darkness of his quarters is heavy and close.

He finally gives up on sleep entirely sometime before dawn. A few of the night shift are haunting corners of the mess hall; he keeps his head down so as to not inadvertently provoke a conversation through eye contact as he pours himself a coffee and walks out again with tin mug in hand. On autopilot his feet carry him to the gantry behind the loading docks. The ocean is invisible somewhere in the inky blackness below, the steady crash of breaking waves drifting up out of the darkness. The wind plucks at his coat and snatches away the smoke from his cigarette as he exhales, watching clouds scud by above in the pale moonlight.

Slowly the sky starts to lighten, dawn breaking somewhere behind the clouds. Goody flicks away the spent end of his cigarette, sighs, and heads back inside.

I always enjoy writing Goody alone with his thoughts. As I’ve said before, writing from his point of view makes it easy to lend a poetic bent to the prose, and in this kind of context you end up with this lovely evocative melancholy air. Especially when coupled with the imagery of the cold, stormy sea that crops up so much in this fic.

He considers breakfast for token moment, but even the thought of food has the knots in his stomach tightening nauseously; he drops his empty mug off in the slowly-filling mess hall and instead traces the familiar path up to the kwoon. A few diligent souls are already warming up beside the sparring mat. Goody does his best to ignore them as he skirts the opposite edge of the kwoon and makes his way to the door of the attached office.

Billy is sitting at his desk, an empty mess hall tray by his elbow and a mess of papers spread out in front of him. A hint of surprise flickers across his expression as Goody enters.

“Twice in as many days?” He raises his eyebrows. “Did you make some kind of late new year’s resolution?”

Billy’s sense of humour delights me. It’s something we only really see brief glimpses of in canon, but I’ve really enjoyed fleshing it out a little more in writing him. It’s an interesting contrast to Goody, who tends to use a self-deprecating sort of humour to deflect; Billy uses humour in a more pointed way.

Goody chooses not to dignify that with a response. He takes a moment to close the door behind him before taking a deep breath and saying with no preamble, “I agreed to it.”

There’s a drawn out moment of silence.

“…you talked to Chisholm already?” Billy asks, carefully noncommittal. His expression is unreadable.

“Yes.” Goody pauses, his gaze dropping a little as he considers his next words. “….I’ve asked for it to be kept quiet.”

There’s the soft rush of a sigh from the other side of the table, followed by the creak of a chair; Goody glances up to see Billy standing. He circles around and twitches the blinds aside to look out into the kwoon.

“You still don’t think this is going to work,” he says.

Goody gives a small shrug. “I’d rather be prepared if it doesn’t.”

“And if it does?”

Even before they ever actually drift, Billy and Goody know each other very well, and it comes through in the way they talk to each other. Especially about important things. There’s a lot that goes unspoken because it’s already understood. They get straight to the point..which would be the case anyway, I think, but it’s particularly pronounced here because Goody is still in that mode of powering through as much of this as he can before he loses his nerve.

Something icy crawls down Goody’s spine. It seems a touch ridiculous, now he suddenly has cause to admit it aloud, but he honestly hadn’t given any thought to what would come next if they were successful. He hadn’t seriously entertained the possibility that they might be.

If somehow, against all reason and experience this works, if they make it through the joint drop sims and every other test and barrier between them and that conn pod…he’ll be a pilot again. He’ll be back out there facing the kaiju. Just the thought is enough to have the sick stirrings of panic clawing their way up his throat.

It made sense to me that, being so caught up in all the ways the handshake could go wrong and what happens if it does, Goody hadn’t even stopped to seriously consider the possibility that it might succeed, much less think about what he’ll do if it does. He can’t let himself think about what happens if they succeed, because that’s the only outcome worse than failure. If trying to drift again is bad, trying to pilot again is so much worse. He’s found himself backed into a catch-22 where there’s no good outcome, and a lot of what I was trying to do with the first half of this chapter was to really get across his sense of dread.

A firm hand lands on his shoulder and he starts, blinking wide-eyed at Billy, who’s suddenly beside him. His expression is calm, but there’s a spark of something in his eyes that Goody doesn’t know how to read; something implacable and determined, something fierce enough to be alien after so long without allowing himself the luxury of hope.

“Goody,” he says, steady and certain in a way that brooks no disagreement. “We’ll figure it out.”

Goody takes a deep, steadying breath and gives a shaky nod. Billy’s right. What happens will happen, and while he may lack Billy’s confidence that they’ll be equal to whichever challenge comes of it, he can’t let himself get tangled up in anticipating it when it’s going to take everything he has just to get through what’s coming next.

The next few days are nothing but the gnawing unease of anticipation, part of him desperate to have this over and done with, another hopelessly wishing he could put it off indefinitely. It’ll be a relief for it to be over, even if he already knows that relief will be tainted with an old, familiar kind of shame. But to get it over with, he has to get through it, and some nagging voice at the back of his mind is constantly whispering that maybe he can’t. He doesn’t know if he has another handshake left in him. He’s so, so tired of wondering every time if this trip down the rabbit hole will be the one that finally breaks him.

It’s not something I chose to dig into a lot in this fic, but this paragraph right here is actually a very important insight into where Goody’s at in this place in time. It’s not that he doesn’t want to move on from the trauma of losing his copilot, or that he couldn’t do it under the right circumstances, but he’s trapped in this cycle of having to relive it and be traumatised anew every time he tries to enter the drift. He’s in this limbo space where he wants to move on but he can’t. He’s not being allowed to.

In a way, his psychological situation parallels his real life one very neatly. He’s not a pilot any more, but his experience is too useful to waste, so he’s still a part of a jaeger program. The fight his copilot died in was a long time ago, but he can’t heal from it when he’s still having to relieve it. Both leave him in a situation where he can’t do anything to help himself where he is, but he can’t distance himself either.

More than anything else in those achingly empty days, he finds himself seeking out Billy’s company. Perhaps it’s a good sign that the undemanding quiet of Billy’s presence steadies him in a way that not much that doesn’t come in a bottle can these days. But some darker, more pessimistic part of him can’t help but wonder if this is nothing but him savouring the last days of this friendship while he can, before the handshake ruins it.

He feels a pang of guilt for it, occasionally. It seems disloyal even to entertain the thought that Billy wouldn’t be better than that. But he can’t bring himself to believe that anyone could be exposed to the wreckage of his subconscious, and not want to do the smart thing and distance themselves. Lord knows he would if he could.

This comes up a lot in writing their relationship from Goody’s point of view: that he feels it’s a disservice to Billy to think that their relationship is on such a shaky foundation, but he still can’t help but be afraid of it.

The few days they spend waiting seem to last an eternity. But when word finally comes that LOCCENT are ready for them, the only thought in Goody’s head is that an eternity wouldn’t be long enough to let him be ready for this.

The solid warmth of Billy’s shoulder against his is a comfort he desperately needs as they walk into the drivesuit room side by side to be met by a skeleton crew of technicians. He hasn’t set foot in this part of the shatterdome since that last disastrous failed handshake; just the familiar smell of relay gel and oiled metal is enough to have his heart beating faster, a slight tremor shaking through his hands.

Generally it’s a more relaxed process, preparing for a handshake. In a combat drop there would be alarms blaring, the countdown displayed on every screen, running out the seven minutes they have after an event to get into the cockpit and be ready to launch. There’s none of that time pressure here. No rush, although the technicians pride themselves on their speed and efficiency even when it isn’t a matter of life and death. And yet he knows he’s never been this nervous before a combat drop, sick with the anticipation of what’s waiting for him in the conn pod.

He closes his eyes and tunes out the low murmurs of the technicians, clinging to a fragile sense of calm numbness as he lets himself be turned and posed and strapped into the drivesuit. At least there won’t be an audience. Sam has been true to his word about keeping it quiet, hand-picking staff he trusts to run LOCCENT and the drivesuit room, and choosing a time toward the end of the nightshift when the few people still awake will be tired and incurious. However badly this goes, at least he won’t have to deal with stares and whispers following him around the shatterdome for the next week.

The technician at his shoulder gives his backplate one last solid thump and steps away. He sighs, gathers what little courage he has left, and walks forward.

If he thought the drivesuit room was sickeningly familiar, it’s nothing beside the conn pod, the lights of the control panels and the waiting cradle of the command platform. For an endless moment he finds himself frozen in the doorway. He’s never set foot inside Widow Rose before - she was built long after his last drop, and quickly filled by a copilot pair of her own - but knowing that doesn’t help. It’s still horribly, achingly familiar.

Billy nudges his shoulder gently, startling him out of his reverie. He swallows down the pathetic part of him that wants so desperately to find some way, any way of delaying this even if only for a second, and gives a shaky nod. This is happening one way or another. The least he can do is face it with what little dignity he has left.

Obviously any writer’s work is informed by their own experiences, but for me, this part was a lot closer to the bone than most others. In this case I was drawing on my own memories of having to go through with crash escape/sea survival training despite having a massive phobia of water. That feeling of forcing yourself to go through with something you’re desperately afraid of, how badly you want to grab any chance to delay it just a little longer…it definitely stays with you.

“Breathe,” Billy says, low and even. “You’ll get through it.”

“Said the butcher to the cow,” Goody mutters.

Billy huffs a laugh. “I’ll make it quick and painless.”

Despite himself, he can’t help but be lulled a little by Billy’s easy calm, even as he feels a pitiful stab of envy for it. He gives a thin, tired ghost of a smile and nudges Billy’s shoulder lightly in return. If he always would have had to find himself here again, he’s glad at least that it’s Billy here with him. He doesn’t know that he could have faced it with anyone other than Billy by his side.

I really enjoy writing these little exchanges that show how easily they play off of each other, especially in stressful situations. And the lighter flashes of humour that come from their conversations were something the first half of this chapter really needed. 

Harness set for test mode is flashing on the screens as they strap themselves in. Goody’s hands are shaking badly enough to have him fumbling the controllers as he threads his fingers through them, sick unease prickling feverishly over the back of his neck and cold sweat crawling down his skin under the drivesuit. He can feel his heart pounding in his chest, his breath coming fast and shallow; lord only knows what his vitals readout in LOCCENT must look like.

“Pilots on board and ready to connect,” Teddy’s voice filters in tinnily over the comms. Goody sucks in a sharp breath.

“Steady,” Billy murmurs.

“Initiating neural handshake.”

This is mostly an inside joke, of course, but the thought of Teddy as Tendo makes me laugh.

For an endless moment there’s nothing but the visceral rush of sense memory, too quick and tangled to make any sense of, the sudden feeling of everyone opening and unfolding, of the mind flowing out into the space suddenly opened to it. He hears his mother’s voice, sees a fleeting glimpse of her face from a child’s low perspective. Somewhere behind it is another woman’s voice, words in a language he doesn’t speak but somehow understands. A sharp stab of unease; a man’s voice this time, abrupt and angry. Helpless frustration. Silence.

There’s a mirror in front of him and bruises on his face and the taste of blood in his mouth, and pain comes tearing up his flank, alarms blaring in the desperate red pulse of the conn pod emergency lighting, and in the last screaming moments he feels something snap with a brutal whiplash leaving behind nothing, nothing, nothing—

There’s a lot going on here. Some memories, like the image of the red-lit conn pod and the loss of a copilot, are very clearly Goody’s. but a lot of the rest don’t distinctly belong to one or the other - it was a conscious decision on my part to leave it ambiguous which memories are coming from who. I wanted to run with the idea that a flash of memory from one would pull up similar memories from the other, and they’d keep feeding into each other. 

Off the record, the start and the end are Goody, and the middle (everything from another woman’s voice to blood in his mouth) is Billy.

Except that there isn’t nothing. Under it all there’s something solid, an unexpected rock to cling to and keep his head above water while he gasps for air. Just the shock of it, of being caught when he expected to fall, is enough to snap him out of the inward spiral for a precious, fleeting moment. It’s so very little, an eye in the storm of crushing panic. But it’s enough for something warm and steady to wrap in around him, and push back the howling dark.

It’s not the panicked clawing he remembers, the fingers of a doomed attempt to reel him in frantically scrabbling to find purchase on his spiralling subconscious. Instead it’s a mere brush of a touch, nudging him back toward an even keel so gently he might not have noticed it if he hadn’t been waiting for it.

That sea/storm imagery coming up again here. That second paragraph was actually the first part of this scene I wrote, and it’s definitely something I wanted to run with for the whole thing: the idea that rather than trying to keep too tight a rein like previous candidates have tried and failed to do, Billy has a knack for gently nudging Goody at the right moments to keep him from spiralling.

“Billy?” he mumbles uncertainly, his voice cracking. He’s here in the conn pod, but no, the alarms are silent. The lights are a calm, steady blue. The only pain is sense memory.

“Breathe,” Billy says again, just as calm and steady as the lights. “I’ve got you.”

He takes a deep, shuddering breath and slowly exhales. The rabbit hole is right there, aching emptily like a missing tooth, but no sooner do his thoughts drift toward it than they’re steered in another direction; a flashing school of fish easily startled into darting off by a dark shape slowly cruising by below.

With every step he expects to fall. But the connection stays steady, grounding him in the here and now. The jaeger is alive under his hands, and now he’s not so tangled in the cobwebs of painful memory…she feels different from Aura Blue. Lighter. And Billy is right there with him every inch of the way as he slowly settles back into the old familiar feeling of a jaeger’s heart beating with his, filling the drift with the undemanding quiet he’s always associated with Billy’s presence.

I liked the idea that once he’s been steadied enough to stop that spiral before it starts, Goody actually can more or less keep a handle on himself. Once again that reference to a light touch rather than a tight rein comes up, with bonus sea imagery - a flashing school of fish easily startled into darting off by a dark shape slowly cruising by below.

There’s definitely a turning point here: it’s the first time we really see Goody start to focus in on new things, things that are different, rather than the ways in which he’s reminded of painful memories.

Also fun fact, it took me for-fucking-ever to settle on a name for Goody and Sam’s jaeger. In early drafts it was referred to as “Ash” as a placeholder. It was that deleted scene that came out with Goody at the piano which gave me the inspiration to finally pick an actual name for it.

Tentatively he reaches out, testing the shape of their connection. There’s satisfaction radiating from Billy, pride tinged with relief, and— there, sitting at the centre of it all so deceptively unassuming that he scarcely recognises it for what it is, the cold certainty of what this means for them.

His own fears are skittering things, slipping away when his thoughts land on them in daylight; leaving only trails of lingering unease behind until they creep back up on him in the silence of his bunk at night. He half expects this one to do the same, but it doesn’t.

You’re afraid too he thinks, the realisation distant and dazed. He can’t see Billy’s smile, but he feels it. Grim amusement. Fatalism. Acceptance.

This was something I really wanted to put front and centre when they drifted: the idea that Billy knows what this means for them just as well as Goody does, but they handle that knowledge so differently that Goody almost doesn’t recognise it for what it is. Goody is the kind of person who tries to ignore his fears until he can’t any more. He’s not well equipped to get his head around the way Billy can look this in the face and accept it.

Goody says you’re afraid too, but he still isn’t quite grasping it. Billy isn’t afraid of this. Not in the same way Goody is. He knows that stepping into that conn pod together ultimately means dying there, but in his mind, he’s already weighed up the possibility and decided that it’s worth the cost. To paraphrase the original Pacific Rim: they’re all going to die one way or the other. He’d rather die in a jaeger.

Goody hasn’t accepted the inevitability of his own mortality; he’s still caught up in wanting to put it off for as long as possible. Billy has. It’s more important to him to die for something worthwhile than to avoid it for a little longer. When you get right down to it, I think this is probably the most fundamental difference in who they are are people.

The readouts on the screens are all in the green, the conn pod humming around them. “Full alignment,” Teddy’s voice comes again over the comms, static crackling on the line. “Handshake holding steady.”

“Congratulations,” Sam adds. To anyone else he might sound perfectly professional, but Goody knows him well enough to know what ‘self-satisfied’ sounds like on him. He’s sure that the fond exasperation that suffuses the link is wholly his, but the answering flicker of amusement is definitely Billy’s.

There is honestly no interaction between Sam and Goody in this entire fic that I’m not delighted by. There’s always such a sense of history and familiarity between them.

The process of disconnecting and powering down passes in something of a daze. It’s been so long since the last time a handshake ended in anything other than a spiral and an emergency shutdown for him that distance has made the standard procedure unfamiliar. It’s calm, matter of fact; clearly routine for everyone present but him. He barely has the presence of mind to follow what’s happening.

Fortunately, little is required of him other than moving when he’s told. In some kind of stunned trance he allows himself to be led from the conn pod and methodically peeled out of the drivesuit, the murmurs of the technicians and the voices from LOCCENT filtering over the radio so much white noise in his ears. […] 

It honestly wasn’t until I hit the end of the neural handshake scene that it really dawned on me how long it would have been since Goody actually experienced a normal disconnection. It isn’t something we see in Pacific Rim either, so unlike the initial connection (most of the procedure for which I lifted directly from the movie), I didn’t have anything to go on. Fortunately under the circumstances it made sense for Goody to be in a bit of a daze, so I was spared the necessity of getting into specifics.

[…]Everything seems distant and hazy and unreal.

Everything apart from Billy.

It’s momentarily disorienting to turn and see Billy facing him when instinct insists that they should be moving as one. Billy tilts his head, considering; Goody notices himself mirroring the motion half a heartbeat after he does it, the two of them still half in sync as they ride out the echoes of the drift. His heart is still racing, hardly able to believe that they really did it. He hadn’t believed it could ever flow that smooth and easy again. After all this time he’d forgotten what it could be like to slip into a solid, comfortable connection.

They’re close, he realises belatedly; enough so to look odd to outside eyes. So soon after the handshake his instincts don’t even question that of course Billy belongs in his personal space as much as he does himself. A day ago he might have felt exposed under that searching gaze. Now it’s nothing but familiar.

This part got written out of order very early on as well. The image of them moving together, still half in sync, was something I had very clearly in my head when I set out to start writing this, and I wanted to get it down before it faded.

“You could have said something,” Billy says after a long pause.

There’s no point in pretending not to know exactly what he’s talking about. A flush creeps up Goody’s cheeks, but he doesn’t lower his eyes. “It never seemed like a good time,” he replies with a small shrug.

It’s strange to think how recently the idea of having every fleeting want and idle fantasy laid bare would have been mortifying. Here and now, still half in the drift, the idea that Billy knows seems as natural and unremarkable as admitting it to himself in the privacy of his own thoughts. There’s no unease, no knee-jerk revulsion. There’s nothing but slightly startled curiosity, and a trace of what might be cautious interest.

I toyed with a few different ways of approaching this conversation, but ultimately I decided that it would have to be very matter-of-fact. How could it be anything else, when they’ve just been inside each other’s heads? It’s not something that’s explicitly explored in Pacific Rim, but I figured that for a little while right after drifting successfully, you’d still be thinking of your copilot as essentially the same entity as you. 

As it says above, the idea that Billy knows seems as natural and unremarkable as admitting it to himself in the privacy of his own thoughts. It couldn’t work any other way, really, or the whole premise falls apart a little. They both know exactly what they’re talking about, how they both feel about it…the fact that Goody now knows beyond question that while startled Billy isn’t opposed to the idea is definitely helping him keep his cool.

One of the technicians clears her throat, breaking their shared reverie, unfazed as only a long-term drivesuit tech can be when their attention snaps to her in perfect unison. She informs them that the Marshal is expecting them for a debrief, and politely ejects them from the drivesuit room to make the walk to LOCCENT.

“I knew you had another one in you,” is the first thing Sam says, smiling broadly.

Goody huffs a laugh and lets himself be pulled into a hug. “We’ll see,” he replies, noncommittal. “One successful handshake doesn’t mean a combat-ready link.”

Sam shrugs. “We’ll schedule a joint drop sim tomorrow. In the meantime—” He gives a wry grin. “—why don’t you give me five damn minutes to enjoy something going right for once.”

“Yes sir,” Goody replies with an entirely spurious dutiful air, throwing a mock salute.

“Very funny,” Sam says, a hint of a smile curling the corner of his lips. “Go on, get out of here. Both of you. Sleep. You’ve earned it.”

I find something about the phrase politely ejects them inherently hilarious. I also enjoy the image of the techs being utterly unimpressed by all this drift bullshit just through sheer exposure wearing the mystique off of it.

As previously noted, I love writing Sam and Goody interacting, and it was particularly nice to write this conversation. It’s the first one in this fic where they’re both happy and relieved, and it gives it a much lighter feel.

The first hints of the shatterdome waking are starting to drift through the air around them as they make their way back down from LOCCENT; internal lights slowly brightening, footfalls and distant chatter in the air as the oncoming day shift begin the sleepy shuffle from quarters to showers to mess hall. No matter what else may be happening, the rhythm of shifts and rotations carries stubbornly on like the slow beat of some colossal heart.

They get a few glances and mumbled greetings in passing, but no-one seems to pay them much mind. After the last few days of aching uncertainty, it’s an indescribable relief to walk through the halls of the shatterdome with the weight of the handshake off of his mind, with the lingering echoes of Billy’s utter self-confidence bolstering him. It’s a relief to find himself not avoiding anyone’s eyes.

It doesn’t feel real yet. Part of him remains convinced that some other stumbling block up ahead will catch them out, that they’ll trip over a reason why it can’t work when they’re least expecting it. He doesn’t know if he’s afraid of it or hoping for it.

The theme of people coming together to form some joint entity greater than the sum of its parts is, of course, a powerful recurring theme in Pacific Rim. It’s most overt in the copilot pairs, but I wanted to throw in these occasional reminders that even the jaegers themselves are just one part of the greater entity that is the shatterdome itself.

The end of this chapter is probably the lightest and most hopeful in tone of any part of the fic, but Goody is definitely still unsure if he’s really prepared for what success means for them. He doesn’t want to have to go back out there and fight. 

“You’re still not sure about this, are you,” Billy says aloud.

Goody gives a small shrug. “As I said to Sam, compatibility doesn’t necessarily mean a link stable enough for combat.” Keeping the drift steady in the calm, controlled environment of a test handshake is a very different thing to maintaining it under the stress and demanding neural load of combat.

“Tell me you don’t think I can hold it,” Billy says, flat and matter of fact. Goody sighs.

“No,” he says. “No, when you put it like that, I suppose I don’t doubt that you can.”

One of my favourite things about Goody and Billy’s relationship, the thing which drew me to them in the first place, is how much trust there is between them. Goody still isn’t sure that he can do this, but he believes completely that Billy can. And he’s willing to trust that Billy can steady him when he needs it.

As I think I’ve mentioned in previous replies, I do struggle with ending chapters sometimes. In this fic I actually did it differently to how I normally would: I wrote most of the fic as if it was a one-shot, and then went back and divided it up into chapters based on where it felt natural to pause. It was a much easier way of doing it, and I think the transitions from one chapter to the next after are definitely improved by it.