#between the media and their themes that its pulling from is so insanely precise and calculated and it creates this bizarre effect

[ot3]

What's the core appeal of orv? I know the premise but why does it make you so hyped up?

OH BOY OH BOY....... i will try to be as concise as possible here but i could write without exaggeration thousands of words about why orv is good. But I guess here's the big stuff.

- Its funny, for starters. it is extremely funny, which is very high up on my media priority list. in orv, there will be incredibly grim things that make you laugh, and incredibly cringe and silly anime bullshit that will hurt you as heavily as any other media you’ve seen. 

- it executes it’s thematic arcs with pinpoint precision the likes of which i’ve hardly ever seen anything else manage to do. regardless of whether or not the themes themselves are the sort of themes you go bonkers for in media, it’s always just delightful to see something perfectly stick it’s landing in terms of the big concepts its trying to grapple with, and orv does

- it’s got fun and fascinating worldbuilding mechanics. the core concept being ‘reality now operates on the rules of a shitty novel’ means that the worldbuilding doesn’t have to function logically, it functions thematically. it’s explicitly stated in orv canon that some of the internal rules governing this new reality are objectively really stupid and illogical, but they just have to roll with it because that’s what was in the book, and i think it’s a really enjoyable way to do it. This may at first sound like a copout, where the writer is trying to excuse their own bad worldbuilding, but it isn’t. The world building is actually incredibly deeply thought out, but it doesn’t exist for the sake of rational function, it exists for the sake of, once again, furthering orv’s thematic arcs. the rules by which this universe operate do a magnificent job of strengthening the core concepts the authors are exploring. 

- it deals with morality in a really wonderful and nuanced way. there are almost no characters in orv’s extremely large cast of characters who are just explicitly morally condemnable, and almost every conflict allows you to understand exactly why the antagonists believe they’re in the right by opposing the actions of our protagonists. the central conflicts are never pure right and pure wrong; they’re always about contrasting goals, conflicting worldviews, and different priorities between ends and means. this makes the conflicts all feel so much more dynamic and engaging than those where the only stakes are physical harm. 

- the characters interpersonal relationships are some of the most interesting ive ever seen. orv is very slow burn and it takes a long time for a lot of these to come out of the woodwork, by design, but by god once they do they fucking hit. similar to the plot conflicts, the interpersonal conflicts also almost never occur where there’s one side clearly in the wrong. the characters are almost all genuinely attempting to do their best by each other, and the tension comes from the ways in which human communication is fundamentally imperfect and part of our feelings and intentions get lost in translation. it’s very heartwrenching and heartwarming to see unfold, in equal measure. 

- following from that, it’s a narrative that really meaningfully prioritizes non-romantic relationships over romantic ones as the central focus. obviously there’s shipbait and the ot3 is real and good and my friend but if you’re looking for deep complex platonic, (found or otherwise) familial, and antagonistic relationships that never get ruined with forced romantic arcs, we got em baby!

- the pacing is unlike anything i’ve ever seen before. from a purely technical standpoint, it is genuinely a fascinating case study in how to execute a narrative that is almost constantly escalating without exception. there is very little downtime or breathing room in orv, which is insane for something that clocks in at over a million words, and somehow, it still works. i’ve never felt more like a frog in a pot of slowly boiling water than i did when i was reading orv and i can’t believe they pulled it off. it’s so interesting to read something like that.

- it is a tragedy without resorting to cynicism and a very adult narrative that’s really steeped in childlike wonder. i’m a big fan of cartoons made for children cartoons made for children are my favorite things to watch because i like media that is uplifting and encouraging. but of course children’s media will always be simplified and not very relatable to an adult. orv is very much a serious and heavy adult narrative, and a deeply tragic one at that, but this is never tragedy for tragedy’s sake. it’s a very compassionate piece of media over all, that holds a lot of reverence and sympathy for the ‘naive’ optimism of children that gets stripped down over time. if you, like me, feel more like a grown up child than an adult someday, i think it’ll hit for you. 

- if you are a person who has ever gotten deeply involved in media to ignore bad things happening in the real world, which i know you are because you are reading my tumblr blog, then there is going to be a lot about orv which resonates for you. a lot of metanarrative has attempted to comment on the voyeuristic nature of media obsession and storytelling, but a lot of it does so in a bizarre way that almost seems to shame the audience for having the audacity to... enjoy the product the creators have produced for them. orv is what i can only describe as a love-letter to its own audience, and it’s really a manifesto about how engagement with media can foster genuine human intimacy, even if initially it’s something you’re using as a crutch to replace that intimacy. the closest thing to orv’s metanarrative i can think of would be undertale. if undertale made you Feel some Things, orv is gonna make you Feel some Things as well. 

- it is extremely cathartic and meaningful. i am not exaggerating at all when i say that reading it gave me the closest thing i have ever felt to any sort of spiritual breakthrough. it helped unfuck my head a ton during some very grim times and i think the perspective it offers on the value of human life is a really really good one

- its really funny i promise

- its cringe in a way that’s hype

- please read orv please not even for me do it for yourself i want you to experience what i experienced for YOUR sake not mine