#but the truth is ALL of Korra's villains kinda sucked

[rex101111]

Thinking about Zaheer from Korra, about how the show tried to make it seem like he had some kinda point...when he very much did not. And the closer you look the less sense he makes. He took the words of a philosopher from a culture he was not a part of, hundreds of years removed from their cultural and historical context. Somehow he got it into his big shiny bald head that the freaking Air Nomads, a society of pacifists, would somehow approve of him going around just killing people left and right. But you know what really gets me? He qoutes...one guy. One. He fixates on the words of a single monk, from a culture filled with monks, and decided only his words mattered. The Air Nomads were famously focused on philosophy, there must have been hundreds of different books written by just as many contemporary monks calling Guru Laghima a cynical misanthrope who's lost all connection to the world around him and as such shouldn't have a say. One man cannot define his entire culture, but it ain't Zaheer's culture so why would he give a damn. And that really irks me because I was raised Jewish, and one of the first things I was ever taught was to never take one person's word as gospel. There are as many ways to understand the Torah as there have been people who have read the thing. Not one person, Rabbi or student or prophet, can speak the whole truth of the world. Truth is communal, it is a thing built out of the words of thousands people arguing back and forth until they reach it. The world is too big to be defined by one person's truth, and the fact Zaheer thought it could just paints him as an idiotic anarchist, and that's not the kind of villain that holds a season together if you ask me.

[azeher]

On Queerbaiting, Bad Voltron Bad, and Adashi

I finally found the time and patience to bring you this post. Take it however you want. Unfollow me, love me, fall in love with Ryan Renolds... Just take your pick.

The only disclaimer I’ll make is that the Voltron crew and the marketing team of DreamWorks are very capable of queerbaiting. I’ve accused them of doing exactly that before, but I was just getting ahead of myself. I just don’t think they’re queerbaiting us after all, not on purpose (the voltron crew at least. The marketing team can go eat a spoiled banana). But at the end this is like the Schrödinger’s Cat, we won’t know until we get to see the very last episode of the final season. I mean, korrasami was queerbait until the very last seconds before the credits rolled.

BUT, the crew has made quite the mistakes along the years, and I’m gonna make a list of them:

1- Opening their mouths. Just really, they should have stayed quiet, taken the initial praising and shown gratitude and that’s it. The very first and biggest mistake they made was thinking it was a good idea to talk about the show to the fandom. Not only they never knew how to handle it, sometimes they forced themselves to lie. By creating such an narrow relationship with the fandom they allowed them to ask them for things they wanted into the show. They allowed them to ask them questions they didn’t know how to answer and sometimes they had to be purposely misleading to avoid spoilers.

2- Believing their own misleading answers. And this is how I know they’re not queerbaiting on purpose. Because they tend to get passionate when promoting the show, they’ve said things in ways that could be misinterpreted by the audience. They think they’re saying something harmless, that the small difference between what they say would happen and what actually happens will translate well, but it’s never the case.

3- Not trying to know their fandom. This isn’t entirely their fault. It’s obvious the fandom they got wasn’t the fandom they were supposed to get. I.e., the fandom should be made up of grown ups that loved the 80s Voltron and came back out of nostalgia, and of little kids looking for cool space battles, and of teens that like action and humor mixed together. Because that was their target audience. Rather they got a fandom pertaining to an entirely different genre. They got people who don’t really care for the plot (don’t even try to argue with this. The hundreds of posts I’ve seen the last three years claiming smt along the lines of “Voltron would have to pay me to watch the show for the plot” prove me right) because it bores them, and are only focused on the one thing the show openly isn’t about: Romance.

4- The writing. Legend of Korra didn’t have perfect writing. Voltron doesn’t either. This studio puts all of its effort and talent out there, you can tell, but they still have a long way to go. Still, what they do is not bad, despite what spiteful people want to make others believe. This studio has some of the most beautiful animation out there and their strengths rely on art, humor, fight sequences, music and very dramatic scenes. Those are the five things they’ve mastered. But their writing and character focus are lacking. This is not something they can’t fix. Instead of trying to drag them down and boycott these amazing and talented artists and writers who are also human beings, we could give them the support they need to improve and keep delivering stories and characters we can fall in love with. I mean, we fell in love with these characters even when the writing wasn’t perfect. This season, whether some of you want to admit it or not, had the best writing they’ve offered so far but to dissect this statement would mean making yet another long post and just no.

5- The characters’ arcs. We’ve already established they don’t know how to write characters or romance. They’re good with other sorts of relationships but romance is the thing they’re worst at. And they also suck at being constant with characters’ arcs. The biggest proof? I didn’t know the fucking protagonist of Voltron was indeed Keith until like season 4, and I only found out cuz I watched some episodes of 80’s Voltron around that time and was struck with the realization. It was impossible to tell because so far all the focus of the story had gone back and forth between Shiro and Pidge. Then Keith and eventually Allura got their own arcs. So, how about Pidge makes that math cuz it doesn’t add up? How was acceptable for them to be unclear about who the central figure in the show was? Keith was introduced as the fourth character. And they even formatted the first half of the first episode so it looked like Lance was the protagonist. The second half they were already giving up on him and turning him into a joke and Shiro finally emerged as the central figure.

6- Romance. So they completely suck at romance and they made a good decision about leaving it out. But did they really? Cuz the show says yes, but the crew’s comments and awkward writing say otherwise. And this is what takes us to the next and saddest mistake:

7- ADASHI. I know you all read this far only to get to this point. I’m gonna include Ezor and Zethrid here as well because they’re also consequence from the previous point. Shiro is an amazing character and him being gay IS indeed a big triumph. We will forever know such a great and important Asian character is canonly gay. But the writers made all the rookie mistakes they could make surrounding his sexuality, AND Ezor and Zethrid’s relationship. Don’t get me wrong, I for once don’t mind these lesbians being on the dark side because they were still pretty badass and cool even though they were villains, but they took their ambiguous villainess too far, which wouldn’t have been a bad thing wasn’t it because they were the only lesbian couple in the show. So rookie mistake number one: Picking the wrong characters to be your representation when you’re gonna be so limited with representation. They also killed them off, which, well, they kinda deserved, but again, they were the ONLY lesbian couple, so how about give them the chance to redeem themselves (and your own writers)?

They introduced Adam and established he and Shiro simply didn’t work together but then killed off Adam without allowing us to get to know him, and without allowing him and Shiro to get some kinda closure. But the crew, again, didn’t know how to handle the way to go about hyping the show, and were yet again misleading by letting us believe we’d spend some time with Adam. They genuinely thought there was nothing wrong with killing him because he was no longer part of Shiro’s life and because war’s like that. So rookie mistake number two: Not being honest about the fate of one of the two confirmed queer characters in the show. When you have so few queer characters, and you really think you had to kill one of them, don’t treat it like a spoiler, BE honest, so the public knows what to expect. Soften the blow. Maybe they could have said he wouldn’t be in the show too long, and we would have made our guesses. Rookie mistake number three: Pick him as one of the casualties. I understand the intention of this was to make Shiro lose someone because of the war, but did it really need to happen? Did Shiro really need to lose someone? I’m sure no big plot point in the story would have changed if Adam had lived. Rookie mistake number four: Kill him before we got to know him and before he talked to Shiro again. If the purpose of his death was to impact Shiro or us, it would have had a much bigger effect if they had had time to interact again.

Now, could Voltron as a whole fix all of these mistakes? Yes. Yes they could. For starters, they should start talking with the truth. That would actually help to heal the fandom a lot. At this point, being quiet won’t serve of any purpose. Now it’s their real time to talk, but honestly.

Second, it all depends on how they wrap season eight. If they’re really planning on making a healthy queer relationship canon and explicit, that could be their salvation. They’d have to do it right, and it is possible, but fairly hard, especially with romance not being their strength.

Third. Adashi. Yes. Again Adashi. Remember when I said I had complicated feelings about what they did to it? Well, aside from what I already said, there’s this extra bit. And it is that they truly could have had a good reason to kill off Adam. I know that it makes you angry, but this is a possibility. Maybe the point is to let Shiro move on, find love again. He’s healthy now, not fearing about dying anytime soon and he’s matured. He wouldn’t make the same mistakes. And there are not reasons to believe Adam won’t be featured in another future flashback that could deliver that sense of closure we and Shiro need. So, in short, the reason I’m not as angry as I should be, is because this can still be addressed in the show.

It’s easy to be pessimistic and not to trust the ending. For all we know, eighth season might be just 13 episodes of quiznak writing and the mice founding their own theme park, but until the box gets opened we won’t know if the cat is dead.