#call this scene edelgard's soliloquy

[thirteendaysintaunton]

Reach for my hand

[notcatherinemorland]

More Hamlet Thoughts because i leave everything to the 11th hour . production continues to be the 2018 globe w/ Michelle Terry

Hamlet and Ophelia’s uhhhhh fight 

Ham’s personality twists into cruel mockery of her at the line ‘Where’s your father’ and OHO the facial expressions

Ophelia kept trying to hold onto Hamlet’s hand and body and curl her fingers around hamlet’s hand and it was very heartbreaking . Hamlet was a ball of chaotic energy who scrabbled her hands off himself. rlly interesting to watch

this turned around with hamlet scrubbing over her face as he presents her to the audience’s 4th wall for the make up lines. and shoves her down to the floor at the end

the physical manipulation hamlet takes out on ophelia is a super interesting segue to the players scene

2 b / x 2 b

ham sat in the middle of the front of the stage and held the hand of an audience member who he talked he speech to. very intimate and closed and really interesting interpretation

im a nerd so i really like the juxtaposition of such a grand and philosophical speech being told on such an intimate and small scale

Hamlet’s still got his smudged clown makeup on

hamlet and horatio come across Very gay in the ‘something too much of this’ line. i vibe 

hamlet decimated his friendship with R&G and i LOVED how Horatio held him and then forced him away to give him just a touch more character. this Ht loved R&G as well and i appreciate the bit of character we all try to give horatio

Horatio’s Emotions over R&G’s impending death is a++ give this man some emotional range

OH the ‘if your mind dislike anything, obey it’ can we PLEASE listen to horatio the lone voice of reason within elsinor’s halls

that’s not me being gay, that’s a legit analysis of Hamlet in that everyone in Elsinor has a twisted sense of reality and morality and Horatio as an outsider is immune and must watch in horror

the argument is flawed with R&G but hey it’s not my theory.

THE TRUMPETS . there’s live trumpets 

the music they played to signal the half time of the play was wonderfully dissonant and i VIBE WITH THAT that is the ENERGY of Elsinor right there

honestly im annoying and i don’t particularly care for the play scene as an audience member. like academically the play within a play is rife with analysis but like. to just sit and watch it feels like such a halt in the energy

plus i really dislike it when they use gross physical comedy in the dumb-show because again. im annoying

anyway they only do the dumb-show (more tollerable than a lot) and they use drum beats and purcussion in place of lines, and have hamlet explain what’s going on with his lines. it’s certainly different and its a lot quicker than the text is

This Claudius is Prime Smarmy Politicians and is very indignant as he tries to pray and i REALLY LIKE HIM

The scene transitions are .. non existent in this play and i LIKE IT 

the lines follow on immediately between scenes as the other characters are leaving the stage 

i love how it supports the theme of acting this play has and how it breaks down the barrier for the audience of personal vs private 

thats not quite what i want to say uhhhhh. in other productions some of the scenes are really discreet from each other- like how pearl necklaces have stoppers between the pearls- and that’s especially evident in films, but here it’s the opposite and the scenes bleed into each other to create a really fast paced and chaotic energy and i REALLY LIKE IT

‘personal vs private’ is on god my favourite theme in hamlet and the way it works with the audience creating it here is GREAT

Closet scene... OH BOY

this hamlet is CRUEL oml 

the ghost enters after hamlet spends 3 minutes berating his mother and she’s crying on the floor by the audience and hamlet immediately stops and starts weeping 

‘oh save me’ sounds so small and childlike and it really showcases the love between them

not that kind of love, sigmund fucking freud. get your mind out the gutter

the disdain hamlet has for gertrude absolutely breaks my heart but that’s a me thing because i haven’t been able to see my mother in person for coming up on a month due to quarantine :(

added an extra hug before ham leaves .. v sweet

Claudius comes barreling in and picks up ham’s dropped sword. :eye emoji: doesn’t put it down until Hamlet’s brought in for questioning. but he’s still holding a book (english dictionary presumably?) and this act of holding a sword for 2 scenes WILL be reiterated time and time again in ever hamlet essay i write forever to whatever end i so desire because it’s easy to manipulate to my own purposes. bless this moment

There’s a seagull that keeps interrupting claudius at perhaps the funniest possible moments in his soliloquies and honestly WHERE is it’s Olivier

Ophelia’s madness isn’t as explicit as it is in other versions, but watching her tumble into emotions and lack of restraint is so, so heartbreaking.

this is one of the productions of hamlet that makes a really convincing case for ‘madness’ in elsinor being synonymous to speaking one’s mind and being truthful about one’s heightened emotions and like. i Love that interpretation

lets be real i love 99% of hamlet interpretations

the 1% is freud. fuck that guy

I’m Digging the parallel of Ophelia’s emotional outburts of grief (in madness) to Laertes incensed outburst of grief . ohoho

Laertes gets rosemary and pansies, Claudius gets fennel and columbines, Gertrude gets the rue, Audience member gets the daisy and the thought of violets

unfortunately i once wrote a shite poem about gertrude and weather she know of the poison in the cup at the end and unfortunately that’s all i can think about for the last 40 mins of the play hfdhgjgghjhgj

im annoying so i read along with the play and the duets Claudius and Laertes make of the meter and the word formatting on the page comes across really different on stage, which is super interesting. 

not to be really fucking dramatic but i read in the info packet of this play that the pillars on the stage are actually tree trunks carved and painted to look like marble and considering how many times i had to hear the words ‘appearance vs reality’ in my english class, i think im allowed to use the smirk emoji about how the setting of the globe is Integral to Hamlet as a play

i am itching to write an entire 4000 word tirade about the use of the physical body in hamlet because between the actual acting on stage, polonius, ‘one auspicious and one dropping eye’ and all whole host of references made to physical body parts i am going feral 

PLUS this one incorporates sign language 

i actually hate the word incorporates but needs must  

The Ophelia’s death speech is of course wonderful, but i can’t stop thinking about how John Everett Millais made his model (who’s name escapes me in a terrible irony because i got this information from an exhibition about the female pre-raphalites) sit in a cold bath for hours on end whilst he sketched and it made her very ill because the fire went out and she was sat nude in a bath of cold water for hours.

Gravedigger only has the songs and the hamlet interaction, and he wears a high vis jacket. he’s also played by the ghost’s actor, which whilst understandable in such a small cast, amuses me greatly

Hamlet’s got his hair tied back and in a military style jacket, and marches around with Horatio who’s in a hoodie and a black duffle coat (absolutely a student) and the same tight plait. Ham’s definitely meant to be sane now, he speaks very brusquely and all but marches around the stage

Not To Make An Edelgard Reference But edelgard’s cause in 3H was also cemented by a timeskip and a military outfit and a brusque personality hehehe 

Hamlet gets into the ‘grave’ to chat to Yorick which, again, i will use in every relevant essay i will write and manipulate this scene to whatever end i desire and on god i thank this production for this 

a level me would have gone feral

current me is also going feral

Grave Scene: a terrible one for your family to walk in and ask what the fuck you’re watching

Polonius’ actor plays the priest. yes, capsule wardrobe of a cast, i know but i’m an english student it’s my duty to wring every irrational inch of analysis out of this thing

i won’t trail on about unsubstaniated interpretations of Polonius’ parenting skills and fate in Hamlet but on god i will find an essay about it

i always enjoy it when someone leaps in the grave .. the melodrama... the meaning... the liminal spaces...

the DRAMA of seperating feral laertes and the really calm and imposing hamlet is excellent and a bit hilarious and the camera is going nuts

i’m very aware that everyone is now traipsing about over the grave in the middle of the stage and THAT’S a fun dynamic you don’t get from film or text

ok I’ve just noticed the video has the ‘top chat replay’ going and the very first line i saw is ‘what if hamlet had tiktok’ and i am CRYING 

Ophelia’s actor also plays Osric and is a) absolutely hilarious and b) again, capsule wardrobe of a cast will not stop me from analysing everything and anything this play may or may not offer me. 

im not saying hamlet is a play about inheritance and the burden of it, but also... isn’t it :eye emoji:

if bloody fire emblem fates can do it so can i, step off

Fencing scene: oh thank god it’s nearly over

The hearts on their fencing get ups parallel Hamlet’s clown outfit with a heart on the sleeve Very Nicely

Gertrude isn’t wearing her headpiece anymore .. ohoho dispelling the trappings and suits of dishonesty, if you will

The duel is a) bloody terrifying because sword fighting and b) judged by Osric (Ophelia) and the poetry of having ham & lae’s duel waged over and judged by Ophelia is absolutely excellent

Claudius’s aside (or to laertes? camera didn’t follow) had no right to be as humorous as it was jdfsghfkd

Gertrude figured out it was poison in this one. Nice

I like the call and response effect of ‘Treachery! Seek it out! / It is here Hamlet’ they made with Hamlet running around they stage to find little propped up Laertes

The dramatic eye contact of Hamlet and Claudius as he forces him to drink the poison.... OH HECK YES 

the way they sink to the floor in a pair, with hamlet crawling over his body to make sure he dies... oh LORD 

the swing hamlet does with his arm to the audience to cast them as ‘the unsatisfied’ was EXCELLENT and i would like that in every production of hamlet please 

the tussle of horatio and hamlet over the cup..... iconic.... and i enjoy the parallel of that to hamlet with claudius as they’re stood in the same corner 

The harsh projection of Hamlet’s voice and the blunt manner of his words about Fortinbras’ inheritance of denmark against the soft way Horatio rocks Hamlet back and forth ... i want to CRY

Horatio got to have emotional range in this production .. wonderful

i always enjoy the way the play tails off with politics in a room of dead bodies.. the layers the absolute onions

how none of the drama within the castle has any meaning to anyone outside of it is Excellent 

and then the way the prison and enclosure of elsinor is finally broken with military force in parallel to the tumultuous interpersonal relationships within it... i vibe yet more

they actually ended with ‘go bid the soldiers shoot’ which i enjoy a lot!!!! and the music is wonderful

then they all start doing this dance which i think is meant to be about the themes of the play and to be perfectly honest it’s a bit crunchy for me but the music absolutely slaps!!!

final thoughts:

that sure was a hamlet production and i thought it had a lot of heart and did some new things very very well!!!

and i loved the emphasis they put on the costuming!!!! 

overall: a solid hamlet. very nice. i greatly enjoyed it!!!!