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thececeverse · 6 months

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002. CHOUKA AIKAWA … ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

CHOUKA AIKAWA is a soloist under Republic Records, Flowerbank Entertainment, and Avex Trax. Starting out as a fashion blogger, YouTuber, former ballerina, and socialite in 2017, Chouka branched into acting in 2019, and finally made her way into the music industry in 2024. In addition to becoming a prominent fashion influencer, she has also become a prominent singer, with her debut single “Girls Don’t Cry” going on to become a chart topper.

BASICS … ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

BIRTH NAME … Aikawa Chouka

ENGLISH NAME … Love Rose Antoinette Aikawa

KOREAN NAME … Soo Sa-rang (수사랑)

NICKNAMES … Rosie, Marie Antoinette, Cupid, Ai-chan

BIRTHDAY … March 14th, 1999

ZODIAC … Pisces

BIRTHPLACE … Milan, Italy

HOMETOWN … Milan, Italy + Kyoto, Japan + Aoyama, Tokyo, Japan + Paris, France + Berlin, Germany + Amsterdam, Netherlands + Marina Bay Sands, Singapore

ETHNICITY … Japanese

NATIONALITY … Italian-Japanese-American

SEXUALITY … Pansexual

PHYSICAL … ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

HEIGHT … 5’7” 1/2 (171 cm)

WEIGHT … 119 lbs (53 kg)

BLOOD TYPE … O

PIERCINGS … N/A

TATTOOS …

꒰ ♡ ꒱ “Ti amerò per sempre” + located on left shoulder blade + shares with fiancé

꒰ ♡ ꒱ A rose encased in glass + located on left shoulder

CLAIMS … ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

FACE CLAIM … Minatozaki Sana (TWICE)

VOICE CLAIM … Ariana Grande (English) + YooA (Korean / OH MY GIRL)

DANCE CLAIM … Sunmi (soloist / ex-Wonder Girls)

CAREER … ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

COMPANY … Republic Records + Avex Trax + Flowerbank Entertainment + Wilhelmina Models + Creative Artists Agency

OCCUPATION … Singer-songwriter, social media influencer, actress, TV personality, businesswoman, model, former ballet dancer

DEBUT DATE … April 5th, 2024

TRAINEE YEARS … N/A

YEARS ACTIVE … 2024–present

SURVIVAL SHOWS … N/A

FANDOM NAME … Rosettes (로제트 + ロゼット)

COLORS … #FFA3B9 + #FFFFFF

BACKGROUND … ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

⋆ ˚｡⋆୨୧˚ 🩰 … ONE. IF I WAS A RICH GIRL

Aikawa Chouka was born on March 14th, 1999 in Milan, Italy. And unlike most in her field, she was born into immense wealth and prestige. Her father, Aikawa Chujirō (also known as Michael Aikawa), is the current president and CEO of the Aikawa Group. Originally founded in 1969 as a technology conglomerate, the company sold its shares twenty years later for $20 billion, turning itself into a sprawling holdings company. Owning mostly luxury brands (including Versace), they also own multiple department stores in the United States such as Saks Fifth Avenue and Macy’s, and even Paramount. The Aikawa Group has been touted as the “Samsung of Japan,” and with a net worth of over $480 billion, the Aikawa family is the richest in the world.

Meanwhile, Chouka’s mother, Nakamura Aiko (also known as Liliane Aikawa) is an accomplished, London-born actress and designer, as the founder of luxury lifestyle brand Lily by Liliane, as well as a socialite, art dealer, and former model. Aiko was born into a family older and wealthier than her husband’s (or at least that would’ve been true in 1990), and is the only child of Nakamura Hiroaki, the president of the Nakamura Foods Company. Founded all the way back in 1909 (although the Nakamura family was rather high up in Japanese society generations prior), the food packing conglomerate is worth over $20 billion. Like her husband’s family, Aiko’s family also owns a department store, having acquired ownership of the Tokyu Department Store in 2009.

Obviously, Chouka grew up in the lap of luxury. Living in Milan for the first five years of her life, she attended a Japanese international school and learned her native language of Japanese, along with Italian and English. In 2004, Chouka and her family moved to Kyoto. And due to her family’s wealth, they would spend a lot of time moving.

During the summers of 2009 and 2010, they would live in three separate cities: Berlin, Amsterdam, and Paris. Starting in 2011, they would live in Singapore for a year. And finally, in 2015, the Aikawa family would move for the final time to the wealthy neighborhood of Aoyama in Tokyo. Chouka completed her final two years of high school there, and was involved in quite a few extracurriculars. She was a cheerleader, a member of her school’s tennis team, and she served as editor-in-chief of its newspaper club. Chouka would move again in 2016, but without her parents this time. She spent that winter at a boarding school in Switzerland, like most rich girls of her caliber.

By then, Chouka was a seasoned ballet dancer. At the age of three, she was placed in classes by her mother at the request of Chouka’s grandmother. She attended two separate ballet academies at some point: the Dutch National Ballet Academy and the Paris Opera Ballet. For years, Chouka believed that she would become the world’s next prima, but the universe had different plans.

⋆ ˚｡⋆୨୧˚ 🩰 … TWO. DRESS TO IMPRESS

For the most part, Chouka’s childhood was normal. However, when you have a designer for a mother, you tend to get dragged to a whole lot of fashion shows. At the tender age of thirteen, she attended her first show for Dior. And it wasn’t just that, either. Chouka grew up watching her grandmother order couture from Paris and Milan, she would be gifted old pieces from her mother, and her father even gifted her Louis Vuitton for her tenth birthday. After that Dior show, however, Chouka’s entire world changed.

She became quite obsessed with fashion, and she would spend hours flipping through fashion magazines or rummaging through her mother’s closet. All the balls and launch parties and red carpet events that Chouka would attend with her family changed her outlook on fashion, and after she was scouted by a modeling agency at fifteen, her interest only grew. She attended Fashion Weeks in Tokyo and New York, and modeled for brands like Betsey Johnson.

Chouka kind of knew that her career as a model was temporary, though, and her “true calling” was a fashion designer or journalist (courtesy of her mother). With the rise of the beauty guru, Chouka’s interest in fashion blogs, and all the time she spent on Instagram, however, she decided that, instead, she would become social media famous.

In 2015, Chouka launched a blog of her own: Love Moda. This was unusual for her family, as like the real-life, Japanese rendition of the Young family from Crazy Rich Asians, they were notoriously private. They would sporadically appear in news articles, Aiko would give the occasional magazine interview solely for brand reasons or to promote a new project, and Chujirō mainly limited his media appearances to business publications. Obviously, though, Chouka had vastly different aspirations. Love Moda was mentioned in an editorial she did with Tatler, and that kind of exposure—plus the fact that she had money—made interest in her blog skyrocket. By 2016, it had amassed over 10,000 readers.

By the next year, Chouka had cemented herself as a somewhat of a “baby influencer.” Despite the invites to Paris fashion shows and the articles being written about her in Vogue, however, she was far from mainstream. Her small legion of fans wanted her to be, though. Chouka was asked to start a YouTube channel by one of them, and so on May 19th, 2017, she did.

Chouka was already a bit of a “micro-celebrity,” so by the summer, her sizable following had transferred to her new channel. Her YouTube gradually begin to grow larger than her blog as the beauty community gained traction themselves, and her status as the “Aikawa Group heiress” was definitely a selling point, alongside her feminine, “rich girl” fashion and peculiar accent. By the end of 2017, the brand deals were beginning to roll in, and everyone was gradually starting to know her name.

In 2018, a particular video of Chouka’s suddenly went viral. What followed afterwards was the exact mainstream fame that she’d been looking for. She moved to Los Angeles from New York and was scoring ambassadorships with the likes of Kate Spade, Nina Ricci, and even Prada. She was getting invited to award shows, launch parties, and was a seasoned Fashion Week attendee at that point. And by 2019, Chouka blew up even further. She was named “fashion’s newest It girl,” she made her way into the acting industry, and it was pretty much impossible to escape her.

2018 was also a rather difficult year for her, though. At that point, Chouka had been a ballerina for sixteen years. But with her rising career online, she knew that she couldn’t pursue her lifelong dream of prima stardom without giving up her YouTube career.

Although ballet would always have a special place in her heart, her career aspirations had obviously changed. Even then, though, Chouka was still training, and she still wanted to attend another ballet academy. But balancing that and what clearly transformed from a hobby into her way of life was asking for too much. So that year, Chouka hung up her pointe shoes and bid goodbye to ballet. That decision was a difficult one, but it was probably for the best, as her career as an influencer has done more for her than a ballet career ever would. And there was still a whole lot more in store.

⋆ ˚｡⋆୨୧˚ 🩰 … THREE. ALL THE INFLUENCE IN THE WORLD

Within the next five years, Chouka would grow to become one of the best fashion influencers on the planet, with 11 million subscribers, over twenty brand deals, and countless successful business ventures to her name. Even with a billion dollar bank account, though, she—like most influencers nowadays—couldn’t help but branch into the music industry.

In late 2023, Chouka signed to Republic Records and Avex Trax to manage her American and Japanese activities, promising her fans a debut by the next year. And on April 5th, 2024, she fulfilled her promise. Debuting with the single “Girls Don’t Cry,” her debut was a smash hit. Surprisingly, it was received far better than the music of other influencers, nearly becoming a No. 1 hit and turning Chouka into an up and coming pop princess. Even with her previously existing and clearly successful career, Chouka has plans for an album, a Japanese debut, and a potential Korean debut. Her first single already has fans eager to see what she has next, and her next projects can turn her into not only an It girl of the fashion world, but an It girl of the music industry, as well.

Flowerbank Entertainment belongs to @pinkscaped + @venusvity ! ♡

#˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ COME INTO THE VERSE !#˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ CHAR … CHOUKA !#PROFILES !#kpop oc #fictional kpop oc #kpop oc soloist #kpop soloist #kpop solo artist #fake kpop idol #fictional kpop idol #idol oc soloist #idol soloist #fake idol oc #idolverse #fictional idol oc #fictional idol community

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mieeiraa · 5 months

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Performance Art with New Media Technology [ASSIGNMENT 1]

For this assignment, I was tasked to do a case study on international and local artists who incorporated the use of new media technology with their performances. From these artists and their chosen work/performance, we can observe how the technology used improves the performance and how they can be improved in the future.

International artist chosen: PLAVE

PLAVE is a five-member virtual idol group operating under a virtual entertainment company, VLAST.

They are known for using game engines and motion capture technology to track each member's gestures and facial expressions, similar to the concept of virtual YouTubers or Vtubers in short.

On March 12, 2023, PLAVE made their official debut. Focusing on music production in the Korean pop or K-pop music industry, they periodically release music albums and singles just like any other idol group.

Performance chosen: Hello, Asterum!

The concert took place over two days, 13th - 14th April 2024 with the first day being a fully physical performance and the second day being an online performance that was simultaneously aired live online for international viewers.

Domestic fans in South Korea were able to purchase tickets to enter the concert venue during the performance day. Meanwhile international fans were given the option to purchase online tickets for the online streaming scheduled for the second day via Weverse, an entertainment platform originated from South Korea.

They performed live on both days as seen by the clear discrepancies when comparing the two performances side by side, with the pre-recorded videos or VCR being filler segments played in between singing performances.

Technology used:

Motion capture

3D Assets

LED Screens

Stage special effects (pyrotechnics, smoke and haze machines, confetti and streamers, bubbles, drones)

Sound system

Local artist chosen: Abdul Shakir

Known by his stage name "Grasshopper," Abdul Shakir is a multidisciplinary multimedia artist and one of the co-founders of Filamen, a company that specializes in interactive installations, light installations, and projection mapping.

He has experience working in production and post-production agencies and has completed a range of design and art-related projects, including interactive installations, motion graphics, graphic design, and projection mapping.

His projects have transcended Malaysia and are now being shown in China, Hong Kong, Spain, and the United States of America. He has shown his art in a number of prestigious exhibitions, including the George Town Festival, Rainforest in the City, Urbanscapes Art Festival, and LAMPU Festival.

Work chosen: Rimbun

“Rimbun” was showcased during the Singapore Night Festival exhibition back in 2023. This work is basically a form of organic projection where he experiments with the mapping process on living things, including trees and leaves.

For this exhibition, it is focused on projection mapping of cultural Malay designs personally created by Abdul Shakir himself on plant leaves of different plants during the night time.

Featuring seven distinct motifs inspired by plants like Starfruit, Nutmeg, Common Fig, Jujube, Sugarcane, Citron, Cocoa, and Guava, these motifs reflect his personal interpretation of these plants and their significance during Singapore's role as an entrepôt between east and west.

Technology used:

Projector

PC computer

Rendered plant motifs via TouchDesigner

How does New Media Technology Improve the Concept and Stage Performance?

From the implementation of new media technology in performances which are the usage of motion capture technology and projection mapping, they offer the possibility to enhance their storytelling and visual graphics as a whole for a more enjoyable experience.

Visual elements prepared using computer graphics, not limited to pictures and videos but including various multimedia elements such as motion capture and projection mapping allow performers to creatively express themselves and their artworks while being able to captivate the audience.

For example, in “Hello, Asterum!” PLAVE and VLAST were able to utilize the visuals in 3D space effectively, resulting in their performance to look like a projection of a hologram while they were in fact only using a flat screen.

Another instance is the ability to manipulate the space to fit each member’s solo performance, creating environments that fit the genre of the songs being performed.

Being able to manipulate 3D space with their virtual models allows PLAVE to showcase an alluring and captivating stage performance in real time, suitable with their concept of being virtual idols.

As for the idea of organic projection mapping as seen in “Rimbun”, I would say that it promotes the idea of seeing mundane things in our lives in a new light.

As Abdul Shakir mentioned that the patterns and motifs being projected were inspired by plants, it shows a connection shared between the man-made motifs and the plants being associated with, subtly showing the beauty and inspiration from nature.

In my opinion, it is a unique way to show how one element may be related to the other and a great medium for an entrancing storytelling since the audience will need to approach the installation in order to fully immerse themselves with the artwork.

How can it be innovative in the future?

Simply put, stage performance visuals are no longer limited to 2D space as they can be manipulated to be shown as 3D regardless of the projecting medium.

Organic projection can introduce a new method to showcase one’s creativity in storytelling, ensuring that the message conveyed can be understood.

Synchronized light projections via light sticks held by the audience in a large crowd may increase the immersion and elevate the experience during a stage performance.

Conclusion

As technology advances further with time, we can expect to see more implementation of new media technology in future performances.

Taking the opportunity to include and utilize them in stage performances especially may help to increase immersion for the audience and deliver a comprehensive and meaningful performance.

Hopefully, with new media technology, artists and performers are able to experiment with their creative freedom and in the end, bring forward inspiring and innovative works of art for us to understand and appreciate.

#Real time expression

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rohitbrainfoster213 · 2 years

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setsuyakurotaki · 3 days

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iiP is a solo project by musician, sound designer and multi-artist Setsuya Kurotaki.

His latest single is a work inspired by artist Ichi Tashiro's solo exhibition, "Serendipity".

A number of sounds were collected in Ichi’s studio. It is a collage of sounds from his creative roots in Hong Kong, Paris, and New York.

The cover artwork is based on a new work that will be exhibited at Gallery COMMON. It is a work born from the serendipitous encounter between an artist and a musician.

[iiP / Setsuya KUROTAKI] Setsuya's sphere of activity is broad and varied - music direction for domestic and international fashion shows, sound branding for commercial facilities, sound design for websites, as well as composing for film and various sound installations. So far his work has taken him to all the key locations around the world - Paris, London, New York, Milano as well as Taiwan, Shanghai, Hong Kong and of course his hometown Tokyo. Setsuya often features as a performing musician in studio recording and live stage situations and tours nationwide as a DJ / Music Selector. 2020 KUKAN DESIGN AWARD GOLD PRIZE www.setsuyakurotaki.com [ARTWORK] Ichi Tashiro (b. 1984, Ehime, Japan) is a self-taught collage artist. Tashiro previously lived in New York and Hong Kong before returning to Tokyo where he is currently based. His work has been shown in solo and group exhibitions across New York, Hong Kong, Paris, Los Angeles, Amsterdam, Belgium, Denmark, Singapore, and Tokyo, as well as art fairs such as Art Basel Hong Kong, ASIA Now Paris, Art Taipei, and Art Stage Singapore. [Gallery COMMON] Founded in 2010 by creative agency en one tokyo, inc. and currently under the direction of co-founder Satoru Arai, Gallery COMMON emerged from the street culture of Harajuku as an intimate space for both Japanese and international artists and trendsetters to interact with the local scene. Sensing the importance of establishing a physical art-centered space in the neighborhood, en one tokyo opened Gallery COMMON, one of the first galleries in central Harajuku, with the aim of fostering this energy. Approaching art from the unique and non-traditional background of creative agency, the gallery aims to bridge the paradoxical yet symbiotic gap between fashion and art, street and commercial, subculture and mainstream. Since then, the gallery has expanded its vision to work with both renowned and upcoming contemporary artists across diverse countries and disciplines while participating in art fairs and collaborative projects throughout Japan and overseas. www.gallerycommon.com 音楽家、サウンドデザイナー、マルチアーティストの黒瀧節也によるソロプロジェクトiiP (イープ) 最新シングルはアーティストIchi Tashiroのソロエキシビジョン「Serendipity」にまつわる作品である。 Ichiのアトリエにて採取された数々の音。そして彼の創作ルーツである香港、パリ、ニューヨークの街の音がコラージュされている。ジャケットアートワークは Gallery COMMONにて展示される新作を採用。芸術家と音楽家が邂逅したserendipityを感じる作品である。【iiP / Setsuya KUROTAKI】国内外のファッションショー、各種イベントのサウンドプロデュースや商業施設のサウンドブランディング webサイト及び映像作品、公共空間などのサウンドデザイン / 楽曲制作等、幅広く手掛けています。ミュージシャンとしても数多くのLIVEやレコーディングに参加、客演する他、選曲家としても様々な都市でパフォーマンスを行っています。 2020年空間デザインアワード「エンターテインメント＆クリエイティブ・アート空間」金賞受賞「KUKAN OF THE YEAR 2020」受賞 www.setsuyakurotaki.com 【ARTWORK】 Ichi Tashiro。1984年愛媛県生まれ。独学のコラージュアーティスト。以前はニューヨークと香港に移り住み、現在東京を拠点に活動。ニューヨーク、香港、パリ、ロサンゼルス、アムステルダム、ベルギー、デンマーク、シンガポール、東京で個展やグループ展を開催し、Art Basel香港、ASIA Now Paris、Art Taipei、やArt Stage Singaporeなどのアートフェアでも作品を発表しています。【Gallery COMMON】 2010年にen one tokyo, inc.によって設立され、現在共同設立者の新井暁がディレクターを務めるGallery COMMONは、原宿のストリートカルチャーを背景に国内外のアーティストやトレンドセッターがローカルシーンと交流するための親密なスペースとして誕生しました。原宿の独特なエネルギーを育むため、原宿の中心部にギャラリーがあまりない頃から、アートを中心とした空間を同地に作り上げることの重要性を感じ、 Gallery COMMONはオープンしました。クリエイティブ・エージェンシーという異色の背景を元に、ファッションとアート、ストリートとコマーシャル、サブカルチャーとメインストリームという逆説的でありながらも互いに共生的な二者間のギャップを埋めることを目指しています。今後も様々な国や分野にわたる著名または将来有望な現代アーティストと仕事をともにする傍ら、国内外のアートフェアやコラボレーションプロジェクトに参加していきます。 www.gallerycommon.com

credits

released February 22, 2022

Cover Artwork by Ichi Tashiro (Gallery COMMON) Produce and Mastered by Setsuya KUROTAKI

#electronica #neo classical #electronic music #ambient #Spotify

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kinocollectives · 5 days

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delhiseoagencyservice · 12 days

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cococreativesg-blog · 22 days

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COCO Creative Studio is a leading graphic design agency in Singapore, specializing in creating visually striking designs that elevate your brand. Our talented designers blend creativity with strategy to deliver custom solutions, from logos to marketing materials. We help businesses communicate their message effectively through impactful designs that resonate with their audience and enhance their brand identity.

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digitalsyspree · 8 days

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societalsg · 11 months

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socialmediamarketingsingapore · 2 months

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Driving Digital Excellence: Leveraging Digital Marketing and SEO Grants with BlueHive Asia

In Singapore's rapidly evolving digital landscape, the ability to leverage digital marketing and SEO (Search Engine Optimization) strategies effectively is crucial for businesses aiming to enhance their online presence and drive growth. Recognizing the significance of digital transformation, the Singaporean government has introduced various grants aimed at supporting businesses in their digital marketing endeavors. BlueHive emerges as a pivotal partner, guiding businesses through accessing Digital Marketing grant in Singapore and SEO grants to optimize their digital strategies and achieve sustainable success.

Digital Marketing and SEO Grants: Empowering Business Growth

The Singapore government, through agencies like Enterprise Singapore and the Infocomm Media Development Authority (IMDA), offers grants designed to support businesses in enhancing their digital marketing capabilities and improving online visibility through SEO strategies. These grants provide financial assistance for adopting digital tools, upgrading digital capabilities, and implementing SEO strategies aimed at improving website traffic and search engine rankings.

BlueHive Asia: Your Guide to Digital Marketing and SEO Grants

BlueHive specializes in facilitating access to Digital Marketing and SEO grants, understanding the intricacies and requirements involved. As a trusted consultancy recognized for their expertise in digital strategies, BlueHive assists businesses in navigating the grant application process seamlessly. They ensure businesses meet eligibility criteria, prepare comprehensive proposals, and optimize their chances of securing grants to enhance their digital marketing and SEO initiatives.

Tailored Packages for Digital Marketing and SEO

BlueHive offers tailored packages under the IMDA Productivity Solutions Grant (PSG) specifically designed for digital marketing and SEO. These packages include:

Digital Marketing Strategy Package: Develops comprehensive digital marketing strategies tailored to business objectives, leveraging channels such as social media marketing, email marketing, and content marketing to enhance brand visibility and customer engagement.

SEO Optimization Package: Enhances online visibility and search engine rankings through strategic SEO techniques, driving organic traffic and improving website performance on search engine results pages (SERPs).

Crafting Effective Digital Strategies

In the competitive digital landscape of Singapore, businesses must develop compelling digital strategies that resonate with target audiences and drive measurable results. Effective digital strategies encompass not only SEO but also comprehensive digital marketing approaches that leverage data-driven insights and consumer behavior analysis.

BlueHive Asia: Elevating Digital Excellence

BlueHive collaborates closely with businesses to develop and execute digital strategies that align with their goals and enhance their market presence. Through strategic planning, creative execution, and continuous optimization, BlueHive helps businesses achieve sustainable growth and competitive advantage in the digital realm.

Conclusion: Empowering Digital Success with BlueHive Asia

Accessing Digital Marketing and SEO grants in Singapore is pivotal for businesses looking to elevate their digital presence and drive growth. With BlueHive as a strategic partner, businesses can navigate the complexities of grant applications and leverage comprehensive digital strategies to achieve long-term success. By harnessing BlueHive's expertise and tailored solutions, businesses are empowered to thrive in Singapore's dynamic digital landscape.For more information on how BlueHive supports businesses with Digital Marketing grants in Singapore and SEO grants, visit www.bluehiveasia.com.

Bluehive Asia

Website: - https://www.bluehiveasia.com/

Email: - [email protected]

Call: - (+65) 6100 4148

#Digital Marketing #SEO grants in Singapore

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piterfrice · 2 months

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Packaging Design and Digital solution provider offers Creative Advertising, Branding, Packaging Design and Digital solutions in Singapore. Call or visit us for more details.

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studiostacked · 2 months

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Creative Agency Singapore

Leading creative agency in Singapore, Studio Stacked specializes in digital solutions, strategic marketing, and creative design. With effective campaigns and distinctive brand identities, we assist companies in enhancing their brands. Put your trust in Studio Stacked to turn your vision into impactful outcomes.

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kinocollectives · 12 days

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