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grigori77 · 6 years ago

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2018 in Movies - My Top 30 Fave Movies (Part 1)

30. MANDY – easily the weirdest shit I saw in 2018, this 2-hour-plus fever dream fantasy horror is essentially an extended prog-rock video with added “plot” from Beyond the Black Rainbow director Panos Cosmatos. Saying that by the end of it I was left feeling exhausted, brain-fried and more than a little weirded-out might not seem like much of a recommendation, but this is, in fact, a truly transformative viewing experience, a film destined for MASSIVE future cult status. Playing like the twisted love-child of David Lynch and Don Coscarelli, it (sort of) tells the story of lumberjack Red Miller (Nicolas Cage) and his illustrator girlfriend Mandy Bloom (Andrea Riseborough), who have an idyllic life in the fantastically fictional Shadow Mountains circa 1983 … at least until Mandy catches the eye of Jeremiah Sand (Linus Roache), the thoroughly insane leader of twisted doomsday cult the Children of the New Dawn, who employs nefarious, supernatural means to acquire her. But Mandy spurns his advances, leading to a horrific retribution that spurs Red, a traumatised war veteran, to embark on a genuine roaring rampage of revenge. Largely abandoning plot and motivation for mood, emotion and some seriously trippy visuals, this is an elemental, transcendental film, a series of deeply weird encounters and nightmarish set-pieces that fuel a harrowing descent into a particularly alien, Lovecraftian kind of hell, Cosmatos shepherding in one breathtaking sequence after another with the aid of skilled cinematographer Benjamin Loeb, a deeply inventive design team (clearly drawing inspiration from the artwork of late-70s/early 80s heavy metal albums) and a thoroughly tricked-out epic tone-poem of a score from the late Jôhan Jôhannsson (Sicario, Arrival, Mother!), as well as one seriously game cast. Cage is definitely on crazy-mode here, initially playing things cool and internalised until the savage beast within is set loose by tragedy, chewing scenery to shreds like there’s no tomorrow, while Riseborough is sweet, gentle and inescapably DOOMED; Roach, meanwhile, is a thoroughly nasty piece of work, an entitled, delusional narcissist thoroughly convinced of his own massive cosmic importance, and there’s interesting support from a raft of talented character actors such as Richard Brake, Ned Dennehy and Bill Duke. This is some brave, ambitious filmmaking, and a stunning breakthrough for one of the weirdest and most unique talents I’ve stumbled across a good while. Cosmatos is definitely one to watch.

29. THE GIRL IN THE SPIDER’S WEB – back in 2011, David Fincher’s adaptation of Stieg Larsson’s runaway bestseller The Girl With the Dragon Tattoo became one of my very favourite screen thrillers EVER, a stone-cold masterpiece and, in my opinion, the superior version of the story even though a very impression Swedish version had broken out in a major way the year before. My love for the film was coloured, however, by frustration at its cinematic underperformance, which meant that Fincher’s planned continuation of the series with Millennium Trilogy sequels The Girl Who Played With Fire and The Girl Who Kicked the Hornet’s Nest would likely never see the light of day. Even so, the fan in me held out hope, however fragile, that we might just get lucky. Seven years later, we have FINALLY been rewarded for our patience, but not exactly in the fashion we’ve been hoping for … Fincher’s out, Evil Dead-remake and Don’t Breathe writer-director Fede Alvarez is in, and instead of continuing the saga in the logical place the makers of this new film chose the baffling route of a “soft reboot” via adapting the FOURTH Millennium book, notable for being the one released AFTER Larsson’s death, penned by David Lagercrantz, which is set AFTER the original Trilogy. Thing is, the actually end result, contrary to many opinions, is actually pretty impressive – this is a leaner, more fast-paced affair than its predecessor, a breathless suspense thriller that rattles along at quite a clip as we’re drawn deeper into Larsson’s dark, dangerous and deeply duplicitous world and treating fans to some top-notch action sequences, from a knuckle-whitening tech-savvy car chase to a desperate, bone-crunching fight in a gas-filled room. Frustratingly, the “original” Lisbeth Salander, Rooney Mara, is absent (despite remaining VERY enthusiastic about returning to the role), but The Crown’s Claire Foy is almost as good – the spiky, acerbic and FIERCELY independent prodigious super-hacker remains as brooding, socially-awkward, emotionally complex and undeniably compelling as ever, the same queen of screen badasses I fell in love with nearly a decade ago. Her investigative journalist friend/occasional lover Mikael Blomkvist is, annoyingly, less well served – Borg Vs McEnroe star Sverrir Gudnasson is charismatic and certainly easy on the eyes, but he’s FAR too young for the role (seriously, he’s only a week older than I am) and at times winds up getting relegated to passive observer status when he’s not there simply to guide the plot forward; we’re better served by the supporting cast, from Lakeith Stanfield (Get Out, Sorry to Bother You) as a mysterious NSA security expert (I know!) to another surprisingly serious turn (after Logan) from The Office’s Stephen Merchant as the reclusive software designer who created the world-changing computer program that spearheads the film’s convoluted plot, and there’s a fantastically icy performance from Blade Runner 2049’s Sylvia Hoeks as Camilla Salander, Lisbeth’s estranged twin sister and psychopathic head of the Spiders, the powerful criminal network once controlled by their monstrous father (The Hobbit’s Mikael Persbrandt). The film is far from perfect – the plot kind runs away with the story at times, while several supposedly key characters are given frustratingly little development or screen-time – but Alvarez keeps things moving along with typical skill and precision and maintains a tense, unsettling atmosphere throughout, while there are frequently moments of pure genius on display in the script by Alvarez, his regular collaborator Jay Basu and acclaimed screenwriter Steven Knight (Dirty Pretty Things, Locke) – the original novel wasn’t really all that great, but by just taking the bare bones of the plot and crafting something new and original they’ve improved things considerably. The finished product thrills and rewards far more than it frustrates, and leaves the series in good shape for continuation. With a bit of luck this time it might do well enough that we’ll finally get those other two movies to plug the gap between this and Fincher’s “original” …

28. ISLE OF DOGS – I am a MASSIVE fan of the films of Wes Anderson. Three share placement in my all-time favourite screen comedies list – Grand Budapest Hotel, The Life Aquatic With Steve Zissou and, of course, The Royal Tenebaums (which perches high up in my TOP TEN) – and it’s always a pleasure when a new one comes out. 2009’s singular stop-motion gem Fantastic Mr Fox showed just how much fun his uniquely quirky sense of humour and pleasingly skewed world-view could be when transferred into an animated family film setting, so it’s interesting that it took him nearly a decade to repeat the exercise, but the labour of love is writ large upon this dark and delicious fable of dystopian future Japanese city Megasaki, where an epidemic of “dog flu” prompts totalitarian Mayor Kobayashi (voiced by Kunichi Nomura) to issue an edict banishing all of the city’s canine residents to nearby Trash Island. Six months later, Kobayashi’s nephew Atari (newcomer Koyu Rankin) steals a ridiculously tiny plane and crash-lands on Trash Island, intent on rescuing his exiled bodyguard-dog Spots (Liev Schreiber); needless to say this is easier said than done, unforeseen circumstances leading a wounded Atari to enlist the help of a pack of badass “alpha dogs” voiced by Anderson regulars – Rex (Edward Norton), King (Bob Balaban), Boss (Bill Murray) and Duke (Jeff Goldblum) – and nominally led by crabby, unrepentantly bitey stray Chief (Bryan Cranston), to help him find his lost dog in the dangerous wilds of the island. Needless to say this is as brilliantly odd as we’ve come to expect from Anderson, a perfectly pitched, richly flavoured concoction of razor sharp wit, meticulously crafted characters and immersive beauty. The cast are, as always, excellent, from additional regulars such as Frances McDormand, Harvey Keitel and F. Murray Abraham to new voices like Greta Gerwig, Scarlett Johansson, Ken Watanabe and Courtney B. Vance, but the film’s true driving force is Cranston and Rankin, the reluctant but honest relationship that forms between Chief and Atari providing the story with a deep, resonant emotional core. The first rate animation really helps – the exemplary stop-motion makes the already impressive art of Mr Fox seem clunky and rudimentary (think the first Wallace & Gromit short A Grand Day Out compared to their movie Curse of the Were-Rabbit), each character rendered with such skill they seem to be breathing on their own, and Anderson’s characteristic visual flair is on full display, the Japanese setting lending a rich, exotic tang to the compositions, especially in the deeply inventive environs of Trash Island. Funny, evocative, heartfelt and fiendishly clever, this is one of those rare screen gems that deserves to be returned to again and again, and it’s definitely another masterpiece from one of the most unique filmmakers working today.

27. VENOM – when Sam Raimi’s Spider-Man saga came to a rather clunky end back in 2007, it felt like a case of too many villains spoiling the rumble, and it was pretty clear that the inclusion of bad-boy reporter Eddie Brock and his dark alter ego was the straw that broke that particular camel’s back. Venom didn’t even show up proper until almost three quarters of the way through the movie, by which time it was very much a case of too-little-too-late, and many fans (myself included) resented the decidedly Darth Maul-esque treatment of one of the most iconic members of Marvel’s rogues’ gallery. It’s taken more than a decade for Marvel to redress the balance, even longer than with Deadpool, and, like with the Merc With a Mouth, they decided the only way was a no-holds-barred, R-rated take that could really let the beast loose. Has it worked? Well … SORT OF. In truth, the finished article feels like a bit of a throwback, recalling the pre-MCU days when superhero movies were more about pure entertainment without making us think too much, just good old-fashioned popcorn fodder, but in this case that’s not a bad thing. It’s big, loud, dumb fun, hardly a masterpiece but it does its job admirably well, and it has one hell of a secret weapon at its disposal – Tom Hardy. PERFECTLY cast as morally ambiguous underdog investigative journalist Eddie Brock, he deploys the kind of endearingly sleazy, shit-eating charm that makes you root for him even when he acts like a monumental prick, while really letting rip with some seriously twitchy, sometimes downright FEROCIOUS unhinged craziness once he becomes the unwilling host for a sentient parasitic alien symbiote with a hunger for living flesh and a seriously bad attitude. This is EASILY one of the best performances Hardy’s ever delivered, and he entrances us in every scene, whether understated or explosive, making even the most outlandish moments of Brock’s unconventional relationship with Venom seem, if not perfectly acceptable, then at least believable. He’s ably supported by Michelle Williams as San Francisco district attorney Anne Weying, his increasingly exasperated ex-fiancée, Rogue One’s Riz Ahmed as Carlton Drake, the seemingly idealistic space-exploration-funding philanthropist whose darker ambitions have brought a lethal alien threat to Earth, and Parks & Recreation’s Jenny Slate as Drake’s conflicted head scientist Nora Skirth, while there’s a very fun cameo from a particularly famous face in the now ubiquitous mid-credits sting that promises great things in the future. Director Ruben Fleischer brought us Zombieland and 30 Minutes Or Less, so he certainly knows how to deliver plenty of blackly comic belly laughs, and he brings plenty of seriously dark humour to the fore, the rating meaning the comedy can get particularly edgy once Venom starts to tear up the town; it also fulfils the Marvel prerequisite of taking its action quota seriously, delivering a series of robust set-pieces (the standout being a spectacular bike chase through the streets of San Fran, made even more memorable by the symbiote’s handy powers). Best of all, the film isn’t afraid to get genuinely scary with some seriously nasty alien-induced moments of icky body horror, captured by some strangely beautiful effects works that brings Venom and his ilk to vivid, terrifying life. Flawed as it is, this is still HUGE fun, definitely one of the year’s biggest cinematic guilty pleasures, and I for one can’t wait to see more from the character in the near future, which, given what a massive success the film has already proven at the box office, seems an ironclad certainty.

26. SOLO: A STAR WARS STORY – the second of Disney’s new phase of Star Wars movies to feature in the non-trilogy-based spinoff series had a rough time after its release – despite easily recouping its production budget, it still lost the $100-million+ it spent on advertising, while it was met with extremely mixed reviews and shunned by many hardcore fans. I’ll admit that I too was initially disappointed with this second quasi prequel to A New Hope (after the MUCH more impressive Rogue One), but a second, more open-minded viewing after a few months to ruminate mellowed my experience considerably, the film significantly growing on me. An origin story for the Galaxy’s most lovable rogue was always going to be a hard sell – Han Solo is an enjoyable enigma in The Original Trilogy, someone who lives very much in the present, his origins best revealed in the little details we glean about him in passing – but while it’s a flawed creation, this interstellar heist adventure mostly pulls off what was intended. Like many fans of The Lego Movie, I remain deeply curious about what original director duo Phil Lord and Chris Miller could have achieved with the material, but I wholeheartedly approved Disney’s replacement choice when he was announced – Ron Howard is one of my favourite “hit-and-miss” directors, someone who’s made some clunkers in his time (The Da Vinci Code, we’re looking at you) but can, on a good day, be relied on to deliver something truly special (Willow is one of my VERY FAVOURITE movies from my childhood, one that’s stood up well to the test of time, and a strong comparison point for this; Apollo 13 and Rush, meanwhile, are undeniable MASTERPIECES), and in spite of its shortcomings I’m ultimately willing to consider this one of his successes. Another big step in the right direction was casting Hail, Caesar! star Alden Ehrenreich in the title role – Harrison Ford’s are seriously huge shoes to fill, but this talented young man has largely succeeded. He may not quite capture that wonderful growling drawl but he definitely got Han’s cocky go-getter swagger right, he’s particularly strong in the film’s more humorous moments, and he has charisma to burn, so he sure makes entertaining viewing. It also helps that the film has such a strong supporting cast – with original Chewbacca Peter Mayhew getting too old for all this derring-do nonsense, former pro basketball-player Joonas Suotamo gets a little more comfortable in his second gig (after The Last Jedi) in the “walking carpet” suit, while Woody Harrelson adds major star power as Tobias Beckett, Han’s likeably slippery mentor in all things criminal in the Star Wars Universe, and Game of Thrones’ Emilia Clarke is typically excellent as Han’s first love Qi’ra, a fellow Corellian street orphan who’s grown up into a sophisticated thief of MUCH higher calibre than her compatriots. The film is dominated, however, by two particularly potent scene-stealing turns which make you wonder if it’s really focused on the right rogue’s story – Community star Donald Glover exceeds all expectations as Han’s old “friend” Lando Calrissian, every bit the laconic smoothie he was when he was played by Billy Dee Williams back in the day, while his droid companion L3-37 (voiced with flawless comic skill by British stage and sitcom actress Phoebe Waller-Bridge) frequently walks away with the film entirely, a weirdly flirty and lovably militant campaigner for droid rights whose antics cause a whole heap of trouble. The main thing the film REALLY lacks is a decent villain – Paul Bettany’s oily kingpin Dryden Voss is distinctive enough to linger in the memory, but has criminally short screen-time and adds little real impact or threat to the main story, only emphasising the film’s gaping, Empire-shaped hole. Even so, it’s still a ripping yarn, a breathlessly exciting and frequently VERY funny space-hopping crime caper that relishes that wonderful gritty, battered old tech vibe we’ve come to love throughout the series as a whole and certainly delivers on the action stakes – the vertigo-inducing train heist sequence is easily the film’s standout set-piece, but the opening chase and the long-touted Kessel Run impress too – it only flags in the frustrating and surprisingly sombre final act. The end result still has the MAKINGS of a classic, and there’s no denying it’s also more enjoyable and deep-down SATISFYING than the first two films in George Lucas’ far more clunky Prequel Trilogy. Rogue One remains the best of the new Star Wars movies so far, but this is nothing like the disappointment it’s been made out to be.

25. AQUAMAN – the fortunes of the DC Extended Universe cinematic franchise continue to fluctuate – these films may be consistently successful at the box office, but they’re a decidedly mixed bag when it comes to their quality and critical opinion, and the misses still outweigh the hits. Still, you can’t deny that when they DO do things right, they do them VERY right – 2017’s acclaimed Wonder Woman was a long-overdue validation for the studio, and they’ve got another winner on their hands with this bold, brash, VERY ballsy solo vehicle for one of the things that genuinely WORKED in the so-so Justice League movie. Jason Momoa isn’t just muscular in the physical sense, once again proving seriously ripped in the performance capacity as he delivers rough, grizzled charm and earthy charisma as half-Atlantean Arthur Curry, called upon to try and win back the royal birthright he once gave up when his half-brother Prince Orm (Watchmen’s Patrick Wilson), ruler of Atlantis, embarks on a brutal quest to unite the seven underwater kingdoms under his command in order to wage war on the surface world. Aquaman has long been something of an embarrassment for DC Comics, an unintentional “gay joke” endlessly derided by geeks (particularly cuttingly in the likes of The Big Bang Theory), but in Momoa’s capable hands that opinion has already started to shift, and the transition should be complete after this – Arthur Curry is now a swarthy, hard-drinking alpha male tempered with a compellingly relatable edge of deep-seeded vulnerability derived from the inherent tragedy of his origins and separation from the source of his immense superhuman strength, and he’s the perfect flawed action hero for this most epic of superhero blockbusters. Amber Heard is frequently as domineering a presence as Atlantean princess Mera, a powerful warrior in her own right and fully capable of heading her own standalone adventure someday, and Wilson makes for a very solid and decidedly sympathetic villain whose own motivations can frequently be surprisingly seductive, even if his methods are a good deal more nefarious, while The Get Down’s Yahya Abdul-Mateen II is more down-and-dirty BAD as David Kane, aka the Black Manta, a lethally tech-savvy pirate who has a major score to settle with the Aquaman; there’s also strong support from the likes of Willem Dafoe as Curry’s sage-like mentor Vulko, Dolph Lundgren as Mera’s father, King Nereus, the ever-reliable Temuera Morrison as Arthur’s father Thomas, and Nicole Kidman as his ill-fated mother Atlanna. Director James Wan is best known for establishing horror franchises (Saw, Insidious, The Conjuring), but he showed he could do blockbuster action cinema with Fast & Furious 7, and he’s improved significantly with this, delivering one gigantic action sequence after another with consummate skill and flair as well as performing some magnificent and extremely elegant world-building, unveiling dazzling, opulent and exotic undersea civilizations that are the equal to the forests of Pandora in Avatar, but he also gets to let some of his darker impulses show here and there, particularly in a genuinely scary visit to the hellish world of the Trench and its monstrous denizens. It may not be QUITE as impressive as Wonder Woman, and it still suffers (albeit only a little bit) from the seemingly inherent flaws of the DCEU franchise as a whole (particularly in yet another overblown CGI-cluttered climax), but this is still another big step back in the right direction, one which, once again, we can only hope they’ll continue to repeat. I’ll admit that the next offering, Shazam, doesn’t fill me with much confidence, but you never know, it could surprise us. And there’s still Flashpoint, The Batman and Birds of Prey to come …

24. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI – filmmaker brothers Martin and John Michael McDonagh have carved an impressive niche in cinematic comedy this past decade, from decidedly Irish breakout early works (In Bruges from Martin and The Guard and Calvary from John) to enjoyable outsider-looking-in American crim-coms (Martin’s Seven Psychopaths and John’s War On Everyone), and so far they’ve all had one thing in common – they’re all BRILLIANT. But Martin looks set to be the first brother to be truly accepted into Hollywood Proper, with his latest feature garnering universal acclaim, massive box office and heavyweight Awards recognition, snagging an impressive SEVEN Oscar nominations and taking home two, as well as landing a Golden Globe and BAFTA for Best Picture. It’s also the most thoroughly AMERICAN McDonagh film to date, and this is no bad thing, Martin shedding his decidedly Celtic flavours for an edgier Redneck charm that perfectly suits the material … but most important of all, from a purely critical point of view this could be the very BEST film either of the brothers has made to date. It’s as blackly comic and dark-of-soul as we’d expect from the creator of In Bruges, but there’s real heart and tenderness hidden amongst the expletive-riddled, barbed razor wit and mercilessly observed, frequently lamentable character beats. Frances McDormand thoroughly deserved her Oscar win for her magnificent performance as Mildred Hayes, a take-no-shit shopkeeper in the titular town whose unbridled grief over the brutal rape and murder of her daughter Angela (Kathryn Newton) has been exacerbated by the seeming inability of the local police force to solve the crime, leading her to hire the ongoing use of a trio of billboards laying the blame squarely at the feet of popular, long-standing local police Chief Bill Willoughby (Woody Harrelson). Needless to say this kicks up quite the shitstorm in the town, but Mildred stands resolute in the face of seemingly overwhelming odds, refusing to back down. McDormand has never been better – Mildred is a foul-mouthed, opinionated harpy who tells it like it is, no matter who she’s talking to, but there’s understandable pain driving her actions, and a surprisingly tender heart beating under all that thorniness; Harrelson, meanwhile, is by turns a gruff shit-kicker and a gentle, doting family man, silently suffering over his own helplessness with the dead end the case seems to have turned into. The film’s other Oscar-winner, Sam Rockwell, also delivers his finest performance to date as Officer Jason Dixon, a true disgrace of a cop whose permanent drunkenness has marred a career which, it turns out, began with some promise; he’s a thuggish force-of-nature, Mildred’s decidedly ineffectual nemesis whose own equally foul-mouthed honesty is set to dump him in trouble big time, but again there’s a deeply buried vein of well-meaning ambition under all the bigotry and pigheadedness we can’t help rooting for once it reveals itself. There’s strong support from some serious heavyweights, particularly John Hawkes, Caleb Landry Jones, Peter Dinklage, Abbie Cornish and Manchester By the Sea’s breakout star Lucas Hedges, while McDonagh deserves every lick of acclaim and recognition he’s received for his precision-engineered screenplay, peerless direction and crisp, biting dialogue, crafting a jet black comedy nonetheless packed with so much emotional heft that it’ll have you laughing your arse off but crying your eyes out just as hard. An honest, unapologetic winner, then.

23. RED SPARROW – just when you thought we’d seen the last of the powerhouse blockbuster team of director Francis Lawrence and star Jennifer Lawrence with the end of The Hunger Games, they reunite for this far more adult literary feature, bringing Jason Matthews’ labyrinthine spy novel to bloody life. Adapted by Revolutionary Road screenwriter Justin Haythe, it follows the journey of Russian star ballerina Dominika Egorova (Lawrence) into the shadowy world of post-Glasnost Russian Intelligence after an on-stage accident ruins her career. Trained to use her body and mind to seduce her targets, Dominika becomes a “Sparrow”, dispatched to Budapest to entrap disgraced CIA operative Nate Nash (Joel Edgerton) and discover the identity of the deep cover double agent in Moscow he was forced to burn his own cover to protect. But Dominika never wanted any of this, and she begins to plot her escape, no matter the risks … as we’ve come to expect, Jennifer Lawrence is magnificent, her glacial beauty concealing a fierce intelligence and deeply guarded desperation to get out, her innate sensuality rendered clinical by the raw, unflinching gratuity of her training and seduction scenes – this is a woman who uses ALL the weapons at her disposal to get what she needs, and it’s an icy professionalism that informs and somewhat forgives Lawrence’s relative lack of chemistry with Edgerton. Not that it’s his fault – Nate is nearly as compelling a protagonist as Dominika, a roguish chancer whose impulsiveness could prove his undoing, but also makes him likeable and charming enough for us to root for him too. Bullhead’s Matthias Schoenarts is on top form as the film’s nominal villain, Dominika’s uncle Ivan, the man who trapped her in this hell in the first place, Charlotte Rampling is beyond cold as the “Matron”, the cruel headmistress of the Sparrow School, Joely Richardson is probably the gentlest, purest ray of light in the film as Dominika’s ailing mother Nina, and Jeremy Irons radiates stately gravitas as high-ranking intelligence officer General Vladimir Andreievich Korchnoi. This is a tightly-paced, piano wire-taut thriller with a suitably twisty plot that constantly wrong-foots the viewer, Lawrence the director again showing consummate skill at weaving flawlessly effective narrative with scenes of such unbearable tension you’ll find yourself perched on the edge of your seat throughout. It’s a much less explosive film than we’re used to from him – most of the fireworks are of the acting variety – but there are moments when the tension snaps, always with bloody consequences, especially in the film’s standout sequence featuring a garrotte-driven interrogation that turns particularly messy. The end result is a dark thriller of almost unbearable potency that you can’t take your eyes off. Here’s hoping this isn’t the last time Lawrence & Lawrence work together …

22. WIDOWS – Steve McQueen is one of the most challenging writer-directors working in Hollywood today, having exploded onto the scene with hard-hitting IRA-prison-biopic Hunger and subsequently adding to his solid cache of acclaimed works with Shame and 12 Years a Slave, but there’s a strong argument to be made that THIS is his best film to date. Co-adapted from a cult TV-series from British thriller queen Lynda La Plante by Gone Girl and Sharp Objects-author Gillian Flynn, it follows a group of women forced to band together to plan and execute a robbery in order to pay off the perceived debt incurred by their late husbands, who died trying to steal $2 million from Jamal Manning (If Beale Street Could Talk’s Brian Tyree Henry), a Chicago crime boss with ambitions to go legit as alderman of the city’s South Side Precinct. Viola Davis dominates the film as Veronica Rawlings, the educated and fiercely independent wife of accomplished professional thief Harry (a small but potent turn from Liam Neeson), setting the screen alight with a barely restrained and searing portrayal of devastating grief and righteous anger, and is ably supported by a trio of equally overwhelming performances from Michelle Rodriguez as hard-pressed mother and small-businesswoman Linda Perelli, The Man From UNCLE’s Elizabeth Debicki as Alice Gunner, an abused widow struggling to find her place in the world now she’s been cut off from her only support-mechanism, and Bad Times At the El Royale’s Cynthia Eriyo as Belle, the tough, gutsy beautician/babysitter the trio enlist to help them once they realise they need a fourth member. Henry is a deceptively subtle, thoroughly threatening presence throughout the film as Manning, as is Get Out’s Daniel Kaluuya as his thuggish brother/lieutenant Jatemme, and Colin Farrell is seemingly decent but ultimately fatally flawed as his direct political rival, reigning alderman Jack Mulligan, while there are uniformly excellent supporting turns from the likes of Robert Duvall, Carrie Coon, Lukas Haas, Jon Bernthal and Kevin J. O’Connor. McQueen once again delivers an emotionally exhausting and effortlessly powerful tour-de-force, wringing out the maximum amount of feels from the loaded and deeply personal human interactions on display throughout, and once again proves just as effective at delivering on the emotional fireworks as he is in stirring our blood in some brutal set-pieces, while Flynn help to deliver another perfectly pitched, intricately crafted script packed with exquisite dialogue and shrewdly observed character work which is sure to net her some major wins come Awards season. Unflinching and devastating but thoroughly exhilarating, this is an extraordinary film (and if this was a purely critical list it would surely have placed A LOT higher), thoroughly deserving of every bit of praise, attention and success it has and will go on to garner. An absolute must-see.

21. JURASSIC WORLD: FALLEN KINGDOM – Colin Trevorrow’s long-awaited 2015 Jurassic Park sequel was a major shot in the arm for a killer blockbuster franchise that had been somewhat flagging since Steven Spielberg brought dinosaurs back to life for the second time, but (edgier tone aside) it was not quite the full-on game-changer some thought it would be. The fifth film, directed by J.A. Bayona (The Impossible, A Monster Calls) and written by Trevorrow and his regular script-partner Derek Connolly (Safety Not Guaranteed and JW, as well as Warner Bros’ recent “Monsterverse” landmark Kong: Skull Island), redresses the balance – while the first act of the film once again returns to the Costa Rican island of Isla Nublar, it’s become a very different environment from the one we’ve so far experienced, and a fiendish plot-twist means the film then takes a major swerve into MUCH darker territory than we’ve seen so far. Giving away anything more does a disservice to the series’ most interesting story to date, needless to say this is EASILY the franchise’s strongest feature since the first, and definitely the scariest. Hollywood’s most unusual everyman action hero, Chris Pratt, returns as raptor wrangler Owen Brady, enlisted to help rescue as many dinosaurs as possible from an impending, cataclysmic volcanic eruption, but in particular his deeply impressive trained raptor Blue, now the last of her kind; Bryce Dallas Howard is also back as former Jurassic World operations manager turned eco-campaigner Claire Dearing, and her His Girl Friday-style dynamic with Pratt’s Brady is brought to life with far greater success here, their chemistry far more convincing because Claire has become a much more well-rounded and believably tough lady, now pretty much his respective equal. There are also strong supporting turns from the likes of Rafe Spall, The Get Down’s Justice Smith, The Vampire Diaries/The Originals’ breakout star Daniella Pineda, the incomparable Ted Levine (particularly memorable as scummy mercenary Ken Wheatley) and genuine screen legend James Cromwell, but as usual the film’s true stars are the dinosaurs themselves – it’s a real pleasure seeing Blue return because the last velociraptor was an absolute treat in Jurassic World, but she’s clearly met her match in this film’s new Big Bad, the Indoraptor, a lethally monstrous hybrid cooked up in Ingen’s labs as a living weapon. Bayona cut his teeth on breakout feature The Orphanage, so he’s got major cred as an accomplished horror director, and he uses that impressive talent to great effect here, weaving an increasingly potent atmosphere of wire-taut dread and delivering some nerve-shredding set-pieces, particularly the intense and moody extended stalk-and-kill stretch that brings the final act to its knuckle-whitening climax. It’s not just scary, though – there’s still plenty of that good old fashioned wonder and savage beauty we’ve come to expect from the series, and another hefty dose of that characteristic Spielbergian humour (Pratt in particular shines in another goofy, self-deprecating turn, while Smith steals many of the film’s biggest laughs as twitchy, out-of-his-comfort-zone tech wizard Franklin). Throw in another stirring and epic John Williams-channelling score from Michael Giacchino and this is an all-round treat for the franchise faithful and blockbuster fans in general – EASILY the best shape the series has been in for some time, it shows HUGE promise for the future.

#mandy #the girl in the spider's web #isle of dogs #venom #solo a star wars story #aquaman #three billboards movie #red sparrow #widows #jurassic world fallen kingdom #2018 in movies

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theonyxpath · 7 years ago

Link

Last week, I had a great interview with the guys from the Everybody Loves Pudding podcast, and since their questions started with the early days with White Wolf and being a Magic card artist and led right through the CCP years to V5 and its several controversies, I thought this week that I’d go over a couple of questions folks have been throwing at us that relate to the whole ownership and licensing thing. And the difference between those two kinds of business deals.

(As soon as the Pudding guys are ready to post the interview, I’ll share the links with all of you. Mmmm, I sure do like pudding, Cotton).

I recently saw online somebody asking how CCP being bought was going to affect us and White Wolf and the WW game lines.

So, first, if you missed the news: CCP, the company that used to own White Wolf and who tried to create a World of Darkness MMO, but who ultimately sold WW to Paradox, who then recreated White Wolf as a company and created Vampire 5th Edition, were themselves bought by a bigger computer game company out of Korea or China.

Wow, that was still pretty convoluted, wasn’t it? Let’s try bullet points:

The original White Wolf, after years of creating great games lines, merges with/is bought by CCP, an Icelandic MMO company.

CCP licenses the rights to create tabletop RPGs for WoD, Chronicles of Darkness, and Exalted, to my new company, Onyx Path. The license means we don’t own those lines, we “just” make TTRPG books for them. They sell all the rights to Scion, the Trinity game lines, and the Scarred Lands to Onyx Path, as well, so we do own them and can call all the shots for them.

After years of trying to create a WoD MMO, and failing, CCP sells everything they have left that is White Wolf to Paradox Interactive, a Swedish computer game company. CCP at this point has no further ownership or connection to anything once created by White Wolf.

Paradox spins off a company named White Wolf that they intend to use to build the World of Darkness into the most recognized and coolest horror Intellectual Property in the world. They intend to do this by matching the right creators with the right projects via licensing.

This White Wolf continues with Onyx Path‘s license to create tabletop RPGs, but decides to create the newest edition of the WoD game lines, starting with Vampire: The Masquerade 5th Edition, themselves and let other licensees, like Onyx Path, publish V5 books as well.

CCP is bought by a bigger computer game company and because they sold everything White Wolf years ago, they have no connection to and their be bought has no effect on anything White Wolf related today. Or on Onyx Path in any way. Although, we do all wish them luck and a great future!

This corporate stuff does get complicated, don’t it?

Dragon-Blooded art by Melissa Uran

You might wonder why I can wish the crew at CCP good luck after all the upset that happened during the WoD MMO years – many of us still have flashbacks to the endless “stand-up” team meetings, and the sit-down management meetings weren’t much better – but without them licensing the WW game lines to us, Onyx Path would have had a very, very, tough time starting as a TTRPG publisher.

That gave us the boost of awareness and continuity with the old WW community that allowed us to build Onyx up and experiment on game-lines and business options that has enabled us to keep growing. So, yeah, I am grateful for that. And honestly, even with these great WW licenses, there are still many struggles that we’ve surmounted.

Contrary to some belief, and something that some other companies are learning, having a well-known and much loved TTRPG gameline is not a license to print money. Although good online gaming representation helps a lot, these days!

I used those bullet points to answer a few of the other questions, too, like “Why isn’t White Wolf doing more books themselves?” and “Did Onyx Path lose the White Wolf license? I see all these other companies involved!”.

A fair bit of the confusion, once you get past the corporate buy-outs and license definitions is just that White Wolf now isn’t functioning like we did in the first White Wolf. Which is really good, because back then, we were just making stuff up as we went along!

M20 Gods and Monsters art by Michael Gaydos

Now, for some quick notes from our Monday Meeting today.

First, Eddy Webb let us in on his iThrive retreat and “think tank” that he attended at the end of last week. Eddy shared a lot of notes on how to professionals and academics are viewing TTRPGs as learning, teaching, and therapeutic tools. Like I said at the meeting, it is really fascinating to hear analysis and data that confirms a lot of the ways we’ve seen kids and teenagers use games to help themselves.

Good stuff, and perhaps I can convince Eddy to put together a more in-depth blog sometime in the future, or even devote an episode of the Onyx Pathcast to the topic.

My notes from the meeting tell me that this Friday’s Pathcast is slated to be an phantasmagorical interview with the Master of Mage: The Ascension, Satyr Phil Brucato himself. With M20 Gods and Monsters and M20 Book of the Fallen handed off into the production process, this is a great time to delve deep into what Satyr Phil was thinking and went through to create those projects.

Last week’s Pathcast was an amazing deep-dive into the creation of Beckett’s Jyhad Diary, and many other things Vampire as well, with the Terrifically Terrifying Trio adding both insight and insanity to the exploration. They have stated quite clearly that it was their best look into a specific book EVAH, so it’s well worth a listen on PodBean or on your favorite podcast venue: https://onyxpathcast.podbean.com/

Impish Ian Watson, our Community Manager, talked a bit about the LA By Night streaming V5 Chronicle from Geek & Sundry, and how at one time in the chat there were something like close to 10,000 folks chatting. Yes, that is a very good thing, even if you don’t follow “actual play” streaming. That’s a lot of potential players excited about WoD, many for the first time. Plus, I hear they did a fantastic job evoking the World of Darkness and V5.

VtR2 Guide to the Night art by Mirko Falloni

Finally, thanks to all of you who have been taking advantage of this week’s huge sale at DriveThruRPG.com, it has been a stunning success, and runs until Thursday morning here in the US. In case you have somehow missed it. Then, as soon as it stops, DTRPG is running the same deal, but for Vampire: The Requiem, Werewolf: The Forsaken, and Mage: The Awakening PDFs, all part of the Chronicles of Darkness. More info below.

So many things are happening all over, and yet, ultimately, we are so thrilled to be creating the projects that provide the impetus for so much of all that. It’s what we do, we make worlds, in fact:

Many Worlds, One Path!

BLURBS!

KICKSTARTER:

The Dystopia Rising: Evolution Kickstarter funded in less than a day, and two sections of the Threat Guide companion PDF Stretch Goal have been added, which is a first-person guide with mechanics to the various threats facing survivors in the DR:E world, and we have opened up a Community Content site for the game! Now we’re staggering towards a fiery Jumpstart!

Dystopia Rising: Evolution is powered by Onyx Path’s Storypath system, and includes all the rules you need to play as a survivor in the post-apocalypse, including rules for creating characters for up to 24 different Strains, variations on humanity that survived the Fall. It also has details on the powers of faith and psionics, along with advice on running action-adventure stories, webs of personal intrigue, or procedural investigations. And, finally, dozens of antagonists, including a variety of zombies and raiders to use in your series.

Throughout this Kickstarter campaign, we will be posting complete previews of the Dystopia Rising: Evolution manuscript as backer-only updates. With one week to go, you can back now and get the text to find out what are the excitement is about!

ELECTRONIC GAMING:

As we find ways to enable our community to more easily play our games, the Onyx Dice Rolling App is now live! Our dev team has been doing updates since we launched based on the excellent use-case comments by our community, and this thing is both rolling and rocking!

Here are the links for the Apple and Android versions:

http://theappstore.site/app/1296692067/onyx-dice

https://play.google.com/store/apps/details?id=com.onyxpathpublishing.onyxdice&hl=en

Three different screenshots, above.

ON AMAZON AND BARNES & NOBLE:

You can now read our fiction from the comfort and convenience of your Kindle (from Amazon) and Nook (from Barnes & Noble).

If you enjoy these or any other of our books, please help us by writing reviews on the site of the sales venue you bought it from. Reviews really, really help us with getting folks interested in our amazing fiction!

Our selection includes these fiction books:

Vampire: The Masquerade: The Endless Ages Anthology (Kindle, Nook)

Werewolf: The Apocalypse: Rites of Renown: When Will You Rage II (Kindle, Nook)

Mage: The Ascension: Truth Beyond Paradox (Kindle, Nook)

Chronicles of Darkness: The God-Machine Chronicle Anthology (Kindle, Nook)

Mummy: The Curse: Curse of the Blue Nile (Kindle, Nook)

Beast: The Primordial: The Primordial Feast Anthology (Kindle, Nook)

Vampire: The Masquerade: Of Predators and Prey: The Hunters Hunted II Anthology (Kindle, Nook)

Werewolf: The Apocalypse: The Poison Tree (Kindle, Nook)

Werewolf: The Apocalypse: Songs of the Sun and Moon: Tales of the Changing Breeds (Kindle, Nook)

Vampire: The Requiem: The Strix Chronicle Anthology (Kindle, Nook)

Werewolf: The Forsaken: The Idigam Chronicle Anthology (Kindle, Nook)

Mage: The Awakening: The Fallen World Chronicle Anthology (Kindle, Nook)

Vampire: The Masquerade: The Beast Within Anthology (Kindle, Nook)

Werewolf: The Apocalypse: W20 Cookbook (Kindle, Nook)

Exalted: Tales from the Age of Sorrows (Kindle, Nook)

Chronicles of Darkness: Tales of the Dark Eras (Kindle, Nook)

Promethean: The Created: The Firestorm Chronicle Anthology (Kindle, Nook)

Demon: The Descent: Demon: Interface (Kindle, Nook)

Scarred Lands: Death in the Walled Warren (Kindle, Nook)

V20 Dark Ages: Cainite Conspiracies (Kindle, Nook)

Chronicles of Darkness: Strangeness in the Proportion (Kindle, Nook)

Vampire: The Requiem: Silent Knife (Kindle, Nook)

Mummy: The Curse: Dawn of Heresies (Kindle, Nook)

OUR SALES PARTNERS:

We’re working with Studio2 to get Pugmire out into stores, as well as to individuals through their online store. You can pick up the traditionally printed main book, the Screen, and the official Pugmire dice through our friends there!

https://studio2publishing.com/search?q=pugmire

Looking for our Deluxe or Prestige Edition books? Try this link! http://www.indiepressrevolution.com/xcart/Onyx-Path-Publishing/

Here’s the link to the press release we put out about how Onyx Path is now selling through Indie Press Revolution: http://theonyxpath.com/press-release-onyx-path-limited-editions-now-available-through-indie-press-revolution/

And you can now order Pugmire: the book, the screen, and the dice! http://www.indiepressrevolution.com/xcart/manufacturers.php?manufacturerid=296

DRIVETHRURPG.COM:

Ending this Thursday, DTRPG together with White Wolf and Onyx Path are having a one week massive 75% off sale on all Vampire: The Masquerade, Werewolf: The Apocalypse, and Mage: The Ascension PDFs!

AND, starting this Thursday morning, we are having a one week only 75% off sale on all Vampire: The Requiem, Werewolf: The Forsaken, and Mage: The Awakening PDFs!

This Wednesday we expand our blank journal offerings on our RedBubble site with Vampire: The Requiem blank journals!

CONVENTIONS!

From Fast Eddy Webb, we have these:

Eddy will be speaking at Broadleaf Writers Conference (September 22-23) in Decatur, GA. He’ll be there to talk about writing for interactive fiction, and hanging out with other writers who have far more illustrious careers. http://broadleafwriters.com/3rd-annual-broadleaf-writers-conference/3rd-annual-broadleaf-writers-conference-speakers/

Eddy will also be a featured guest at Save Against Fear (October 12-14) in Harrisburg, PA. He’ll be running some Pugmire games, be available for autographs, and will sometimes accept free drinks. http://www.thebodhanagroup.org/about-the-convention

Monica Valentinelli will be a professional guest at Great Falls Gaming Convention in Montana the first week of October. http://gfgr.org/guests-of-honor/

Dixie Cochran will be at High Level Games Con in Atlantic City October 12-14, running a Women in Game Design panel, Eddy’s RPG Developer Bootcamp, and possibly making a surprise appearance at another event!

And now, the new project status updates!

DEVELOPMENT STATUS FROM FAST EDDY WEBB (projects in bold have changed status since last week):

First Draft (The first phase of a project that is about the work being done by writers, not dev prep)

C20 Novel (Jackie Cassada) (Changeling: the Dreaming 20th Anniversary Edition)

M20 The Technocracy Reloaded (Mage: the Ascension 20th Anniversary Edition)

M20 Victorian Mage (Mage: the Ascension 20th Anniversary Edition)

Trinity Continuum: Aberrant core (Trinity Continuum: Aberrant)

Tales of Excellent Cats (Monarchies of Mau)

Scion Companion: Mysteries of the World (Scion 2nd Edition)

City of the Towered Tombs (Cavaliers of Mars)

Heirs to the Shogunate (Exalted 3rd Edition)

Witch-Queen of the Shadowed Citadel (Cavaliers of Mars)

Mummy: The Curse 2nd Edition core rulebook (Mummy: The Curse 2nd Edition)

Scion Ready Made Characters (Scion 2nd Edition)

Scion Jumpstart (Scion 2nd Edition)

Redlines

Deviant: The Renegades (Deviant: The Renegades)

Night Horrors: Nameless and Accursed (Mage: the Awakening Second Edition)

Second Draft

Tales of Good Dogs – Pugmire Fiction Anthology (Pugmire)

Oak, Ash, and Thorn: Changeling: The Lost 2nd Companion (Changeling: The Lost 2nd)

CofD Dark Eras 2 (Chronicles of Darkness)

V5 Chicago By Night (Vampire: The Masquerade)

Development

Hunter: the Vigil 2e core (Hunter: the Vigil 2nd Edition)

Fetch Quest (Pugmire)

CofD Contagion Chronicle (Chronicles of Darkness)

Dystopia Rising: Evolution (Dystopia Rising: Evolution)

Night Horrors: Shunned by the Moon (Werewolf: The Forsaken 2nd Edition)

Adventures for Curious Cats (Monarchies of Mau)

M20 Book of the Fallen (Mage: the Ascension 20th Anniversary Edition)

Lunars: Fangs at the Gate (Exalted 3rd Edition)

Spilled Blood (Vampire: The Requiem 2nd Edition)

In Media Res (Trinity Continuum: Core)

Aeon Aexpansion (Trinity Continuum: Aeon)

WoD Ghost Hunters (World of Darkness)

C20 Players’ Guide (Changeling: the Dreaming 20th Anniversary Edition)

Wr20 Book of Oblivion (Wraith: The Oblivion 20th Anniversary Edition)

Manuscript Approval:

Signs of Sorcery (Mage: the Awakening Second Edition)

Editing:

Dog and Cat Ready Made Characters (Monarchies of Mau) (With Eddy)

Changeling: The Lost 2nd Jumpstart (Changeling: The Lost 2nd)

Post-Editing Development:

Scion: Hero (Scion 2nd Edition)

Trinity Continuum Core Rulebook (The Trinity Continuum)

Trinity Continuum: Aeon Rulebook (The Trinity Continuum)

Ex Novel 2 (Aaron Rosenberg) (Exalted 3rd Edition)

Exalted 3rd Novel by Matt Forbeck (Exalted 3rd Edition)

They Came From Beneath the Sea! Rulebook (TCFBtS!)

Indexing:

Changeling: The Lost 2e

ART DIRECTION FROM MIRTHFUL MIKE:

In Art Direction

Dystopia Rising: Evolution – KS is going.

M20: Gods and Monsters – AD’d and Contracted.

Geist 2e

The Realm

Trinity Continuum (Aeon and Core) – AD’d and Contracted.

Ex3 Monthly Stuff

Ex3 Dragon Blooded – Finals coming in.

Chicago By Night – KS art sketches and finals coming in.

Pugmire Roll of Good Dogs and Cats

Marketing Stuff

In Layout

Trinity Core

Trinity Aeon

Proofing

Scion Hero – Putting in Neal’s changes, updating font

PTC: Night Horrors: The Tormented – Corrections over to KT.

Scion Origin – Doing Neall’s errata changes, and swapping out the font.

VtR: Guide to the Night

Lost 2e Screen – At WW for approval

Fetch Quest – Package design done

At Press

Monarchies of Mau – Printing. Dice and buttons printing.

Cavaliers of Mars – At Studio2.

Wraith 20th – Prepping the interior Deluxe files, cover design sent to printer.

Monarchies of Mau Screen – At Studio2.

Cavaliers of Mars Screen – At Studio2.

Wraith 20 Screen – Printing.

Scion Dice – At fulfillment shipper.

Cav Talent cards – PoD proof coming.

Requiem Journals – On Sale at RedBubble on Weds!

TODAY��S REASON TO CELEBRATE: In 1859 Joshua A. Norton declares himself “Norton I, Emperor of the United States.” I mean, if you like WoD or CofD, They Came From Beneath the Sea!, Scion, or the Trinity Continuum…this guy was just the tip of the odd history iceberg that we draw on for all those settings.

#Onyx Path Publishing

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markstrom · 7 years ago

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The Canucks are Attractive 101

by @markstrom, @feistyteee, @tomiath, @nhlmarkstrom, @huttsybobuttsy, @pyatts, @baercheese

This is the ultimate guide for anyone who ever said the Canucks are not attractive. Say goodbye to the world as you know it.

First of all: Swedes. We all know it, Sweden somehow produces the best looking people on this planet and the Canucks have some of them.

1. Jacob Markstrom

Our starting goalie is 6′6 and no one can look at him without melting away. His voice and his sweet Swedish accent is the cutest thing you’ll ever hear. Also: eyebrows. Also: eyes. The curved nose needs a shoutout cause it’s adorable. His face is just a masterpiece of art and anyone who doubts this has, well, no idea of art. We also love to mention his tattoos because damn.

2. Anders Nilsson

Only a fool might think one Swedish goalie is enough. Meet Anders Nilsson, another 6′6 goalie from Sweden. He’s the absolute purest sweetheart, as you can spot a pride flag on both his masks. To represent his gay friends, he says. His hair/beard color combo is different but it works. So. Damn. Well. Plus: the freckles, we love them dearly. Our Swedish goalies support each other at all times, goalie controversy? We don’t know her.

3. Alexander Edler

He looks like Alexander Skarsgård but on skates. Another sweet Swedish blondie who is also the sweetest dad. His hair always looks on point and he does indeed have a nice tan in his pic. Probably best dressed Canuck, his fashion is on fire. What a man.

4. Loui Eriksson

A man also known as The Poodle. His fluffy and curly hair make you want to touch it. His look is sometimes very weird and intimidating and some people might think of Louis Vuitton when hearing his name but remember, this kind of fur is completely Canucks branded.

5-6. Henrik and Daniel Sedin

These are our leading Swedish fish and they do look the same. Some people might say they aren’t really pretty, but hey if you’re into gingers, we got two identical ones for you. We aim to please.

Next: the team dads (Disclaimer: this does not mean they actually have kids). We got plenty of them and they’re mostly cute and obviously good with kids – or still single.

7. Sam Gagner

Sam Gagner aka Gags is a really smiley. GAGNER WITH SCRUFF IS ICONIC. Also smirk smirk smirk. He likes to wear an all white mouthguard that makes his teeth look weird during the game but that’s okay because he needs to protect his perfect smile at all costs! Bonus: He looks so comforting like you can trust him with your life.

8. Brandon Sutter

His sarcasm is A+ comedy. He also looks like he could play the role of a guy everyone falls in love with on The Young and the Restless. He’s just very pretty, hair is soft, light scrub and eyebrows are 👏🏼. His eyes are pretty and they are very kind. Also that little smile/smirk is giving me all kinds of feelings ngl.

9. Christopher Tanev

He most definitely looks better with teeth than without. Tanev is the protective type of guy, he takes pucks to the face for you but mostly for Marky, literally. Long hair don’t care. The soft, dark brown of his eyes can tell that he couldn’t hurt a fly. Bet he takes the ladies out on good dates too.

10. Michael del Zotto

“Michael Del Zotto does wedding photoshoot, does not actually get married”

“New Vancouver Canucks defenceman Michael Del Zotto was named one of our nation's 25 Most Eligible Bachelors”

“Just showed up, plugged in his iPod without anybody asking, just plugged it in”

Michael del Zotto, more commonly known as DJ MDZ has Italian heritage as you might realize in his name. He’s got curls curls curls. Simple, overall goof who often thinks too highly of himself. Further he’s the absolute kind and friendly standard Canadian.

11. Erik Gudbranson

YOU CANT TELL ME HE DOES NOT LOOK LIKE HE IS SUPPOSED TO BE ON THE GQ COVER!!! Certified male model Erik Gudbranson. God definitely was in a very good mood when he gave him his face. His nose is straight and thin, it just makes you want to tap on it. His smile is very comforting and so is his look. His eyebrows are a statement. This guy knows for sure what a hairstyle is. His sense of fashion is straight out of a fashion magazine. The scrub is just the whipped cream on top, his face is artwork.

12. Markus Granlund

Looks quiet and serious but has a great sense of humor and arguably some of the best Instagram posts. He’s from Finland so if you want a Finnish player we have all ages. He’s got pretty green eyes.

13. Alex Biega

Alex Biega is a cute family man. Great with kids, nice, cute smile, rosy cheeks, nice nose. Con: he has no hair, but you don’t see that when he’s wearing a helmet.

Next up: our young guns! They are all handsome af and just overall lovable. They’re fast and speedy and some of them are thicc af. Save the best for last, our personal favorites.

14. Ben Hutton

1. If you’re ever feeling down, watch a hutton video, he’s happy 24/7 and knows how to have fun. 2. He’s always smiling and his smile can brighten a room. 3. Those dance moves tho. Who knew a “Barbie girl” lip sync could be so hot.

15. Darren Archibald

He is a wall, he is badass and that makes him so ass. His skin looks very soft and his beard does actually look good, not like Guddys. HIS BEARD IS PERFECT. His eyebrows are straight up goals and look at the dark, kind brown of his eyes. Beautiful.

16. Bo Horvat

Bo’s face is chiseled like a god. He carries his dog because he doesn’t want to make him walk. He love to go to the beach with his dog but he doesn’t let him swim because he’s “more of a sinker”. His nose is very cute and his body is damn well trained you can just look at him forever. Bo has very soft short hair and he is often amused by Brock’s non-existant smile.

17. Brendan Gaunce

Baby face Brendan Gaunce has the hairstyle of a guy from elementary school. His lips are so red at all times it’s inhuman. He looks very innocent but it feels like he’s not. He’s just kind of there, no one really knows how or why. Kind of looks like a little baby deer.

18. Tyler Motte

Fact: There are no good pics of him in the inter webs. Tyler “Applesauce” Motte kinda looks like a college kid from a frat. He’s a very fast skater and his penalty killing is absolutely sexie.

19. Nic Dowd

Dowdy is just overall an incredibly handsome guy. That hair line and the wavy fluff, can you see it? Beautiful. The cheek bones? Beautiful. He could work as a male model if he wanted but fortunately he plays hockey to bless us with his beautiful face.

20. Troy Stecher

Stechy has straight up the most adorable dog on this planet. Let’s be real if anyone says Phoebe isn’t their favorite Canuck they’re lying. Kind of an underrated defence man so not a lot of people fully appreciate him. He’s like that rough and tough hockey player that’s also very adorable. His voice is simply great.

21. Brendan Leipsic

Where do we start here? First of all he calls his dog his son and it’s very adorable. Also his curls. CURLS. They match his face so well and they are absolutely adorable. His lips have a perfect shape and look so soft. Generally his face looks just super soft and kind. Also, have you ever noticed his fashion sense? Definitely one of the best dressed guys on the team. He’s also very aggressive on the ice and he hustles and works very well with our favorite d-man Derrick Pouliot. His nickname is delicious country gravy because he works so well with the chicken strip.

22. Brock Boeser

Here we go, it’s time for Prince Charming! The hockey community on here already knows how great he is and look I even found a rare footage of his shiny smile. Whenever he smiles he helps the global warming because his smile melts icebergs. Awesome. He always chews on his mouthguard rather than use it and his mom doesn’t like that. Oh, he also went to prom with a girl who has down syndrome and that’s really the type of guy he is. His flow is legendary and often his hair look like actual gold. He leaked his hair routine and apparently he just uses Head and Shoulders shampoo.

23. Nikolay Goldobin

Goldy is the most adorable Russian puppy you can find anywhere in the NHL. His hair are super fluffy and he doesn’t know how to wear a hat but that only makes him look even more adorable. His nose is so small and round it’s absolute gold! Don’t even get me started on his eyebrows because they are flawless! He got the most innocent and sweet smile out there, he always seems happy. You want to squeeze his cheeks and generally just hug him. It seems like he gives nice hugs.

24. Sven Bärtschi

@baercheese is here to confess her love: “My cute little Swiss boy ♥ my forever favourite & definitely underrated in the looks department & as a hockey player. His nose might not be straight but it’s still cute (I will fight you if you disagree) and his hair is always slicked back to perfection👌🏻 If you haven’t heard him talk you need to because he has a sight accent and it’s my favourite thing in the entire world 😍 He’s also a known dog lover & has a dog named Bear (named after himself basically), what’s not to love?”

25. Derrick Pouliot

Derrick Pouliot, also commonly known as Poulet, chicken strip and super strip is our cutest chubby teddy defenseman and we all know it. He grew up in the middle of nowhere in Saskatchewan and not a lot of people got to appreciate his beauty so far. His hair are the pure fluff and make you just want to run your hands through it. His face looks so soft, his eyes are warm and you just want to squeeze his cheeks ngl. Listen to his voice once and you never want to listen to something else ever again. He is not really tall and his hockey gear looks kind of too big for him, the others love to pat his head. Sometimes his hair get a little curly and it’s just the cutest thing ever. Just by looking at him you can tell that he gives the best and softest hugs ever and he makes you feel comfortable at all times. He is really silent and not outgoing, he needs a lot of time to feel comfortable with new people but that’s totally okay. He’s super cute with kids and just overall totally lovely and kind. A real Canadian.

26. Jake Virtanen

Jake Virtanen is the ultimate snack. He’s half Canadian, half Finnish and 100% babe. The man can skate. Fast. Right into my heart. To quote the great philosopher of our time, Taylor Swift, he’s so gorgeous, it actually hurts. He has the cutest dance moves and the most precious smile. When he does that little slanted smile, I swoon, you swoon, we swoon. Bonus: When he works hard his face turns red and it’s adorable lmao.

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vidovicart · 8 years ago

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Living Lagom in Sweden: An Interview With Lola Akerstrom

Back in 2006, during my first trip around the world, I met a Swedish girl. We traveled together for a bit and the following year I went to visit her in Sweden. Though that relationship didn’t last, my love for Sweden did and, in subsequent years, I learned Swedish and even tried to move to Sweden. I love everything Swedish. And so does my friend Lola. Lola and I met back in 2008 when travel blogging was in its infancy. Unlike me, she’s had success in making a life in Sweden, where she now lives with her husband and son. She’s one of the favorite people in the industry and I love the imagery in her writing and the beauty in her photography.

In her new book, Lagom, she discusses life in Sweden and Swedish culture. Today, I jealously interview her about life there.

Nomadic Matt: Tell everyone a bit about yourself. Lola: I’m a Nigerian-born, US-educated, Sweden-based writer and photographer focusing mostly on exploring culture through food, tradition, and lifestyles. My photography is represented by National Geographic Creative, and I was recently awarded the prestigious 2018 Travel Photographer of the Year Bill Muster Award from the Society of American Travel Writers (SATW).

I actually took a nontraditional path to this new life, as I worked as a web programmer and GIS system architect for 12+ years before the full career shift into the travel media industry.

I’ve always been fascinated by the nuances of culture: what makes us different and what our similarities are. And so this curiosity and acknowledgement really underpins pretty much all my work as a travel writer and photographer.

How did you end up in Sweden? I met my husband in 2006 while living in the US. After logging thousands upon thousands of air miles, as well as temporary stints in Stockholm, I officially moved over in 2009. It really was an intercultural, interracial, and intercontinental union in many ways. We now have two kids, so Sweden will be home for a while for many reasons, the prime one being that it’s pretty darn perfect for families.

How do you find life in Sweden? Good? Bad? Life in Sweden is what you make of it, and that’s why I also wrote this book — as a handy cultural guide that can help you integrate and deeply understand Swedish culture and its nuances. Having lived in both Nigeria and the US for extended periods of time, I appreciate living here with a young family. Overall, the quality of life is fantastic in terms of stress levels. There is enough time to dedicate to the family, as well as generous benefits, which we all contribute to through our taxes.

What’s your least favorite part about living in Sweden? I often say Sweden is the most open society run by the most private people, and I explain why in the book. Sweden does have its dark sides, and I always say the main difference is this: I can be like Oprah Winfrey if I want to as a black woman in the US, despite all the racial tensions. In Sweden, while you’ll be left in a small corner to live your happy life, trying to be a CEO or magnate like Oprah is a gargantuan task. There are people who still don’t get called for job interviews because of the names on their résumés. So overall, while I love living here, no society is perfect, and Sweden has a lot of integration issues it needs to work out.

Why did you write this book? So, the Swedish word lagom has recently emerged as the lifestyle trend of 2017 and of course, publishers are jumping on it with different lifestyle books — from recipes to interior decor.

But I needed to put a book out there that was beyond cinnamon bun recipes, because lagom is not a word that is warmly embraced or even liked by many Swedes themselves for various reasons, including the fact the ethos has over time morphed to denote average, boring, and middle-of-the-road. I detail all this in the book, as well as explain why lagom itself is inherently a good ideal as opposed to jante, which is the negative parasitic ethos that attaches itself to lagom and brings the negativity. But it is the key to understanding the Swedish mindset.

I have been living in Sweden for eight years, and writing about the country and its culture for even longer. I am also married to a Swede and have a unique vantage point of observing the culture both objectively and subjectively. So I explain lagom in a way that a foreigner fully gets it, as well as holding up a mirror to Swedes so they see how lagom is expressed in interactions with other people. It can be very difficult to write about something that’s very intrinsic to you in a way that others can fully understand without coming off as patronizing and condescending.

It really governs the Swedish psyche, and individual bubbles of lagom are definitely changing and morphing with each passing generation.

I needed to write a well-balanced cultural book that could still stand once the Scandi-trends wave washed over.

What does lagom mean and why is it important? On the surface, lagom is often described as “not too little, not too much, just right,” but it’s a lot more nuanced than that and lies closer to “optimal.” It is the key to unlocking the Swedish psyche and governs almost all aspects of life and culture in the country.

It also transforms its meaning in different contexts — from “less is more” in terms of décor and “moderation” in terms of food to “harmony and balance” in terms of society and “mindfulness” in terms of well-being.

If one were to boil down the true essence of lagom to its very core, it means striving for the ultimate balance in life that, when applied to all aspects of one’s existence, can help guide you toward operating at your most natural, effortless state.

The state and measurement of lagom mean different things to different folks. My satisfaction may vary from yours, but we can both be satisfied. Lagom represents the ultimate sweet spot or golden mean in your own life, and more importantly, it encourages you to fully operate within that sweet spot that’s just right for you.

For travelers to Sweden, how can they detect lagom at work or play? Many people often describe Swedes (in Sweden, not outside of Sweden) as reserved, inaccessible, and maybe even cold and flippant, but it’s often just lagom’s mindfulness at play. Locals will give you your space and ensure you’re not inconvenienced by their presence. So, Swedes naturally keep their distance from a place of mindfulness, not because they don’t want to be around you. (Outside of Sweden, they are quick to ditch lagom in social settings.)

At work, lagom is always looking for the best solution, so there’s a lot of planning, lots of meetings, lots of consensus, lots of teamwork, you get the gist… to make sure they arrive at the optimal, lagom solution to all problems.

For example: Many foreigners working or doing business in Sweden often lament the amount of time Swedes put into upfront planning and preparation. Agendas are triple-checked, and several meetings are called to plan every single item on said agendas. Plans can take months to put in place before moving to the next step of implementing each item on those plans.

For a culture that prides itself on efficiency, it could seem these inherent acts of zealous planning are counterproductive, and they can be seen as wasting time and resources. However, because lagom craves balance by trimming excess around its edges, it requires adequate planning. “Adequate” is measured by whatever it takes to prune irrelevance, regardless of how long it takes.

To be efficient means to perform and function in the most optimal manner possible with the least waste of time, resources, and energy. This very definition of efficiency mirrors the core of lagom.

So lagom says it is perfectly OK to spend as much time as needed to prepare ourselves and strongly develop our plans, because that’s the only way we can guarantee efficiency.

For travelers who would like to date a Swede, how can understanding lagom help them? Swedes don’t naturally divulge information or overshare, so sometimes it can be hard to even gauge or assess what’s going on in a relationship. And it’s not a culture that overly gesticulates with hands or uses flattering words, so knowing if a Swede is interested in you can be denoted by their unusually prolonged eye contact.

So, when out on a date, always have follow-up questions to keep the conversation going and to avoid your date awkwardly ending at “yes or no” answers. Because they will do so, in an effort not to overshare without being asked.

For someone going on a date expecting to be lavishly wined and dined, Swedes are generally conditioned to split their bills, to always repay favors, and to not be duty-bound to anyone, especially financially, by keeping that scale balanced. So this can come as a nasty surprise at the end of the night if you haven’t discussed it before the waiter brings out the menu.

And if you’re in relationship with a Swede and have issues or questions, just ask straight out because Swedes are very direct. And be prepared for those direct answers!

Why are people so fascinated with Sweden? I think a lot of the fascination comes from the quality of life and just how progressive the society is. Another more superficial angle has to do with physicality — from people and landscapes to interior décor and architecture. I mean, the city of Stockholm itself is absolutely stunning, and it spreads across 14 islands, which you can view from some nice vantage points in town. Sweden consistently ranks in the top 10 happiest countries, so there are clearly things Sweden is getting right.

What’s the one thing you want people to take away from your book? Lagom is a mindset that fundamentally battles stress. Having too much or too little causes stress, so lagom tries to find its balance between both with the optimal solution by reducing excess. Not perfection, but the best solution.

Think of it as a scale that always needs to be balanced. Too much or too little tips the scale sharply to one side or the other, so lagom balances itself (“just right”) by trimming excess and getting rid of all sources of stress within our control — from material things to relationships that drain us.

Lola A. Åkerström is an award-winning writer, speaker, and photographer with National Geographic Creative. She regularly contributes to high profile publications such as AFAR, the BBC, The Guardian, Lonely Planet, Travel + Leisure, and National Geographic Traveler. Lola is also the editor of Slow Travel Stockholm, an online magazine dedicated to exploring Sweden’s capital city in depth. She lives in Stockholm and blogs at Geotraveler’s Niche. You can pick up a copy of her book on Amazon. (It’s really interesting and I highly recommend it!)

The post Living Lagom in Sweden: An Interview With Lola Akerstrom appeared first on Nomadic Matt's Travel Site.

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melissagarcia8 · 8 years ago

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Living Lagom in Sweden: An Interview With Lola Akerstrom

In her new book, Lagom, she discusses life in Sweden and Swedish culture. Today, I jealously interview her about life there.

I actually took a nontraditional path to this new life, as I worked as a web programmer and GIS system architect for 12+ years before the full career shift into the travel media industry.

It really governs the Swedish psyche, and individual bubbles of lagom are definitely changing and morphing with each passing generation.

I needed to write a well-balanced cultural book that could still stand once the Scandi-trends wave washed over.

To be efficient means to perform and function in the most optimal manner possible with the least waste of time, resources, and energy. This very definition of efficiency mirrors the core of lagom.

So lagom says it is perfectly OK to spend as much time as needed to prepare ourselves and strongly develop our plans, because that’s the only way we can guarantee efficiency.

And if you’re in relationship with a Swede and have issues or questions, just ask straight out because Swedes are very direct. And be prepared for those direct answers!

The post Living Lagom in Sweden: An Interview With Lola Akerstrom appeared first on Nomadic Matt's Travel Site.

from Traveling News https://www.nomadicmatt.com/travel-blogs/lola-akerstrom-sweden-interview/

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vacationsoup · 7 years ago

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New Post has been published on https://vacationsoup.com/a-guide-to-the-bayeux-tapestry/

A Guide To The Bayeux Tapestry

The Bayeux Tapestry is an embroidered cloth measuring nearly 70 metres long and 50 cm high which depicts the events leading up to the Norman conquest of England. Characters include William, Duke of Normandy, and Harold, Earl of Wessex, (later King of England), and culminates in the Battle of Hastings in 1066.

It is thought to date from the 11th century, within a few years after the battle. It was originally housed in Bayeux Cathedral but is now displayed in the Musée de la Tapisserie de Bayeux in Bayeux, Normandy.

The Design

There are 58 scenes embroidered on linen with coloured woollen yarns and Latin descriptions. It's not technically a tapestry as it is not woven but has predominantly been known as such. Two methods of stitching are used: outline or stem stitch for lettering and the outlines of figures, and couching or laid work for filling in figures. Nine linen panels were sewn together after each was embroidered and the joins were disguised with subsequent embroidery.

The main yarn colours are terracotta or russet, blue-green, dull gold, olive green, and blue, with small amounts of dark blue or black and sage green. Later repairs are made in light yellow, orange, and light greens. Laid yarns are couched in place with yarn of the same or contrasting colour.

The History

The earliest known written reference to the tapestry is a 1476 inventory of Bayeux Cathedral and there are two schools of thought about its origins. One is that it was commissioned by Bishop Odo, William's half-brother, and made in England in the 1070s. However, French legend maintained the tapestry was commissioned and created by Queen Matilda, William the Conqueror's wife, and her ladies-in-waiting. Subsequent analysis in the 20th century concluded it was probably commissioned by Bishop Odo who became Earl of Kent after the Conquest. There were three reasons for this conculsion: The first was that three of the bishop's followers mentioned in the Domesday Book appear on the tapestry. Secondly the tapestry was found in Bayeux Cathedral which was built by Odo. Finally, it may have been commissioned at the same time as the cathedral's construction in the 1070s, possibly completed by 1077 when the cathedral was dedicated.

The end of the tapestry is missing. The final scene (number 58) is headed Et fuga verterunt Angli (and the English left fleeing) and was added shortly before 1814 at a time of anti-English sentiment.

The Museum, opening times and tariffs

The museum is at 21 Allée des Augustines which is just off the rue de Nesmond.

Open

From 01/02 to 28/02 and to 01/11 to 31/12 : 9.30 am to 12.30 pm and 2.00 pm to 6.00 pm - note the lunchtime closing

From 01/03 to 31/10 : 9.00 am to 6.30 pm (to 7.00 pm from May to August)

It's closed from the afternoon of 24th December afternoon to 26th December morning inclusive and also

from 31st December afternoon to 31st January 2019 inclusive.

Last admission 45 minutes before closing time

Full rate : 9,50 Euro

Reduced rate :7,50 Euro

Schoolchildren and Student rate : 5 Euro

Free under 10 years old

An audioguide is available in 16 languages : French, English, German, Chinese, Danish, Spanish, Hebrew, Italian, Japanese, Norwegian, Russian, Dutch, Swedish, Polish, Portuguese brazilian and Czech and is included in the price

Combined tickets for the Memorial Museum of the Battle of Normandy and/or the MAHB Museum of Art and History are available and can be purchased at any of the three museums. These museums give an insight into the preparations for D-Day and the subsequent battle and take you on a journey through the history of European art. The website for the museum is here.

The visit

Climb the steps to this rather grand building and the two ticket desks are immediately inside. There may be a queue for tickets as it's a very popular attraction. I've been a couple of times and been lucky not to have to queue though. Purchase your tickets and then present them and have your bag searched before joining the queue for the audio guide. Ask for the audio guide in your chosen language and it will be programmed for you. The room the tapestry is displayed in is fairly dark. The audio guide will start playing automatically as you enter the room. Each scene is numbered and the commentary references this as the events leading up to the Battle of Hastings is told. You can't pause the audio guide so just keep moving in front of the large glass case. The detail of the tapestry is amazing and the friezes above and below each scene are fascinating. The audioguide lasts perhaps 15 minutes or so. As you exit the tapestry room into daylight, your visit isn't yet finished.

Go up a flight of stairs to the main exhibition and wander round at your leisure learning about the tapestry and the story it depicts. There's plenty to entertain adults and children alike.

Another flight of stairs (or the lift) leads you to a room where a 2D facsmilie of the entire tapestry is displayed. This really allows you to see the complexity of the stitches and the intricate details you may have missed. This floor also houses the cinema where a 16 minute film is played regularly alternating in French and then English.

The scenes of the ships and the horses are particularly beautiful. Scene 57 (the penultimate one) shows Harold' demise - killed by an arrow in his eye. Once you've watched the film you then return to the ground floor and exit via the shop if you'd like a souvenir.

For a more detailed look at the tapestry this video, filmed in the room where the tapestry is displayed, gives a good overview. David Dimbleby describes the historical significance of the Bayeux Tapestry for his 2009 BBC One Series, Seven Ages of Britain here.

youtube

On 18 January 2018, French President Emmanuel Macron announced that the Bayeux Tapestry would be loaned to Britain for public display. It is expected to be exhibited at the British Museum in London from 2022. It will be the first time that the Bayeux Tapestry has left France in 950 years. Allez!

We spent 3 weeks creating the best online guide to Normandy on the web. It includes everything from a bucket list, must see attractions to the best places to eat and drink.

It covers Mont St Michel, Monet’s garden, the D Day beaches, wine tours and much more. .

It’s packed with our personal recommendations, maps and videos.

CLICK HERE FOR OUR THINGS TO DO IN NORMANDY GUIDE

#bayeux #BayeuxTapestry #France #gavray #HolidayInGavray #normandy #VacationInGavray #VacationSoup

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onenationprinc-blog · 7 years ago

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*EXPIRED* Anchor Pointer

Anchor Pointer is an iPhone app, that allows you to store GPS positions and find those back using a compass. This application also allows you to meet up with friends in open areas, such as large parks without using maps, moreover it will help you to find your car at a parking lot. “Anchor Pointer is beautifully designed and works like a charm.”— Paul Sawers, The Next Web. “Anchor Point is a handy tool for adventures and travelers.”— John-Michael Bond, TUAW. “Anchor Pointer doesn’t bother with mapping facilities, it just works as a compass for locations that one wants to go to.”— Jennifer Allen, 148apps.com FUNCTIONS: · Keep any GPS coordinates without reference to a map · Use a compass which indicates the direction to your GPS point, distance, and the difference in altitude · Use the function “meet a friend” in the park or any public place without reference to a map · Park and find car with one tap · Automatic night-time interface · Metric and imperial system for measures A LOT OF OPPORTUNITIES 1. Add an anchor. By adding a GPS anchor, you can set the name of the current location and assign an icon to it from the predefined set of icons. 2. Favorite locations list. While accessing the list you will see all the previously saved anchors and those ones that are within 55 yd will appear in green. 3. The function “meet a friend”. If you need to meet someone in a large open space, activate “meet a friend” and establish communication with the one friend. When the connection is established, both your compasses will point at each other. The odometer you will show you how far away you are from each other. 4. Using Anchor Pointer you can save your parking position and later find your car by following the compass arrow, there is no easier or faster solution on the market! EXAMPLES OF USAGE Walking outdoors. Anchor Pointer allows you to save the location of places where no man has gone before, even where no detailed maps exist. For example, you can save the coordinates of the most remote location in a beautiful forest, snow-covered mountain peaks with a magnificent view, an oasis in the desert or your favorite place in the national park. Use Anchor Pointer at sea! If you like fishing or sailing, you can save your location and come back later to the exact same point. Anchor Pointer stores the current latitude, longitude and altitude. Anchor Pointer is also convenient in the city: save the location of favorite cafes, restaurants, hot dog shop, favorite places in parks or friends homes. Your imagination is the limit! AUTOMATIC NIGHT MODE Human eyes don’t see well when it’s dark around you. Blinding them with bright screen of the phone makes it hard to see the road ahead. Instead of making you decrease the brightness of the screen – we’ve created night mode in Anchor Pointer, which automatically switches to dark theme at night time. ATTENTION: Dear users, please make sure that your GPS calibration turned on in the iOS Settings → Privacy → Location Services → System Services → Compass calibration. Developer: Alexander Deplov Category: Navigation Version: 1.0.4 Size: 12.25 MB Rated: 4+ Languages: Czech, Dutch, English, French, German, Italian, Japanese, Korean, Malay, Polish, Portuguese, Russian, Chinese, Spanish, Swedish, Thai Compatibility: iPhone, iPad http://iphone.giveawayoftheday.com/anchor-pointer-gps-compass-travelers-guide-2/ https://goo.gl/J9PvPS

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theladyjstyle · 8 years ago

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