#he'd go from being those... interesting ones that Disney i don't think produced... did they?

[ceruleaneclipse]

When my Ford plush comes in the mail, it's over for y'all

[kaasknot]

a follower who shall remain nameless reblogged a post from me with these tags, and after i stopped laughing (i'm not sure they realized who they were reblogging from), i had to dig up the mortifying ordeal of being known article. buster keaton has officially become my herd of goats, complete with an "oof" shared accidentally (which makes it even funnier that one of his short films is named The Goat.) i keep thinking of one line in particular from that article: "we don't give other people credit for the same interior complexity we take for granted in ourselves." obviously buster's swoon-worthy, it's plain to see. and just as obviously, he's not.

honestly that's as deep as i'll get in this post. i'm making it for self-interested reasons: partly to swoon, partly to explain myself to the tagger in case this crosses their dash, and partly to laugh at the universe's sense of humor. Why Is Buster Keaton, Cute Twink, Driving User kaasknot Bananas? stay tuned!

(under a readmore to spare the ppl who just don't fucking care)

he was quiet and shy. he had his circle of friends, and he was often surrounded by people. but unless you were part of that inner circle, he kept to himself—as marion mack can attest, having broken through his reserve over the course of filming of The General. he was, by all accounts, terrible at being a movie star. he hated crowds, hated attention, hated pressing the flesh (all of which hurt his box office returns; he was popular, but he didn't have the staying power of chaplin or lloyd because he didn't have it in him to face his fans). his tastes were too plain to be a trendsetter; he lived the hollywood lifestyle mostly because his first wife, natalie talmadge, set the stage. he just wanted to make movies and play cards with his friends. and that is so relatable it hurts.

he was humble. buster almost never took full credit for his movies, often putting a co-director as full director on the title card. eddie cline, a frequent colleague in the early days, said that he hardly earned a cent of his director credit, that it was all buster. moreover, during interviews in his later years, buster almost always said "we did," or "we filmed"—not "i did," or "i filmed." he was a true collaborator, who valued the input of others and wasn't too proud to accept help or take advice. (not to say he wasn't ever proud—but he never let it reach the point of arrogance. insert snarky commentary here about chaplin's control issues on set.)

on a related note, his coworkers loved the absolute shit out of him. clyde bruckman, one of his writers, said "keaton was a man you worked with, not for." he further went on to comment that working with buster was the best time he'd had in all of his hollywood career. that comes up constantly; most people who got the chance to work with him said their time on the keaton studios backlot was a high point in their career. kevin brownlow, film historian, went so far as to say his interview with buster was the highlight of his life. it's easier to say who didn't like working with or speaking to buster, because that list is much, much smaller (mostly co-directors who didn't grok the keaton style. and louis b. mayer).

animals loved him, too. it's sort of trite to say someone is a friend to animals, but according to his sister, louise, and his third wife, eleanor, animals flocked to him wherever he went. i tend to trust the instincts of animals over those of humans when it comes to determining character. if josephine the monkey thought buster keaton was a disney princess, then i'm going to believe her.

he was trusting and loyal to a fault (and really terrible at business). this one touches on the tragic parts of his story. but buster regarded his producer during his solo years, joe schenck, as something of a father figure—a sentiment that schenck clearly didn't reciprocate when he sold buster up the creek to MGM in 1927. and likewise, buster's first marriage fell apart acrimoniously in 1932—but while his ex-wife hated him to her grave, buster never stopped loving her. he wouldn't hear a word against schenck or natalie in his later years, no matter justified that word might have been. (and dear god, his father. somehow, buster forgave him, too.)

he was kind. i need you to read all of the above and understand that this was a kind, gentle man, who avoided conflict, who had no use for anger, and whose greatest ambition was to make people laugh. don't get me started on the ending of Battling Butler, i might not recover.

he was a fucking nerd, too. the man loved trains beyond reason, to the point of hilarity, to the point it's endearing. he used them constantly in his films, as set pieces, props, and characters in their own right. when he got old and crusty, he had a train set running through his house that carried snacks from the kitchen. even in movies where trains don't feature, such as The Cameraman, they still make their presence felt—see: the well-timed camera bomb during the pantomime in yankee stadium. i'm no train aficionado, but i've come to love trains secondhand, through buster. (he also loved baseball, but he was a yankees fan and i can't forgive that.)

his comedy was smart. that's tough to believe, given it's the same genre as the three stooges—i still haven't convinced my grandmother that keaton movies are worth watching—but it's true. his gags were intricately constructed, expertly timed, and relied more on intellectual humor than potty humor. he was a master of cinematography; several film historians have commented on his uncanny ability to place the camera exactly where it needed to be for the perfect shot. and his sense of timing was impeccable. unlike most feature-length comedies of the era, buster kept the first couple reels (i.e. the first 20min or so) of his films light on humor, to set the stage for later laughs. then he'd use dramatic tension to heighten the audience's investment, so that when he finally set off the punchline, you're laughing in relief as much as due to the joke itself. (and he knew when the fuck to end a joke, too. neither his mentor, roscoe arbuckle, nor the MGM writers had that touch. but buster, on his own films? he never let a gag get stale.) finally, he never threw a pie in a film where he had creative control. not one. that was his main ideological difference with arbuckle: arbuckle aimed his comedies at children, while buster wanted to tailor them for adults. when he got creative control, the gags he produced were never flat: they had layers of emotion and plot constructed into them. he didn't tug on your heartstrings the way chaplin did (some of that aforementioned pride), but he made jokes that tickled your brain, not just your funny bone—through optical illusions, irony, absurdity, or just plain old "how did he survive that stunt?!"

by far the most subjective (and significant) reason i'm obsessed with buster keaton, though, is that his brainweasels have an alarming amount of crossover with my own. the closer i get to buster, the more i understand myself. recognition of the self through the blorbo, as the shitpost states.

now i don't want to gloss over his dark side, in all this adoration. his films are a hundred years old; he grew up in a cultural stew of racism, antisemitism, sexism, and homophobia, and that's reflected in his movies. he thought blackface routines were funny, he was apathetic toward politics, and cheated flagrantly on his first wife (although bizarrely, that's almost justifiable, given the circumstances). every moment on film where he respects a woman's boundaries or listens to a soft no, there's another moment in a different film where he treats his co-star like baggage or as a prop. he was not, and will never be, woke. but by all extant accounts from people who knew him, worked with him, and/or loved him, buster keaton was a good man, a good friend, and once he met the right woman, a good husband. (and an absolutely driven worker, like goddamn.)

and that's why i'm still frothing over buster keaton. if it was just about looks, i'd have gotten bored months ago.

[that-shamrock-vibe]

Movie Review: Cinderella (Spoilers)

Disclaimer: I am posting this review the day after the movie airs on Amazon Prime, so if you haven't yet seen it don't read on until you do.

General Reaction:

It is slightly weird to think of another movie studio taking on one of the classic fairy-tales that isn't Disney, because, as I am sure is the case for a large portion of the mainstream audience, Disney have almost claimed fairytale adaptations as their own.

However, as identified, Cinderella, is a fairy tale and one created long before Disney came about. As such, other studios are allowed to put across their own interpretation of these classic stories that we have seen a lot of times adapted at this point.

That being said, we have seen many different adaptations of Cinderella at this point from the classis Disney Animation version and it's live-action counterpart, to modern-day reworkings like A Cinderella Story of the mid-noughties starring Hilary Duff.

It's quite an easy story to tell and adapt to a variety of different settings, and what this 2021 retelling does with the story blends the old-fashioned with the modern. Does that mean it is set apart from the others? Well in my opinion yes and no.

While this is a Sony movie, it plays a lot like a Disney Channel Original Movie. From the comedy to the settings to the costuming and the music, it plays like the best of those types of movies. I'm talking the High School Musical franchise and the Descendants franchise. It is by no means bad or corny, but it isn't even on the level of the 2016 live-action Cinderella.

While that version was pretty much a straightforward live-action version of the original animated version, the style of the movie outweighed the substance.

Here however, there is a great blend of both style and substance. The story takes the classic elements of the original Cinderella fairy tale but tries to inject a modern and feministic twist that the recent live-action Beauty and the Beast tried to do.

In terms of whether this version of Cinderella stands out in the crowd of Cinderella movies, I would say it does. Not only is the titular character race-bent and the setting she is in seemingly plays into that, but the reworking of the Fairy Godmother as the Fab G as well as giving the Stepmother a more humanised backstory allows for a more compelling take on a classic.

Cast:

Because this is just the one all-in review I'm not going to do an in-depth character analysis and instead group the characters as who were my favourites, who did a passable job, who was bad and who were for some reason just there.

Favourites:

I have a top 3/4 favourite characters in this movie. Idina Menzel's Stepmother Vivian, Billy Porter's Fab G, Minnie Driver's Queen Beatrice and additionally Beverly Knight's Queen Tatiana.

Idina Menzel was always going to be fantastic in this movie, but to see her portray what is traditionally the villain character in the movie as a sympathetic character as part of the movie's feminist agenda was an interesting twist. No cat for a start, I don't know if Lucifer was a part of the original fairy tale but of course in the Disney adaptations Lady Tremaine is always accompanied by her faithful feline, but also the fact that her backstory parallels Ella's current story and the fact Vivian was so willing to have Ella reject her passion to do what is expected of her just as was forced on her was actually great motivation.

In truth I have only ever seen Billy Porter in one other thing aside from this movie and that was American Horror Story: Apocalypse. I have never seen Pose though I have heard good things, but from what I understand, Billy Porter only really has one speed. However, as the character's name states, that speed is fabulous. I loved Fab G in this movie, the fairy godmother is usually one of my favourite characters in the movie and every interpretation I have seen has brought something different and memorable. If this version of Cinderella is remembered for anything it will be for this very modernised take on the Fairy Godmother, not only gender-bending and race-bending a traditionally white female character, but with Porter choosing to make the character non-binary and that outfit speaks for itself, Fab G was simply a fabulous character.

In both Disney adaptations, I have never heard mention or reference to Prince Charming having a living mother...or a dead one for that matter. So to not only have the Queen being in a chunk of this movie, but also having her own story branch tying into the feminist agenda running through the movie and being portrayed by Minnie Driver, I was in love with this character.

Pretty much similar to the Fab G, if you've seen Beverly Knight's one second in the trailers you've pretty much seen her in the movie. She contributes to Ella's story in the movie and only appears in the latter half of the movie in 2 maybe 3 scenes but she makes an impact because she's Beverly Knight. My only gripe with her is she does not sing in the movie, you have Beverly Knight with not even a solo in a group number?

Passable:

Unfortunately the star of the movie Camilla Cabello is just passable in this movie as Cinderella. She does have some humour about her and her singing is great despite maybe being autotuned because I know how she can sing, but she doesn't feel like Cinderella to me, it actually feels more like a version of what Emma Watson was doing with Belle in the live-action Beauty and the Beast rather than Cinderella but at least she tried.

As for Nicholas Galitzine, he's definitely more engaging as a modern-day Prince Charming, Robert is definitely more engaging a character than Ella unfortunately, which to be fair is still good as the 2015 Cinderella is the only other adaptation to really make the Prince interesting, but I can't quite put my finger on exactly which movie it is but there is another movie I have seen where the Prince Regent doesn't want to be king but the Princess does and has to fight for her right to be it...that's pretty much this story for them.

Also Pierce Brosnan as the King, despite jokingly singing towards the end, did a great job at being the archetype of old-fashioned values with his on-screen wife Minnie Driver's queen pushing him into a modern-day thinking.

Bad:

As for who's bad, I have to say it pains but the British comic relief characters really let the side down in this movie.

In the three mice defence, Romesh Ranganathan and James Acaster are somewhat funny but unnecessary. James Corden however is abismal in this movie. I get he produces it, but particularly after Cats I do not understand 1) Why he'd want to portray another CG animal or 2) Ever think that one shot of him changing back from human to mouse with his head on a mouse body was funny...it was terrifying.

Also this movie is supposedly a family-audience movie...so why include a crass joke of Corden's character talking about peeing out of his front tail?

Additionally to the three mice, Rob Beckett has a surprising role in this movie as a potential suitor for Vivian's daughters, but he simply portrays such a creepy, cringe-worthy character it's almost uncomfortable to watch.

New Additions:

So as well as the two queens and the British comic relief there is also the addition of Princess Gwen to the movie who is the sister of the Prince and the one who wants to be ruler. It's kind of the same story as Jasmine's in the live-action Aladdin as wanting to be Sultan but being a woman isn't taken seriously, however here it is treated more comedically as every time there is a serious moment with the King trying to force Robert to grow up and be King, she always tries to interject with "Would this be a bad time to tell you about an actual real reason why I would be a good ruler" and they make sense but she's always dismissed until the very end.

Then there's a town crier, who is also inserted as a musical number while he's reading his proclamations but as a rap. Honestly I don't know Doc Brown as an artist but I did happen to enjoy what he contributed.

Music:

Which brings us on nicely to the music of the movie as this is a musical and I usually break down the songs. Again this time I will be doing groupings of best to worse.

Honestly my favourite number is probably "Shining Star" mostly performed by Billy Porter with verses by Camilla Cabello and, unfortunately, James Corden.

I also enjoyed the two original songs of the movie, "Million to One" which is Cabello's "I Want" song of the movie and used a lot through the movie, and then also "Dream Girl" which is Idina's main other song but also sung by basically the women of the movie, it's Idina Menzel if you don't give her an original song it's an insult.

Idina's other song is a cover of "Material Girl" and honestly it is a lot of fun, Nicholas Galitzine's rendition of "Somebody to Love" was also fun and surprising as I did not think this guy could sing that well.

The group numbers were fun and well choreographed but they are also somewhat forgettable. The song at the ball of "Whatta Man/Seven Nation Army" was probably the most memorable but still just mediocre.

Recommendation:

So with all that said, would I recommend watching Sony's Cinderella? Honestly I would say it is worth at least one viewing, and I do recommend watching all the way through just to get the full experience. I do think it will do better as a streaming movie than it would have done as a theatrical release, but I cannot pinpoint a market for this movie.

I don't think this will go down as one of the great adaptations, but there are moments and aspects of the movie that sets it apart from the crowd.

Overall I rate this movie a 7/10, it's not as fantastic as I feel the trailers were making it out to be, but having seen the movie twice there are definitely elements of the movie I looked forward to watching the second time around.

So that's my review of Sony's Cinderella, what did you guys think? Post your comments and check out more Movie Reviews as well as other posts.

[dukereviewstv]

Duke Reviews TV: Smallville 1x07 Craving

Hi Everyone, I'm Andrew Leduc And Welcome To Duke Reviews TV Where Today We Are Continuing Our Look At Smallville By Talking About Episode 7 Of Season 1, Craving...

This Episode Is About A Girl Named Jodi Melville (Played By The DCEU'S Future Lois Lane, Amy Adams) Who Is A Overweight Teen Obsessed With Losing Weight Who Begins A Diet Plan Of Vegetable Shakes (A Solid Regimen, Right) But What If I Told You That These Vegetables Were Grown In Meteor Rock Contaminated Soil?

That's What I Thought...

Anyway These Contaminated Vegetables Are Causing Her To Lose So Much Weight That Regular Food Isn't Satisfying Her Anymore But Unfortunately The Fat Of Other People's Are. Meanwhile, Lex Becomes Interested In Chloe's Wall Of Weird Theory That He Begins Funding The Research Of A Controversial Mineralogist (Played By Terminator 2's Joe Morton)

So, Let's Dive Into Craving To See If Clark Can Stop This Fat Sucking Vampire?

The Episode Starts At The Melville House As We See Jodie (Played By Amy Adams) Picking Vegetables That Are In Meteor Rock Soil While Her Father Talks About Dinner That Night But Jodie Has No Interest On Eating Anything That He's Eating As She Wants To Lose Weight By Eating Just Vegetables...

Watching Jodie Place Her Head On A Bunch Of Magazine Supermodels Chloe And Pete Talk With Jodie About Helping Them With Algebra As Clark Is Busy Helping Lana With Her Party Accepting Despite Them Offering To Buy Her Lunch They're A Little Grossed Out By What She's Drinking...

But Then 2 Jocks Come By To Ask Pete To Join Their Game While Making Fun Of Jodie...

Oh, I Get It Her Name's Melville And Herman Melville Wrote Moby Dick, Ha Ha Ha When Did Bullying Become A History Lesson?

With Pete Telling The One Jock Dustin To Back Off, Dustin Ends Up Throwing His Ball Into Jodie's Drink Which Goes All Over Her Shirt...

Embarrassed About What Happened At School, Jodie Continues To Drink Vegetable Shakes Despite Her Father Telling Her That She's Beautiful The Way She Is But All Jodie Cares About Is Losing Weight And Nothing Else...

Going To The Bathroom, Jodie Goes On The Scale To See That She Has Lost Some Weight And Her Body Is Getting Thinner Then She Looks In The Mirror To See Her Face Get Thinner, Getting On The Scale We See She's Lost A Little Bit More Weight...

Meeting With A Doctor, Lex Discovers That He Has A Highly Elevated White Blood Cell Count But Lex Says That That's Not Possible As He Doesn't Get Sick, Asking Him Various Questions (If He's On Any Medication, If He Has Any Allergies, Any Childhood Illnesses To Which He Says Asthma)...

Saying That If This Was Anywhere Else, He'd Order Of Battery Of Tests, Wanting To Know Why Not, The Doctor Tells Lex That Some People Believe That The Luthorcorp Plant Is Poisoning The Environment...

Meanwhile At Lana's House, Lana And Clark Talk While Nell Works On Her Birthday Party Which Is Going To Be At The Luthor Mansion, But Lana Says That It Stopped Being Her Birthday Party A Long Ago And That If She Had It Her Way It Would Be Just Pizza And Loud Music With Her Friends...

Well, It's Your Birthday, Why Don't You Tell Nell This Instead Of Clark, I'm Sure She'd Understand...

But Turns Out Lana Is Giving Nell This Because They've Been Through A Lot In The Past Few Months, Which Is In This Reviewer's Opinion The Most Poorest Reason Ever...

Anyway, Whitney Comes By With Some Good News Turns Out He Has An Audition For Kansas State, Bad News Is He'll Have To Miss Lana's Party But Of Course, She's Fine With It...

Talking With Chloe And Pete, Pete Sees Whitney Being Gone As Clark's Opening With Lana But As They Continue Talking Jodie Says Hi To Pete Which Is When They Notice How Much Weight She's Lost...

Saying That She Looks Great, Jodie Thanks Pete For Sticking Up For Her Yesterday And Asks Him Out To Lana's Party To Which Clark Says Yes For Pete As He's Speechless But Chloe Is A Little Confused On How Jodi Lost All That Weight...

Stopping By The Kent Farm After School, Lana Gives Jonathan And Martha The Produce Order For The Party Saying That Nell's Planning This Like A Royal Wedding...

Well, If She Is Then Does Make You Meghan Markle, Because If You Are Boy, Do I Have A Few Things To Say To You...

Start Following The Royal Way Of Life Instead Of Doing Things Your Way...

Stop Acting Like A Disney Princess

Come Up With Better Baby Names...

Coming In With 2 Things Of Apples, Clark Talks With Lana Who Tells Him That All This Attention Is A Little Unnerving Which Leads Clark To Ask If He Could Be Her Escort On Saturday To Fend Off Her Fans So To Speak To Which Lana Says That She'd Like That But He Wants Him To Promise Her That This Time He'll Make It To Which He Does...

Making Another Vegetable Shake, Jodie Tells Her Dad About Her Date With Pete To Which He's Thrilled However He Wants Her To Eat A Little More Than Those Vegetable Shake Which She Does However Despite Eating Everything In Her Fridge Including Chicken, Hot Dogs, Chocolate Cake Etc... Nothing Satisfies Her...

Going To Pick Up Food, Jodi Accidentally Hits A Deer, Which She....

I Didn't Know Giselle From Enchanted Was A Cannibal....

Actually, She Didn't Eat The Deer, She Just Sucked The Fat Out Of Him But Still It's Scary Enough To The Point I Nearly Crapped My Pants...

Clark Watches Lana And Whitney As Whitney Gives Lana Her Birthday Gift But Chloe Interrupts To That Authorities Found The Deer That Jodi Hit Last Night, But Worried About More Important Things Than Deer Carcasses Chloe Says If She Helps Her She'll Him With His Lana Gift Dilemma...

Agreeing Clark Gets Chloe In To Which Clark Says Looks Like Jerky But The Report Says That The Deer Lost About 80% Of It's Body Fat...

Back At The Luthor Mansion, Lex Looks At The Smallville Torch Website While Jodi's Father Talks To Her Saying That He Has To Leave Town For A Few Days To Talk To A Client And Wants To See Jodi Before He Goes But Saying That He Can't As She's Indecent Has Him Worried That His Daughter May Need Professional Help...

But Turns Out The Reason He Can't Enter Is Because There's Food On The Floor That Didn't Satisfy Her...

Visiting The Torch, Lex Sees Chloe's Wall Of Weird Which Clark Explains To Him. Believing That It's An Interesting Theory Lex Talks With Clark About The Meteor Shower And What Happened All Those Years Ago With His Father...

With Chloe Returning, Lex Says He Likes Her Theory And Asks If She's The Only One Who Believes That The Meteors Are Behind Everything And Not The Luthorcorp Plant As Everyone Else Believes Which Leads Chloe To Suggest For A Mr. Hamilton..

Running Into Jodi In The Hallway, Pete Asks Why She Wasn't In Class With Her Saying That She Had Stomach Flu But She'll Be Fine. With Pete Telling Jodi If She's Not Up For Tomorrow He'll Understand, Jodi Tells Him That There's No Way In The World She Would Miss It...

Feeling Hungry Again, Jodi Runs Into Dustin Who Made Fun Of Her Earlier And Decides To Use Him To Slate Her Hunger...

Running Into Lana At The Football Field, She Tells Clark That She Told Nell To Make The Final Decisions Without Her Which Leads Clark To Ask If She's Ever Had A Happy Birthday Which Leads Her To Talk About One Time She Went To A Drive In With Her Parents...

Hearing A Noise After Talking To Lana, Clark Uses His X-Ray Vision To See Jodi Feeding On Dustin But By The Time Clark Gets There Jodi Is Gone And The Only Thing He Finds Is Dustin Barely Alive...

Finding This Mr. Hamilton (Played By T2's Joe Morton) Lex Talks With Hamilton About His Latest Condition And On How It May Be Connected To The Meteors And How He Would Like To Fund His Research But He Has No Intention Of Working For Lex Saying That His Research Is Private However, Lex Leaves The Door Open If He Wants To Change His Mind..

Back At School Chloe Tells Clark That Dustin Is In A Coma Which Leads Them To Come Back To The Idea Of A Fat Sucking Vampire, Sitting Down With Jodi For Their Study Group They Notice Her Eating A Lot But Just Says That She's Starving. With Chloe Thinking What They Saw Was Weird, Clark Takes Off To Deal With Lana's Birthday Gift...

Meanwhile At The Luthor Mansion, Set Up For Lana's Party Is Underway But Lex Knows That It's Not Her In Anyway While Also Giving The Hint That He May Have Set Up The Kansas State Audition For Whitney...

But As Clark Gets Ready For The Party, Chloe Comes In Saying That It Was Jodi's Car That Hit The Deer And What's Worse Her House Is Built Near One Of The Meteors Hit...

Getting Dressed For The Party It Seems Like A Fairy Tale...

But Then Jodie Gets Hungry, And Decides To Back Off Because She Doesn't Want To Hurt Pete...

(Start At 0:08, End At 0:13)

Finding Jodi In The Kitchen, She Attacks Pete And Tries To Suck His Fat But Luckily Clark Arrives Causing Her To Run It Into The Greenhouse...

With Clark Weakened By The Meteor Rocks, Jodi Attacks Clark With A Shovel Which Leads To A Fight Between The Two. But Looking At Her Reflection, Jodi Realizes What She's Become And Decides To End It..

With The Greenhouse Blown Up, Clark Saves Jodi As Pete Wakes Up...

Meanwhile At Her Party, Lana Feels Like This...

But A Talk With Lex About His Experience At Luthor Christmas Parties Which Makes Everything All Right?

Returning To The Kent Farm, Clark Tells Jonathan And Martha That Besides Pete Having A Headache, Jodi's On Her Way To Metropolis To Be With Her Father But None Of That Matters Right Now As Clark Is Too Upset Over Missing His Date With Lana. But He Realizes That Not Everthing Is Ruined...

Meanwhile At The Luthor Mansion, Lex Finds Out That He Has A Clean Bill Of Health And Decides To Tell Hamilton About It But He's Like Do I Give A Damn About Your Health? Finding Out Why Hamiton Was So Resistant To Him, He Tells Lex To Get Out But Still He Gives Him A Check To Fund His Research...

Oh, Wait He's Not Carrying A Stereo, My Bad...

Visiting Lana, Clark Apologizes For Missing The Party But He Wants To Make It Up To Her By Giving Her Her Birthday Gift Which Turns Out To Be A Drive In Movie...

However It Turns Out That They Were Shrunk By Ant-Man And The Wasp!

No, Just Kidding But Still Wouldn't It Be Funny If That Actually Happened But That's Craving And It's All Right...

The Entire Episode Is All Right I Don't Really Have A Problem With The Episode In General. However I Do Have A Problem With The Villain, Jodi, When She's In Movies I Like, I Love Amy Adams However Though I Didn't Mind The Character Of Jodi It Just Felt Like The Writers Were Walking On A Deadly Tightrope When Writing This Character Cause In The Wrong Hands The Character Could Definitely Send A Bad Message But Despite My Logical Implications On Sending A Good Or Bad Message I Say See It...

Till Next Time, This Is Duke, Signing Off...