#i haven't slept in four days appreciate my semi-coherent babbling

[hcpefulmarshmallow]

Anonymous said:

Once i saw a video on youtube explaining a certain "anime character type", and it compared Akechi with Nagito. (I dont remember the other characters the video mentioned) what are your thoughts about it? Do you think they're similar?

You know, Anon, the dumb lizard brain that governs my every impulse wants to point at them and say: “mentally unstable twinks with great hair and a Very Heterosexual rivalry with the protagonist” and call it a day. Here’s the thing, though: my feelings about Akechi started strong and stayed that way throughout my Persona 5 experience, though the nature of those feelings has changed drastically since my first impression. (And I quote: “Who’s this Light Yagami-looking motherfucker? No, I don’t trust him. That smile is the last thing someone saw.”) And I want to talk about him. I also never don’t want to talk about Nagito. So you know what? I’m gonna. 

 Spoilers, by the way. 

    ---

 In short, I do feel they fall into a very specific character archetype. Namely: the morally ambiguous foil to the main character. Not a villain, not a hero, but rather somebody who follows their own moral code. With a dash of insanity, of course, because anime gonna anime. 

 For me, their most intriguing similarities run deeper than a trope, however, and it all starts with this inflated sense of self-importance they seem to share. I know what I said, just go with me on this one. 

 Nagito, at a glance, seems to have the very opposite of an ego. Forever putting himself down, calling himself all kinds of worthless, and willingly throwing his very life at every cause that comes his way. But herein lies the contradiction that defines him as a character. For all his espousing that the hopeless may never be hopeful, he still leaps at the chance to become worthy. He wants so badly to be more than he is, that he struggles to see a world outside his own perception. He is, of course, compassionate and empathetic; but, unlike Hajime (or even Joker), whose talent with people comes from their respective abilities to remove themselves from a situation and see it as someone else would in order to make a moral judgement, Nagito cannot fathom a world that doesn’t conform to his ideals. Hope and despair, good and back luck -- and there he sits in the eye of it all, defeated yet somehow untouchable. He can’t watch someone trip three feet away from him without assuming his luck has played some role in it. 

 Akechi is much the same way, though he owns it a little better. He sees all things as means towards his ends. He has his idea of how the world and it’s people work, and therein lie his issues with Joker. Because he plays by his own rules, which are fundamentally incompatible with Akechi’s. Much in the same way as Nagito becomes fixated on Hajime, the Ultimate, talentless, worthless, most shining beacon of hope there is; Akechi sees how Joker is consistently beaten down by life and yet strives to carve his own path, and is unable to cope with either the jealously or the admiration he feels, never mind any combination thereof. Moreover, he, too, desires to rise above and be more than he is: the hero of his own story, despite taking rather unheroic steps to get there. 

 I would, of course, be remiss not to mention the similarities in their upbringings that lead to these insecurities. Nagito lost both his parents at a young age, and from there, we’re given no indication of any long-term adult influence in his life. Quite the opposite, he seems to have been demeaned and shunned by his extended family at large. It is also implied at times that his parents were not very loving, though there is some debate around that, so take it as you will. Akechi was abandoned by his father who deemed his mother beneath him because she was a sex worker, and was left with a seething hatred for the man because of it. After his mother’s suicide, he was passed from institution to institution, likewise having no long-term positive influence in his life.

 Both were left to, essentially, raise themselves; glean their own image of the world and build their moral compass around lives that were unimaginably cruel, ruthless, and unfair. Thus, it’s likely their worst behaviours could have been avoided, had they stable home lives. Of course, this is no excuse, plenty of people grow up in unstable environments and don’t go on to harm others, however, it places them a step above senseless. In fact, they also share an incredible intellect, charm, good looks, and quite the way with words. If you’ve played both games, you know what I’m talking about. 

 Furthermore, they have this habit of standing on the outside, looking in. Nagito spends much of DR2 implying heavily that he would like to spend more time with the others as their friend, but does little to actually reach out to them. Viewing himself below them, and seeing no reason why such incredible people would want to hang out with trash like him. Akechi also keeps the Thieves at a distance. There are many times when they reach out to him, offer to help him find his way -- and he almost seems to want to. Yet it is as if he doesn’t know how. He has no idea what, besides hatred and spite, could possibly fuel him. Nor does he really know what there is for him to gain from forming genuine bonds with others, or why he should want them. But he does, that much is clear. They each crave acceptance, while accepting it as a lost cause, even as the protagonist of their respective games has their hand out to them. And this, once again, can likely be traced to their equally terrible upbringings, and lack of any real understanding of the world as it is, rather than as they see it. 

 I could absolutely go on all day down this path. And, hell, at some point, I might. But the overall theme I’m getting at here, is this delicate balance these two characters walk. Being soft and charming, and deadly and dangerous. Intelligent, yet profoundly ignorant. Eccentric and borderline reprehensible, but at the same time, deeply relatable, and extremely likeable. They aren’t psycho for the sake of it, and I’ll argue that to my grave. But moreover, what we have here is the ultimate products of the worlds they were made for. Parallels are drawn constantly between Nagito and Hajime, Akechi and Joker, in a “there but for the grace of god go I” way, and it falls the same every time. Joker forged a home among friends, and people he considered family. Even after being hurt, he found the strength to be vulnerable for someone, and that someone happened to be the right someone; and though these people, he became stronger still. Likewise, Hajime took risks, took responsibility, and became respected and loved through hard work and compassion. He faced his own fear of worthlessness, and in the end, he didn’t fold to it the way Nagito did. He built his own purpose in life, and it was as full of hope as any Ultimate’s. These are feats beyond comprehension to our antiheroes, who may well have turned out to be the heroes after all if they’d only been shown the same support and care. And that’s why I think this character type appeals to so many people, and why these characters become so beloved. I think we become invested in their stories, and we want to show them compassion. There’s a reason why Nagito and Akechi are frequently shipped around, why they exist in so many fix-it fics. At the end of the day, we know the difference between bad people, and people who do bad things. It’s that, the latter may not be beyond saving. 

 And finally, can I...? If you’ve played the third semester of Royal, they really just make Akechi Like That, huh? In the original Japanese, he was apparently supposed to just come off as tired and not particularly wanting to mend any of his relationships or mistakes since he knew his death was looming, so I’m not sure why they took one look at this complex character development and said, “Hm, let’s just make him balls to the wall, shall we?” but hey. I’ve got to give it to his VA, I had to put down my controller several times because holy shit. Just. Holy shit. Give that man all of the awards. All of them, every single one, please.