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#i know i've always said moffat's who is catholic but this is the first time i've thought the doctor could be catholic
fictionadventurer · 4 months
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I don't know why this feels like such a revelation, but after watching the latest Moffat episode of Doctor Who, it clicked for me that the core difference between RTD and Moffat Who is that to RTD, the Doctor is God (or a metaphorical substitute for God), while Moffat's Doctor is a man in need of God.
Like, it's obvious RTD deifies the Doctor. The imagery is not subtle. And Moffat's Doctor is obviously a much more fallible man. But I hadn't fully considered how this affects the kinds of stories they tell.
In RTD's Who, the Doctor is someone who comes into a mundane human existence and gives it meaning. An encounter with the Doctor changes your life forever. You would follow him to the end of the universe if he asked, because life with him is infinitely better than life without him. Humans who try to reach the Doctor's level are struck down, because mere mortals cannot rise to the level of godhood. From a Christian perspective, this offers valid storytelling possibilities ("Human Nature/The Family of Blood", with its musings upon the Incarnation, fits perfectly in this era), but it does have the Doctor standing in the place of God, which suggests that the universe of RTD's worldview doesn't have one and needs the Doctor to fill that gap.
In Moffat's Who, on the other hand, the Doctor is a wondrous, impossible, legendary being--but still just a man. He can guide you through some of the best or most terrifying moments of your life--but your life has meaning outside of him. His companions learn over and over again the perils of relying on him too completely. Ordinary people can be just as good--or better--than him, because the Doctor is just another man, growing and changing and trying to find his place in the universe.
Moffat's Doctor is extremely aware that he's in a story--and he is not the author. In "The Doctor Dances" he is aware of how death-filled his stories usually are, and is ecstatically grateful when he is permitted a story where everybody lives. In "Blink", he and Sally are both following a script--but neither one of them wrote it; though they have free will, this story came from outside of them. Of course, these are examples of Moffat's meta exploration of storytelling--but the fact remains that his Doctor exists in a world where there is a greater force that runs everything.
And the Doctor resists this. He remains skeptical, arrogant, independent--but he is always searching for something more.
All this crystallized when watching "Boom". There, the Doctor is facing soldiers in a religious war, and he sneers that they didn't notice anything fishy because they "had faith, which keeps you from ever having to think for yourself." Those are the brutal words of every hackneyed internet atheist, and since the soldiers were wrong to have faith in this war, it seems like the story's saying the Doctor's right, and religion's just the "opiate of the masses".
And yet.
The episode ends with the Doctor telling a little girl to hold onto faith, and when the religious character points out that the Doctor was stridently against faith, the Doctor replies, "Just because I don't like it doesn't mean I don't need it."
Isn't that the Christian experience in a nutshell? How many of us are tempted to think that life would be so much easier if we didn't follow God? And yet we can't leave it aside because we need God. We need meaning outside ourselves, and life with God is better than life without him.
But this isn't the Whedon-ish universe where it doesn't matter if it's true so long as believing does something good for you. There is objective truth, and the Doctor is aware of it. He is aware that love is the most powerful force in the universe. (God is love). He is aware that everyone and everything dies, yet knows that something lingers on. (God is stronger than death). The Doctor is in a world where God exists, and even if he (or his writer) doesn't know it, he needs him, is searching for him, and to some extent, believes in him, because he can't deny these truths that he's seen. And I cannot get over how many different ways Moffat has been exploring these themes all these years.
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