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#i've heard nothing but extremely excellent things about the one-woman dorian gray show
pynkhues Β· 3 months
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Do you have post-Emmy predictions or thoughts for Snook's career?
Oooo, I'm actually not too sure? She's such an incredible actress, and I'd really love her to hit the A-list, but her choices even since Succession started and her star rose have been kind of odd ones? Like Pieces of a Woman was such a bit part for her, albeit one in an interesting art house movie, Run Rabbit Run saw her as the lead in a pretty terrible psychological thriller, and The Beanie Bubble? Just - - yeah.
Really odd choices.
I do suspect her career has likely been impacted a bit by the fact that she moved back to Australia, married another actor who has a steady, ongoing gig (Dave Lawson's a part of the core ensemble in Utopia which is a very good and very funny sitcom here!) and has had a baby, to say nothing of the pandemic, and I think she's perhaps still feeling out herself what she'd like her career to look like.
That said, I thought it was really smart that both Sarah and Jeremy have gone back to theatre for their first major roles post-Succession, and Sarah's move I think is particularly smart strategically given it's a Sydney Theatre Company production being performed on London's West End, which kind of relaunches her in theatre in two different spaces.
Sydney Theatre Company is a huge deal in Australia and a world class company - Cate Blanchett and her husband, Andrew Upton were co-artistic directors there for a number of years, and it's a home for many of Australia's best actors like Rose Byrne, Toni Collette, Hugo Weaving, Heather Mitchell (my beloved!!). Sarah already had a relationship with STC prior to Succession - having played Joan of Arc in the STC production of Saint Joan in 2018 - so for one of her first major roles after the series to be back at the Company does really feel like both a homecoming and an opportunity to ascend within the theatrical elite in Australia. The production though that she's in being in the UK's West End I feel offers that two-fold as well.
Getting back into STC though I think opens her doors again to local connections, particularly with the Cate Blanchett set and given Blanchett's been moving steadily into producing in Australia, I could see Sarah being cast in one of her productions? Hopefully a film, given The New Boy and Shayda were infinitely better than Stateless, haha.
In my experience with actors in Australia, the ones with young children tend to lean towards theatre residencies and TV because it's (generally speaking) better / more flexible hours and steadier work, and in many ways, Australian TV is having a bit of a renaissance right now with shows like The Newsreader, Deadloch and Boy Swallows Universe, so I could absolutely see her headlining a mini-series? Perhaps a literary adaptation?
I'd love to see her in something from Jane Campion, Jennifer Kent or Goran Stolevski, and I think all three are a possibility - Goran probably least at this stage just because he's such a new voice.
I think she'll probably pop back up in some US films and TV, and I think she'll probably land a few really meaty ones, but I do kind of think she might be more likely to work between Australia and the UK in the future? I couldn't quite tell you why, and I could be wrong, but yeah. I guess my prediction is that she'll have an incredible career, but I don't necessarily think it'll be US-centric post-Succession, or tremendously high profile.
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