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crystalracing · 6 years

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The Finn hesitated momentarily. Had he heard correctly? Best sit and wait. His co-driver repeated the instruction. And that's how a rally car ended up being driven straight through the middle of a traffic roundabout.

No sooner had the Opel bumped up the first kerb than the co-driver turned in amazement and asked what on earth was going on. The driver was equally baffled."You told me," he says. "You said: 'Go straight across the roundabout'. I went straight across."

The names don't matter, and the driver didn't suffer too much from this early communication hiccup. He went on to become a world champion. In a rally car, the driver drives and the co-driver does just about everything else.

Motorsport is packed with unsung heroes and co-drivers are right up there with the best of them. Regularly and ridiculously seen as frustrated drivers, the men and women who sit in the seat without a wheel are a breed apart; it takes a very special kind of character to become the best in the world at telling the person to the side of you where to go. And how quickly to get there.

If you want an insight into the character of a co-driver, take this simple test. Next time you're being driven, perhaps looking for a junction on an unfamiliar road, try reading a text message at the same time; write yourself a shopping list; change station on the radio; write a reply to that text message; and ask the person chauffeuring you to ask any number of inane questions to which you are expected to know the answer immediately.

The ability to multi-task is fundamental for co-drivers. If focusing solely on the task in hand is your forte, forget it. You'll be better as a driver.

Stripped back to the basics, there are two main elements to the co-driver's job: ensuring the car reaches the stages on time and then reading pacenotes on the stages themselves.

"That's the easy bit," says Paul Nagle, the man who has co-driven Kris Meeke to all five of their world rally wins. "The real work, the really important stuff is done before we even get to the start of the event."

It's called the recce. Depending on the length of the rally, two or three days before the start, the crew drives all the competitive sections twice at a maximum speed of 50mph to write the crucial pacenotes. The co-driver will read these back when they're in the rally car, often travelling at twice the speed they managed in the recce.

"If you make a mistake on the recce, you will be found out on the rally," says Nagle. "That's why it's so important to get the notes written first time through - then you've got that second pass on the recce to double check them and make changes if they're needed. Kris will make changes on that second pass if he feels he's noted a corner too slow or too quick - he'll do that when we're competing as well."

Listen carefully to the onboards and you'll sometimes hear the driver say: "Put a minus on that" or "stick a 'nips' on the end there". A minus would instruct the driver to lift slightly ahead of the apex, while 'nips' indicates a corner tightening slightly at the exit.

This is where multi-tasking comes in: you're reading the current note and looking along or down the page for the next one, readying yourself to deliver that, when a voice in your ear tells you to change the previous one. And this can be happening at 120mph when you're six feet in the air between the trees or being thoroughly shaken around as you rip through a super-quick section on asphalt.

"If it's a simple change I'll make it," says Nagle, "but if we're in the middle of a technical section then I'll put a mark by the note and double-check it with Kris as soon as we've finished the stage."

Changing the notes entirely is a reasonably rare occurrence at the highest level.

"We've got the recce down to a fairly fine art," says Meeke. "We have a routine that works for us. Obviously if we're going to a new rally - such as Turkey this year - then we're making notes from scratch and that's a slightly different process. In places like Mexico, the stages don't change much year-on-year, so at those events we're evolving the notes that we used the previous year."

Robert Reid won the 2001 world championship with Richard Burns and well remembers rewriting notes.

"There were some places that, looking at the map, you'd think hadn't changed at all," says Reid, "but then you get in to the recce and the road could be quite different. This would happen in some of the stages in south Wales, when Rally GB was based out of Cardiff.

"From one year to the next the logging trucks might need a road widening; so by the time we got there for the rally, what had been, say, a set of medium-speed corners might have been straightened out with a wider road. You'd rewrite all of that."

When you see co-drivers reading, writing or rewriting, it looks like they're using a regular spiral-bound notebook. Generally speaking, they're not. The professionals are pretty much all using books handmade on a farm in Lancashire by one-time BTRDA Gold Star Rally champion Martin Meadows and his wife Helen. Meadows' brother is John - former Mitsubishi works co-driver - and the Safari specialist was fundamental to what has become something of a cottage industry.

"I was with John after one rally and he was telling me how bad the pacenote books were," says Martin Meadows.

"We were talking to Ian Grindrod, who was co-driving Henri Toivonen at the time, and he agreed. I said to them, 'I'm a graphic designer, tell me what you want and I'll put it together'. It started from there. We made some, worked on them and improved them, but really the books haven't changed for the last 30 years."

Dan Barritt, the winning co-driver at last year's Wales Rally GB, wouldn't consider reading from or writing in anything other than one of Meadows' books.

"They're sort of the industry standard," he says. "I know a lot of co-drivers had input into making them what they are. To all intents and purposes, it's a notepad, but it just works and it feels normal when you're using them."

What is it that makes this book work? The paper, for a start, is just the right weight and shade.

"It's the paper HM Government and the banks use for their forms," explains Meadows.

The binding is the other key feature, with its rather tortuous-sounding 'twist and remove spine'.

"When you do the recce," says Meadows, "you don't necessarily do the stages in the order of the rally's actual itinerary; you don't always do stage two before stages three. Previously, you would make the notes and then copy them out to make sure they flowed in rally order. Co-drivers like to have the stages for a specific loop or day in one book - there's less chance of losing them.

"Copying notes can be fraught with risk. A co-driver is usually doing that job at the end of the day of recce, so they're quite tired and it's easy to get distracted and miss a note out.

"What John and Ian wanted was a ring binder-type set-up where you could slot pages in and out - that's where the removable spine came from; you can take the spine out and reorder the pages as you want. Another key is the strength of the spine. We've worked to find one that's really strong - it doesn't bend or deform, which means the pages will always turn.

"These might sound like really small things, but sport at world championship level is all about chasing tiny percentages and that's what this is about. We could make the whole thing a bit cheaper, but it would be noticed straight away - the consequences of not being able to turn a page cleanly when you're flat out could be pretty serious. That's why we've continued to make every book by hand. We know it's done properly."

In a discipline that's so driven by pushing technological boundaries, it's remarkable that such a key element of rallying - the business of delivering the vital route information between co-driver and driver - remains so basic.

Surely, in this modern era, with the continued advances in satellite navigation, it would be possible to find a solution that betters what's been around since the sport's very beginning?

Companies have tried sat-nav-based systems for delivering notes, but it just doesn't work. Co-driving is such a nuanced craft, even in an ever-changing environment, that it's almost impossible to see the pencil (which has to be 2B, since the lead offers a perfect range of shade) and paper being replaced.

"Writing pacenotes is still a very personal thing," says Meadows. "People have thought of trying to computerise the process or using an iPad, but it's just not quite the same. There's almost some emotion involved in the thing.

"For example, quite often a co-driver will use an exclamation mark to note caution, but if there's something really bad coming up, then each co-driver will have their own little way of making it clear, be that pushing harder on the pencil to darken an underline or something like that.

"You need to be in the moment and in the recce to let that emotion and feeling flow into the notes. You just wouldn't get the same from sitting at a laptop typing them out."

The non-competitive time-keeping side of the job - the getting of the cars to the stages on time - will change. Currently each crew is given a set of time cards complete with boxes to be filled in when the car is checked in to each control. The time to the next control is still totted up in the co-driver's head, to ensure they arrive on the allocated minute. Failure to do so will result in penalties added to their accumulated stage times.

For those who find keeping track of time a bit of a nightmare, salvation isn't far away. Numerous companies are working on systems that will work by tapping a card (think of a hotel keycard) at each control. This will beam the data to the organisers and to a control unit in the car.

A co-driver's reliance on advanced mathematics was lessened greatly by the introduction of Fastime Copilote Rally Watch. Developed - again with input from co-drivers - by former Subaru and Toyota sporting director George Donaldson and accountant and rally enthusiast Robert Thacker, the watch is another brilliant British contribution to the art of co-driving.

The co-driver loads road timing into the watch and is then given a countdown to the scheduled arrival time in the next control. Once there, the watch requests the next time and the process rolls on. The watch also stores stage times, compares them with the competition, and also tells the time.

When it comes to writing notes, there are two schools of thought in terms of putting the code on the page: horizontal or vertical. Reid started writing across the page, but ultimately followed the lead of Michele Mouton's co-driver Fabrizia Pons.

"If you write the notes horizontally then you could end up with four or five lines of notes," says the Scot, "whereas if you write vertically you get two columns. When you're calling notes, you want to make the process of reading them is as easy and straightforward as possible.

"For me, reading down two columns worked better than across five rows. It's also easier to move your thumb down each note as you read it - so if you happen to look up, when you look down you know exactly where you are."

Reid's left thumb came in even more useful on the 2001 Rally GB - the event where he and Burns were crowned champions.

Reid remembers: "Richard and I had just left service when I reached over my shoulder to turn on the map-reading light that should have been there. We were only allowed the map light in the car when we were going into night stages - such was designer Christian Loriaux's obsession with keeping the car's weight to an absolute minimum [when Loriaux moved to Ford, he took this a step further and only allowed co-drivers to carry one pencil in the car with them].

"Anyway, the light wasn't there and Richard and I were about to go into two stages in Brechfa in the dark. I always carried a Maglite in my bag, so I tie-wrapped that to my left thumb, turned it on and read the notes with that."

The ability to think clearly and remain calm under the ultimate pressure is vital. You've got to be ready for anything - as 2003 world champion Phil Mills testifies.

"Petter Solberg and I were competing in the Cyprus Rally one year," he says. "We were going through a stage and everything was fine, next minute there was a bit of a fuss in the car and a bird came in through the roof vent. In those kind of instances, your actions are really instinctive."

Without missing a beat, or a note, Mills grabbed the bird - which had already met its end after bumping into the Subaru - and dropped it into the footwell. But feeling the pace and direction of the car is what sets the good apart from the great.

"You get that feeling through the seat of your pants," says Colin McRae's co-driver Nicky Grist. "Without looking up, you know where you are from what the car is doing. It takes a while, but it becomes instinctive."

The one thing that upsets that rhythm in the car is fog. Scott Martin remembers some nervous moments guiding Craig Breen through an especially foggy Aberhirnant in Wales last year.

"You're totally focused on reading the notes," says Martin, "but you're subconsciously prepared for what the car's going to do. When you call a hairpin, you know when you're going to be pressed into the belts.

"But in the fog, it's so strange. I didn't even know we were into the fog and I'd called some quick corners when I felt Craig lifting and braking. You think: 'What's going on? Have I got it wrong? Where are we?' You look up and you just can't see a thing."

It's in the fog where the level of detail in notes really shows up. McRae, for example, used a gear-linked numeric system where a six right would mean a very fast sixth-gear right-hander. The 1995 world champion liked to keep things simple and so added in very little detail around those numbers.

Burns, by contrast, used a far more descriptive system and would regularly make three corners out of one.

"Richard liked a very accurate description of where the car had to be on the road," says Reid. "There was quite a lot to say in our notes - but it definitely helped in the fog."

Nowhere was this seen more obviously on the 1997 Rally GB, when Burns dominated a foggy Radnor stage, taking 1m33s out of McRae in 10 miles.

"Even in the fog, driving pretty much blind, Richard knew what was coming because of the detail in the notes," says Reid.

It's in those trying conditions that a good co-driver will know when to chivvy their partner. Not that this sort of advice is always welcome. Markko Martin was a driver who always struggled in the fog and didn't take co-driver Michael 'Beef' Park's advice particularly well.

"Beef told me I should get a move on," says the Estonian. "He said: 'Come on, you can see more than that...' I said something rude and said he could have a go if he wanted!"

Experienced co-driver Stuart Loudon found himself in the unusual position of guiding former England cricket captain Graeme Swann through Wales Rally GB in 2014.

"Graeme was doing the event as a guest driver," says Loudon. "He wasn't too bad at all, but we rolled on the first stage. We were on the roof, but the spectators soon had us back on the wheels. The car wasn't bad at all, but Graeme was starting to undo his belts. He thought we were going home. He asked what to do and looked a bit surprised when I told him to fire it up and crack on to the end of the stage!"

Swann's initial response was, of course, completely natural. He'd probably never been upside down in a car before.

"You know when the crash is coming," says Scott Martin. "And that's the time to make yourself as small as you can in the car. I pull my feet back from the footwell to avoid any impacts down there, fold my arms across my chest, and hang on to the pacenote book."

Hang on to the pacenote book.

Told you co-drivers were a different breed.

It's harder than it looks...

The last time I co-drove Kris Meeke, we were in Citroen's equivalent to a transit van at Silverstone rallyschool and Dungannon's finest was telling me what to do in the event of what felt like an almost inevitable accident.

This time it's a bit different: the Meeke company motor, a set of Paul Nagle's pacenotes and a half-decent stretch of gravel road.

Nagle seems to find it funny that I'm genuinely having a go at doing his job. He laughs less when I break down his working day into two key areas: sitting down and reading. Ultimately, one of us will be laughing the longest...

I've always quite fancied the idea of co-driving. I once navigated David Higgins into a huge lead on the Kent Forestry Stages, only for him to ruin my moment in the spotlight by dropping us in a ditch after a corner appeared unexpectedly. A corner I might have forgotten to mention.

Strapped into Nagle's seat, I wiped such negativity from my mind and focused on the job in hand. Having already had one go at the stage, Meeke had been given a brief insight into my incompetence.

"Don't just blabber the notes out," he offers helpfully. "Try to feel the car."

Right. Good advice.

Second time around, I'm much more relaxed and do actually manage to say the right thing at vaguely the right time. Or at least I thought I did. Kris snatching the book out of my hand and throwing it the footwell might indicate we weren't on the same page.

The inside of Citroen's C3 WRC was a claustrophobic and intimidating place for one so far from their comfort zone, but at the same time it was hugely exhilarating and a real insight into what Nagle does.

Between you and me, there's more to it than sitting down and reading.

#rally #co-driver #co driver

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dyanjong · 2 years

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londontheatre · 7 years

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Steffan Rhodri and Nathaniel Parker in THIS HOUSE at Chichester Festival Theatre. Photo by Johan Persson

Rehearsals began today (Monday 22nd January 2018) for the first UK tour of This House, which opens at West Yorkshire Playhouse on 23 February (national press night 28 February). The cast – who play a colourful host of MPs and Whips – is Ian Barritt (Batley & Morley/Woolwich West/Belfast North/Western Isles & Ensemble), William Chubb (Humphrey Atkins), Giles Cooper (Fred Silvester), Stephen Critchlow (Bromsgrove/Abingdon/Liverpool Edge Hill/Paisley/Fermanagh & Ensemble), James Gaddas (Walter Harrison), Natalie Grady (Ann Taylor), Ian Houghton (Armagh, Ambulance Man, Ensemble), David Hounslow (Joe Harper), Marcus Hutton (Ensemble), Harry Kershaw (Paddington South/Chelmsford/South Ayrshire/Henley/Marioneth /Coventry North West/Rushcliffe/Perry Barr & Ensemble), Louise Ludgate (Rochester & Chatham/Welwyn & Hatfield/Coventry South West/Ilford North/Lady Batley & Ensemble), Geoffrey Lumb (Clockmaker/Peebles/Redditch/Stirlingshire West/Clerk & Ensemble), Nicholas Lumley (Oxshott/Belfast West/St Helens & Ensemble), Martin Marquez (Bob Mellish), Matthew Pidgeon (Jack Weatherill), Miles Richardson (Speaker Act I/Mansfield/Sergeant at Arms Act II/West Lothian & Ensemble), Tony Turner (Michael Cocks), Orlando Wells (Walsall North/Plymouth Sutton/Serjeant at Arms Act I/Speaker Act II/Caernarfon/Clerk & Ensemble) and Charlotte Worthing (Ensemble). Ian Houghton, David Hounslow, Matthew Pidgeon, Tony Turner and Orlando Wells return to This House having previously appeared in the West End production.

James Graham’s critically acclaimed and prescient political drama takes on a new importance in the current political climate. Are we in the midst of a political revolution? Can the country stay united? Roll back to 1974… The corridors of Westminster ring with the sound of infighting and back biting as Britain’s political parties’ battle to change the future of the nation, whatever it takes.

In an era of chaos, both hilarious and shocking, when votes are won or lost by one, there are fist fights in the parliamentary bars, high-stakes tricks and games are played, and sick MPs are carried through the lobby to register their crucial votes as the government hangs by a thread. This House strips politics down to the practical realities of those behind the scenes; the whips who roll up their sleeves and on occasion bend the rules to shepherd and coerce a diverse chorus of MPs within the Mother of all Parliaments.

Directed by Jeremy Herrin with Jonathan O’Boyle, the production is designed by Rae Smith with lighting design by Paule Constable and Ben Pickersgill on tour, music by Stephen Warbeck, choreography by Scott Ambler and sound by Ian Dickinson.

This House is produced on tour by Jonathan Church Productions and Headlong.

Cast Ian Barritt – Batley & Morley/Woolwich West/Belfast North/Western Isles & Ensemble Theatre includes: The Life of Galileo, The Alchemist (National Theatre), The Shawshank Redemption (UK Tour), Rebecca (UK Tour) Handbagged, Remarkable Invisible (The Theatre by the Lake, Keswick), The Lower Depths (Arcola), Hamlet, All’s Well That Ends Well, The Tempest, Troilus and Cressida (Tobacco Factory), Other Desert Cities (English Theatre of Frankfurt), Othello (Sheffield Crucible), Uncle Vanya (Bristol Old Vic/Galway Festival), Kes, Separate Tables (Manchester Royal Exchange), Richard II, Corionlanus (Almeida/New York/Tokyo), Gates of Gold (Manchester Library), One Night In November (Coventry Belgrade).Television includes: Wolf Hall, The Musketeers, Attila The Hun, Doctor Who, Upstairs Downstairs, Doctors, Foyle’s War, Life On Mars, Only Fools and Horse.

William Chubb – Humphrey Atkins Theatre includes: Racing Demon (Theatre Royal Bath), Rosencrantz and Guildenstern Are Dead, King Lear (Old Vic), In The Depths of Dead Love (The Print Room), Lawrence After Arabia (Hampstead Theatre), Waste, Great Britain, Othello, Scenes from an Execution (National Theatre), Richard II (Shakespeare’s Globe), The Vortex, A Midsummer Nights Dream, Love’s Labours Lost (Rose Theatre, Kingston), Yes Prime Minister (Chichester Festival Theatre/West End), The History Boys (National Theatre), The Sea (Theatre Royal Haymarket). Television includes: Close to the Enemy, My Baby, Breathless, Edge of Heaven, Jonathan Strange and Mr Norrell, Law and Order, Silk, The Bill. Films include: 6 Days, Adrift in Soho, Tees, Veer, Affair of the Necklace, Mrs Caldicot’s Cabbage War, Milk, The Woodlanders.

Giles Cooper – Fred Silvester Theatre includes: The Duchess of Malfi, The Knight of the Burning Pestle, Henry V (Shakespeare’s Globe), People, After the Dance (National Theatre), As Is (Arion Productions), Great Expectations (ETT), The Talented Mr Ripley (Northampton Royal), Trilby (Finborough), Dreams of Violence (Soho/Out of Joint), Think Global, F**k Local (Royal Court/Out of Joint), A Touch of the Sun (Salisbury Playhouse), Rafts and Dreams (Royal Court), The Witches (West End), Full Circle (Triumph Ent.), The Witches (Birmingham Rep), Twelfth Night (Bolton Octagon), Across Oka, Rafts and Dreams (Manchester Royal Exchange). Television Includes: Hollyoaks, Consenting Adults. Film includes: The Lady in the Van, Pride, Apollo and the Continents, The Nun.

Stephen Critchlow – Bromsgrove/Abingdon/Liverpool Edge Hill/Paisley/Fermanagh & Ensemble Theatre includes: Filthy Business, Loyalty (Hampstead Theatre), The Men From The Ministry Reloaded (The White Bear), The 39 Steps (The Criterion Theatre), Pygmalion (The Albery Theatre), Hamlet (West End), Cyrano De Bergerac (National Theatre), A Christmas Carol, The Relapse, When We Are Married (Birmingham Rep), Soap, Time of My Life, Twelfth Night, (Theatre Royal Northampton), The Game of Love and Chance (Salisbury Playhouse), Round The Horne Revisited (UK Tour). Television includes: Downton Abbey, Guerrilla, Little Lord Fauntleroy, The Prince And The Pauper, Cider With Rosie, Heartbeat, Red Dwarf 11, Miranda, Coronation Street, Casualty, Holby City, Doctors, Skins, Hattie, Fantabuloza, The Armando Iannucci show, The Railway Murder, The Thieving Headmistress, Trial And Retribution, Blue Murder, Daziel and Pascoe, The Vice, Without Motive, Heartbeat, Walking on the Moon, Baggy Trousers, A Likeness in Stone, A Line in the Sand, The Vice, Back Up, The Bill, Monarch of the Glen. Film includes: A Way Through The Woods, Fogbound, The Calcium Kid, Churchill The Hollywood Years.

James Gaddas – Walter Harrison Theatre includes: The Girls (Phoenix Theatre), Billy Elliot (Palace Theatre), Mamma Mia (Novello), Spamalot (UK Tour), Art (Wyndhams Theatre), Peter Pan (Curve, Leicester), The Messiah (West Yorkshire Playhouse), You Never Know Who’s Out There (Drill Hall), A Passionate Woman (Comedy), Jackie, A Chorus of Disapproval (Lyric Hammersmith), Three Guys Naked From The Waist Down, (Donmar Warehouse). Television Includes: Bad Girls, Coronation Street, Emmerdale, Waterloo Road, Against The Law, Casualty, Holby City, The Camomile Lawn, Medics, Class Act, Troubles, The Bill, Backup, Dogtown, Vincent, Jonathan Creek, Grafters, Heartbeat, Between The Lines, Secrets, El Cid. Film Includes: Starter For Ten, The Human Bomb, Girl’s Night, The Black Candle, Dead Man’s Folly, A Hazard of Hearts, The Pied Piper, Last Days Of Summer.

Natalie Grady – Ann Taylor Theatre includes: Julius Caesar, A Midsummer Night’s Dream (Storyhouse Chester), Brassed Off (Oldham Coliseum), Marth, Josie and The Chinese Elvis (Hull Truck), To Kill a Mockingbird (Regent’s Park Theatre/ UK Tour), Hobson’s Choice (Bolton Octagon). Television Includes: Hollyoaks, Snatch, Trollied, Endeavour, 6 Wives, Coronation Street, Doctors, Jam and Jerusalem.

Marcus Hutton – Understudy Marcus trained at the Guildhall School of Music and Drama. Theatre includes: Private Lives (Nottingham Playhouse), Naomi (The Gate), Slave Island, Don Juan (Manchester Royal Exchange), The Scarlet Pimpernel (Wolsey Ipswich), Crusade (Theatre Royal Stratford East), She Stoops to Conquer (Oxford Stage Company), Tis Pity She’s a Whore (Exeter Northcott), Tess of the D’urbevilles (Horseshoe Basingstoke), Flags and Bandages (Colchester Mercury), Reeling (New Vic Productions), The Lady from the Sea (Portlands Playhouse), Secrets of Cherry on the Run (Riverside Studios), Table Manners (UK Tour), Sound of Murder (UK Tour), Dial M for Murder (UK Tour), Kiss Chase (UK Tour), The Ghost and Mrs Muir (UK Tour), Dangerous Obsession (UK Tour), Suddenly at Home (UK Tour), Jeckyll and Hyde (UK Tour), What the Butler Saw (UK Tour), The Wind in the Willows (UK Tour). Film includes: Made in Dagenham, I’m Here, Cycle, Deep in the Woods, The Dark Channel, The Wager, Framed, Grandma.Television includes: Midsomer Murders, Making Beach, Holby City, Dr Who, Love Hurts, Lovejoy, Diana: Her True Story, A Class Act, The New Professionals, The Inspector Alleyn Mysteries, Crocodile Shoes, Smack The Pony, Hollyoaks, Brookside. Marcus is a founder member of the Radio City Theatre Company.

Ian Houghton – Armagh, Ambulance Man, Ensemble Theatre includes: War Horse (New London Theatre), This House (West End), The Audience, Yes, Prime Minister (Gielgud Theatre), Men are from Mars, Women are from Venus (UK Tour), The Best Man (UK Tour), Boeing Boeing (UK Tour), The Fastest Clock in the Universe (Old Red Lion), Unrestless (Old Vic New Voices), What’s Wrong with Angry? (King’s Head) Moonlight and Magnolias (Hertford Theatre), Woman in Mind, Oliver! (Gordon Craig Theatre) Decade (Theatre503), Art, Gagarin Way, Journey’s End, A Day in the Death of Joe Egg, The Government Inspector, Incorruptible, Absurd Person Singular, Noises Off (The Company of Players). Television includes: Harley and the Davidsons, Mr. Selfridge, Eastenders, Call the Midwife, The Great Outdoors, Waking the Dead, MI High and Moving Wallpaper. Film includes: RocknRolla and Breaking and Entering.

David Hounslow – Joe Harper Theatre includes: This House (National Theatre/Chichester Festival Theatre/West End), The Fall Of The Master Builder (West Yorkshire Playhouse), Queen Coal (Sheffield Crucible), The Empty Quarter (Hampstead Theatre), Way Upstream (Salisbury Playhouse), Too Much Pressure (Coventry Begrade), Warm (Theatre 503), Billy Liar (Liverpool Playhouse), Tamburlaine (Bristol Old Vic/Barbican), A Night At The Dogs (Soho Theatre), The Rise And Fall Of Little Voice (Royal Exchange Manchester), Holes In The Skin (Chichester), Dealer’s Choice, My Night With Reg, Perpetua, First Person Shooter, (Birmingham Rep), Tales From Hollywood, Privates On Parade (Donmar Warehouse), Alcestis (Northern Broadsides), All of You Mine, A Question Of Mercy (Bush Theatre), Othello, Henry V, Coriolanus, The Wives Excuse, Zenobia (Royal Shakespeare Company), Bent (National Theatre/West End), Fuente Ovejuna (National Theatre), Macbeth, Billy Budd (Sheffield Crucible), Our Boys (Cockpit), Treasure Island (Farnham Redgrave), The Snowman (Leicester Haymarket). Film includes: London Kills Me, Captives, Fever Pitch, The Man Who Knew Too Little, I Want You, Tabloid TV, The Flying Scotsman, The International, Defining Fay, Ginger and Rosa, Peterloo. Television includes: The Unknown Soldier, Coronation Street, Othello, Children of the North, Gone to the Dogs, The Bill, Resnick, True Crimes, Minder, Bad Company, Under The Hammer, Anna Lee, Soldier Soldier, Deadly Crack, The Cinder Path, Chandler and Co., Six Sides of Coogan, Crimes and Punishment, Turning World, Is It Legal, Peak Practice, A Wing and a Prayer, Dangerfield, Playing the Field, The Unknown Soldier, Bugs, Within Living Memory ,Casualty, Eastenders, City Central, Bomber, Always and Everyone, Peak Practice, Silent Witness, North Square, Doctors, Heartbeat, London’s Burning, Margery & Gladys, Ultimate Force, Crisis Command, Blackpool, Holby City, The Brief, Doctors, Robin Hood, Jekyll, Dalziel And Pascoe, Is This Love?, Coronation Street, Little Miss Jocelyn, MI High, Dead Set, Bonekickers, Waking The Dead, Spooks IX, Homefront, Foyle’s War, The Bletchley Circle II, Emmerdale, Moving On, Bad Move.

Harry Kershaw – Paddington South/Chelmsford/South Ayrshire/Henley/Merioneth/Coventry North West/Rushcliffe/Perry Barr & Ensemble Harry trained at RADA. Theatre includes: Mischief Movie Night (Arts Theatre), Peter Pan Goes Wrong (West End/UK Tour), The Play That Goes Wrong (West End), One Man Two Guvnors (West End), The Circle Game (Old Vic New Voices).Television includes: Peter Pan Goes Wrong (Christmas Special), Supreme Tweeter, The Interceptor, Omid Djalili’s Little Cracker, Switch, Cuckoo, Wallander, Endeavour. Film includes: Unhappy Campers, Exhibition, Unrelated, Blue Monday, Great Expectations, Skyfall, Rufus Stone, The Date.

Louise Ludgate – Rochester & Chatham/Welwyn & Hatfield/Coventry Sount West/Ilford North/Lady Batley & Ensemble Theatre includes: Iron (Traverse/Royal Court) Lanark, Sub Rosa (Citizen’s Theatre), Sex and Drugs, Greta, Class Act, First Bite (Traverse Theatre), The House of Bernada Alba, Little Otik, Macbeth, Realism, Home (National Theatre of Scotland), Strawgirl, The Adoptive Papers (Royal Exchange Manchester), Trojan Women (Tobacco Factory), World Domination, Resurrection, The Course of True Love (Oran Mor Theatre), When The Dons Were Kings, Guilty, the Course of True Love, Fishwrap (The Lemon Tree), Jeff Koons (UK Tour), Balgay Hill (Dundee Rep), 13 Sunken Years (Assembly Rooms/Finnish National Theatre). Film includes: City of the Blind, Swung, No Man’s Land, Goodbye Happy Ending, Café Rendevous, The Last Ten Minutes. Television includes: River City, Freedom, Taggart, Kissing Tickling and Being Bored, High Times, Sea of Souls, The Key, Spooks, Tinsel Town, Glasgow Kiss, Robert Burns ‘Alive and Kicking’.

Geoffrey Lumb – Clockmaker/Peebles/Redditch/Stirlingshire West/Clerk & Ensemble Geoffrey trained at Bristol Old Vic Theatre School. Theatre includes: Vice Versa, Coriolanus, Much Ado About Nothing, Romeo and Juliet, King John, Shrew, The American Pilot, The Comedy of Errors, A Midsummer Night’s Dream (RSC), King Charles III (UK tour/Australia), Much Ado About Nothing (Lamb Players), Macbeth, Twelfth Night (Filter Theatre Company), Prophesy, Macbeth (Baz Theatre Productions), Fitzrovia Radio Hour Tour (UK tour), Chekhov in Hell (Soho Theatre/Drum Plymouth), Romeo and Juliet (US Tour), Rendezvous with Fear (Fitzrovia Radio Hour), His Dark Materials (Birmingham Rep/West Yorkshire Playhouse), Rendition Monologues (Bridewell Theatre/Queen Elizabeth Hall), The Changeling, Twelfth Night (English Touring Theatre), Hansel & Gretel (Northampton Theatre Royal). Television includes: Holby City, 24: Live Another Day, Doctors, Hollyoaks, Luther, Europe’s Secret Armies. Film includes: Paddington 2

Nicholas Lumley – Oxshott/Belfast West/St Helens & Ensemble Nicholas read Law at Newcastle University before training at the Bristol Old Vic. Theatre includes: Dr Faustus, Don Quixote, Beaux Stratagem, Midsummer Nights Dream, Kiss Me Kate (RSC), Great Britain, NT 50, The Magistrate, After The Dance, Never So Good, Afterlife (National Theatre), Timon of Athens (Young Vic), Sergeant Musgraves Dance, Richard II (Old Vic), Tyne (Live Theatre), Pitman Painters (Royal National Theatre/ UK Tour); Close The Coalhouse Door (UK Tour), Much Ado about Nothing (Wyndhams Theatre), The Company Man (Orange Tree Theatre) Porridge (UK Tour), Looking for Buddy (Live Theatre, Newcastle/Bolton Octagon), The Sound of Music (Apollo Victoria), The Canterbury Tales (Garrick Theatre), Chorus of Disapproval (Lyric Theatre),The Bakers Wife, Richard II, Richard III (Phoenix Theatre), Bellman’s Opera (The Pit), Brighton Rock (Almeida), Little Voice, Rope (Watermill), Oleanna, Educating Rita (Salisbury Playhouse). Television includes: Downton Abbey, Houdini and Doyle, Doc Martin, Parade’s End, Vera, George Gently, Enid, Auf Wiedersehen Pet, The Bill, Lovejoy, Kavanagh QC, Wycliffe, Catherine Cookson’s The Secret, Holby City, Crossroads, Wilderness, Eastenders, Coronation Street, Derailed. Films include: Peterloo, Where Hands Touch, Paddington 2, Lady Macbeth, Winterflight, Stormy Monday Goal!, Right Hand Drive, Across the Universe.

Martin Marquez – Bob Mellish Theatre includes: Husbands & Sons, Anything Goes, Loves Labour’s Lost, Mother Courage & Her Children (National Theatre), Much Ado About Nothing, Imogen (Shakespeare’s Globe), Ah, Wilderness (Young Vic), Cleansed, Identical Twins (Royal Court Theatre), Fool For Love, Front Page (Donmar Warehouse), The Iceman Cometh (The Old Vic), Snowball (Hampstead Theatre) Gondoliers, I Caught My Death In Venice, Insignificance, Pal Joey (Chichester Festival Theatre), The Crucible, Don Juan, Of Mice and Men (West Yorkshire Playhouse), Brothers Marquez (Soho Theatre), Romeo and Juliet (Nottingham Playhouse), Before I Leave (National Theatre of Wales), Blasted (Sheffield Theatres), From Here To Eternity (Eternity Productions Ltd), 4 Knights in Knaresborough (Tricycle), Asylum (Queen Elizabeth Hall), Biloxi Blues (Library Manchester), Boeing Boeing (UK Tour) The Dark Side of Buffoon, The Sea (Belgrade Theatre). Film includes: After Louise, Girl on a Bicycle, A Louder Silence, Les Miserables, The Business.Television includes: The Crown, New Tricks, Elizabeth, Empire, Hotel Babylon, Lead Balloon, Dead Pixels, Bounty Hunter, Modus, Decline and Fall, Suntrap, The Javone Prince Show, The Job Lot, Woody, Vera, Knifeman, Benidorm, The Whale, Twenty Twelve, Falcon – Blind Man of Seville, Holy Flying Circus, Eastenders, Heartbeat, Dirty Tricks, The Plastic Man, Murder Most Horrid, The Bill, In Suspicious Circumstances.

Matthew Pidgeon – Jack Weatherill Theatre includes: This House (Chichester/West End/National Theatre), Salome (RSC), The James Plays (National Theatre of Scotland UK/World Tour), Wolf Hall & Bring Up the Bodies (RSC/Aldwych Theatre/Broadway), Edward II (National Theatre), Midsummer (Traverse Theatre/World Tour), Much Ado About Nothing, The Mysteries (Shakespeare’s Globe), Kyoto (Traverse Theatre) The Wonderful World of Dissocia, Realism, Caledonia (National Theatre of Scotland) The Lying Kind (The Royal Court), The Cherry Orchard, The Wizard of Oz, Vanity Fair, Pinocchio, The Glass Menagerie (Lyceum Theatre Edinburgh). Television includes: Taggart, Casualty, Holby. Film includes: Daphne, The Winslow Boy, State and Main, A Shot at Glory.

Miles Richardson – Speaker Act I/Mansfield/Serjeant at Arms Act II/West Lothian & Ensemble Miles graduated from Arts Educational Drama Collage in 1982, winning the Best Actor award. Theatre includes: Macbeth, Death of a Salesman, The Caucasian Chalk Circle (Newcastle Rep) Another Country (Queens) Romeo & Juliet (Ludlow Festival) Wilfred, A Midsummer Nights Dream, An Inspector Calls, The Contractor (Birmingham Rep) Othello (Theatr Clwyd) Private Lives (Theatre Royal York) Richard II & Richard III (UK Tour) An Evening with Gary Lineker (Lyric) The Seagull (Bromley) Journeys End (Kings Head) Charley’s Aunt, The Three Musketeers (Canizzaro Park) The Picture of Dorian Gray (Westminster Theatre) The Three Musketeers (UK Tour) Romeo & Juliet (Hull Truck) Wuthering Heights, Cause Celebre, First Class Passengers (Pitlochry) The Invisible Man (Stratford East/Vaudeville Theatre/Harold Pinter Theatre) Candida, The Lovers, Playing Sinatra (New End) Lulu (Almeida/Kennedy Center, Washington DC) A Doll’s House, A Midsummer Night’s Dream (Warwick) The Rivals (Wimbledon) The Moment of Truth, Dear Brutus (Southwark Playhouse), Anjin: The Shogun and the English Samurai (Tokyo/Sadler’s Wells), 12 Angry Men (Garrick Theatre), King Charles the Third (Wyndhams Theatre/Broadway) King John (Rose Theatre Kingston) Sleuth (Nottingham) Loves Labours Lost, All’s Well That Ends Well, A Midsummer Night’s Dream, As You Like It, Volpone, Henry IV pt1, Henry IV pt2, Henry V, Henry VI pt1, Henry VI pt2, Henry VI pt3, Richard III (RSC). Television includes: Elizabeth, Highlander, Byron, Inspector Lynley Mysteries, The King Must Die, Porterhouse Blue, Allo,Allo, The Brief, Cambridge Spies, Miss Marple, Doctors, Upstairs Downstairs, Dirk Gently, Doctor Who, Jo, Midsomer Murders, Dancing on the Edge, Sick Note, Lucan, Genius, The Crown. Film includes: Maurice, Harry Potter & The Sorcerer’s Stone, The Best Offer, Beat Girl, The Remains of the Day, Flushed away, A Princess for Christmas, Mindgame, Their Finest, A Quiet Passion, The Colour of Magic, Big Pants, The Return of Sherlock Holmes, Sabotage, Titanic, Peterloo, The Queen of Spain.

Tony Turner – Michael Cocks Theatre includes: Ink (Almeida/West End) This House (National Theatre/Chichester/West End), The Curious Incident of The Dog In The Night Time (West End) Burnt by the Sun, Her Naked Skin, Present Laughter, Playing With Fire, The UN Inspector (National Theatre), Measure for Measure, Big White Fog, Enemies (Almeida Theatre), The House of Special Purpose (Chichester Festival Theatre), The Damned United (West Yorkshire Playhouse/Derby Theatre), The School for Scheming (Orange Tree Theatre) Journey’s End (UK Tour/West End), Personal Enemy (Brits Off Broadway), One Night In November (Belgrade Theatre), The Jail Diary of Albie Sachs (Salisbury Playhouse), Mad World My Masters, Neville’s Island (New Wolsey), Madness of George III (West Yorkshire Playhouse/Birmingham Rep), The Danny Crowe Show (Bush Theatre), Christmas Carol (Stoke New Vic), Talent (Colchester Mercury/Watford Palace Theatre), Communicating Doors (Manchester Library Theatre), Macbeth, Othello (Liverpool Everyman), Romeo and Juliet (Birmingham Rep). Television includes: Delicious, WPC 56, Call The Midwife, Downton Abbey, Loving Miss Hatto, Holby City, Silk, Doctors, Andrew Osler, Maxwell, Party Animals, Gavin & Stacey, Trial & Retribution XIII, Foyle’s War, Derailed, Eyes Down, Red Carp, Coronation Street, Children’s Ward, September Song.

Orlando Wells – Walsall North/Plymouth Sutton/Serjeant at Arms Act I/Speaker Act II/Caernarfon/Clerk & Ensemble Orlando trained at LAMDA. Theatre includes: This House (Chichester Festival Theatre/West End), Noises Off, Tonight at 8:30 (English Touring Theatre), The Woman In Black (Fortune Theatre), Katrina (Bargehouse, South Bank), Our Country’s Good (Watermill), The History Boys (National Theatre), Pirandello’s Henry IV (Donmar Warehouse), A Midsummer Night’s Dream, The Modernists (Sheffield Crucible), The Tempest (Plymouth Theatre Royal), A Midsummer Night’s Dream, Othello, Anthony and Cleopatra (RSC), Treehouses (Northcott Exeter), Deathrap (Vienna’s English Theatre), The Journey of Mary Kelly (Theatre Clwyd). Television includes: Father Brown, Casualty, Holby City, A Very British Sex Scandal, Doctors, Nowhere Left to Hide, Living the Quake, The Machioness Disaster, Slave Dynasty, As If, Trust, A Rather English Marriage, Killer Net, Mosley, After the War. Film includes: The King’s Speech, Midsummer Madness, Zemanovaload, Wilde. Orlando is also a writer for Theatre and Television.

Charlotte Worthing – Understudy Charlotte trained at Oxford School of Drama and East 15 Acting School. Theatre includes Princess Charming (Spun Glass Theatre and Ovalhouse Theatre), These Trees Are Made Of Blood (Arcola Theatre and Southwark Playhouse), A Midsummer Night’s Dream (The Young Shakespeare Company), Twelfth Night (Open Bar Theatre Company), The Absolute Truth About Absolutely Everything (Camden People’s Theatre), The Wind in the Willows (Open Book Theatre Company), The Just So Stories (National Tour for Red Table Theatre Company), Little Pieces of Gold (Theatre503), Wait (Arcola Theatre), The Wasabi Nut (National Theatre of Scotland). Film includes Here and Now, Souljacker, Coincidence. Television includes Panorama.

Creatives

James Graham won the Pearson Playwriting Bursary in 2006 and went on to win the Catherine Johnson Award for Best Play of 2007 for Eden’s Empire. His upcoming and recent plays include The Culture – A Farce in Two Acts for Hull Truck Theatre, Quiz (Chichester Festival Theatre, transferring to the West End this spring), Labour of Love (West End), Ink (Almeida and West End), Monster Raving Loony (Theatre Royal, Plymouth), The Vote (Donmar Warehouse), Finding Neverland (American Repertory Theater), The Angry Brigade (Theatre Royal, Plymouth and The Bush) and Privacy (Donmar Warehouse). His television credits include the award-winning Coalition (Channel 4) and his film credits include X+Y (BBC Films).

Jeremy Herrin is Artistic Director of Headlong, for which he has directed Labour of Love (a Headlong and Michael Grandage Company co-production), Junkyard (Bristol Old Vic/Theatr Clwyd/Rose Theatre Kingston), Observe the Sons of Ulster Marching Towards the Somme (UK Tour), The Absence of War (UK Tour) and The Nether (at the Royal Court and in the West End). For the National Theatre his directing credits include Common (A co-production with Headlong), The Plough and the Stars (co-directed with Howard Davies), People, Places & Things (A co-production with Headlong which transferred to the West End, toured the UK tour and played a sold out run at St Ann’s Warehouse, New York in 2017), This House (Olivier nomination for Best Director), which transferred to Chichester Festival Theatre and the West End in a co-production with Headlong, and Statement of Regret. For the RSC he directed the world premiere of Hilary Mantel’s Man Booker prize-winning novels Wolf Hall and Bring Up the Bodies, which transferred to the West End in May 2014 and Broadway in March 2015 and for which he won the Evening Standard Award for Best Director and was nominated for an Olivier and Tony Award.

Jonathan O’Boyle’s credits include: Pippin (Southwark Playhouse/Hope Mill Theatre), Dear Brutus (Southwark Playhouse), Hair (Hope Mill Theatre/The Vaults), Four Play, Sense of an Ending, Water Under the Board (Theatre503), Bash Latterday Plays (Trafalgar Studios/Old Red Lion), The Surplus, All The Ways To Say Goodbye (Young Vic), The Verb, ‘To Love’, Made in Britain (Old Red Lion), Broken Glass (Central School of Speech and Drama), Last Online Today, Guinea Pigs (Crucible New Writers’ Project, Sheffield Crucible Studio), The Monster Bride (Tristan Bates Theatre). Associate Director Credits include: An American in Paris (Dominion Theatre), This House (Chichester Festival Theatre/West End), The Judas Kiss (Ed Mirvish Theatre, Toronto/Brooklyn Academy of Music), Mack and Mabel (Chichester Festival Theatre/UK Tour), Bull (Young Vic), This Is My Family (Sheffield Lyceum/UK Tour). Assistant Director credits include: The Scottsboro Boys (Young Vic). Jonathan was selected as one of the Guardian’s Rising Stage Stars of 2014.

About Headlong Headlong creates exhilarating contemporary theatre: a provocative mix of innovative new writing, reimagined classics and influential twentieth-century plays that illuminate our world.

Headlong is one of the most ambitious & exciting theatre companies in the world. We make bold, innovative productions with some of the UK’s finest artists. We take these industry leading, award-winning shows around the country & beyond, in theatres & online, attracting new audiences of all ages & backgrounds. We engage as deeply as we can with these communities & this helps us become better at what we do.

Productions have included Labour of Love (Noël Coward Theatre), People, Places & Things (National Theatre/West End/UK Tour/New York), The House They Grew Up In (Chichester Festival Theatre), Common (National Theatre), Junkyard (Bristol Old Vic, Theatr Clwyd and Rose Theatre Kingston), This House (Chichester Festival Theatre and West End), Pygmalion (UK tour), Boys Will Be Boys (Bush Theatre), 1984 (UK and international tours and West End), The Nether (Royal Court Theatre and West End), American Psycho (Almeida and Broadway), Chimerica (Almeida and West End), and Enron (UK tour, West End and Broadway).

https://www.nationaltheatre.org.uk/shows/this-house-on-tour

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1. https://www.google.com/amp/s/www.popsugar.com/celebrity/Cute-Pictures-Chris-Hemsworth-Elsa-Pataky-37335593/amp 2. Cute Pictures of Chris Hemsworth and Elsa Pataky Chris Hemsworth and Elsa Pataky Look So in Love It Hurts Author picture of Lauren Turner Feb 14 2017 by LAUREN TURNER 5.4K Cute Pictures of Chris Hemsworth and Elsa Pataky Chris Hemsworth and Elsa Pataky are all about sharing sweet snaps of their three children, India, Tristan, and Sasha, but what might be even cuter are the pictures of them as a duo. They went public with their relationship in 2010, got married in December of that year, and since then have had plenty of adorable moments. Chris, who is 33, doesn't shy away from showing PDA with his 40-year-old wife. Start scrolling to see Chris and Elsa's picture-perfect couple pics. Image Source: Getty / Gregg DeGuire I Want More! Get our Celebrity & Entertainment newsletter by tapping the button below. INSTANT SUBSCRIBE By signing up, I agree to the Terms & to receive emails from POPSUGAR. September 2010 September 2010 Image Source: Getty / John Shearer January 2011 January 2011 Image Source: Getty / Michael Loccisano February 2011 February 2011 Image Source: Getty / Theo Wargo July 2011 Image Source: Getty / Mark Sullivan April 2013 Image Source: Getty / Craig Barritt September 2013 Image Source: Getty / TIZIANA FABI September 2013 Image Source: Getty / Ian Blakeman September 2013 Image Source: Getty / Ferdaus Shamim January 2014 Image Source: Getty / Kevin Mazur January 2014 Image Source: Getty / Jason Merritt January 2014 Image Source: Getty / Valerie Macon July 2014 Image Source: Getty / Karwai Tang July 2014 Image Source: Getty / Matthew Stockman January 2015 Image Source: Getty / Jonathan Leibson April 2015 Image Source: Getty / Jason Merritt April 2015 Image Source: Getty / Gregg DeGuire July 2015 Image Source: Getty / Jeffrey Mayer August 2015 Image Source: Getty / Stefanie Keenan December 2015 Image Source: Getty / Eduardo Parra December 2015 Image Source: Getty / Jamie McCarthy December 2015 Image Source: Getty / Taylor Hill April 2016 Image Source: Getty / Axelle/Bauer-Griffin April 2016 Image Source: Getty / Axelle/Bauer-Griffin January 2017 Image Source: Getty / Venturelli Pin It! Image Source: Getty Want More? POPSUGAR Would Like To Send You Push Notifications. ALLOW NOTIFICATIONS CHRIS HEMSWORTHCELEBRITY COUPLESELSA PATAKYCELEBRITY PDA 3. https://www.brookings.edu/blog/up-front/2019/01/03/who-was-poor-in-the-united-states-in-2017/ 4. https://www.google.com/amp/s/amp.news.com.au/lifestyle/real-life/news-life/the-second-us-civil-war/news-story/ec43b36de5f5f9f11e478a8fc71ea2dc 5. news.com.au Lifestyle Real Life The Second US Civil War JANUARY 5, 2019 7:42PM The political divide in the United States is getting intense — and violent. Jamie Seidelnews.com.au The scenario is scarily believable: It’s November 2020. President Trump has just lost the election. He blames voter fraud. He blames ‘deep state’ interference. He blames illegal immigrants. He refuses to step down. Riots and demonstrations erupt across the divided United States … FAR fetched? The sabre-rattling is getting louder. Governors. Judges. Preachers. Politicians. All are ramping-up the rhetoric, pushing the deep political divide within the United States towards a second Civil War. Social scientists put aged, white male evangelical populations in one corner. The other holds young, highly educated women of colour. In between are countless pockets of outraged interest groups, all fixated on their own fears. “Almost every cultural and social institution — universities, the public schools, the NFL, the Oscars, the Tonys, the Grammys, late-night television, public restaurants, coffee shops, movies, TV, stand-up comedy — has been not just politicised but also weaponised,” warns Hoover Institution historian Dr Victor Hanson. “(The US stands) at the brink of a veritable civil war”. Design: Steve Grice Design: Steve Grice THE FOREVER WAR The first US Civil War began in April 1861. The cultural divide behind this clash never went away. It was a fight over slavery. But it was also a fight over religious and political divides. It’s a fight still being fought out in social media, in rallies and in political conventions. Here’s one example, from many. Former US marine and now talk-show host Jesse Kelley has stated: “It’s time for the United States to divorce before things get dangerous”. “There is simply no common ground with the Left anymore,” he writes. “We are now the couple screaming at each other all night, every night as the kids hide in their room … “It does not have to be this way. There is a difficult, but ultimately peaceful path that ends with everyone getting most of what they want. We divide the nation in two.” It’s a view getting some serious attention: Governors, Senators, Representatives, Preachers ... all are making similar calls. South Carolina members of parliament have proposed a bill giving that state the power to secede. But isn’t it all just a storm in a teacup? Political wannabes playing to their individual ‘teams’? Vocal minorities drowning out the silent masses? Donald Trump threatened with impeachment and jail time SEVEN MOUNTAINS: The religious zealots wanting to control the US Dr Hanson again has his fears: “zealous and sometimes warring tiny minorities can escalate tensions, nullify opposition, and bully the silenced majority to sanction — or at least not object to — violence.” But Dr Hanson’s Hoover Institution colleague, political scientist Professor Morris Fiorina, is not so worried. “I am happy to report that the available data provide grounds for feeling much more sanguine about the state of our country,” Professor Fiorina writes. “Although they are noisy and harmful to our politics, the kinds of people Hanson criticises are many fewer in number than generally believed. They are what political scientists call the political class, a small minority of self-appointed activists, demonstrators, donors, partisan media commentators and office-seekers. Given that such people are the public face of politics, many Americans understandably take them as representative, but they are statistically abnormal — what we call “outliers.” But such anger-fuelled rhetoric is not unique to the United States. Extremism is also on the rise in Europe, the United Kingdom — and Australia. What makes the US different is the terrifying amount of weaponry in the hands of its citizens Design: Steve Grice ANGRY PEOPLE The social cauldron is continuously being stirred. Facts are manipulated. Those holding differences of opinion are labelled ‘mortal enemies’. It’s an environment inflaming threats and fear. Politicians seeking to grab attention through quick one-liners are no help. California Democrat Eric Swalwell responded to threats of civil war over his hopes to run for the 2020 presidency on a gun-control platform. He said it would be a “short war” because “the government has nukes”. The idea of using nuclear weapons against one’s own citizens, needless to say, did not go down well. President Donald Trump has also made his mark: he made a seemingly half-serious quip about becoming “president for life”. “(Xi Jinping was able to do that. I think it’s great. Maybe we’ll give that a shot some day”. In the context of his daily social media outbursts, this now seems all too feasible to many. These are clear examples of the extreme, polarising language that has become commonplace in daily political discourse. And beneath it all boils widespread discontent over economic circumstances, political and religious ideology — and the pace of change. Could desensitisation to such outrageous statements produce a self-fulfilling prophecy? “Our society, like all previous complex societies, is on a rollercoaster,” University of Connecticut Professor Peter Turchin recently wrote. “Impersonal social forces bring us to the top; then comes the inevitable plunge. But the descent is not inevitable. Ours is the first society that can perceive how those forces operate, even if dimly. This means that we can avoid the worst — perhaps by switching to a less harrowing track, perhaps by redesigning the rollercoaster altogether.” Design: Steve Grice. RISING VIOLENCE The number of terror attacks in the United States has been steadily growing. But very few of them are from Islamic extremists. Instead, those collared for crimes such as October’s pipe-bomb attacks and the synagogue mass-shooting in Pittsburgh belong to the far right. “Of particular concern are white supremacists and anti-government extremists, such as militia groups and so-called sovereign citizens interested in plotting attacks against government, racial, religious, and political targets in the United States,” writes Center for Strategic & International Studies think-tank researcher Dr Seth Jones. “Although violent left-wing groups and individuals also present a threat, far-right-networks appear to be better armed and larger.” And driving this violence are issues such as changing ethnic demographics, falling religious influence, practices such as abortion — and the power of centralised government. Left-wing extremists are equally determined to enforce their view of the world. This includes the rejection of capitalism, imperialism and colonialism as well as a focus on environmental crises and socialist beliefs. But these extremists do not correspond to US political parties, Dr Jones says: “Opinion polls in the United States show that most Republicans and Democrats loathe terrorism.” Such extremism, however, is nothing new to the US. EXPLORE MORE: Why we’re obsessed with apocalypse “After the Civil War, President Ulysses S. Grant conducted an aggressive — and ultimately successful — campaign against the Ku Klux Klan and its offshoots … from the 1860s to the 1870s,” Dr Jones writes. “Grant deployed federal soldiers to arrest Klan members … Yet far-right extremism persists. “The challenge now is to devote sufficient attention and resources to stop the further rise of right-wing extremism.” And that extremism is finding a full voice. In April, popular political commentator Sean Hannity declared that if President Trump was impeached … “there’s going to be two sides … fighting and dividing this country at a level we’ve never seen” — those that stand for truth and those that literally buy into the corrupt deep state attacks against a duly elected president”. Trump campaigner Roger Stone has said impeachment would produce “an insurrection like you’ve never seen,” and that any politician speaking out against the president “would be endangering their own life”. A second civil war? Design: Steve Grice GOING MAINSTREAM Social and conventional media is helping extremists get together, organise events, and find common ground. And that commonality is reinforcing efforts to broaden extremist movements, such as Nazi ‘skinheads’, into the ‘mainstream’. “Many of these right-wing extremists are trying to be less visible and less conspicuous. The goal is to avoid the classic skinhead appearance of shaved heads, steel-toe combat boots, and other apparel that might be obvious to law enforcement,” Dr Jones says. “White supremacist Ben Daley instructed his supporters to wear clothing like polo-style shirts and khakis, as well as to get clean-cut military haircuts.” Daley’s thinking, as outlined in his social media posts, represents the new approach: “Ultimately the 80s in that style of nationalism proved to be ineffective … (I) think its time to reimagine the nationalist look and playbook, we have become predictable that needs to change.” At least in pockets of the United States, this new tactic appears to be having some effect. And it’s that regionality that has Dr Hanson concerned. EXPLORE MORE: The apocalyptic drive of Trump’s evangelicals “Left — Right factionalism is increasingly fuelled by geography — always history’s force multiplier of civil strife,” he writes. “Red and blue states ensure that locale magnifies differences that were mostly manageable …” Again, Professor Fiorina puts the counterview. “To understand contemporary American political life, you should begin with the realisation that most of the people blabbering on cable television, venting on Facebook, and/or fulminating on Twitter are abnormal. They are abnormally interested and involved in politics, they tend to occupy the policy extremes, and they are abnormally opinionated.” He states that out of the 235 million voters in the US, only one per cent subscribe to the likes of either The New York Times or The Wall Street Journal. “Liberals rail against Fox News and conservatives against MSNBC; they should take consolation in the fact that the Fox viewing audience is about one per cent of the eligible electorate while news shows on MSNBC fall short of that … Granted, these small audiences may spread the word to some non-subscribers and non-viewers, but even taking such second-order effects into account, the simple fact is that the ranks of the politically interested are surprisingly thin.” But is ignorance enough to defend US democracy? Design: Steve Grice CULTURAL REVOLUTION? Professor Turchin argues that the outrage expressed by politicians, social media and media is symptomatic of almost unprecedented levels of inequality within US society. And unequal societies generally turn a corner only once they have passed through a long spell of political instability, he says: “Put simply, it is fear of revolution that restores equality”. The US has been on the brink of this precipice before, as recently as 1920. Extreme social insecurity led to race riots, worker revolts and terror campaigns targeting ‘elites’. “The worst incident in US labour history was the West Virginia Mine War of 1920—21, culminating in the Battle of Blair Mountain,” Professor Turchin says. “Although it started as a workers’ dispute, the Mine War eventually turned into the largest armed insurrection that the US has ever seen, the Civil War excepted. Between 10,000 and 15,000 miners armed with rifles battled against thousands of strikebreakers and sheriff deputies.” The US army had to be called in — against its own people — to quell the uprising. But Professor Fiorina points out that the current level of political violence is lower than that of another US cultural crisis point, the 1960s. “Our country is experiencing rapid social changes that naturally create social problems and political controversies,” he writes. “The American citizenry has worked through these kinds of problems in the past (most recently in the 1960s), and I am optimistic that they will continue to do so … Whenever you are feeling discouraged about America, turn off CNN, log off your computer, and go walk the aisles of Walmart.” Professor Turchin isn’t so sure. He argues the difference, now is a confluence of social circumstances — and the disrupter of social media. “Three years ago I published a short article in the science journal Nature,” Professor Turchin says. “I pointed out that several leading indicators of political instability look set to peak around 2020. In other words, we are rapidly approaching a historical cusp, at which the US will be particularly vulnerable to violent upheaval. “This prediction is not a ‘prophecy’. “I don’t believe that disaster is preordained, no matter what we do. On the contrary, if we understand the causes, we have a chance to prevent it from happening. But the first thing we will have to do is reverse the trend of ever-growing inequality.” Dr Hanson sums it up: “Whether we all take a deep breath, and understand our present dangerous trajectory, will determine whether 2019 becomes 1861.” read next Global grief as celebrity cat dies Bailey was no ordinary cat. And the fact that these little girls have received so much support after his passing proves exactly that. PETS Beauty guru made millions from idea This beauty range with a sustainable focus is proving that “clean beauty” is the future of the cosmetics industry. FACE & BODY Secrets behind King Tut’s ‘curse’ He was the “boy-king” who became a household name 3000 years after his death. But is there any truth in the rumours of the pharaoh’s curse? TRUE STORIES Aussies livid as Cadbury Roses change Chocolate lovers are in an uproar over the confectionary giant’s new Roses flavours. But just where did the strawberry creme go? EAT The secret lives of sugar babies Kate Iselin spoke with sugar babies across Australia this week, to find out what the secret world of ‘sugaring' is really like. DATING Inside the million-dollar health box At 25, Peta Shulman launched Goodness Me, a simple box of healthy goodies — not realising it would make her $1 million in its first year. HEALTH Fitness blogger defends ‘saggy’ mum body An Aussie fitness model has been accused of editing her post-partum photos. But Emily Skye says there’s a reason why she has “wrinkles” in some snaps and not others. INSPIRATION Cringe-worthy end to bad blind date Two people have found themselves in a very awkward situation after it was revealed that they had very different views of how their blind date went. DATING Best looks from Summernats festival Car lovers are enduring scorching temperatures at this year’s Summernats festival to check out burnout and Miss Summernats comps. REAL LIFE Arab royalty defends expensive wardrobe Queen Rania of Jordan has issued a rare statement about the cost of her closet which is reportedly more than any other royal female. FASHION A NOTE ABOUT RELEVANT ADVERTISING: We collect information about the content (including ads) you use across this site and use it to make both advertising and content more relevant to you on our network and other sites. Find out more about our policy and your choices, including how to opt-out. News Limited Copyright © . All times AEDT (GMT +11). Back to top 6. Skip to content Logo Pelosi to Trump: ‘Hawaii is part of the United States of America’ Pelosi to Trump: ‘Hawaii is part of the United States of America’ House Speaker Nancy Pelosi of California ushered in the 116th Congress on Thursday. (AP Photo/Carolyn Kaster) By HNN Staff | January 3, 2019 at 5:28 PM HST - Updated January 3 at 5:30 PM HONOLULU (HawaiiNewsNow) - House Speaker Nancy Pelosi, D-Calif., is shooting back at critics who questioned why she was vacationing over the holidays in Hawaii amid a government shutdown. Pelosi told NBC’s Savannah Guthrie that she observed Christmas in the islands, but that she and other Democrats in the U.S. House “stood ready” to reconvene if a deal could be reached to reopen the government. She added, “And the president may not know this, but Hawaii is part of the United States of America. Maybe he doesn’t realize that. That’s why he said Barack Obama wasn’t born in the United States when he was born in Hawaii.” “Hawaii has airports and airlines and telephones.” Pelosi came under fire for traveling to the Big Island over the holidays — while President Trump cancelled his planned visit to Florida because of the shutdown. Trump subsequently took to Twitter to criticize members of Congress who had left the nation’s capital. White House adviser Kellyanne Conway, meanwhile, took a direct jab at Pelosi on Fox News, saying there needed to be “less hula, more moola for DHS and Customs and Border Patrol.” Copyright 2019 Hawaii News Now. All rights reserved. Logo 420 Waiakamilo Road, Suite 205 Honolulu, HI 96817 Main (808) 847-3246 News (808) 847-1112 CONTACT US KHNL FCC PUBLIC FILE KHNL EEO REPORT [email protected] (808) 847-3246 KGMB FCC PUBLIC FILE KGMB EEO REPORT [email protected] (808) 847-3246 CLOSED CAPTIONING KHNL/KGMB CAREERS PRIVACY POLICY TERMS OF SERVICE 7. https://www.adelaidenow.com.au/news/world/the-second-us-civil-war/news-story/519599df9dad273f4120d79a5a1706fd 8. https://www.google.com/amp/s/www.telegraph.co.uk/news/2019/01/04/iran-send-warships-atlantic-closer-united-states/amp/ 9. The Telegraph Iran to send warships close to US waters as tensions between them escalate share An Iranian ship in the Strait of Hormuz An Iranian ship in the Strait of Hormuz Nick Allen 4 JANUARY 2019 • 7:15 PM Diplomatic tensions between the United States and Iran escalated on Friday as Tehran announced it would send warships close to American waters within months. The Iranian Navy said it would deploy vessels in the Atlantic from March as a counter-measure to the presence of US aircraft carries in the Gulf. Iranian Rear-Admiral Touraj Hassani said they would have a "continuous presence in international waters," which was intended to "wave the flag of the Islamic Republic of Iran" and "secure shipping routes". The flotilla will include the Sahand, a new destroyer equipped with helicopters, surface-to-surface missiles, anti-aircraft guns, and electronic warfare capabilities. It was the latest expansive naval move by the regime, which has also sent ships to the Indian Ocean and the Gulf of Aden to protect Iranian vessels from Somali pirates. Last month Iran's navy said it was sending two or three ships on a mission to Venezuela. Friction with Washington has ratcheted up since Donald Trump took office. In May, Mr Trump announced he was withdrawing the US from the 2015 deal that restricted the country's nuclear ambitions, and reimposed sanctions on Iran's banking and energy sectors. Iran has since threatened to block the Strait of Hormuz, through which one third of all crude oil traded by sea passes. The latest naval salvo by Iran came a day after Mike Pompeo, the US secretary of state, warned its regime not to go ahead with plans to launch several satellites. Mike Pompeo has issued warnings to Iran Mike Pompeo has issued warnings to Iran CREDIT: AFP Mr Pompeo said the three proposed launches would violate a UN Security Council resolution by using ballistic missile technology. He said the rockets involved included technology "virtually identical" to that in intercontinental ballistic missiles, and the US would "not stand by" if they were launched. The comments appeared aimed at building a legal case for further US action to stop Iran's missile programme. Tehran denied it has missiles designed to carry nuclear warheads, and rejected accusations the space launches would violate a UN resolution. Mr Pompeo will travel to the Middle East next week in an effort to shore up support from from US allies amid increasing tensions in the region. It will be his first trip to the region since Mr Trump decided to withdraw US forces from Syria. Mr Pompeo will visit eight countries including Saudi Arabia and Egypt. A State Department spokesman said that, in Riyadh, he would seek an update on Saudi Arabia's investigation into the killing of Jamal Khashoggi at the kingdom's consulate in Turkey. Mr Pompeo will also visit Jordan, Bahrain, the United Arab Emirates, Qatar, Oman and Kuwait. Visit Telegraph News on Facebook News latest EU illegal migrants hit five-year low, as Spain becomes new gateway 05 Jan 2019, 04:13pm US deploys troops to Congo as fears of violence mount over election count delays 05 Jan 2019, 03:21pm All roads lead to Damascus: How the world is welcoming Bashar al-Assad in from the cold 05 Jan 2019, 03:01pm Cathedral discovers Thomas Gainsborough painting hidden within vestry 05 Jan 2019, 02:56pm The British entrepreneur helping solve Germany's migrant language problem 05 Jan 2019, 02:56pm Historic aircraft will be destroyed in move to Putin's 'military Disneyland,' museum says 05 Jan 2019, 02:49pm BBC art expert reveals rare painting worth thousands of pounds was destroyed by his cat 05 Jan 2019, 02:06pm British researchers leading North Korean 'rescue missions' from a small office in London 05 Jan 2019, 01:00pm Family of father killed in front of son pay tribute to 'devoted, honourable man' as police arrest two over fatal train stabbing 05 Jan 2019, 12:53pm Warnings as new figures show the spread of 'super gonorrhoea' in UK 05 Jan 2019, 12:01pm Contact us Archive Reader Prints Advertising Syndication Voucher Codes Guidelines Privacy Terms and Conditions © Telegraph Media Group Limited 2019 Update Consent 10. https://www.straitstimes.com/world/united-states/us-boy-with-seafood-allergy-dies-after-inhaling-fish-fumes 11. Skip to main content Toggle navigation WORLDUnited States Europe Middle East Americas Africa US boy with seafood allergy dies after inhaling fish fumes Cameron Jean-Pierre, 11, started to wheeze after arriving at his grandmother's home, where cod fish was cooking on a stove. Cameron Jean-Pierre, 11, started to wheeze after arriving at his grandmother's home, where cod fish was cooking on a stove. PHOTO: ST FILE PUBLISHEDJAN 4, 2019, 9:07 AM SGT FACEBOOKTWITTERWHATSAPPEMAIL WASHINGTON (WASHINGTON POST) - Cod fish was cooking on the stove when 11-year-old Cameron Jean-Pierre arrived at his grandmother's home in New York. Cameron, who had a known allergy to seafood, started to wheeze during the visit this week, so his father said he reached for his son's asthma medication. But this time, the nebuliser machine that Cameron had used during allergy attacks in the past did not seem to be working - the young boy could not breathe in the air, his father said. "That's when I called 911," his father, Mr Steven Jean-Pierre, said on Thursday (Jan 3) in a phone interview with The Washington Post. Mr Jean-Pierre said his son was gasping, saying: "I love you, Daddy. I love you. I feel like I'm dying." The boy was rushed to a nearby hospital, where he was pronounced dead. A spokesman for the Office of Chief Medical Examiner in New York City said the cause of death has not yet been determined, but Cameron's father said his son died after inhaling the fish fumes. The sixth-grader, who lived in Piscataway, New Jersey, was described by his father as an "ambitious", "athletic" and good student. "He loved life," Mr Jean-Pierre said. "For the 11 years he was in this world, he touched a lot of people." Piscataway Superintendent of Schools Teresa Rafferty said in a statement that the school community "is deeply saddened by the loss of Cameron and we express our heartfelt sympathies to his family and friends". "He was a good student and a positive and happy presence in the classroom," she added. NBC New York reported that the police do not suspect any criminality in Cameron's death. Nearly six million children in the United States are estimated to have food allergies, including finned fish such as salmon, tuna and halibut, according to non-profit organisation Food Allergy Research and Education. Dr Adela Taylor, who chairs the allergy and asthma centre at Mayo Clinic Health System in Eau Claire, Wisconsin, said it is possible "to have an allergic reaction to steam or fumes produced by cooking seafood". "The fish protein that is responsible for the allergic reactions is very stable when cooked," the doctor said in an e-mail to The Washington Post. "Published research articles indicate fish protein can be detected in steam and fumes during cooking or processing. It is possible that a person who is exposed to cooking steam or fumes, especially in an enclosed space, could have an allergic reaction." She added: "There are case reports of severe allergic reactions, including anaphylaxis, from inhalation of fumes from cooking fish, but it is a very rare presentation." Dr Anna Nowak-Wegrzyn, a professor of pediatrics at the Icahn School of Medicine at Mount Sinai Hospital in New York, emphasised that an allergic reaction would not be caused simply by smelling an allergen but by inhaling the particles that are released into the air by cooking, steaming or roasting. Dr Nowak-Wegrzyn, who specialises in allergy and immunology, said she has had patients who are severely allergic to milk report symptoms such as coughing and wheezing when walking into a coffee shop. Still, Dr Nowak-Wegrzyn said that it is "incredibly rare". "You'd have to be very, very, very allergic," she said. The medical examiner's office is still investigating Cameron's death to determine whether he may have indeed died from fish fumes. Missing out on our exclusive articles? Get two weeks of free access to The Straits Times and experience the best work from the ST newsroom. No credit card required. Get 2-Week Free Access TOPICS: CHILDREN AND YOUTHMEDICINE FacebookTwitterWhatsAppEmail Billionaire Peter Lim’s daughter, Kim, opens up about self-harm, parents' divorce Billionaire Peter Lim’s daughter, Kim, opens up about self-harm, parents' divorce Jan 04, 2019 Are MediShield Life payouts lower than subsidised fees? Are MediShield Life payouts lower than subsidised fees? Jan 04, 2019 Man in US attacks McDonald's employee, viral video shows Man in US attacks McDonald's employee, viral video shows Jan 03, 2019 Mark Zuckerberg halts stock sales as Facebook shares tumble Mark Zuckerberg halts stock sales as Facebook shares tumble Jan 03, 2019 Recommended by RECOMMENDED COPD: Best Treatment Methods. Search for Copd Nursing DiagnosisAdvertisement COPD: Best Treatment Methods. 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See How This Revolutionary Product… leaffilterguards.com The Actual Cost Of Medicare Supplement Insurance Plans Might Surprise YouAdvertisement The Actual Cost Of Medicare Supplement Insurance Plans Might Surprise You Medicare Supplement Plans | Sponsored Listings ST VIDEOS 2 women enter Kerala temple, breaking tradition 2 women enter Kerala temple, breaking tradition Democrat Nancy Pelosi elected US House speaker for second time Democrat Nancy Pelosi elected US House speaker for second time China lands probe on far side of Moon in a space milestone China lands probe on far side of Moon in a space milestone Trump pushes for border wall money as top lawmakers receive briefing Trump pushes for border wall money as top lawmakers receive briefing Recommended by BRANDED CONTENT SUBSCRIBE TO THE STRAITS TIMES call 6388-3838 or click here Available for iPhones and iPads Available in Google Play SINGAPORE POLITICS ASIA WORLD VIDEOS MULTIMEDIA LIFESTYLE FOOD FORUM OPINION BUSINESS SPORT TECH GAMES FOLLOW ST The Straits Times Terms & ConditionsData Protection PolicyNeed help? Reach us here.Advertise with us SPH Digital News / Copyright © 2019 Singapore Press Holdings Ltd. Co. Regn. No. 198402868E. All rights reserved 12. https://www.washingtonpost.com/weather/2018/12/26/will-be-first-year-with-no-violent-tornadoes-united-states/?utm_term=.f70402efa198 13. The Washington Post Democracy Dies in Darkness Try 1 month for $1 Sign In Newsletters & Alerts Gift Subscriptions Contact Us Help Desk Capital Weather Gang 2018 will be the first year with no violent tornadoes in the United States A powerful tornado churns near Tescott, Kan., on May 1. (Michael Charnick) By Ian Livingston December 26, 2018 In the whirlwind that is 2018, there has been a notable lack of high-end twisters. We’re now days away from this becoming the first year in the modern record with no violent tornadoes touching down in the United States. Violent tornadoes are the strongest on a 0 to 5 scale, or those ranked EF4 or EF5. It was a quiet year for tornadoes overall, with below normal numbers most months. Unless you’re a storm chaser, this is not bad news. The low tornado count is undoubtedly a big part of the reason the 10 tornado deaths in 2018 are also vying to be a record low. Tornado reports across the year. (Storm Prediction Center) As you can see in the graphic above from the Storm Prediction Center, the day with the most reports of tornadoes came on Halloween. In most years that would come in spring. While we still have several days to go in 2018, and some severe weather is likely across the South to close it out, odds favor the country making it the rest of the way without a violent tornado. If and when that happens, it will be the first time since the modern record began in 1950. 2005 came close to reaching this mark. That year, the first violent tornado didn’t occur until Nov. 15, much later than typical for the first of the year, which tends to come in early spring. Annual violent tornado numbers in modern history. The purple dashed line is a linear trend. The blue line is a 15-year average. Data from the Storm Prediction Center. (Ian Livingston/The Washington Post) This year’s goose-egg may seem to fit a recent pattern. In simple terms, there have been downtrends in violent tornado numbers both across the entire modern period, and when looking at just the period since Doppler radar was fully implemented across the country in the mid-1990s. A 15-year average as high as 13.7 in the mid-1970s will drop to 5.9 next year. Expanding to include all “intense” tornadoes, or those F/EF3+, this year’s 12 is also poised to set a record for the fewest. I wrote about this back in May, and 2018 has kept pace for record lows since then. Right now, the mark there is held by 1987, when there were 15 F3+ tornadoes. As with violent tornadoes, this grouping is also exhibiting both a short- and long-term decrease in annual numbers, probably for similar reasons. The pattern in peak tornado season this year was not very good for tornadoes. (ESRL/NOAA) The causes for 2018′s lack of violent tornadoes are many, but one key factor is high pressure tending to be more dominant than normal throughout peak season this past spring. This was particularly so during April and May, when tornado numbers were below to well below normal. Although the country ended up seeing a number of memorable tornado events after the spring, including several this fall, in most years more than half of the tornadoes occur from March through May. Making up those numbers is difficult at other times of the year when ingredients for them are less likely. Despite the downward trend in annual numbers, studies continue to find that more tornadoes are happening on fewer days. In that light, it is certainly possible this drought won’t last much longer. 76 Comments Capital Weather Gang newsletter Your daily weather forecast for the D.C. area, from the experts at Capital Weather Gang. E-mail address By signing up you agree to our Terms of Use and Privacy Policy Ian Livingston Ian Livingston is a forecaster/photographer and information lead for the Capital Weather Gang. By day, Ian is a defense and national security researcher at a D.C. think tank. Follow Reporting the facts for over 140 years. Try 1 month for $10 $1 Send me this offer Already a subscriber? Sign in Podcasts The confounding case of alleged spy Paul Whelan Shane Harris tells the story about a former Marine being detained in Russia on suspicion of spying. Annie Linskey on how the “likability” question will affect female 2020 candidates. Plus, voices from the government shutdown. Listen22:37 21 hours ago Paid Promoted Stories We Tried HelloFresh: Here's What Happened We Tried HelloFresh: Here's What Happened Popdust Own An Android? You Should "Do This Today" Own An Android? You Should "Do This Today" The Review Experts Virginia: Gov't Will Pay $355/Month Off Your Mortgage If You Have No Missed Payments (You Must Qualify) Virginia: Gov't Will Pay $355/Month Off Your Mortgage If You Have No Missed Payments (You Must Qualify) mortgage-benefits.com Diabetes Treatments You May Wish You Had Seen Years Ago Diabetes Treatments You May Wish You Had Seen Years Ago Diabetes Treatment | Sponsored Listings Recommended by Most Read Local 1 Perspective A woman posted online about her despised mother-in-law. Jokes, and something more telling, followed 2 Unions say TSA workers can’t afford to man checkpoints without a paycheck 3 A church van full of children was headed to Disney World. Then, a deadly ‘ball of flames.’ 4 Perspective A black hockey player faced ugly racist taunts. Then his teammates went to work. 5 Federal grand jury working in Mueller probe is extended washingtonpost.com © 1996-2019 The Washington Post Help and Contact Us Policies and Standards Terms of Service Privacy Policy Print Products Terms of Sale Digital Products Terms of Sale Submissions and Discussion Policy RSS Terms of Service Ad Choices 14. https://m.accuweather.com/en/weather-news/us-west-coast-stormy-siege-with-flooding-rain-mudslides-and-yards-of-mountain-snow-to-continue-into-midweek/70007071 15. her-logo her-logo TRENDING: Meghan Markle Kate Middleton News & Gossip Prince Harry Celeb Royals Royal Family Prince William News British Royals 1 day ago Meghan Markle has apparently inspired this bizarre trend in the United States 7 Shares image description REBECCA O'KEEFFE Weird? There are a lot of people in the world who look up to Meghan Markle, and we don't blame them. She's an awesome woman. Anyway, it seems as though her influence is more impressive than we thought. Apparently, women all over the United States have started enrolling in etiquette classes. The goal is to be more like the Duchess of Sussex, the woman who bagged herself the most eligible bachelor in the world. American-British etiquette guru Myka Meier has actually quit her PR job to launch her own business, because the demand is so high. Now, she holds day long “Duchess Effect” classes which often sell out at £535 per person. Advertisement Myka's website describes what people can hope to get out of the classes: You'll learn “how to get in and out of cars correctly; Princess poise and posture and how to make an entrance”. The hope is that you will leave the course with the ability to "emulate the style, poise and grace of one of the world’s most famous women." So, what is Myka's background? (ie: what gives her the right to teach people how to be more Meghan?) "Beaumont Etiquette was founded in Kensington, London, just steps away from many historic British Royal Palaces and residences." The website describes her qualifications. "With a degree in communications and over 10 years experience in the luxury, lifestyle and fashion markets, Myka worked in both New York and London focusing on PR and integrated communications for international celebrities, global CEOs and some of the most esteemed consumer brands." "Myka has worked with members of the British Royal family and had two years experience working on a global endeavour initiated by its patron, His Royal Highness The Prince of Wales." Brushing shoulders with Prince Charles, so she must be good. SHARE ARTICLE READ MORE ABOUT: MEGHAN MARKLE, PRINCE HARRY, BRITISH ROYALS. YOU MAY ALSO LIKE 56 MINUTES AGO Apparently, Meghan Markle's father is now planning on writing a tell-all book KEELEY RYAN 6 SHARES 5 HOURS AGO Thomas Markle says 'arrogant' Prince Harry needs to 'man up' as he issues warning KEELEY RYAN 7 SHARES 6 HOURS AGO Meghan Markle is set to receive this DIVINE push present from Prince Harry DENISE CURTIN 7 SHARES 7 HOURS AGO Meghan Markle's father begs her to 'end his nightmare' and call him KEELEY RYAN 47 SHARES 16. https://www.google.com/amp/s/www.her.ie/amp/celeb/meghan-markle-inspired-trend-443742 17. https://www.google.com/amp/www.hawaiinewsnow.com/2019/01/04/pelosi-trump-hawaii-is-part-united-states-america/%3foutputType=amp 18. Free speech wouldnt hurt any human being. Its best that people can say what they have to say. It best things arent hidden but instead are out in the open. This present order covertly attacks people for challenging it in any way such as just w an occurrence of a person could challenge this order here. It is worshiping of secrecy n things being hidden here. Its secretly extremely evil n horrible here n dangerous. Silence is not best truthfully. It is a warped reality here, secretly devil worshiping n ruled by the devil. 19. Free speech wouldnt hurt any human being. Its best that people can say what they have to say. It best things arent hidden but instead are out in the open. This present order covertly attacks people for challenging it in any way such as just w an occurrence of a person; just an occurrence of a person could challenge this order here. It is worshiping of secrecy n things being hidden here. Its secretly extremely evil n horrible here n dangerous. Silence is not best truthfully. It is a warped reality here, secretly devil worshiping n ruled by the devil. 20. https://youtu.be/6JYMd4CvkJY

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johnsimon · 6 years

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Established in 1929, LuisaViaRoma is one of the most prominent online luxury destinations and now consumers can shop their collection at their first ever U.S. pop-up retail shop. To celebrate this special occasion, LuisaViaRoma threw a fabulous party at Francesco Costa’s Spring Place. The evening was co-hosted by models Shanina Shaik, Devon Windsor, Lorena Rae, Georgia Fowler, and Megan Williams. The room was filled with fashion enthusiasts and longtime LuisaViaRoma fans.

Annagreta Panconesi and Andrea Panconesi

Guests enjoyed a tour of the eclectic pop-up shop before dancing the night away to the sounds of Heron Preston. Notables spotted at the Friday night shindig included LuisaViaRoma CEO Andrea Panconesi and his daughter AnnaGreta Panconesi, Spring Place founder Francesco Costa, Nicky Hilton & Brandon Davis, Olmo & Vito Schnabel, Instagram stars Danielle Bernstein & Yishu Guo, Emanuele & Joanna Della Valle and Edo Ferragamo, rapper St. Germain, art world’s Richard Phillips, Nicolo Cardi & Lucas Zwirner, designer Jean-Michel Cazabat, Ian Mellencamp, Chef Stephanie Nass, models Jessica Hart, Bambi Nortwood, Alina Baikova, Ella Hope Merryweather, Eniko Mihalik, and Arlenis Sosa, influencers Sara Klausing, Richie Shazam Khan, Eileen Kelly, Sydney Reising, and Logan Horne, Natalya Poniatowski, Alex Assouline, Levi Dylan & Alana O’Herlihy, and many more.

Heron Preston

The collaboration with Spring Studios showcases a capsule collection of highly-curated pieces as well as another 30,000 items that will be available for purchase online. New co-branded capsule collections will be dropped weekly including professional beauty products and treatments. LuisaViaRoma’s holiday retail space at Spring Studios will run through December 15th, 2018.

For more information on LuisaViaRoma and Spring Studios, head over to www.luisaviaroma.com and www.springstudios.com. In the meantime, enjoy the party photos in our gallery:

Annagreta Panconesi and Andrea Panconesi

Heron Preston

Andrea Panconesi

Manuela Frey, Andrea Panconesi

Images: Andrew Toth and Craig Barritt/GETTY.com + Benjamin Lozovsky/BFA.com

@LuisaViaRoma Celebrates First U.S. Hybrid Collaboration at @springstudios #LuisaViaRomaxSpring #LuisaViaRoma #SpringPlace @springplace Established in 1929, LuisaViaRoma is one of the most prominent online luxury destinations and now consumers can shop their collection at their first ever U.S.

#Andrea Panconesi #AnnaGreta Panconesi #Devon Windsor #Fashion #Georgia Fowler Megan Williams #Launch Party #Lorena Rae #LuisaViaRoma #New York #Nicky Hilton #Nightlife #NYC #Shanina Shaik #Spring Place #Spring Studios #Style

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ultrasfcb-blog · 6 years

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Premiership: Newcastle Falcons v Saracens

David Strettle scored 35 tries in 96 Premiership appearances for Saracens between 2010 and 2015 before leaving for French side Clermont Auvergne

Gallagher Premiership Venue: Kingston Park Date: Sunday, 2 September Kick-off: 15:00 BST Coverage: Updates on BBC local radio and live scores on the BBC Sport website

Winger Adam Radwan is given his first Premiership start for Newcastle after impressing in pre-season.

Samoa prop Logovi’i Mulipola makes his debut and hooker George McGuigan begins his second spell with the Falcons after both arrived from Leicester.

David Strettle will make his second Saracens debut, having last featured for the north London club in the 2015 Premiership final win over Bath.

Sarries make five changes from the XV which beat Exeter in May’s final.

Will Skelton starts at lock, while flankers Michael Rhodes and Ben Earl and England scrum-half Ben Spencer return to the side.

Newcastle: Hammersley; Goneva, Harris, Matavesi, Radwan; Flood, Takulua; Mavinga, McGuigan, Mulipola, Green, Witty, Wilson, Welch (capt), Chick.

Replacements: Socino, Brocklebank, Payne, Cavubati, Graham, Stuart, Hodgson, Tait.

Saracens: Goode; Strettle, Lozowski, Barritt (capt), Maitland; Farrell, Spencer; Vunipola, George, Koch, Itoje, Skelton, Rhodes, Earl, Wray.

Replacements: Tolofua, Barrington, Figallo, Isiekwe, Vailanu, Wigglesworth, Tompkins, Lewington.

Referee: Ian Tempest.

BBC Sport – Rugby Union ultras_FC_Barcelona

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lindyhunt · 6 years

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Jennifer Lawrence Style: A Chronological Guide to the Star’s Oscar-Winning Fashion Moments

What can we say about Jennifer Lawrence that hasn’t already been said? The Oscar-winning actress seems to have bewitched us all with her off-the-cuff quips, non-conformist curves and natural born talent. To boot, Jennifer Lawrence’s style has evolved from the ill-fitting gowns of her early days to being the face of fashion’s hottest label. Lawrence first began making red carpet appearances in 2007 when she co-starred on The Bill Engvall Show. Her wardrobe consisted of age appropriate knee-length dresses (she was 16) and silk-layered strapless gowns. After a few years of enjoying relative under-the-radar status, the actress stepped into the spotlight with her Oscar-nominated starring role in Winter’s Bone and one very sexy red Calvin Klein body hugger of a dress.

Later that year, she embraced fashion even more, wearing It labels like Miu Miu, Altuzarra and Prabal Gurung. With her megawatt starring role as Katniss Everdeen in The Hunger Games series, Jennifer Lawrence style spotting turned fever pitch with several world tours to promote the films. Her rising profile landed her as the face of Miss Dior accessories, resulting in one stellar ad campaign and several red carpet outings in Dior. And just when we thought we couldn’t love her more the 2013 Academy Awards happened. Her cake-like Dior Couture dress was one for the record books, but her tumble up the stairs, real-talk acceptance speech and red carpet middle finger wielding had everyone collectively swooning. Not to mention the well deserved Oscar for her role in Silver Linings Playbook at the ripe age of 22. Damn, girl. Fast forward five years later and Lawrence is celebrating her 27th birthday (in style, we’re sure – homegirl always looks good). To celebrate, we’ve compiled some of Lawrence’s best style moments through the years. Flip through the gallery below for every Oscar-worthy look.

Photography via Steve Granitz/WireImage/Getty

Photography via Michael Stewart/FilmMagic/Getty

Photography via David M. Benett/Dave Benett/Getty

Photography via Karwai Tang/WireImage/Getty

Photography via Jeff Spicer/Jeff Spicer/Getty

Photography via Kevin Winter/Getty

Photography via Taylor Hill/Getty

Photography via Samir Hussein/Samir Hussein/WireImage/Getty

Photography via Antonio de Moraes Barros Filho/WireImage)

Photography via Han Myung-Gu/WireImage/Getty

Photography via Steve Granitz/WireImage/Getty

Photography by Matthias Nareyek/WireImage

Photography by Karwai Tang/WireImage

Photography by Eduardo Parra/Getty Images

Photography by Dominique Charriau/WireImage

Photography by Axelle/Bauer-Griffin/FilmMagic

Photography by Pascal Le Segretain/Getty Images for Dior

Photography by Theo Wargo/Getty Images

Photography by Brad Barket/Getty Images for Ketel One

Photography by Mike Marsland/WireImage

Photography by Craig Barritt/Getty Images for VICE Media, LLC

Photography by Jamie McCarthy/Getty Images

Photography by Gabe Ginsberg/WireImage

Photography by Jon Kopaloff/Getty Images

Photography by Jeff Kavitz/Getty Images

Photography by Alison Buck/Getty Images

Photography by Jason Merritt/Getty Images

Photography by Dave J Hogan/Dave J Hogan/Getty Images

Photography by James Devaney/WireImage

Photography by Taylor Hill/FilmMagic

Photography by Juan Naharro Gimenez/WireImage

Photography by Michael Stewart/WireImage

Photography by Jason Merritt/Getty Images

Photography courtesy of Dior

Photography by Fotonoticias/FilmMagic

Photography by Carlos Alvarez/Getty Images

Photography by Pascal Le Segretain/WireImage

Photography by David M. Benett/Dave Benett/Getty Images for Assouline

Photography by Fred Duval/FilmMagic

Photography by Anita Bugge/WireImage

Photography courtesy of Proenza Schouler

Photography by Gregg DeGuire/WireImage

Photography by Albert L. Ortega/Getty Images

Photography by Jason Merritt/Getty Images

Photography courtesy of Michael Kors

Photograhy by Dave Kotinsky/WireImage

Photography by Getty

Photography by Jamie McCarthy/Getty Images

Photography courtesy of Prada

Photography courtesy of Altuzarra

Photography by Steve Granitz/WireImage

Photography by Ray Tamarra/WireImage

Photography by Vera Anderson/WireImage

Photography by David M. Benett/WireImage

Photography by by Karwai Tang/WireImage

Photography by Karwai Tang/WireImage

Photography by Mathias Kniepeiss/Getty Images

Photo by Jason Merritt/Getty Images for ELLE

Photography by Stuart C. Wilson/Getty Images for BFI

Photography by Rindoff/Dufour/French Select/Getty Images

Photography courtesy of Dior

Photography by Ian Gavan/Getty Images

Photography by Anthony Harvey/FilmMagic

Photography by Gilbert Carrasquillo/FilmMagic

Photography by Jon Kopaloff/FilmMagic

Photography by Kevin Mazur/WireImage

Photography by Dan MacMedan/WireImage

Photography by Robyn Beck/AFP

Photography by Jamie McCarthy/FilmMagic

Photography by Jon Kopaloff/FilmMagic

Photography by Marc Piasecki/WireImage

Photography by Vittorio Zunino Celotto/Getty Images

Photo by Elisabetta A. Villa/WireImage

Getty Images

Photography by Fotonoticias/FilmMagic

Photography by Franziska Krug/Getty Images

Photography courtesy of Louis Vuitton

Photo by David M. Benett/WireImage

Photography by Ethan Miller/Getty Images

Photography by Marc Piasecki/WireImage

Photography by Mike Marsland/WireImage

Photography courtesy Dior

Photography by Dave M. Benett/Getty Images for Lionsgate

Photography by Larry Busacca/Getty Images

Photography by Barry King/FilmMagic

Image courtesy of Calvin Klein

Photography by Jeff Kravitz/FilmMagic

Photo by Jon Kopaloff/FilmMagic

Photography by Michael Kovac/Moet

Photography by Larry Busacca/WireImage

Photography by Jason Merritt/Getty Images

Photography by Photo by Jon Kopaloff/FilmMagic

Photography by Gregg DeGuire/WireImage

Photohraphy by Steve Granitz/WireImage

Photo by Jeffrey Mayer/WireImage

Photography by Photo by Jim Spellman/WireImage

Photography by Jason Merritt/Getty Images

Photography courtesy of Grey Goose

Photography by Terry Rice/Getty Images

Photography by Sonia Recchia/Getty Images

Photo by Pascal Le Segretain/Getty Images

Photography by Didier Baverel/WireImage

Photography by Juan Naharro Gimenez/WireImage

Photography by Dimitrios Kambouris/Getty Images

Photography by Taylor Hill/FilmMagic

Photography by Target Presse Agentur Gmbh/WireImage

Photography by Julien Hekimian/Getty Images

Photography by Dave Hogan/Getty Images

Photography by Elisabetta A. Villa/WireImage

Photography by Jordan Strauss/WireImage

Photography by Dominique Charriau/WireImage Contributor

Photography by Frazer Harrison/Getty Images

Photography by Jeff Vespa/WireImage Contributor

Photography by Jeffrey Mayer/WireImage

Photography by Mike Marsland/WireImage

Photography by Lester Cohen

Photography by Steve Granitz/WireImage

Photography by: Jeff Vespa/WireImage Contributor

Photography by Gregg DeGuire/FilmMagic)

Photography by Steve Granitz/WireImage Contributor

Photography by Dimitrios Kambouris/WireImage

Photography by Barry King/FilmMagic

Photography by David Livingston/Getty Images

Photography Alexandra Wyman/WireImage

Photography by Jeff Vespa/WireImage

Photography by Jean Baptiste Lacroix/WireImage

Photography by Gregg DeGuire/FilmMagic

Photography by Jeffrey Mayer/WireImage

Photography by Catarina/Vandeville /Gamma-Rapho

Photography by Mirek Towski/WireImage

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Jennifer Lawrence Style

March 4, 2018 : Jennifer Lawrence wears a Dior gown at the 90th Annual Academy Awards in Hollywood.

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Jennifer Lawrence Style

February 26, 2018 : Jennifer Lawrence wears a Dior black dress at the premiere of the movie Red Sparrow in New York City.

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Jennifer Lawrence Style

February 20, 2018: Jennifer Lawrence wears a Versace piece to attend the Red Sparrow photocall in London.

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Jennifer Lawrence Style

February 19, 2018 : Jennifer Lawrence wears a Dior Haute Couture dress at the the European Premiere of Red Sparrow in London.

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Jennifer Lawrence Style

February 18, 2018 : Jennifer Lawrence wears a Dior couture dress to the BAFTAs in London.

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Jennifer Lawrence Style

November 11, 2017 : Jennifer Lawrence wears an Alexander McQueen two-piece to attend the Academy of Motion Picture Arts and Sciences’ 9th Annual Governors Awards in Hollywood.

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Jennifer Lawrence Style

September 13, 2017 : Jennifer Lawrence attends the New York premiere of Mother! in a Dior dress.

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Jennifer Lawrence Style

September 6, 2017: Jennifer Lawrence wears an Atelier Versace dress to attend the Mother! UK premiere in London.

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Jennifer Lawrence Style

July 3, 2017 : Jennifer Lawrence wears a Dior gown to attend the ‘Christian Dior, couturier du reve’ Exhibition Launch in Paris.

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Jennifer Lawrence Style

December 16, 2017 : Jennifer Lawrence wears a Dior blue gown to attend the Seoul premiere of Passengers.

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Jennifer Lawrence Style

December 14, 2017 : Jennifer Lawrence in a Dior gown at the premiere Passengers in Hollywood.

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Jennifer Lawrence Style

December 2, 2016: Jennifer Lawrence wears a polka-dot Dolce & Gabbana dress paired with Christian Louboutin pumps to the Passengers Berlin photocall.

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Jennifer Lawrence Style

December 1, 2016: Jennifer Lawrence wears a black and red printed Proenza Schouler dress paired with Christian Louboutin heels to the Passengers London photocall.

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Jennifer Lawrence Style

November 30, 2016: Jennifer Lawrence wears a white 3.1 Phillip Lim jacket and skirt combo paired with with Roger Vivier platform heels to the Passengers photocall in Madrid.

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Jennifer Lawrence Style

November 29, 2016: Jennifer Lawrence wears a statement sweater and tulle skirt combo from the Dior Spring 2017 collection to the Passengers premiere in Paris.

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Jennifer Lawrence Style

October 28, 2016: Jennifer Lawrence wears a blush pink Elie Saab Spring 2017 gown to the 2016 AMD British Academy Britannia Awards.

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Jennifer Lawrence Style

September 30, 2016: Jennifer Lawrence wears a black sheer tank and boyfriend jeans to the Christian Dior Spring 2017 show of the Paris Fashion Week.

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Jennifer Lawrence Style

May 23, 2016: Jennifer Lawrence wears a dove grey Calvin Klein dress paired with studded Christan Louboutin sandals to the The Tonight Show Starring Jimmy Fallon.

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Jennifer Lawrence Style

May 14, 2016: Jennifer Lawrence wears a black Antonio Berardi dress with black strappy Giuseppe Zanotti heeled sandals to the 2016 Glaad Media Awards.

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Jennifer Lawrence Style

May 9, 2016: Jennifer Lawrence wears a silver Dior Haute Couture cut out gown with open back strap detail to the global fan screening of X-Men Apocalypse in London, England.

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Jennifer Lawrence Style

May 4, 2016: Jennifer Lawrence wears a black Oscar de la Renta dress featuring a lace skirt to the New York premiere screening of Woman.

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Jennifer Lawrence Style

April 16, 2016: Jennifer Lawrence wears a little black Dior dress with Olgana Paris mules to the New York premiere of A Beautiful Planet.

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Jennifer Lawrence Style

April 12th, 2016: Jennifer Lawrence wears an Altuzarra’s ‘Phineas’ navy embroidered handkerchief skirt from the Fall 2016 collection to CinemaCon 2016.

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Jennifer Lawrence Style

February 28, 2016: Jennifer Lawrence wears a sexy two-piece Alexander Wang look to the 2016 Vanity Fair Oscars after party.

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Jennifer Lawrence Style

February 28, 2016: Jennifer Lawrence wears a romantic lace Dior Haute Couture gown to the 2016 Oscars.

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Jennifer Lawrence Style

January 10, 2016: Jennifer Lawrence wears an embellished black Versace dress from the Pre-Fall 2016 collection to the Fox And FX’s 2016 Golden Globe Awards Party.

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Jennifer Lawrence Style

January 10, 2016: Jennifer Lawrence wears a red Dior Haute Couture dress featuring cut-out details to the 2016 Golden Globe Awards.

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Jennifer Lawrence Style

December 17, 2015: Jennifer Lawrence wear’s a black tuxedo Dior dress to the special screening of Joy in London, England.

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Jennifer Lawrence Style

December 14, 2015: Jennifer Lawrence wears a plum Burberry coat over an oversized blue blazer with a black bandeau peeping through. She completes her look with black Zimmermann pants and Casadei pumps to The Late Show With Stephen Colbert taping.

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Jennifer Lawrence Style

December 13, 2015: Jennifer Lawrence wears a custom pale yellow Dior Haute Couture evening gown to the New York premiere of Joy.

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Jennifer Lawrence Style

November 26, 2015: Jennifer Lawrence wears a black jumpsuit with lace bralette to the El Hormiguero TV show taping in Madrid, Spain.

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Jennifer Lawrence Style

November 18, 2015: Jennifer Lawrence wears a black chiffon Schiaparelli Fall 2015 Couture dress paired with Tamara Mellon heels and Eva Fehren jewellery to the New York premiere of The Hunger Games: Mockingjay – Part 2.

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Jennifer Lawrence Style

November 16, 2015: Jennifer Lawrence wears an off-white silk Dior gown paired with Jimmy Choo heels and Repossi bracelet to the Los Angeles premiere of The Hunger Games: Mockingjay – Part 2.

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Jennifer Lawrence Style

November 12, 2015: Jennifer Lawrence wears an ice-blue silk Dior Haute Couture dress to the Beijing premiere of The Hunger Games: Mockingjay-Part 2

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Jennifer Lawrence Style

November 10, 2015: Jennifer Lawrence wears a one-of-a-kind Ralph Lauren Collection black lace gown to the Madrid premiere of The Hunger Games: Mockingjay – Part 2.

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Jennifer Lawrence Style

November 10, 2015: Jennifer Lawrence wears an orange Mugler tuxedo dress from the Spring 2016 collection to the The Hunger Games: Mockingjay – Part 2 photo call in Madrid.

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Jennifer Lawrence Style

November 9, 2015: Jennifer Lawrence wears a white long-sleeved Dior gown from the Fall 2015 Couture collection to the Paris premiere of The Hunger Games: Mockingjay – Part 2.

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Jennifer Lawrence Style

November 9, 2015: Jennifer Lawrence wears a pale pink silk Dior Haute Couture dress, belt and black lace boots to The Hunger Games: Mockingjay – Part 2 photocall in Paris.

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Jennifer Lawrence Style

November 6, 2015: With Tim Palen, Jennifer Lawrence wears a black sheer floral-embellished Dolce & Gabbana dress from the Spring 2016 collection to the book launch of Tim Palen: Photographs From The Hunger Games in London.

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Jennifer Lawrence Style

November 5, 2015: Jennifer Lawrence wears a burgundy silk Dior Haute Couture gown featuring a plunging neckline to the UK premiere of The Hunger Games: Mockingjay – Part 2 in London, England.

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Jennifer Lawrence Style

November 4, 2015: Jennifer Lawrence wears a printed silk Dior gown from the Fall 2015 Haute Couture collection to the world premiere of The Hunger Games: Mockingjay – Part 2 in Berlin.

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Jennifer Lawrence Style

November 3, 2015: Jennifer Lawrence wears a floral print Proenza Schouler dress from the Spring 2016 collection to The Hunger Games: Mockingjay – Part 2 press conference in Berlin.

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Jennifer Lawrence Style

October 31, 2015: Jennifer Lawrence wears a white A.L.C top and skirt to The Hungers Games: Mockingjay Part 2 hand and footprint ceremony with Josh Hutcherson and Liam Hemsworth.

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Jennifer Lawrence Style

July 11, 2015: Jennifer Lawrence poses with Stan Lee wearing a white Prabal Garung jumpsuit from the Resort 2016 collection during Comic-Con International 2015.

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Jennifer Lawrence Style

July 9, 2015: Jennifer Lawrence wears a black Louis Vuitton dress from the Resort 2016 collection to the photo call for The Hunger Games: Mockingjay, Part 2 during Comic-Con International 2015.

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Jennifer Lawrence Style

June 28, 2015: Jennifer Lawrence wears a black two-piece ensemble by Michael Kors while out and about in New York City.

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Jennifer Lawrence Style

May 4, 2015: Jennifer Lawrence wears a silver slip dress by Galvan from the Fall 2015 collection to Rihanna’s Private 2015 Met Gala After Party.

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Jennifer Lawrence Style

May 4, 2015: Jennifer Lawrence wears a Christian Dior Spring 2015 Couture dress at the 2015 Met Gala.

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Jennifer Lawrence Style

March 21, 2015: Jennifer Lawrence wears an embroidered striped sequin and off white cotton Dior dress from the Spring 2015 Couture collection at the screening of Seren.

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Jennifer Lawrence Style

January 24, 2015: Jennifer Lawrence wears a Prada ivory multi layered silk organza gown with crystal motif embroidery framing the plunging bodice, while attending the 26th Annual Producers Guild Of America Awards in Los Angeles.

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Jennifer Lawrence Style

November 17, 2014: Jennifer Lawrence wears Altuzarra at The Hunger Games: Mockingjay-Part 1 after party in Los Angeles.

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Jennifer Lawrence Style

November 17, 2014: Jennifer Lawrence wears Dior at The Hunger Games: Mockingjay-Part 1 premiere in Los Angeles.

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Jennifer Lawrence Style

November 12, 2014: Jennifer Lawrence wears Antonio Berardi at the Late Show With David Letterman in New York.

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Jennifer Lawrence Style

November 10, 2014: Jennifer Lawrence wears Saint Laurent dress at The Hunger Games: Mockingjay Part 1 press conference in London.

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Jennifer Lawrence Style

November 10, 2014: Jennifer Lawrence wears a dress designed especially for her by Mugler’s creative director, David Koma at The Hunger Games: Mockingjay Part 1 after party.

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Jennifer Lawrence Style

November 10, 2014: Jennifer Lawrence attends the World Premiere of The Hunger Games: Mockingjay Part 1, wearing Dior.

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Jennifer Lawrence Style

November 9, 2014: Jennifer Lawrence attends the photocall for The Hunger Games: Mockingjay Part 1 in London, England. She’s wearing a Public School suit. She’s accompanied by Julianne Moore, Elizabeth Banks and Natalie Dormer.

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Jennifer Lawrence Style

November 8, 2014: Jennifer Lawrence wears Phillip Lim at Wetten, dass..?

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Jennifer Lawrence Style

October 20, 2014: Jennifer Lawrence attends ELLE’s 21st Annual Women in Hollywood Celebration at the Four Seasons Hotel in California wearing a white lace Oscar de la Renta dress with Christian Louboutin sandals and a Rodo clutch.

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Jennifer Lawrence Style

October 13, 2014: Jennifer Lawrence wears a black Dior tuxedo dress to the premiere of Serena at the BFI London Film Festival.

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Jennifer Lawrence Style

July 7, 2014: Jennifer Lawrence teamed a Dior Resort 2014 printed silk top with a white suede highwaisted skirt at the Christian Dior Fall 2014 Couture show. She matched her outfit accordingly with black and white accessories that included asymmetrical strapped pumps and a patent leather clutch. She topped it off with fashion house’s Tribal earrings.

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Jennifer Lawrence Style

May 17, 2014: Jennifer Lawrence was seen leaving the Majestic Hotel during the 67th Annual Cannes Film Festival sporting a light striped top paired with a multi-print skirt with a handkerchief hemline from the Christian Dior Resort 2015 collection. She completed her look with Miu Miu sunnies, a Jimmy Choo clutch and colorful strappy sandals.

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Jennifer Lawrence Style

May 17, 2014: Jennifer Lawrence wears a Dior Couture dress, Christian Louboutin shoes, and Irene Neuwirth jewellery during the 67th Annual Cannes Film Festival.

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Jennifer Lawrence Style

May 17, 2014: Jennifer Lawrence wears a top and skirt ensemble by Dior Haute Couture, Jimmy Choo shoes, and Irene Neuwerth jewellery during the 67th Annual Cannes Film Festival.

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Jennifer Lawrence Style

Jennifer Lawrence showed up in a vampy 90s look by Jason Wu from the Fall 2014 collection at the world premiere of X-Men: Days Of Future Past. Matching her velvet slip gown, Lawrence accessorized with Jimmy Choo heeled sandals, Ana Khouri jewellery and a black Kotur evening clutch.

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Jennifer Lawrence Style

Jennifer Lawrence wears a mirrored minidress by Tom Ford to the Vanity Fair Oscars 2014 afterparty Tom Ford

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Jennifer Lawrence Style

Jennifer Lawrence wears a gown by Dior Haute Couture and Neil Lane jewels on the Oscars 2014 red carpet.

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Jennifer Lawrence Style

January 18th, 2014: J.Law makes a statement in a sequined Christian Dior Couture column dress, Brian Atwood shoes, and Jennifer Meyer jewellery

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Jennifer Lawrence Style

January 12th, 2014: The face of Dior, wore, you guessed it, Christian Dior Couture to the 2014 Golden Globe Awards in Beverly Hills. In a similar silhouette to her 2013 Oscar gown, she vamped it up with black accessories and a deep burgundy lipstick.

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Jennifer Lawrence Style

November 20, 2013: Jennifer Lawrence attends the New York City premiere of The Hunger Games: Catching Fire. She wears a plunging black wool tuxedo-style Dior Resort 2014 blazer dress over a pink and lime knitted bra top. A black mini clutch and ankle-strap Manolo Blahnik sandals complete the look.

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Jennifer Lawrence Style

November 18, 2013: Jennifer Lawrence wears a Dior Haute Couture dark grey and light grey knitted evening dress to the Los Angeles premiere of The Hunger Games: Catching Fire.

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Jennifer Lawrence Style

November 15, 2013: Jennifer Lawrence wears a silk Dior Couture dress to the Paris Premiere of Hunger Games: Catching Fire.

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Jennifer Lawrence Style

November 14, 2013: Jennifer Lawrence wears a butter yellow Dior Couture gown to the Rome Film Festival premiere of The Hunger Games: Catching Fire.

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Jennifer Lawrence Style

November 14, 2013: Jennifer Lawrence wears a black and orange Proenza Schouler Fall 2013 dress to the Rome Photocall of The Hunger Games: Catching Fire.

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Jennifer Lawrence Style

November 13, 2013: Jennifer Lawrence attends the photocall for The Hunger Games: Catching Fire in Madrid wearing an Alexander McQueen top and skirt, Jimmy Choo shoes, Monique Péan earrings, and an EF Collection ring.

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Jennifer Lawrence Style

November 13, 2013: Jennifer Lawrence attends the red carpet premiere for The Hunger Games: Catching Fire in Madrid wearing a strapless navy Dior dress, Rona Pfeiffer ring, and Ana Khouri earrings.

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Jennifer Lawrence Style

November 12, 2013: Jennifer Lawrence wears a regal custom Christian Dior coat to the Berlin premiere of The Hunger Games: Catching Fire.

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Jennifer Lawrence Style

November 11, 2013: Jennifer Lawrence dazzles in Louis Vuitton Spring 2013 at the London after-party for The Hunger Games: Catching Fire.

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Jennifer Lawrence Style

November 11, 2013: Wearing a silk and sequined Dior dress and navy blue Stuart Weitzman shoes, Jennifer Lawrence debuts newly chopped locks at the London premiere of The Hunger Games: Catching Fire.

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Jennifer Lawrence Style

July 20, 2013: Jennifer Lawrence wears a monochromatic Proenza Schouler crop top and skirt to Comic Con 2013.

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Jennifer Lawrence Style

July 2, 2013: Jennifer Lawrence attends the Dior Couture Fall 2013 show in a Dior ensemble consisting of a lace pastel pink crop top with black, blue and yellow detailing, paired with pleated charcoal trousers.

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Jennifer Lawrence Style

May 18, 2013: Jennifer Lawrence is wearing a Dior off-white twill bustier and skirt with a printed Warhol “female head 1958” from the Fall 2013 collection at the The Hunger Games: Catching Fire party. She finished off her look with a pair of hot-pink Jimmy Choo heels.

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Jennifer Lawrence Style

May 18, 2013: Jennifer Lawrence wears a black and white twill bustier evening gown by Dior, Brian Atwood black platform heels and emerald statement ring to the Cannes premiere of Jimmy P. (Psychotherapy Of A Plains Indian).

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Jennifer Lawrence Style

May 18, 2013: Jennifer Lawrence attends a press event during Cannes in a strapless black pantsuit and neon pointed-toe heels.

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Jennifer Lawrence Style

May 7, 2013: Jennifer Lawrence wears a strapless black Dior dress with black peep-toe platform heels and a black fishnet veil to the 2013 Met Gala.

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Jennifer Lawrence Style

April 20, 2013: Jennifer Lawrence debuts a tousled blonde lob at the 2013 GLAAD Awards in a David Koma Fall 2013 figure-hugging cocktail dress, Nicholas Kirkwood sandals, a smokey eye and a nude lip.

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Jennifer Lawrence Style

February 24, 2013: Jennifer Lawrence attends Vanity Fair��s Oscars after-party in a custom Calvin Klein Collection gunmetal beaded dress.

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Jennifer Lawrence Style

February 24, 2013: Jennifer Lawrence wins the 2013 Oscar for best actress in a showstopping Dior Haute Couture petal pink gown, Chopard jewels and a Roger Vivier clutch.

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Jennifer Lawrence Style

February 4, 2013: Jennifer Lawrence poses at the Hollywood Reporters Nominee night in Valentino Spring 2013, a nude beaded gown, with Brian Atwood Wagner peep toes.

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Jennifer Lawrence Style

February 2, 2013: Jennifer Lawrence wears a Stella McCartney dual-toned tailored jumpsuit and black satin Casadei pumps to the Santa Barbara Film Festival.

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Jennifer Lawrence Style

January 27, 2013: Jennifer Lawrence wins the 2013 best actress Sag Award in a floor length navy Christian Dior gown.

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Jennifer Lawrence Style

January 13, 2013: Jennifer Lawrence wears an orange-red Dior Couture gown to the 2013 Golden Globe Awards.

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Jennifer Lawrence Style

January 11 2013: Jennifer wears a Prabal Gurung Pre-Fall 2013 metallic neon tweed dress and Casadei for Prabal Gurung ankle-strap pumps to the AFI Awards luncheon.

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Jennifer Lawrence Style

January 10, 2013: Lawrence looks gorgeous in Prabal Gurung at the 2013 Critics’ Choice Awards.

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Jennifer Lawrence Style

January 9, 2013: Jennifer Lawrence wears Valentino Haute Couture to the 2013 People’s Choice Awards.

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Jennifer Lawrence Style

November 19, 2012: Jennifer Lawrence wears a form fitting black satin Christian Dior dress jacket and colour-blocked emerald green and lilac suede stilettos to the Los Angeles screening of Silver Linings Playbook at the Academy of Motion Picture Arts and Sciences.

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Jennifer Lawrence Style

November 11, 2012: Jennifer Lawrence pairs this Christian Dior suit with heavy bangs, a satin choker and a pink clutch for a pop of colour.

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Jennifer Lawrence Style

September 9, 2012: Jennifer Lawrence wears Antonio Berardi to the Silver Linings Playbook TIFF press conference in Toronto.

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Jennifer Lawrence Style

September 8, 2012: Jennifer Lawrence wears Alexander McQueen to the Grey Goose TIFF party for Silver Linings Playbook at Soho House Toronto.

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Jennifer Lawrence Style

September 8, 2013: At the TIFF premiere of Silver Linings Playbook, Jennifer Lawrence thrills in a multi-coloured strapless Dior Couture gown, cranberry lips and straight, side-pinned hair.

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Jennifer Lawrence Style

September 7, 2013: Jennifer Lawrence wears Dior to the A Place Beyond the Pines TIFF premiere in Toronto.

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Jennifer Lawrence Style

July 2, 2012: Jennifer Lawrence wears a white and blood orange floral printed Christian Dior dress and neutral peep-toe wedges to Fall 2012 Couture Week in Paris.

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Jennifer Lawrence Style

May 25, 2012: Jennifer Lawrence wears an LBD featuring a thigh-high slit to Monaco’s Amber Lounge Fashion Show.

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Jennifer Lawrence Style

April 19, 2012: Jennifer Lawrence wears a form-fitting Victoria Beckham dress during an appearance on Spain’s El Hormiguero TV show.

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Jennifer Lawrence Style

March 20, 2012: Jennifer Lawrence wears a green Calvin Klein Collection dress at the Cinema Society premiere of The Hunger Games in New York.

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Jennifer Lawrence Style

March 20, 2012: Jennifer leaves The Late Show with David Letterman wearing a Prabal Gurung pre-fall 2012 black matted jersey sheath dress with raglan sleeves. Strappy Jimmy Choo sandals match this night-time look perfectly.

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Jennifer Lawrence Style

March 20, 2012: Jennifer Lawrence arrives at The Late Show with David Letterman wearing Raoul Pre-Fall 2012 dress with a diamond cut-out and strappy Jimmy Choo peep-toe heels.

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Jennifer Lawrence Style

March 16, 2012: Jennifer Lawrence in a red Fall 2012 Marchesa dress at the Berlin premiere of The Hunger Games.

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Jennifer Lawrence Style

March 15, 2012: Jennifer Lawrence in a backless black velvet Tom Ford dress at the Paris premiere of The Hunger Games.

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Jennifer Lawrence Style

March 14, 2012: Jennifer Lawrence wears a shoulder-baring gold Ralph Lauren dress at the London premiere of The Hunger Games.

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Jennifer Lawrence Style

March 12, 2012: Jennifer Lawrence wears a gold Fall 2012 Prabal Gurung dress at the Los Angeles premiere of The Hunger Games.

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Jennifer Lawrence Style

January 11, 2012: In a Viktor & Rolf electric blue swirl dress, Lawrence certainly lets the dress do the dazzling.

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Jennifer Lawrence Style

March 9, 2011: Jennifer sits front row at Paris Fashion Week in a red Miu Miu silk puff sleeve dress, slim black leather belt, khaki trench coat, black pumps and a black and white printed clutch.

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Jennifer Lawrence Style

February 27, 2011: Jennifer Lawrence wears Calvin Klein Collection to the 2011 Oscars, where she is nominated for best actress for her role in Winter’s Bone.

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Jennifer Lawrence Style

February 26, 2011: Jennifer Lawrence keeps things simple at the Santa Monica Film Awards with a Dolce & Gabbana lace maxi skirt, minimal makeup and accessories.

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Jennifer Lawrence Style

February 25, 2011: For the QVC Red Carpet Style party, Jennifer shows off her softer side in a champagne coloured silk dress, a silver toned clutch and strappy heels, softly tousled waves and au-naturel makeup.

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Jennifer Lawrence Style

February 13, 2011: Arriving at the Orange British Academy Film Awards, Jennifer Lawrence cooled it down with a floor length navy blue Stella McCartney gown with a low-cut lace overlay bustier detailing. Accessories were kept low key with black nail lacquer and matching black velvet bejeweled choker necklace.

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Jennifer Lawrence Style

January 30, 2011: Jennifer Lawrence wears a shocking pink Oscar De La Renta Pre-Fall 2012 gown to the 2011 SAG Awards.

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Jennifer Lawrence Style

January 29, 2011: Jennifer Lawrence wears a Prabal Gurung Spring 2011 white asymmetrical dress, black Miu Miu heels, a black Roger Vivier clutch and Lorraine Schwartz jewels to the DGA Awards.

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Jennifer Lawrence Style

January 16, 2011: Louis Vuitton flamenco gown with cascading ruffled, Chopard Jewels, a Judith Leiber clutch and Roger Vivier black heels.

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Jennifer Lawrence Style

January 14, 2011: Jennifer Lawrence wears a L’Wren Scott Spring 2011 peach and gold ombre sequin dress to the 16th Annual Critic’s Choice Awards. Her body-con sequin dress was well accessorized with a gold box clutch and nude Jimmy Choo ‘Lance’ strappy heels.

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Jennifer Lawrence Style

January 14, 2011: Jennifer pairs her Prabal Gurung Spring 2011 optic white stretch scuba sheath dress with Nicholas Kirkwood by Prabal Gurung black and white graphic platform heels.

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Jennifer Lawrence Style

January 11, 2011: Jennifer Lawrence attends the 2011 National Board of Review of Motion Pictures Gala in a Proenza Shouler mesh and lace bustier dress with nude criss-cross sandals and Chopard jewels.

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Jennifer Lawrence Style

January 8, 2011: Jennifer Lawrence wears a black and azure posy print dress, Roger Vivier woven patent sandals, a Cartier platinum, diamond and onyx Panthere bracelet and a Cartier white gold, onyx and diamond orchid ring to the 2011 Palm Springs Film Festival.

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Jennifer Lawrence Style

October 25, 2010: Jennifer Lawrence wears a Thakoon Resort 2011 strapless white dress for the 14th Annual Hollywood Awards Gala.

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Jennifer Lawrence Style

May 25, 2010: Jennifer Lawrence arrives at a screening of Winter’s Bone wearing an LBD with black and white laced brocade and black pumps.

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Jennifer Lawrence Style

March 11, 2010: Jennifer Lawrence attends the Los Angeles premiere of The Runaways in a drop waist, off-the-shoulder zig-zag print dress. Gittered cutout platform heels and a geometric, gold tone studded rectangular clutch complete the look.

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Jennifer Lawrence Style

March 1, 2010: Jennifer Lawrence is spotted in a simple navy cut out dress.

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Jennifer Lawrence Style

August 24, 2009: Jennifer Lawrence attends a Nylon Magazine party in a fitted light blue dress and keeps things simple with grey printed peep-toe heels.

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Jennifer Lawrence Style

September 18, 2008: Jennifer Lawrence attends the Teen Vogue Young Hollywood party in a one-shoulder white dress and matching white flower crown.

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Jennifer Lawrence Style

August 29, 2008: In a floor length silk ocean coloured gown, the starlet makes quite the statement on the red carpet at the Venice Film Festival with a dazzling necklace and simple makeup.

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February 20, 2007: Jennifer Lawrence was acting full-time by her senior year of high school. If she happened to miss out on Prom night, she certainly fulfilled her dreams from the periwinkle silk strapless number with tulle. The up-do and dangle earrings, and sling-back peep-toe shoes.

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hottytoddynews · 7 years

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Olivier Awards: Top Prizes Go to Harry Potter and the Cursed Child and Groundhog Day

Going in, U.K.’s Olivier Awards, handed out yesterday at London’s Royal Albert Hall, looked to be a Harry Potter-dominated affair. It turned out to be true. On the West End’s biggest theater occasion, John Tiffany’s smash two-part production of J.K. Rowling’s book Harry Potter and the Curse Child led the pack with a record-breaking 11 nominations. It won nine: Best New Play, Director, Best Actor – Jamie Parker, Supporting Actor, Supporting Actress, Costumes, Design, Lighting, and Sound.

It arrives for its Broadway debut next Spring at Ambassador Theatre Group’s Lyric Theatre, which will undergo massive renovations upon the close of Cirque du Soleil’s Paramour – one major redo will be relocating the entrance to 43rd Street.

Tiffany was twice blessed with director nominations for Harry Potter… and the revival of The Glass Menagerie, starring Best Actress nominee Cherry Jones.

In the musical category, the stage adaptation of the 1993 film Groundhog Day, which has a huge cult following, by Tim Minchin and Danny Rubin (book) picked up eight nominations. It took trophies for Best New Musical and Best Actor – Andy Karl, who’s reprising his role here. The show is in previews for its opening today [April 17].

The much-belated London premiere of Henry Krieger and Tom Eyen classic musical Dreamgirls landed five nominations, with Amber Riley (Glee) named Best Actress for her powerhouse turn as Effie. It also scored a Supporting Actor win.

Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar received six nominations, and took the award for Best Musical Revival, for a highly-acclaimed production in Regent’s Park, being revived again this summer.

After a 25-year absence from the stage, Glenda Jackson earned her first nomination since 1984 as King Lear in the play of the same name. Ian McKellen picked up his 10th nomination for best actor for No Man’s Land, reprising a role he played on Broadway.

Other notable U.S. nominees included Glenn Close and Ed Harris.

Top winners:

Best New Play Elegy – Nick Payne The Flick – Annie Baker * Harry Potter and the Cursed Child – Jack Thorne, John Tiffany, and J.K. Rowling One Night in Miami – Kemp Powers

Best Actress Glenda Jackson, King Lear Cherry Jones, The Glass Menagerie * Billie Piper, Yerma Ruth Wilson, Hedda Gabler

Best Actor Ed Harris, Buried Child Tom Hollander, Travesties Ian McKellen, No Man’s Land * Jamie Parker, Harry Potter and the Cursed Child

Best Supporting Actress The ensemble of Melissa Allan, Caroline Deyga, Kirsty Findlay, Karen Fishwick, Kirsty MacLaren, Frances Mayli McCann, Joanne McGuinness, and Dawn Sievewright, Our Ladies of Perpetual Succour * Noma Dumezweni, Harry Potter and the Cursed Child Clare Foster, Travesties Kate O’Flynn, The Glass Menagerie

Best Supporting Actor * Anthony Boyle, Harry Potter and the Cursed Child Freddie Fox, Travesties Brian J Smith, The Glass Menagerie Rafe Spall, Hedda Gabler

Best New Comedy The Comedy about a Bank Robbery – Henry Lewis, Henry Shields, and Jonathan Sayer Nice Fish – Mark Rylance and Louis Jenkins * Our Ladies of Perpetual Succour – Lee Hall The Truth – Florian Zeller

Best Play Revival The Glass Menagerie – Tennessee Williams This House – James Graham Travesties – Tom Stoppard * Yerma – Federico Garcia Lorca

Best New Musical Dreamgirls – Henry Krieger and Tom Eyen The Girls – Gary Barlow * Groundhog Day – Tim Minchin and Danny Rubin School of Rock – Andrew Lloyd Webber, Glenn Slater, and Julian Fellowes

Best Actress, Musical Glenn Close, Sunset Boulevard The ensemble of Debbie Chazen, Sophie-Louise Dann, Michele Dotrice, Claire Machin, Claire Moore, and Joanna Riding, The Girls * Amber Riley, Dreamgirls Sheridan Smith, Funny Girl

Best Actor, Musical David Fynn, School of Rock Tyrone Huntley, Jesus Christ Superstar * Andy Karl, Groundhog Day Charlie Stemp, Half a Sixpence

Best Supporting Actress, Musical Haydn Gwynne, The Threepenny Opera Victoria Hamilton-Barritt, Murder Ballad * Rebecca Trehearn, Show Boat Emma Williams, Half a Sixpence

Best Supporting Actor, Musical Ian Bartholomew, Half a Sixpence * Adam J Bernard, Dreamgirls Ben Hunter, The Girls Andrew Langtree, Groundhog Day

Best Director Simon Stone, Yerma * John Tiffany, Harry Potter and the Cursed Child Matthew Warchus, Groundhog Day

Outstanding Achievement in Music Henry Krieger and Tom Eyen’s Dreamgirls Imogen Heap, Harry Potter and the Cursed Child Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar – “The band and company creating the gig-like rock vibe of the original concept album” * Andrew Lloyd Webber, Glen Slater’s School of Rock – “Three children’s bands, playing instruments live at every performance”

The Oliviers are produced/presented by the Society of London Theater. For a complete list of nominations and winners, visit http://ift.tt/IHbXPB.

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Ellis Nassour is an Ole Miss alum and noted arts journalist and author who recently donated an ever-growing exhibition of performing arts history to the University of Mississippi. He is the author of the best-selling Patsy Cline biography, Honky Tonk Angel, as well as the hit musical revue, Always, Patsy Cline. He can be reached at [email protected].

Follow HottyToddy.com on Instagram, Twitter and Snapchat @hottytoddynews. Like its Facebook page: If You Love Oxford and Ole Miss…

The post Olivier Awards: Top Prizes Go To Harry Potter And The Cursed Child And Groundhog Day appeared first on HottyToddy.com.

#hottytoddy #olemiss #oxfordms #oxford ms #mississippi #university of mississippi #the grove

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streamingstream · 7 years

Text

Betroffenheit荣获2017劳伦斯·奥利佛戏剧奖最佳新舞剧奖

上周末英国的劳伦斯·奥利佛戏剧奖（Laurence Olivier Awards）公布了，之前强烈推荐的Betroffenheit拿下了年度最佳新舞剧奖（Best New Dance Production）！

有人说Jonathon穿上正装瞬间变得更帅了... :

获得舞蹈类另外一个杰出成就奖（Award for Outstanding Achievement）还有英国皇家国家舞团（English National Ballet）。

科普一下，劳伦斯·奥利佛戏剧奖，正式全称为劳伦斯·奥利弗奖（Laurence Olivier Awards），一般直接称作Olivier Awards。

是由伦敦戏剧协会（Society of London Theatre）颁发的英国最重要的年度戏剧类奖项。Olivier Awards在英国之戏剧的重要性可以相媲美于托尼奖（Tony Awards）之美国百老汇，莫里哀奖（Molière Award）之法国戏剧，英国电影和电视艺术学院奖（BAFTA Awards ）之英国影视，全英音乐奖（BRIT Awards）之英国音乐。

YouTube全程视频链接：

youtube

最后，附一个今年的完整获奖名单：

Best actress

Winner: Billie Piper for Yerma at the Young Vic

Also nominated: GlendaJackson for King Lear at The Old Vic Cherry Jones for The Glass Menagerie at the Duke of York’s Theatre Ruth Wilson for Hedda Gabler at the Lyttelton, National Theatre

Best new comedy

Winner: Our Ladies of Perpetual Succour at theDorfman, National Theatre

Also nominated: The ComedyAbout a Bank Robbery at the Criterion Theatre Nice Fish at the Harold Pinter Theatre The Truth at Wyndham’s Theatre

Outstanding achievement in an affiliate theatre

Winner: Rotterdam at Trafalgar Studios 2

Also nominated: Cuttin’ It atthe Maria, Young Vic The Government Inspector at Theatre Royal Stratford East The Invisible Hand at Tricycle Theatre It Is Easy To Be Dead at Trafalgar Studios 2

Best lighting design

Winner: Neil Austin for Harry Potter and the CursedChild at the Palace Theatre

Also nominated: Lee Curran for Jesus Christ Superstar at Regent’s Park Open Air Theatre Natasha Katz for The Glass Menagerie at the Duke of York’s Theatre Hugh Vanstone for Groundhog Day at the Old Vic

Best sound design

Winner: Gareth Fry for Harry Potter and theCursed Child at the Palace Theatre

Also nominated: Paul Ardittifor Amadeus at the Olivier, National Theatre Adam Cork for Travesties at the Apollo Theatre Nick Lidster for Autograph for Jesus Christ Superstar at Regent’s Park Open AirTheatre

Best costume design

Winner: Katrina Lindsay for Harry Potter and theCursed Child at the Palace Theatre

Also nominated: Gregg Barnesfor Dreamgirls at the Savoy Theatre Hugh Durrant for Cinderella at London Palladium Rob Howell for Groundhog Day at the Old Vic

Best set design

Winner: Christine Jones for Harry Potter and theCursed Child at the Palace Theatre

Also nominated: Bob Crowleyfor Disney’s Aladdin at the Prince Edward Theatre Bob Crowley for The Glass Menagerie at the Duke of York’s Theatre Rob Howell for Groundhog Day at the Old Vic

Best actor in a supporting role

Winner: Anthony Boyle for Harry Potter and the CursedChild at the Palace Theatre

Also nominated: Freddie Fox for Travesties at the Apollo Theatre Brian J. Smith for The Glass Menagerie at the Duke of York’s Theatre Rafe Spall for Hedda Gabler at the Lyttelton, National Theatre

Best actress in a supporting role

Winner: Noma Dumezweni for Harry Potter and theCursed Child at the Palace Theatre

Also nominated: MelissaAllan, Caroline Deyga, Kirsty Findlay, Karen Fishwick, Kirsty MacLaren, FrancesMayli McCann, Joanne McGuinness and Dawn Sievewright for Our Ladies Of PerpetualSuccour at the Dorfman, National Theatre Clare Foster for Travesties at the Apollo Theatre Kate O’Flynn for The Glass Menagerie at the Duke of York’s Theatre

Best new opera production

Winner: Akhnaten at London Coliseum

Also nominated: 4.48Psychosis at the Lyric Hammersmith Così Fan Tutte at Royal Opera House Lulu at London Coliseum

Outstanding achievement in opera

Winner: Mark Wigglesworth for his conducting of DonGiovanni and Lulu at London Coliseum

Also nominated: Renée Flemingfor her performance in Der Rosenkavalier at the Royal Opera House Stuart Skelton for his performance in Tristan and Isolde at London Coliseum

Best revival

Winner: Yerma at the Young Vic

Also nominated: The GlassMenagerie at the Duke of York’s Theatre This House at the Garrick Theatre Travesties at the Apollo Theatre

Best actor

Winner: Jamie Parker for Harry Potter and the CursedChild at the Palace Theatre

Also nominated: Ed Harris forBuried Child at Trafalgar Studios 1 Tom Hollander for Travesties at the Apollo Theatre Ian McKellen for No Man’s Land at Wyndham’s Theatre

Best new play

Winner: Harry Potter and the Cursed Child at thePalace Theatre

Also nominated: Elegy atDonmar Warehouse The Flick at the Dorfman, National Theatre One Night In Miami… at Donmar Warehouse

Best director

Winner: John Tiffany for Harry Potter and theCursed Child at the Palace Theatre

Also nominated: Simon Stonefor Yerma at the Young Vic John Tiffany for The Glass Menagerie at the Duke of York’s Theatre Matthew Warchus for Groundhog Day at the Old Vic

Best new dance production

Winner: Betroffenheit by Crystal Pite and JonathonYoung at Sadler’s Wells

Also nominated: Blak Whyte Gray by Boy Blue Entertainment at Barbican Theatre Giselle by Akram Khan and English National Ballet at Sadler’s Wells My Mother, My Dog and Clowns! by Michael Clark at Barbican Theatre

Outstanding achievement in dance

Winner: English National Ballet for expanding thevariety of its repertoire with Giselle and She Said at Sadler’s Wells

Also nominated: Alvin AileyAmerican Dance Theater for its London season at Sadler’s Wells Luke Ahmet for The Creation by Rambert at Sadler’s Wells

Best theatre choreographer

Winner: Matthew Bourne for The Red Shoes at Sadler’sWells

Also nominated: Peter Darling and Ellen Kane for Groundhog Day at the Old Vic Steven Hoggett for Harry Potter and the Cursed Child at the Palace Theatre Drew McOnie for Jesus Christ Superstar at Regent’s Park Open Air Theatre

Outstanding achievement in music

Winner: School of Rock the Musical at the New LondonTheatre (three children's bands who play instruments live every night)

Also nominated: Dreamgirls atSavoy Theatre (music by Henry Krieger) Harry Potter and the Cursed Child at Palace Theatre (composer and arrangerImogen Heap) Jesus Christ Superstar at Regent’s Park Open Air Theatre (the band and companycreating the gig-like rock vibe of the original concept album of Jesus ChristSuperstar)

Best entertainment and family

Winner: The Red Shoes at Sadler’s Wells

Also nominated: Cinderella atLondon Palladium David Baddiel – My Family: Not The Sitcom at the Vaudeville Theatre Peter Pan at the Olivier, National Theatre

Best actor in a supporting role in a musical

Winner: Adam J Bernard for Dreamgirls at the SavoyTheatre

Also nominated: IanBartholomew for Half A Sixpence at the Noël Coward Theatre Ben Hunter for The Girls at the Phoenix Theatre Andrew Langtree for Groundhog Day at the Old Vic

Best actress in a supporting role in a musical

Winner: Rebecca Trehearn for Show Boat at the NewLondon Theatre

Also nominated: Haydn Gwynnefor The Threepenny Opera at the Olivier, National Theatre Victoria Hamilton-Barritt for Murder Ballad at the Arts Theatre Emma Williams for Half A Sixpence at the Noël Coward Theatre

Best musical revival

Winner: Jesus Christ Superstar at Regent’s ParkOpen Air Theatre

Also nominated: Funny Girl atthe Savoy Theatre Show Boat at the New London Theatre Sunset Boulevard at London Coliseum

Best actor in a musical

Winner: Andy Karl for Groundhog Day at the Old Vic

Also nominated: David Fynnfor School of Rock the Musical at the New London Theatre Tyrone Huntley for Jesus Christ Superstar at Regent’s Park Open Air Theatre Charlie Stemp for Half A Sixpence at the Noël Coward Theatre

Best actress in a musical

Winner: Amber Riley for Dreamgirls at the SavoyTheatre

Also nominated: Glenn Closefor Sunset Boulevard at London Coliseum Debbie Chazen, Sophie-Louise Dann, Michele Dotrice, Claire Machin, Claire Mooreand Joanna Riding for The Girls at the Phoenix Theatre Sheridan Smith for Funny Girl at the Savoy Theatre

Best new musical

Winner: Groundhog Day at the Old Vic

Also nominated: Dreamgirls atthe Savoy Theatre The Girls at the Phoenix Theatre School of Rock the Musical at the New London Theatre

#oliver awards #dance #betroffenheit #Jonathon Young #kidd pivot #crystal pite

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