#it's just really funny when an npc is like I WISH I HAD A GRAPE EXPERT

[dragonomatopoeia]

I love when I accidentally achieve octopath sidequests just by following my own whims. An npc was annoying me so I had throne attack him, and some other npc went thank god. he is so annoying. here’s ten thousand dollars

[megaboy335]

Mega’s Top 2020 Anime

The year 2020 is finally coming to an end. It’s been an unusual year to say the least. Coronavirus more or less almost cancelled the entire spring anime season, which lead to a strange anime schedule for the rest of the year since delays have trickle down effects to what was in the pipeline. To be completely honest, this was not a good year for anime. I watched only a handful of very good shows, and the rest were mediocre at best. The top 5 shows I talk about here are definitely worth watching at least.

So with the introduction out of the way, lets get into this. As usual this list is just my opinions. Don’t take it too seriously.

1) Kaguya-sama Love is War? (Season 2)

The second season of Kaguya-sama took everything from season 1 and brought it up a level. The visual gags became more impressive, the voice acting was just as good, and the show is delivering sharper writing as we get deeper into the manga. 

Season 2 added two new notable aspects to the show. First, a new member to the main cast by the name of Iino. She adds a new angle to exploit for the skits as someone who adheres strictly to the rules. This often means Iino and Kaguya frequently bump heads. In fact how they interpret a situation can be entirely different, which creates numerous misunderstandings between them. Second, Kaguya-sama began expanding the skits into long form stories. There were a series of skits that form an arc spanning an entire episode, or in some cases multiple episodes. Episode 11 was the highlight of the season where Ishigami confronted his past to overcome the bad stigma surrounding his character. Additionally, the story added depth to his connection with Shirogane while making us realize there was more to Ishigami than meets the eye. Kaguya and Shirogane also both became a little closer as the tangled web of their schemes yielded unexpected results at times.

Kaguya-Sama has an ova and season 3 planned. I eagerly look forward to seeing what new crazy situations the characters find themselves in. 

2) A Certain Scientific Railgun T (Season 3)

After waiting 6 years since the conclusion of season 2, the Railgun anime finally returned to adapt two more arcs from the manga. 

The first half was a Railgun version of the Daissheisai Festival arc. This version focuses on a completely different event in the arc with a story involving Misaki, Misaka, and Dolly. It pulls us deeper into the story threads established in the Level Upper and Sisters arc of what the scientists were doing out of the public eye. We meet the original Misaka clone and how Misaki came to meet her which adds a new layer to the current Misaka and Misaki relationship that we never knew. We see how Misaki is also a victim of the dark experiments occurring behind the scenes in Academy City. The experiment to turn Misaka into a level 6 was a very hype moment. Railgun’s Daissheisai Festival arc definiely hit all the right notes.

The second half of Railgun season 3 was the Dream Ranker arc. Like in previous seasons, I found the 2nd cour arc to be weaker than the first half. Indian Poker is a fun concept, but didn’t cleanly tie into the overall story. I also found it weird how special cards that can exchange dreams suddenly exist out of nowhere. Additionally, this arc brought it characters from the Accelerator spin-off which I wasn’t familiar with. It had a few cool and funny moments scattered throughout. The final fight at least brought the conflict to a satisfying conclusion. The only thing holding back Railgun for me like always is my lack of knowledge of the greater Raildex universe. Hopefully this won’t be the last we see of Railgun in animated form because I picked up the manga and the next arc is pretty neat.

3) The Journey of Elaina

The Journey of Elania is an anthology-centric anime where we follow Elania on her adventures. The first episode is a prologue to how she became a witch and the origins of her ambitions. Episode 2-onwards follow a fairly straightforward template of Elania arriving at a new location. She notices something isn’t quite right or learns about something from a local. As the story unfolds, Elania often takes a backseat role and opts to watch things playout. An anime of this style always brings a mixed bag to the table with the kind of stories that are told within the universe. Each episode/adventure is only loosely connected through the main character Elania traveling to a new location, but otherwise they are mostly independent besides a handful of recurring characters. 

Naturally this format means there are both great and not so good episodes. There are bitter sweet tales, comedic, and even a few darker entries mixed within this show. In particular, there were a few standout episodes that cemented this show as something worth watching. Episode 7 was a comedy episode split into two halves. One half showed how two towns divided by a wall were ironically doing the same thing to the wall on each side. The second half recalled how Elania accidentally started a grape stomping tradition in a tiny village. Then there was episode 9, the darkest entry of the show so far, when Elania went back in time to help someone save their childhood friend. However, this person came to realize she hardly knew what her childhood friend was really like. Lastly, the last episode was unexpectedly deep where Elania met various alternate versions of herself and had to confront a dark version spawn from the events in episode 8. It showed how her journey can take all sorts of directions if events had transpired even a little differently.  

A high part of the appeal to me was never knowing what kind of story we would get each week. Was it going to be light-hearted? Serious? Would it focus on Elania or not? Her adventures were certainly full of unexpected happenings. The light novels are 17 volumes in and still going. I wouldn’t mind seeing more if they ever wanted to make another season.

4) Tonikaku Kawaii

From the prolific author Kenjiro Hata comes an anime adaptation of his newest work under the “Crunchyroll Originals” label. The story is simply about a guy who is head over heels for his new wife and can’t get over how awesome it is living with her. Tonikaku Kawaii is a simple show that chooses to highlight the little moments between our main couple Nasa and Tsukasa. We go through all sorts of everyday events with them such as the act of buying a ring, a new television, bedding, and meeting each other’s family. All the characters are so earnest you can’t help but enjoy their silly banter. There is little to no drama here to drive the story forward. You just get to enjoy a newlywed couple discovering new things about each other as they go through everyday life.

However, at the end of the day Tonikaku Kawaii is far from complete and is honestly the type of show that likely wouldn’t make my list most years. It hardly scratched its overarching story during the 1 cour run. The thing that put it over the top for me was simply how likable each of its characters were. They all present their emotions like an open book and you come to enjoy the little quirks of each one. I was slightly confused at how this show became a “Crunchyroll Original” when anything by Hata would have probably gotten an anime sooner or later. There are plenty of other Weekly Shonen Sunday series that could really use an outside force to help them get animated. I can only hope it did well enough for Crunchyroll to consider investing into more from the magazine .

 5) Ahiru no Sora

As usual, my list usually contains at least 1 show that began in the previous year. Ahiru no Sora is an anime that not a lot of people watched, but became one of my favorites each week. This is a 4 cour basketball series about a main character named Sora who is too short for basketball. Despite this set-back, he has a deep passion for the game imparted from his mother and wishes to someday find the same success as she did at the sport. The story begins when he enrolls in a new school and has to build the basketball club from scratch. However, the catch is the basketball team is basically non-existent. He ends up creating a team from a group of unlikely people: the ones who were bullying him. Ahiru no Sora presents a down to earth human side to the sport. There are no fantasy or supernatural elements found in this story. It follows a group of rough around the edges guys whose lives gets back in order through playing basketball together.

All of the main characters go through a decent amount of growth as their personal stories are explored, and Sora especially is taken through a series of events that allow his character to grow more than anyone. I was pleasantly surprised at how emotional it got at times. There was some real heart put into this series. In the middle of the show it genuinely felt the team had hit rock bottom. They lost a major game, the club room was lit on fire, and Sora lost his mother all right in a row. It was the recovery from that period and how each member matured from their experiences that solidified Ahiru no Sora as one of the top shows this year. The only thing holding back the show is that it's left incomplete since the manga is on-going (and actually on hiatus at the moment). I hope there will be an opportunity down the road to have more episodes.

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Disappointments of 2020

1) Deca Dence

I enjoyed Death Parade, Mob Psycho 100, and Detective Conan: Zero the Enforcer was pretty good too. So I figured another original anime from Tachikawa Yuzuru would be something I would like, and yet Deca Dence barely resonated with me. I could never wrap my mind around the setting of the show where robots would enter an alternate world called “Deca Dence” for sport or how these robots had a human persona in the game. The humans were effectively NPCs in the game to the eyes of the robots. The show no doubt had a story it wanted to tell, and it certainly went through the plot beats it wanted to hit, yet I could never get invested in the show. I’m still looking forward to whatever Tachikawa Yuzuru does next. I’ll just consider this as something was not for me.

2) The Day I Became God

This show marks Jun Meada’s 3rd anime original project with P.A. Works. I understand that Angel Beats and Charlotte are flawed shows, but that did not stop them from being enjoyable for me. This unfortunately did not apply to The Day I Became God. At a base level it has many of the usual troupes you would expect from a Jun Meada title: the humor, baseball, an emotionally driven story. The place where this shows failed hard was having no backbone to back up the story it was trying to present. I enjoyed the comedy in the early episodes quite a bit and was somewhat intrigued by a subplot in the background that was slowly creeping up on the main plot. Ending each episode on a countdown to the end of the world helped to keep a looming sense of unease during the early part of the show.

Then in typical Jun Meada fashion, the plot of the show hit all at once. Episode 9 was the big climax where the subplot and main plot collided to send the show into its “true” storyline. The hacker kid who uncovered everything about Hina in the early part was poorly utilized and underdeveloped. So when he joins our main group in episode 10 for a short period of time, his presence makes very little sense. I can only describe that part as a 10 hour VN plot condensed into 10 minutes. The male lead Narukami has almost no personal stake in the story. Hina is hilarious in the comedy episodes, but lacks any sufficient character arc built up to carry her into the final section. Jun Meada is trying to sell this as a love story between Narukami and Hina, but I just don’t see it. Narukami spent at least half the summer trying to wow his childhood friend only to suddenly change at the last minute. It felt so haphazardly put together.

The Day I Became God is an extremely bare bones Jun Meada story. It goes through the motions of similar elements to his previous works, but comes out feeling emotionally hollow. While Angel Beats and Charlotte also felt rushed in the grand scheme, I can at least say he got the emotional aspect right. This will be remembered as one of, if not Jun Meada’s weakest title.

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Top OPs/EDs of the Year

1) Jujutsu Kaisen Opening 1 - The song is great, but it’s the visuals that really sell this opening. Each shot is brilliantly connected to showcase how everything in the world of Jujutsu Kaisen is layered. There is far more than what meets in the eye in our surroundings. Curses and humans co-mingle more than you might think.

2) A Certain Scientific Railgun T Opening 1 - There still hasn’t been a bad Railgun opening yet. Flipside once again delivers a song that once again never failed gets me in the mood for the episode each week. The visuals highlight some of the best action moments in the arc too.

3) Black Clover Opening 10 - Unlike the other songs on the list this year, this a slower somber song. It always makes me think of Nero’s backstory and how the story was leading up to the fight versus the devil. The black and white aesthetic with rain conveys how everything is laid bare for this major story climax.

4) Kaguya-Sama Love is War? Opening - Just like how this season is more character focused, the opening animation is basically a 90 second skit. It never fails to get to get me in the mindset for the hijinks that are ahead in the episode. The song itself is also a great follow up to the previous opening.

5) Rent-a-Girlfriend Opening - It’s a colorful opening that highlights the best aspects of each character. It completely conveys what the show is about with some nice music. I love how fun and upbeat this opening is. It definitely helped to set the tone for the episodes each week.

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....and so, that brings 2020 to a close. The North American anime scene is shifting once again with Sony buying out Crunchyroll. Hopefully the result of the merger keeps Crunchyroll as an entity alive. I’ll be curious to see how everything shakes out. In the coming year I am most looking forward to Chainsaw Man’s anime. The manga is quite an experience and anime viewers will be spinning their heads over learning how such a series was published in Weekly Shonen Jump. I think it has a good chance of being one of the most talked about shows in the new year.

Lets hope 2021 is a good one.