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ayuuria · 3 years

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Yashahime Translation: Animage Magazine May 2021 Issue

Please do not repost this translation without my consent! This includes screenshots of any type and amount. If you wish to share this translation, simply link to this post.

For more information regarding the use of my translations, click here.

The Yashahimes’ Future

The three Yashahimes who carry both demon and human blood: Towa, Setsuna, and Moroha. The three of them have varying personalities, environments in which they were raised in, and goals for their actions. However, through the shared task of demon slaying, they slowly begin to accept one another. Though they are not a perfect “Close, in sync team”, trust has certainly budded between the girls who, together, have overcome any difficult situation. Even Kirinmaru’s attack that killed Setsuna in one stroke could not sever the bond that connects the three. Towa especially, who received a broken Tenseiga from Sesshōmaru, appears to have not yet given up on Setsuna’s life. Although it looks like the girls will still continue to face hardships in the future, we want them to clear the way to a happy future with their own hands.

“Hanyō no Yashahime” entered a short break, leaving behind many points of interest such as Setsuna’s shocking death, the broken Tenseiga entrusted to Towa, and the continued separation of Moroha and her parents. Let’s consolidate the existing mysteries and wait for the second chapter (season)!

Higurashi Towa

Faced with the death of her beloved little sister, Setsuna, her demonic blood awakens for the first time. Until now, she had been using the demon sword, Kikujūmonji, as her weapon but what is this blade… …? (referring to the promo picture for season 2)

Series Composition: Katsuyuki Sumisawa Q&A

The Yashahimes’ story with continuous ups and downs. In addition to reviewing everything up until now, please tell us about the backstory and hints to the second chapter (season)!

Q. Where do Towa, Setsuna, and Moroha normally spend the night?

A. Towa freeloads at Kaede’s house. Setsuna stays at the demon slayer’s headquarters. It’s just that she can’t sleep so she probably keeps watch outside at night. Moroha lives at the corpse shop.

Q. How far apart is Kaede’s village and the corpse shop?

A. Kaede’s village is in the land of Musashi so in terms of modern geography, imagine around Tokyo’s Nakano and Suginami ward. Compared to that, the corpse shop is in the harbor so around Shinagawa ward or maybe even Yokohama. It seems the three of them frequently met up but there’s actually quite a distance. Each of them had different goals behind their actions too.

Q. When Towa, Setsuna, and Moroha first met, how was Moroha able to figure out that the two of them were Sesshōmaru’s daughters?

A. Probably through “smell”. Sesshōmaru is well known among demons and Moroha knows that Sesshōmaru is her father’s older brother. However, Moroha still doesn’t know that Sesshōmaru is the one who trapped her parents within the black pearl.

Q. Does Moroha know her parents’ names?

A. She does. When Inuyasha and Kagome were approached by Kirinmaru and Sesshōmaru, Awa no Hachiemon (aka Hachi), the racoon dog, took Moroha to the wolf demon tribe where she was raised. That being said, Kōga probably told her.

Q. Doesn’t Moroha want to meet her parents?

A. She thinks her parents are dead. That’s why her thoughts are “There’s no point obsessing over someone who’s dead”. Hachiemon the racoon dog, didn’t watch the details of the incident to the end and assumed that “If Sesshōmaru and Kirinmaru were their opponents, they’re probably not alive now.” That’s what Moroha was told through Kōga.

Q. Why is the instrument that Setsuna plays the violin?

A. When creating the scenario, I wanted some sort of “gift” from the modern era as “something to connect the modern and feudal eras”. Therefore, I decided to give Moroha the giant backpack as Kagome’s daughter and Setsuna an instrument. In addition, an instrument that absolutely didn’t exist in the feudal era was better, so I chose the violin. There of course won’t be violins in Japan and even in the West, it had a different shape than it does now. Plus, before the current story was solidified, I had thought of a plot where the modern era was the setting so it’s a remnant of that.

Q. Did Mama Moe teach Setsuna the song she always plays on her violin?

A. While she learned how to play the violin from Mama Moe, the song was not something she learned (from her). Rather Setsuna is playing a song she once heard based off her memory. Where she heard it… please wait for the second chapter (season)!

Q. With Kanemitsu no Tomoe as a medium for Setsuna and the rouge being suggested for Moroha, each of them has had their demonic blood sealed. What about the seal for Towa’s demonic blood?

A. Towa’s is not sealed. Moreover, her demonic blood had not yet awakened. That’s where in episode 24, her demonic blood awakened for the first time with Setsuna’s death being the trigger. However, that was in an out-of-control state. Going forward, how “Sesshōmaru’s blood” flowing within her will manifest itself will be something worth noting.

Q. Why does everyone call Towa and the others “Yashahime”?

A. Ever since the spirit of the Tree of Ages called them as such in episode 4, everyone started calling them that, no matter who they spoke to. At first, even Towa and the others were like “We’re not Yashahime” or “Are you referring to us?” but as they got addressed that repeatedly, they gradually accepted the name.

Q. Kohaku’s* older sister, Kin’u, is a nun but what does his other older sister, Gyokuto, do?

*Translator’s Note: I think the publisher made a mistake and meant to say Hisui

A. She shoulders the responsibility of helping Sango create the weapons for demon slaying, delivering those weapons to the other slayers, accepting demon slaying requests around the area, and collecting information on demon sightings.

Q. Is Kirinmaru a demon of Japan?

A. No. I think talking like this will be easier to understand. Kirinmaru is one of the few greater demons who is aware that the earth is round. In that era, the only ones who have a sense of this are probably just Kagome, Towa, and Kirinmaru. Having circled the globe many times, Kirinmaru, who had traveled around the world, met the Dog General at the very end in the land at the farthest end (of the earth), Japan. Ever since then, he has remained in Japan so it could be said that he’s a demon of Japan, but his existence is on a bigger scale than that. Kirinmaru frequently reads Western books and he orders those from various places around the world. The one who buys them is Riku. Naturally, I’m sure that not only does Riku secretly read the Western books in the library, but Kirinmaru wouldn’t reproach him for such a small thing either. In episode 7, Riku called the apple a “Forbidden Fruit” but of course, I’m sure Kirinmaru has read the bible before. That’s most likely because he’s been alive since the era of myth so he may have seen Buddha or Jesus Christ in the flesh. There’s probably no way he saw Adam and Eve eat the forbidden fruit though… … (laughs).

Q. Point blank, what is the relationship between Kirinmaru and Riku? In a reflection of the past (200 years ago), it seemed Riku didn’t have any emotions. What exactly was that?

A. This will be revealed in the second chapter (season) as well but to give you a little hint, Riku started taking care of Zero after the Dog General died and as he healed her, he gradually began to have emotions. That’s why Riku’s way of thinking was influenced by Zero, such as “You have to destroy those that you love”.

Q. Zero lost her demonic powers when she created the Rainbow Pearls. Then what was the power she was using when she fought?

A. Zero was using the power of hexes. In this world, there is not only demonic power but all sorts of powers such as spiritual power and Buddhist power and each of them is separate. What she used was a power similar to charms and Inyougogyō**.

** Translator’s Note: Yin and Yang and the five Chinese elements: metal, wood, water, fire, and earth.

Q. Why did someone like Kirinmaru, who values reason, have the Four Perils, who had sleazy personalities, as subordinates?

A. Kirinmaru’s mind is preoccupied with a “certain matter” that’s important so he doesn’t really care about anything else. Hence, he doesn’t remember every single demon that has challenged or served under him and he doesn’t care what kind of person they were.

Q. In episode 21, it was surprising when Towa said “I like you (Riku)!”. To put it frankly, what do Towa and Riku think of each other?

A. Towa thinks Riku is “Riku”. She doesn’t perceive him as being part of Kirinmaru’s group. On the other hand, Riku thinks Towa is “The lady Yashahime that will slay Kirinmaru”. That’s why he addresses her as “Lady Towa”. Currently, there are no romantic feelings between the two of them. Just that, there’s probably “affection” from Riku to Towa.

Q. Why does Riku think “I only kill those I love”?

A. Because “Those who are loved vanish beautifully”. That is what Zero said in episode 23. To Zero, death is sad but to Riku, there’s no difference between dying and living and that they’re the same. Based on that, Riku came to think “You have to destroy those that you love” and he chooses to “kill” as an expression of love. That might be quite difficult to understand.

Q. Why is Sesshōmaru so cold to his daughters?

A. Just as a lion drops its cubs into a bottomless ravine, a demon’s feeling is that they only raise the child that gains strength from hardship. That is the “Rite of Courage and Cowardice”. It’s a little different from the feeling we humans have. That’s why hating his daughters or purposely tormenting them is certainly not the case.

Q. Although, isn’t separating the babies from their mother immediately after birth or having them fight the strongest beast king of the eastern land, Kirinmaru, a little too much?

A. If you watch the kabuki play “Renjishi” I think you will get it immediately. Anime is fine, but I would like to recommend the traditional arts that have ceaselessly been passed down since ancient Japanese times. Even if going to see them is difficult, researching on the internet is easy. Even the phrase “Rite of Courage and Cowardice” will show up in there. It seems that in this world, there’s no people who love their children more than Japanese people. Perhaps that’s why it can’t be helped that the way Sesshōmaru is raising his children feels very cold. However, those who watched the “Inuyasha” series I think will know but Sesshōmaru’s hearing and smell are exceedingly exceptional. He has the ability to immediately rush in, no matter how far the distance.

Q. Lastly, please tell us how production for the second chapter (season) is going?

A. Currently, we’re writing the second half of the script for the second chapter (season). The whole staff are eagerly working under this difficult Corona crisis. In the second chapter (season), we would like to create a script that is particular on the details as much as possible. In the previous series, there were many self-contained demon slaying stories but for the second chapter (season), we’ve changed the structure of the story so that it progresses with the feelings of the various characters intertwining together, just like in “Inuyasha The Final Act”. Hence, I think the impression of the story will change quite a bit. Please wait until the broadcast to see what kind of story it will be!

#Yashahime #hanyou no yashahime #yashahime: princess half demon #translation #there's actually a lot of key information in this so I recommend reading it #I had fun translating this

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ayuuria · 3 years

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Yashahime Translation: Prince Animage May 2021 Issue (Part 2)

Please do not repost this translation without my consent! This includes screenshots of any type and amount. If you wish to share this translation, simply link to this post.

For more information regarding the use of my translations, click here.

Due to the amount of content in the magazine, I have decided to the split the translation into three parts:

Part 1: Elder Son’s Resolve! Interview with Director Satou Teruo

Part 2: We Won’t Give Up On the Future! Father-Daughter Round-Table Talk with Narita Ken, Matsumoto Sara, and Komatsu Mikako

Part 3: The Strength to Overcome Destiny. Interview with Director Satou Teruo

Intertwining Fates

The curtains on the Yashahimes’ story briefly closed with the shocking scene of “Setsuna’s death”. With Towa and the others at its center, the complexly intertwined fates of various people continue into the second chapter (season).

The fire that tore Towa and Setsuna apart, the Dream Butterfly that stole Setsuna’s slumber, the sleeping Rin, and the Rainbow Pearls that possess demonic power; all these things that became key to the story were connected to Kirinmaru’s elder sister, Zero.

Zero previously heard the Shikon Jewel’s prophecy: “An existence that is neither demon nor human and can cross through time will destroy Kirinmaru.” Thinking that it refers to Towa, Setsuna, Moroha, and Inuyasha, Zero tried to eliminate them in order to protect her younger brother. However, that was just an ostensible reason. Behind her actions lurked a feeling of jealousy towards the half-demons and quarter-demon that carried the Dog General’s blood. It seems her unrealized love for the Dog General was the motivation behind her twisted emotions and actions.

Zero’s behavior rouses Kirinmaru’s anger and she disappears from his sight. However, the story does not end with just this issue being settled. As part of the “Rite of Courage and Cowardice”, Towa and the others end up having to fight Kirinmaru and unbelievably, Setsuna loses her life during the battle.

There is a heap of other issues such as Rin who still continues to sleep even now and the Grim Comet that has appeared in the modern era. It is now an anxious wait for the broadcasting to see how future mysteries will be unraveled in the second chapter (season).

Character Bios

Zero Kirinmaru’s elder sister. She was in love with the Dog General. Being that she was the one who created the Rainbow Pearls, she went to go look for the scattered pearls after her breakdown with Kirinmaru.

Kirinmaru The beast king of the eastern lands. Irritated by his elder sister, Zero’s, misconduct towards Sesshōmaru, they part ways as brother and sister as a result. He battles the three (Towa, Setsuna, Moroha) and kills Setsuna.

Sesshōmaru The son of the beast king who once stood on the same level as Kirinmaru, the Dog General, and Towa and Setsuna’s father. It seems he is searching for a child named Akuru but the reason why is unknown.

Higurashi Towa She treasures her younger twin sister, Setsuna, above all else. As she grieves over Setsuna’s death, she receives a broken Tenseiga from her father, Sesshōmaru… …?

Setsuna A half-demon whose sleep and memories were stolen by the Dream Butterfly. She loses her life while battling Kirinmaru but just before drawing her last breath, she calls Towa “Towa-neechan”.

Moroha Towa and Setsuna’s cousin. Despite being enraged by Setsuna’s death, when she turned into Beniyasha, she was able to maintain her (sound) mind and not get overwhelmed by the rampage of her demonic blood.

The Offense and Defense Concerning Half-Demons

Zero has attempted to eliminate the half-demons that carry the Dog General’s blood by doing things such as spurring Kirinmaru to kill Inuyasha or burning the forest that Towa and Setsuna were hiding in. Sesshōmaru was always by her side. Though he does not say much, Sesshōmaru may have seen through Zero’s intentions early and acted one step ahead.

Rin and Zero’s Connection

Zero can connect to others via “fate” and control them as she pleases. Those whose fates are connected to Zero will die alongside her should she lose her life. It seems Zero herself connected her fate to Rin and used that to keep Sesshōmaru in check. The details on how Rin and Zero’s fates were intertwined is of interest.

That Which Sesshōmaru Searches For

Sesshōmaru is someone who never appeared on the story’s center stage for long. During that time, he was searching for a child named Akuru. It seems that the pinwheel Akuru holds is somehow connected to the giant “Windmill of Time”. After Akuru appeared before Sesshōmaru, the Windmill of Time that had not moved for so long moved again but what does that mean… …?

Setsuna’s Seal

Zero wants Kirinmaru to exterminate Towa and the others but Kirinmaru, preferring to fight fair and square, realizes the difference in strength between him and the girls and decides to hold off battling them until they have grown (in strength). It is there that Zero forcefully releases the seal placed on Setsuna’s demon blood so that Kirinmaru will fight Towa and the others seriously.

A Broken Tenseiga

The Tenseiga that Sesshōmaru carries is a sword of healing that was created from the fang of the Dog General and is known as “the sword that saves the lives of the weak”. Sesshōmaru resurrects the dead Zero with Tenseiga but that enrages Zero and she breaks the blade. Will the broken Tenseiga be able to revive Setsuna who has lost her life?

Famous Quote Pick Up!

The role of Sesshōmaru, Narita Ken “Anymore will sadden Rin”

“Personally, the monologue in episode 24 “Anymore will sadden Rin…” struck me. Even though Sesshōmaru doesn’t show kindness, periodically he will suddenly say something like this. On top of that, he doesn’t even put a lot of emotion into it and it just comes out nonchalantly. I think that‘s what’s good about him.” (Narita)

The role of Higurashi Towa, Matsumoto Sara “We’re not alone now.”

“(the line) At the end of episode 16 “We’re not alone now.” I felt was just like Towa. She says that to Moroha but of course Setsuna is among those she’s thinking of. Towa came to the feudal era for Setsuna’s sake she has always held the feeling of “It’s okay because Setsuna is here” at her core. The strength of her unwaveringness really shows when the three of them are backed into a corner.” (Matsumoto)

The role of Setsuna, Komatsu Mikako “You can always change the way you live”

“The phrase in episode 16 “You can always change the way you live” left an impression on me. Even though Setsuna is a half-demon, she’s quite farsighted (philosophically) for a 14-year-old. I think her environment up until now and the blood that flows within her makes her that way. Having passed episode 20 which depicted Setsuna’s past, I once again feel how powerful this phrase is.” (Komatsu)

We Won’t Give Up on the Future! Father-Daughter Cast Round Table Discussion

Role of Higurashi Towa: Matsumoto Sara Role of Setsuna: Komatsu Mikako Role of Sesshōmaru: Narita Ken

Demanding “A Sense of Smell” From Playing Sesshōmaru

— Since this is after the recording of episode 23 today (the day of the interview), thank you all for your hard work!

Matsumoto: Thank you! You see, today is actually the first time I recorded with Narita-san for “Hanyō no Yashahime”. It’s like “we finally meet” kind of feeling and I’m very happy!

Narita: Finally, it was our first father-daughter meeting! I look forward to doing this interview together.

Komatsu: Likewise, I look forward to working with you as well. Narita-san went straight into recording episode 24 (the final episode) right after recording episode 23. The last episode is next week for us, but we read the script and it was completely shocking… …!

— The final episode had an ending that really made you wonder about the future. Having traversed through the story up to this point, what is everyone’s state of mind right now?

Matsumoto: After episode 20, going into the final stage, the vigor of the story increased. For viewers, I think their theories up to now were all overturned at one point. We also started recording not knowing what was going to happen in the future, so we progressed through recording while talking about “What’s going to happen next?” every time. It was a continuation of surprises. Just when I thought we finally got to interact with our father in episode 23, this time, something like that happens to Setsuna… … I was shocked like “To think they would end it like this!” and I immediately started thinking about how the second chapter (season) would connect from here. My current thought is that as I look forward to the second chapter (season), I want to rewatch season 1 one more time before the broadcasting (for season 2) begins.

Komatsu: Back when I didn’t know what was going to happen, when I asked the staff “How is season 1 going to end and what’s going to happen in season 2?”, they told me “Most of the questions that the viewers have will be answered in season 1. Around the last episode of season 1, you might be able to record with everyone in the Higurashi family again.” That’s why in my (mind), I had my hopes up like “I wonder if in the final episode, the whole Kirinmaru situation and Rin’s sleep would all be resolved and Setsuna and the others go to the modern era again, and in season 2 the three Yashahimes would start a happy school life?”

Everyone: (laughs)

Komatsu: And then it went in a completely different direction! Just when I thought the story was connecting in a line, there’s suddenly more questions. There’s still many unanswered mysteries and in the second chapter (season), what will happen (in regards to the those mysteries) … while having that anticipation, as Setsuna, I want her to be revived as soon as possible. In the Inuyasha world, you get pushed down many times, no matter what, and those intense developments where you fight as you climb back up are a distinct characteristic. Hence, I look forward to those intense developments in the second chapter (season)!

Narita: I don’t like calculating future developments and then think “I’ll do this part like this” so I go into the recordings without knowing the upcoming story or the movement of the characters as much as possible. Besides, it feels more fun to go into it without knowing the story. As such, all I use is my sense of smell. In this work, it feels like I’m using my sense of smell 1,000 times more than usual. That’s just how much concentration is needed, and I feel that this work is very stimulating in more ways than one.

— It seems that Sesshōmaru himself moves knowing what Kirinmaru and Zero are after but Narita-san, you were acting without knowing the upcoming development I see.

Narita: That’s right. Sound director Nagura Yasushi-san asked me “Would you like me to give you something that explains how things will turn out?” but I purposely declined. If I found out, it felt as though unnecessary emotions would come out of my voice. When I act, I aim for the middle between “Lines written in the script as is” and “my own considerations” like “It probably goes like this right?”.

Komatsu: Even though I think Sesshōmaru probably knows everything, his lines have various components mixed into them, so I always get a sense of “I wonder?”. That’s why as a fan, I love speculating that marginal aspect.

Matsumoto: I’m the same way. (His lines) always leave room for pondering.

Komatsu: He doesn’t speak much to begin with, but I think it’s just like father to not say everything within those few words. Watching Narita-san record in person today, I was moved by how Sesshōmaru’s nuances were expressed with such finesse.

Narita: As expected, you two are “Inuyasha” fans (laughs). But it really is difficult. He won’t say things with words after all. Although, he would just become a boring man if he said everything. I think he himself knows everything, but suppresses giving out the answer and just highlights it a little bit… that kind of moderation is important. I’m always conscious of this when I act but it’s tough after all. I only have a few lines so I have this feeling of “If I mess these words up, when is the next time (I speak)?”. That’s why I act with this feeling of “I’m going to put everything into these words” every time.

— Narita-san, how did you feel when you first heard about the “Hanyō no Yashahime” project?

Narita: I never thought they would revive “Inuyasha” in this form. If they were going to do it, I thought naturally Inuyasha would be the center of the story. The setting of Sesshōmaru’s children being the main characters never crossed my mind. I thought something like that would be impossible and I wondered about a lot of things like “Then who’s the mother?”. Rin (being the mother) was unexpected.

— It was unexpected?

Narita: I didn’t think he would ever touch upon that. I wanted to shake Sesshōmaru’s shoulders like “This isn’t like you~!” (laughs).

Komatsu: Love sprouted!

Narita: How do I put it, love is something far off to Sesshōmaru… I even think he had kids because he probably had some kind of objective.

— In other words, not because he wanted to create a family?

Narita: That might be true for Inuyasha, but for Sesshōmaru, I think there was an experimental aspect to it like “What sort of chemical reaction would happen in my heart if I had kids”. After all, I don’t think it’s necessary for him to be a dad.

Komatsu: Sesshōmaru certainly does seem like he would have that kind of desire to “want to know”.

— Then how did you feel when you saw the girls?

Narita: “Ah, so this is what they’re like” is what I thought. I thought they were brave, healthy looking kids. When color was added to the characters, I felt there were aspects similar to Sesshōmaru. But you know, the shock that he had daughters really is big. It was like “Will the Sesshōmaru up until now fall apart?” “I don’t want him to start ogling”. It was a little complicated there. It's just that it’s true that in the story of “Inuyasha”, he gradually showed his affection for Rin. In that case, something close to that may also bud for his daughters and that too may become a new appeal for him.

Reenacting Sesshōmaru’s Solitude for the Final Recording

— It’s been 20 years since the time of “Inuyasha” but Narita-san, do you remember the time you met Sesshōmaru?

Narita: I did not get the role of Sesshōmaru through auditioning. It seems there were actual auditions, but they couldn’t come to a decision, so they had Takahashi Rumiko-sensei, the author of the original work, listen to the voice samples of various candidates. It was there that Rumiko-sensei picked me is how the story goes. Until then, I did not have many appearances in anime works, so I think there are many young people who recognize me for my role as Sesshōmaru. I also felt that things changed after I played Sesshōmaru. That’s why to me, his existence is very big.

— His looks are androgynous but his voice is deep, so in the beginning, there may have been people who felt an element of surprise from that.

Narita: When I first saw his character appearance, I remember thinking he was woman dressed in a furisode. That’s why during the first test, I used a higher pitched voice. Like the pretty boy voice so to speak. Then, the sound director at the time, Tsuruoka Yōta-san told me “Please make it deeper”. I lowered my voice while thinking “What?” yet he still said “Deeper” … That’s why it was very hard in the beginning. It was to the point that I thought “I can’t keep going like this!”. That’s why I raised my voice just a little bit at time so that it wasn’t noticeable. Otherwise, I felt that I couldn’t express (things). When I did that, it gradually became easier.

Matsumoto: So that’s how it was.

Narita: Although, there was a trigger behind that. At one point, I received a letter from someone who was a fan of the work and it seemed that the Sesshōmaru that person imagined was a certain voice actor who was very popular at the time. When I read that, I thought “Whaaat!” (laughs). But if that’s the case, I thought “It’s fine if I do this more freely” and my shoulders relaxed instantly, and I felt better.

— As in acting in a way that only you can?

Narita: Yes, that’s why I’m grateful for that letter. It’s thanks to that that I was able to reach a turning point after all.

Komatsu: Meaning you broke through that “Sesshōmaru has to be like this” kind of (mentality). When I first heard Sesshōmaru’s voice in the animation, I was able to grasp that “This is what Sesshōmaru’s scariness was”. To begin with, his beauty and contrasting calmness pierced through me and I had this scary image of him from when I read the manga. However, the moment that became a voice, I really felt that it made it convincing. That’s why from the start in my mind, I couldn’t imagine anyone else for Sesshōmaru other than Narita-san. It’s the complete opposite of Inuyasha’s high tone and he’s calm. He felt like a true greater demon. His rank is much higher than Inuyasha’s and I could feel that sense of him being beyond anyone’s power.

Narita: Afterall, his father (the Dog General) was Ōtsuka Akio-san and his mother is Sakakibara Yoshiko-san. The parents were amazing, weren’t they?

Matsumoto: For sure, the whole family is strong… …!

Narita: But Sesshōmaru’s strength is that he doesn’t flinch even before such parents. Like he has his own world. I thought I really should (act) that part without wavering.

— How did it feel playing Sesshōmaru again for the first time in a while in “Hanyō no Yashahime”?

Narita: It’s been 20 years since “Inuyasha” and 10 years since “Inuyasha the Final Act” so that amount of time is pretty hefty. I thought I could do it instantly but when I tried, it felt off. I was bewildered like “I did this originally so why?”. I started acting while doing my utmost to recall the feelings from back then, but it didn’t go well immediately and even I was surprised. The stronger the emotional attachment, the closer to myself I got and I thought “This is a human”. I kept comparing and adjusting many times like “Gotta change it back, gotta change it back”.

— So there’s a certain feeling when playing a demon.

Narita: That’s when I thought I probably focused a lot more back during “Inuyasha”. The onsite studio for “Inuyasha” had a peaceful atmosphere and I felt that I couldn’t let myself get caught up in the atmosphere. Stubbornly, I strongly made myself think “I am solitary”. Until I stood in front of the microphone, I would create Sesshōmaru inside myself and carry on as such until the end. That may have been what I was missing. That’s why at the recording of the final episode today, I purposely told the girls “I want you out”.

— In other words?

Narita: Just as I said earlier, I recorded episode 23 with the girls but I recorded the final episode alone. During that time, the girls waited for me (until the interview started) and they could’ve stayed in the booth but I purposely wanted to do it alone. It probably wouldn’t have changed much whether there was someone inside or not but how to put it, I wanted to get closer to the me back then, even just a little.

— I see.

Matsumoto: There’s certainly emphasis on recording with a small number of people right now, so it might be a difficult environment to face your role in. It’s pretty much you get to the studio, immediately voice the scenes you appear in, and then immediately go home when you’re done. Even as a newbie, I can feel it throwing off my rhythm somehow.

— So even bout scenes get (cut up) into small pieces then.

Matsumoto: I think if we had recorded with everyone together from the top, we could’ve created time for each of us to focus on our roles while feeling the flow of the story. I think there’s definitely something that can be built with everyone onsite. However, there’s difficulty from not having time to build that.

Komatsu: When you can feel the flow of the whole thing onsite, the feeling changes a little from when you’re reading the script at home. There are times where you realize things for the first time. But right now, we’re only doing our corresponding scenes, so things come up that we just can’t grasp. There is merit in just doing your turn in a short time, but it feels completely different from doing it with everyone.

— So there’s a challenge that comes from the Corona crisis.

Komatsu: The staff have shown consideration for us by making it possible for us to interact with each other as much as possible, so I’m grateful. While taking in consideration counter measures against spreading the virus, they adjusted it so that those voicing scenes with character conversations can record in the same booth together. Thanks to that, the cast of the three Yashahime were basically able to record together.

Narita: They were limiting it to around 3, 4 people at most. I recorded with Kirinmaru (Yoshimasa Hosoya-san) and Zero (Sakamoto Maaya-san) many times. Then there was Jaken-chan (Chō-san). Jaken was the same old Jaken and he made me think that I had to do my best without losing. I didn’t (record) together with my younger brother (Inuyasha played by Yamaguchi Kappei-san). Not that I want to meet him or anything.

Matsumoto: It’s Lord Sesshōmaru! (laughs)

Komatsu: Thank you! (laughs)

Narita: (laughs) Also, I was able to record together with Rin (Noto Mamiko-san) in episode 1. It felt as though Noto-san had matured a little bit. Her growth as a woman came through a little in her acting, which I thought was wonderful.

Matsumoto: Us daughters haven’t recorded with Noto-san but I just happened to be able to watch the recording for episode 15, so that’s when I greeted her. When I told her “I’m your daughter; thank you for giving birth to me” Noto-san was like “Oh my god~! My daughter~!”. But we had to maintain social distancing so we were both like “I can’t hug youuuu~!” (laughs).

Komatsu: I’m so jealous. I can picture that situation (laughs)

Concern about Setsuna’s life and Towa and Riku’s relationship

— In regard to Rin, it was revealed in episode 23 and 24 that her “fate” is connected to Zero. Matsumoto-san and Komatsu-san, as daughters, what do you think?

Komatsu: I thought “what a cruel fate”. While the feeling of wanting to hurry and meet mother face to face grows stronger, currently the only way to prolong Rin’s life is to keep her asleep, and it’s there that Setsuna’s Dream Butterfly is involved. All that is linked to Zero.

Matsumoto: It’s a negative chain where in order to get Setsuna’s sleep back, you have to kill Zero but doing so would also kill Rin. Towa wants Setsuna to be able to sleep but she still doesn’t know about that connection. She tried to sever that in the final episode, but the result was…

Komatsu: Setsuna, who was never able to sleep, was finally able to sleep via death. It was such an ironic plot twist… …!

Matsumoto: Seriously, I thought “You’d write this kind of script!?”! (laughs) In the opening for cour 2, there’s a scene where Rin catches a falling Setsuna but I want them to hurry and do this scene in the main story.

Narita: Setsuna will be in season 2, right? We won’t be able to sleep in Setsuna’s place because we’re so curious.

Komatsu: I have faith that she’ll appear… … For that reason, I look forward to Towa’s efforts.

Matsumoto: I’ll do my best! At the end of the final episode, Sesshōmaru takes out a broken Tenseiga and says “Shall you try, Towa…”. That was the first time father said my name. Earlier, I watched Narita-san record from outside the booth and that was truly unforgettable. Seriously, I think it was a scene that entrusted a lot of things (to Towa) so I want to carve that voice into my heart and take on the recording for the final episode.

— In regard to Towa, her relationship with Riku is also of interest.

Matsumoto: You’re right. The scene where she told Riku “I like you!” really surprised me!

Komatsu: Love made up a large portion within the story of “Inuyasha” but “Hanyō no Yashahime” doesn’t have a love component to that level. It was a scene where you saw a small sign of that.

Matsumoto: For the line “I like you”, Nagura-san directed me before the recording “It is absolutely not fawning. Please don’t go in the LOVE (romantic) direction.” I think it was a refreshing emotion and that she liked Riku as a person type feeling. I was also told “It’s okay to show happiness when Towa sees Riku like ‘Oh it’s Riku’”. Even though she doesn’t think it’s (romantic) love, it seems she’s always had this perception of “Riku’s not a bad person” and I think what burst out from that was “I like you”. The fact that Riku hugged her was something that lingered with her into the next episode, and it was very memorable.

Narita: Riku… … he can’t be overlooked in many ways (laughs). This won’t do, I can’t let him live. I guess I should cut him down in a single stroke!

Matsumoto: Fatheeeeer!! (laughs)

Komatsu: Like “I won’t forgive anyone who make a move on my daughter” (laughs)

— Riku’s wellbeing will be something to pay attention to in season 2 (laughs). Lastly please give a message to our readers who are looking forward to the second chapter (season).

Komatsu: First off, there’s what’s going to happen to Setsuna. I’m sure Towa, who’s been entrusted with things, will revive her in the second chapter (season)… … Personally, I want to see father-daughter interaction and a reunion scene with mother. I also haven’t given up on my dream of an exciting modern era school life! Just once is fine but I want an episode where everyone goes to the modern era, wears a school uniform, and takes Kirin-sensei’s class. Having it end as “it was all just a dream” is fine too (laughs). I believe there are issues as well like Inuyasha and Kagome being trapped in the black pearl, so I hope everything is included in the second chapter (season)!

Narita: Indeed, when I think about what all is going to happen, I can’t help but be curious. Coming to episode 23, I recorded with the girls for the first time but how are things going to be between (Sesshōmaru) and the girls going forward? I’m also curious about the relationships with Inuyasha and Kirinmaru. I’m just like the viewers in that I want to enjoy each episode one at a time. I’m truly happy to have encountered this work. I would be happy if everyone continued supporting us.

Matsumoto: In terms of hopes, I want Setsuna to be revived immediately at the beginning of the second chapter (season)… … Even if that doesn’t happen, I want Setsuna to be revived as soon as possible. I think there will be new encounters getting there. At the end of season 1, there was a character named Akuru that appeared along with the keyword “Windmill of Time”. I’m excited to see how those will connect into the second chapter (season). Another thing I’m curious about is the promise that was made to Mei, “We’ll come back for sure”.

Komatsu: Oh yeah

Matsumoto: I do feel that I want to see a scene where Towa says “I’m home” to the Higurashi family… … but right now I don’t want to go back to the modern era! Need to revive Setsuna and clean up everything before that! Riku, Zero, and Kirinmaru might show some new movement in the second chapter (season). Please look forward to it without missing the details!

Q. Who did you think was Towa and Setsuna’s mother?

Narita: I thought it was Jaken (laughs).

Matsumoto: The Mama Jaken theory! (laughs)

Komatsu: Even among the fans, there was the Mama Jaken theory in the beginning (laughs).

Narita: Well, Jaken stays close to Sesshōmaru the most and knows him best. If love was going to sprout, it would’ve been from Jaken. Plus, he’s a full demon.

Matsumoto: Master Jaken really looks at Lord Sesshōmaru after all.

Komatsu: In actuality, Master Jaken was both the educator and caretaker, so his position was like a wet nurse.

Narita: He might’ve been breast feeding them periodically. Demons seem like they can do anything (laughs).

Komatsu: I think Master Jaken guessed what Lord Sesshōmaru was feeling and thought “What is my role…”.

Narita: He probably can’t be by Sesshōmaru’s side if he doesn’t have that kind of anticipation (laughs)

#Yashahime #hanyou no yashahime #yashahime: princess half demon #translation

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