#jess mariani

[solarbird]

Katya Volskaya's government in Russia has destroyed the omnium Koschei, and held their own against the Gods of Oasis. But with Jesse McCree having upset a precarious balance, Lena, Hana, and Sombra have intervened in Russia's rising civil war, and the fragile peace between Overwatch and Oasis has been shattered.

Overwatch may have disavowed Jesse McCree, but Genji Shimada would never leave his lover to the Deadlock Gang's tender mercies.

Of Gods and Monsters: The Arc of Conflict Saga 19: For a Few Euros More solarbird and bzarcher

SPECIAL NOTES: Rated M for violence. cw: implied/referenced self-harm

Of Gods and Monsters: The Arc of Conflict is a continuance of The Arc of Ascension, The Arc of Creation, and In the Beginning, there was an Armourer and a Living Weapon. It will be told in a series of eddas, sagas, interludes, fragments, texts, and cantos, all of which serve their individual purposes. To follow the story as it appears, please subscribe to the series.

[marketerefforts]

Chaise Sofa Market Report Till 2028 | Latest Trend, Growth Opportunities & Forecast Analysis

The study on Chaise Sofa Market with its type and application sales analysis is very essential for all the decision-makers or strategists operating in this industry. The report is made by analysts with deep industry knowledge and experience. The global, regional, and country annual sales and revenue has been studied for the historical years and estimated for the current year. With the help of analytical tools, primary interviews, and data triangulation the report is enriched with quality data. The qualitative data on the upcoming industry trends with market triggers and risks are covered as a separate section in this comprehensive report.

As understood and analyzed in the global Chaise Sofa market report the growth CAGR in the year 2022 to 2028 is showing a promising inclination. The macro and microeconomic conditions are studied and forecast data is anticipated.

Click here to get a FREE Sample PDF Copy of the Chaise Sofa Market Research Report @ https://www.decisiondatabases.com/contact/download-sample-58693

As per this report analysis, the Chaise Sofa market is expected to show a CAGR (revenue) of xx% between the forecast years and the global market size can cross USD XX million by the end of 2028, growing from USD XX million in the year 2022. This report specifically covers the global market share (sales as well as revenue) of key companies in the Chaise Sofa business, as mentioned in a separate Chapter 3.

Regionally, the Chaise Sofa market data is studied under the below-mentioned regions and countries – Americas covering (United States, Canada, Mexico, Brazil), APAC covering (China, Japan, Korea, Southeast Asia, India, Australia), Europe covering (Germany, France, UK, Italy, Russia, Spain), Middle East & Africa covering (Egypt, South Africa, Israel, Turkey, and other GCC Countries).

This research study gives a comprehensive overview of market share and growth opportunities of the Chaise Sofa market as per type and application. The report also covers key manufacturers’ profiles with sales and gross margin data.

The key manufacturers covered in this report: Breakdown data in Chapter 3.

Zanotta

Porro

4 Mariani

Neology

Living Divani

CASAMANIA HORM

KOKET Love Happens

MORELATO

Gufram

ORSITALIA

Colección Alexandra

Jess

Oficina Inglesa

Others

 To inquire about report customization, feel free to reach out to our team of expert analysts @ https://www.decisiondatabases.com/contact/ask-questions-58693

This study considers the Chaise Sofa value and volume generated from the sales of the following segments:

Segmentation by type: breakdown data from 2017 to 2022, in Section 2.3; and forecast to 2028 in section 11.7.

Traditional Style

Classic Style

Modern Style

Segmentation by application: breakdown data from 2017 to 2022, in Section 2.4; and forecast to 2028 in section 11.8.

Family

Commercial

The latest developments of the industry and the sales channel, manufacturing process along with the manufacturing cost study is covered in the report.

Key Questions Answered –

What will be the Chaise Sofa market CAGR and size between 2022-2028?

Who are the top/leading players of the Chaise Sofa market?

What changes are expected in the Chaise Sofa market in the next six years?

Which are the top product and leading applications of the Chaise Sofa market?

What are the leading market drivers and major risks factors for the Chaise Sofa market?

Which region/country leads and foresees highest growth in the next six years?

Purchase the Complete Global Chaise Sofa Market Research Report @ https://www.decisiondatabases.com/contact/buy-now-58693

About Us:

DecisionDatabases.com is a global business research report provider, enriching decision makers and strategists with qualitative statistics. DecisionDatabases.com is proficient in providing syndicated research reports, customized research reports, company profiles, and industry databases across multiple domains. Our expert research analysts have been trained to map clients’ research requirements to the correct research resource leading to a distinctive edge over its competitors. We provide intellectual, precise, and meaningful data at a lightning speed.

For more details: DecisionDatabases.com E-Mail: sales@decisiondatabases.com Phone: +91-93077-28237 Website || Official Blog || Insights Analysis

[docrotten]

NEAR DARK (1987) – Episode 186 – Decades of Horror 1980s

"I hate 'em when they ain't been shaved."  Take that however you want. Join your faithful Grue-Crew - Crystal Cleveland, Chad Hunt, Bill Mulligan, and Jeff Mohr -  as they check out Oscar-winning director Kathryn Bigelow’s Near Dark (1987), a western-tinged vampire film starring Bill Paxton and Lance Henrickson.

Decades of Horror 1980s Episode 186 – Near Dark (1987)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

A small-town farmer's son reluctantly joins a traveling group of vampires after he is bitten by a beautiful drifter.

IMDb

  Director: Kathryn Bigelow

Writers: Kathryn Bigelow, Eric Red

Producer: Steven-Charles Jaffe

Music by: Tangerine Dream

Cinematography by: Adam Greenberg

Selected Cast

Adrian Pasdar as Caleb Colton

Jenny Wright as Mae

Lance Henriksen as Jesse Hooker

Bill Paxton as Severen

Jenette Goldstein as Diamondback

Joshua John Miller as Homer

Marcie Leeds as Sarah Colton

Tim Thomerson as Loy Colton

Troy Evans as Plainclothes Police Officer

Roger Aaron Brown as Cajun Truck Driver

James LeGros as Teenage Cowboy

Billy Beck as Motel Manager

S.A. Griffin as Police Officer at Motel

Neith Hunter as Lady in Truck

Theresa Randle as Lady in Truck

Near Dark is Chad’s pick and he loves the dirty, gritty, and nasty version of vampires depicted in this modernized western, calling it one of his favorite vampire movies. Tangerine Dream’s soundtrack is also a big plus in Chad’s book. Crystal loves a good vampire movie and ranks Near Dark alongside Fright Night (1985) and The Lost Boys (1987). For her, Bill Paxton’s performance is a big part of what makes this movie so good and, of course, Adrian Pasdar’s presence in the cast doesn’t hurt either. Bill loves how Near Dark nails the kind of miserable, addictive, grimy existence vampires would have instead of glorifying them. He also thinks the film is perfectly cast, especially the Aliens (1986) alumni. Jeff also loves Bill Paxton’s performance and points out this is the last film produced by DEG before it went bankrupt, severely hampering the film’s marketing.

The 80s Grue-Crew also recommends the first Decades of Horror 1980s podcast on Near Dark, recorded live from DragonCon 2017 and featuring Thomas Mariani, Christopher G. Moore, Doc Rotten, Bill Mulligan, and special guest C. Robert Cargill. You can check it out at Decades of Horror 1980s Episode 116.

If you haven’t seen it for a while or maybe if it just slipped through the cracks for you, Near Dark is currently streaming on Shudder. Check it out! 

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Jeff, will be Children of the Corn (1984). You won’t want to miss that one!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans:  leave them a message or leave a comment on the gruesome Magazine Youtube channel, on the website or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com

Check out this episode!

[ao3feed-widowtracer]

Official timeline, The Fear of Spiders Overwatch AU

Read it on AO3 at http://archiveofourown.org/works/11555406

by solarbird

This is an online version of my official timeline for On Overcoming the Fear of Spiders and all other stories set in that continuity, including all works in intersections in the web of time, and the upcoming Old Soldiers. It is current as of 19 July 2017 and contains material not previously released. Spoilers abound.

Words: 2755, Chapters: 1/1, Language: English

Series: Part 5 of intersections in the web of time

Fandoms: Overwatch (Video Game)

Rating: Not Rated

Warnings: Graphic Depictions Of Violence, Major Character Death

Categories: F/F, F/M, Gen

Characters: Widowmaker | Amélie Lacroix, Lena "Tracer" Oxton, Lena "Venom" Oxton, Sombra (Overwatch), Winston (Overwatch), Tekhartha Mondatta, Tekhartha Zenyatta, Geanna Mariani (OC), Taviano Bonsignore (OC), ░░░░░░ (Overwatch), Jesse McCree, Angela "Mercy" Ziegler, Group Captain Aubrey Henderson (OC), Fareeha "Pharah" Amari, Brigadier Neelashi Shukla (OC), Gérard Lacroix

Relationships: Widowmaker | Amélie Lacroix/Lena "Tracer" Oxton, Widowmaker | Amélie Lacroix & Lena "Tracer" Oxton, Fareeha "Pharah" Amari/Angela "Mercy" Ziegler, Widowmaker | Amélie Lacroix & Gérard Lacroix

Additional Tags: Timeline, Alternate Timelines, Overwatch AU

Read it on AO3 at http://archiveofourown.org/works/11555406

[whileiamdying]

Three young women learn about loss over the course of a Bonfire Night that takes them on surreal journey into the depths of the English countryside. Written and Directed by Lucy Luscombe Cast Juliette Motamed Francesca Giffen Vivian Oparah Produced by Amanda Mesaikos & Scott O’Donnell Director of Photography Benjamin Thomas Additional Photography David Bird Editor Phil Currie Casting Director Coralie Rose Edit Assembly Jay Moss Script Editor Rose Gardner Production Design Lucie Red & Oian Arteta Original Music God Colony Music Supervisor Clarisse Quin Colourist James Bamford Sound Mix Ned Sisson Titles & Artwork Fraser Muggeridge studio - Jules Estèves Assistant Director Tom Wynborne Production Managers Sara Archer, Poppy Davies, Oskar Pimlott Sound Recordists Freya Clarke, Nikos Nikolalaios Boom Ops Pasquin Mariani, Eleanor Russell Focus Pullers Julia Green, Richard Simkins, Brendan Harvey Steadicam Jake Whitehouse & Doug Walsh Clapper Loader Todd Pacey DIT Ellie Bright Drone Op Ian Hunter Gaffers Joe Williams, Jake Buckley Sparks Carlo Tuazon, Isobel Jones, Hamza Twomey SFX Supervisor Matt Strange Assistant Art Directors: Zoe Klinck, Alicia Howitt, Maria Bolocan, Meryn Cobbin Set Dresser: Andrés Bravo Graphic Designer: Sergi Casero Script Supervisor Rose Gardner Hair & Make Up Eleanor Garratt Runners Matt Orlowski, Giorgia Aubrey, Alex Tawney, Cameron Russell, Meea Atkin Sasha’s Mum Indra Ove Pagan Woman Laura Belmont Sasha Jesse Jones Joelle Joelle Robinson Joelle’s friend Tanicha Pearce Joelle’s friend Georgie Banks Joelle’s friend Lou Destanque Pagan Girl Abi Corbett Drug Dealer Dylan Hughes Funeral Patron Catherine Neal Funeral Patron Yasmin Maya Funeral Patron Craig Karpel Funeral Patron Beverly Chinnama Party Extra Kitty Cockram Party Extra Harry Brierley Party Extra Mia Rose Party Extra Francis Thurstun-Crees Party Extra Dina Tsesarsky Party Extra Jose Oliviera Party Extra Henry Thompson Party Extra Megan Gretch Party Extra Joshua Ward Party Extra Jonny Davidson Party Extra James Girard Party Extra Molly Longworth Party Extra Emma Stepkowski Party Extra Gaia Polio Party Extra Caven Alexander Party Extra Emma Fisher Party Extra Ella Niner Party Extra Tania Aresti Party Extra Jake Botterell Party Extra Aleksandar Husagic Party Extra Lucy Mynard Party Extra Maira Machdo Party Extra Tayne Vaughan Pagan Paul Gardner Pagan Carole Gardner Pagan Darron Prior Pagan Chris Prior Pagan Tanja Kleinemeier Recorded Music Fights God Colony ft Flohio SE16 God Colony ft Flohio Never Ever All Saints

[artwalktv]

Three young women learn about loss over the course of a Bonfire Night that takes them on surreal journey into the depths of the English countryside. Written and Directed by Lucy Luscombe Cast Juliette Motamed Francesca Giffen Vivian Oparah Produced by Amanda Mesaikos & Scott O’Donnell Director of Photography Benjamin Thomas Additional Photography David Bird Editor Phil Currie Casting Director Coralie Rose Edit Assembly Jay Moss Script Editor Rose Gardner Production Design Lucie Red & Oian Arteta Original Music God Colony Music Supervisor Clarisse Quin Colourist James Bamford Sound Mix Ned Sisson Titles & Artwork Fraser Muggeridge studio - Jules Estèves Assistant Director Tom Wynborne Production Managers Sara Archer, Poppy Davies, Oskar Pimlott Sound Recordists Freya Clarke, Nikos Nikolalaios Boom Ops Pasquin Mariani, Eleanor Russell Focus Pullers Julia Green, Richard Simkins, Brendan Harvey Steadicam Jake Whitehouse & Doug Walsh Clapper Loader Todd Pacey DIT Ellie Bright Drone Op Ian Hunter Gaffers Joe Williams, Jake Buckley Sparks Carlo Tuazon, Isobel Jones, Hamza Twomey SFX Supervisor Matt Strange Assistant Art Directors: Zoe Klinck, Alicia Howitt, Maria Bolocan, Meryn Cobbin Set Dresser: Andrés Bravo Graphic Designer: Sergi Casero Script Supervisor Rose Gardner Hair & Make Up Eleanor Garratt Runners Matt Orlowski, Giorgia Aubrey, Alex Tawney, Cameron Russell, Meea Atkin Sasha’s Mum Indra Ove Pagan Woman Laura Belmont Sasha Jesse Jones Joelle Joelle Robinson Joelle’s friend Tanicha Pearce Joelle’s friend Georgie Banks Joelle’s friend Lou Destanque Pagan Girl Abi Corbett Drug Dealer Dylan Hughes Funeral Patron Catherine Neal Funeral Patron Yasmin Maya Funeral Patron Craig Karpel Funeral Patron Beverly Chinnama Party Extra Kitty Cockram Party Extra Harry Brierley Party Extra Mia Rose Party Extra Francis Thurstun-Crees Party Extra Dina Tsesarsky Party Extra Jose Oliviera Party Extra Henry Thompson Party Extra Megan Gretch Party Extra Joshua Ward Party Extra Jonny Davidson Party Extra James Girard Party Extra Molly Longworth Party Extra Emma Stepkowski Party Extra Gaia Polio Party Extra Caven Alexander Party Extra Emma Fisher Party Extra Ella Niner Party Extra Tania Aresti Party Extra Jake Botterell Party Extra Aleksandar Husagic Party Extra Lucy Mynard Party Extra Maira Machdo Party Extra Tayne Vaughan Pagan Paul Gardner Pagan Carole Gardner Pagan Darron Prior Pagan Chris Prior Pagan Tanja Kleinemeier Recorded Music Fights God Colony ft Flohio SE16 God Colony ft Flohio Never Ever All Saints

[ao3feed-pharmercy]

Official timeline, The Fear of Spiders Overwatch AU

read it on the AO3 at http://archiveofourown.org/works/11555406

by solarbird

This is an online version of my official timeline for On Overcoming the Fear of Spiders and all other stories set in that continuity, including all works in intersections in the web of time, and the upcoming Old Soldiers. It is current as of 19 July 2017 and contains material not previously released. Spoilers abound.

Words: 2755, Chapters: 1/1, Language: English

Series: Part 5 of intersections in the web of time

Fandoms: Overwatch (Video Game)

Rating: Not Rated

Warnings: Graphic Depictions Of Violence, Major Character Death

Categories: F/F, F/M, Gen

Characters: Widowmaker | Amélie Lacroix, Lena "Tracer" Oxton, Lena "Venom" Oxton, Sombra (Overwatch), Winston (Overwatch), Tekhartha Mondatta, Tekhartha Zenyatta, Geanna Mariani (OC), Taviano Bonsignore (OC), ░░░░░░ (Overwatch), Jesse McCree, Angela "Mercy" Ziegler, Group Captain Aubrey Henderson (OC), Fareeha "Pharah" Amari, Brigadier Neelashi Shukla (OC), Gérard Lacroix

Relationships: Widowmaker | Amélie Lacroix/Lena "Tracer" Oxton, Widowmaker | Amélie Lacroix & Lena "Tracer" Oxton, Fareeha "Pharah" Amari/Angela "Mercy" Ziegler, Widowmaker | Amélie Lacroix & Gérard Lacroix

Additional Tags: Timeline, Alternate Timelines, Overwatch AU

read it on the AO3 at http://archiveofourown.org/works/11555406

[hasifullah]

[JUAL SUTERA BELI MASTULI] Seterusnya, semestinya nak ucapkan terima kasih dekat keluarga terutamanya Kak Lyn dengan Kak Wie, Allahu, semua dah memang tahu aku ni pelik, susah sikit nak berkompromi. Hahah. Jadi doranglah yang banyak bantu, duit tak cukup, makan banyak, semoga dipermudahkan sentiasa urusan dunia akhirat. Walaupun nakal, biasalah adik bongsu kut, hahaha, perhatian tu nak lebih. 😘 Ucapan seterusnya kepada warga Kolej Pendeta Za’ba dan Fakulti Pengajian Alam Sekitar, semestinya Bonda, Kak Su dan Dr Makmom yang banyak bantu dalam pembentukan kepimpinan saya. Keluar masuk keluar masuk pejabat suka hati minta pendapat dan tolong itu ini. Kalau lah tulang belakang segala pembentukan sahsiah yang baik di kolej dan fakulti. 🌹 Dr Liney sebagai SV, PA, lecturer, advisor, terima kasih memantau, kadang2 stress layan saya, hahah biasa lah tu. Barisan pensyarah, Dr Sabrina, Dr Bakri, Dr Amir, Dr Yusoff, Prof Azizi, Dr Latifah, Dr Zulfa, Madam Rosta ❤️, Dr Ramdzani, Dr Joe, Dr Rosly, Dr Zel, Dr Mariani juga 🎂 dan pegawai KPZ dan FPAS. Maaf tak dapat nak jumpe semua. At least saya merasa teguran dari setiap seorang setiap semester untuk jadi Earth Defender yang lebih bijak. Apalah perjalanan 4 tahun tanpa budak kelas, warga Fakulti dan Kolej. Banyak korang ajar sebenarnya. Banyak doa dan sokongan korang. Terima kasih banyak2 atas kesabaran bersama aku. Hahah. Terutamanya Aliff lah dan Am. Jess Ain dan Syammir. Atiqah Ira Jenab Dayana Enon Hafizan Hakeem. Tak habis post nak sebut semua. Junior, FESSA, Pujangga Pendeta oh sayang semua. 🎈🌹 Kalau ada nama tertinggal maaf ya. Tapi tulah korang lah buah hati. Selalu ada. 😔 Terima kasih semua, doa dan sokongan yang korang berikan secara langsung dan tak langsung harap Allah berikan ganjaran, kalau tak sekarang Insya Allah akan datang. Dan resepi aku untuk berjaya? Hahah. Mudahkan kerja orang, Allah mudahkan kerja kita, orang tak mudahkan kerja kita? Takpe kite bukan dorang. Kite adalah kite. 😘 Akhir kata, teruskan menjadi sumber inspirasi. Kalau kite tak boleh harapkan orang atas, kite jadi idola kita. Penghargaan juga kpd Prof Emeritus Tan Sri Dr Rashdan Baba dan Prof Madya Tengku Hanidza Tengku Ismail. ❤ (at Universiti Putra Malaysia)

[4h55]

Me arrependo de não ter assistido Breaking Bad antes! Mas graças a Mariany fui apresentada a esse espetáculo de série. Me sinto poser, porque ela tá assistindo pela quarta vez já... Eu eu aqui, encantada e me achany a fã, tendo assistido só uma vez, 6 anos depois que a série terminou. Só sei que Breaking Bad bateu forte aqui. E o filme veio pra fechar com chave de ouro a história do meu personagem favorito <3 Jesse Pinkman, bitch!

 Acho que a razão pela qual eu gostei tanto de Breaking Bad foi ter visto a evolução dos personagens e como eles mudam durante as temporadas. Isso me fez refletir sobre como nós mudamos e nos afetamos com as coisas/pessoas que nos rodeiam.

E o Jesse representa essa parte da mudança quando se trata de crescimento, abandono da inocência, quando os problemas começam a ficar maiores e aquelas situações leves começam a pesar mais na nossa vida. Ele representa a entrada na vida adulta. Representa essa intensificação de tudo e como nossas escolhas antigas começam a nos afetar... Daí em diante só consigo pensar no Jesse Pinkman do primeiro episódio, que adorava sair com umas MILFS (hahahah), caindo pelado de um telhado - pra um Jesse traído, manipulado, preso a um cativeiro, tolhido de sua liberdade e inocência, tendo de conviver com seus erros e com a falta das pessoas que foram tiradas de sua vida, tudo graças a um cara que aparentemente era um bosta nenhuma no início da série.   

Enfim, essa série bateu forte. E fiquei muito aliviada por não terem cagado com a história toda, por causa do filme. El Camino fcheou a histório do Pinkman perfeitamente. Obrigada Vince Gilligan, você é foda!

[greenbehindtheears]

PAGANS from Lucy Luscombe on Vimeo.

Three young women learn about loss over the course of a Bonfire Night that takes them on surreal journey into the depths of the English countryside.

Written and Directed by Lucy Luscombe

Cast

Juliette Motamed Francesca Giffen Vivian Oparah

Produced by Amanda Mesaikos & Scott O’Donnell

Director of Photography Benjamin Thomas

Additional Photography David Bird

Editor Phil Currie

Casting Director Coralie Rose

Edit Assembly Jay Moss

Script Editor Rose Gardner

Production Design Lucie Red & Oian Arteta

Original Music God Colony

Music Supervisor Clarisse Quin

Colourist James Bamford

Sound Mix Ned Sisson

Titles & Artwork Fraser Muggeridge studio - Jules Estèves

Assistant Director Tom Wynborne

Production Managers Sara Archer, Poppy Davies, Oskar Pimlott

Sound Recordists Freya Clarke, Nikos Nikolalaios

Boom Ops Pasquin Mariani, Eleanor Russell

Focus Pullers Julia Green, Richard Simkins, Brendan Harvey

Steadicam Jake Whitehouse & Doug Walsh

Clapper Loader Todd Pacey

DIT Ellie Bright

Drone Op Ian Hunter

Gaffers Joe Williams, Jake Buckley

Sparks Carlo Tuazon, Isobel Jones, Hamza Twomey

SFX Supervisor Matt Strange

Assistant Art Directors: Zoe Klinck, Alicia Howitt, Maria Bolocan, Meryn Cobbin

Set Dresser: Andrés Bravo

Graphic Designer: Sergi Casero

Script Supervisor Rose Gardner

Hair & Make Up Eleanor Garratt

Runners Matt Orlowski, Giorgia Aubrey, Alex Tawney, Cameron Russell, Meea Atkin

Sasha’s Mum Indra Ove Pagan Woman Laura Belmont Sasha Jesse Jones Joelle Joelle Robinson Joelle’s friend Tanicha Pearce Joelle’s friend Georgie Banks Joelle’s friend Lou Destanque

Pagan Girl Abi Corbett Drug Dealer Dylan Hughes Funeral Patron Catherine Neal Funeral Patron Yasmin Maya Funeral Patron Craig Karpel Funeral Patron Beverly Chinnama Party Extra Kitty Cockram Party Extra Harry Brierley Party Extra Mia Rose Party Extra Francis Thurstun-Crees Party Extra Dina Tsesarsky Party Extra Jose Oliviera Party Extra Henry Thompson Party Extra Megan Gretch Party Extra Joshua Ward Party Extra Jonny Davidson Party Extra James Girard Party Extra Molly Longworth Party Extra Emma Stepkowski Party Extra Gaia Polio Party Extra Caven Alexander Party Extra Emma Fisher Party Extra Ella Niner Party Extra Tania Aresti Party Extra Jake Botterell Party Extra Aleksandar Husagic Party Extra Lucy Mynard Party Extra Maira Machdo Party Extra Tayne Vaughan Pagan Paul Gardner Pagan Carole Gardner Pagan Darron Prior Pagan Chris Prior Pagan Tanja Kleinemeier

Recorded Music

Fights God Colony ft Flohio SE16 God Colony ft Flohio

Never Ever All Saints

[solarbird]

don't you feel better - at least, for now?

Old Soldiers, Chapter 4: "don't you feel better - at least, for now"

My computer is acting very badly today (the trackpad has gone off) so the formatting of this header is a little strange, but be aware that the rating on this story has been revised upwards, and that this chapter is NSFW. Be also aware that while I have not been setting archive warnings on the AO3 version of this, I categorically do not write non-con or underage.

[AO3 link]

Venom lay curled up against Widowmaker, her head on her lover's shoulder, eyes closed. "So glad you're home, love."

Amélie looked down to her lover's hair, sated, for the moment, but not finished, and she tipped her head forward, nuzzling at that spiky hair she knew so well. "I am too, cherie."

She rolled over, rolling Lena over as well, straddling over her wife. Lena squeaked a little in protest - "Aw, I was comfortable!" - but quieted as Amélie brought herself down atop the younger woman, kissing her, gently, holding herself up with one arm as the fingertips of her other hand brushed slowly along her lover's left torso and breast, Lena's body lighting up with blues as her wife's fingers danced along their ways.

Venom gasped a little, returning the kiss, reaching up around Amélie's head and to pull her closer, but Widowmaker pulled back and slid down, tracing down Lena's neck and chest and stomach with her tongue, down to her mons and then further, light following her touch, then head down between her lover's legs, hands now around her hips and thighs, Venom's back arched and Amé pushed her lover back down - can't have you if you flex away from me - Lena's hands weaving through Amélie's hair as she moaned.

Venom wanted, or part of her wanted, to quip about being even more comfortable now, but couldn't, the words lost, the thought lost to what her beautiful blue spider was doing with her amazing blue tongue, until she came, again, shaking with the release, moaning, gasping out, "How do you do that?!" and her spider smiled openly and wide, saying, "You have to be French."

Lena laughed and grabbed a pillow and bopped Amélie with it, crying, "Vive la France!" as her lover rolled away, giggling, this being the only kind of time and the only kind of place where the assassin might openly giggle, alone with her beloved and as safe as she ever might possibly be, warm in her nest with the woman she loved more than anything and anyone else in the world. No rifle, no guns, no mines, no chain - well, not that kind of chain - nothing but each other to hold and adore.

"Y'know," Lena said, as they cuddled back up together. "At some point, we have to get up and get back to the real world."

"I know," said her Amélie. "And it will not be so pleasant as this. But don't you feel better, at least, for now?"

"Yeh," smiled the younger assassin, sleepily. "You?"

"Oh yes," said the senior assassin, again kissing her partner's head. "Much better."

[the next day]

"I think it is important we allow them to take their best shot," said the Widowmaker, sliding the last chair off the wall and into place around the table. They had set up the teleconferencing gear in the practice gym's meeting annex, and were awaiting everyone else's virtual arrivals. "Politically important," she emphasised. The new Overwatch effort may not have been her idea, and she might still consider it dubious over the long term, but she was determined not to contribute to its failure.

The younger assassin did not growl and did not snarl, but the anger that flashed across her face might make someone think she had. Damn, she thought immediately, No. Get a lid on it, Venom! She brought more of the web online, forcing herself to calm. She smiled.

Amélie shook her head. "Please, Lena, don't. Be angry, do not lock this down so far."

Lena looked placidly at her lover, and blinked. "Won't do any good to yell at you, love. And I don't want to ruin last night."

"This is not better. Yell at me," said the older assassin, encouraging her lover with gestures of her hands. "Scream, if you must. We have never had lies, and I do not want to start now - not over someone like him."

Venom lifted the web a little, felt the rage surge, and bit her lip 'till it passed. Careful, she thought. A bit at a time. Another step, and then a third, and then she did in fact scream, drew her pistols, and jinked out to the gym floor, firing as many clips as she could, utterly destroying the "Morrison" practice bot they'd set up earlier, punching at its components hard enough to send machine parts flying across the room.

She hunched atop the remains, panting, and crying. "That's... why."

Amélie walked over, slowly, carefully. "And controlling it directly, as you have been, is fine - in the field. But it is not fine, here. Please. It is safe. Talk to me." She put her hand on the back of Lena's neck, and rubbed the muscles gently.

Venom hung her head, and, slowly, replied, "Nothin' to say that I haven't already. I hate him so much."

"I know. Say it anyway."

"I hate him. Not just for the Slipstream. Not just for that. For everything else, too." The younger assassin flipped over, lying on her back, shoving robot bits aside and staring up from the floor, as her wife sat down next to her, running her hands through her hair. "It's like, it wasn't enough to abandon me after the explosion. It's like, he had to destroy..." She paused.

"Go on," encouraged the spider.

"He had to destroy everybody else, too. It had to be him, or it couldn't be anybody, didn't it? Half of Overwatch died in that fight - I knew those people, we were friends. Hell, I dated a couple of 'em... there'd been this redhead, a flight mechanic named Emily..." She shook her head, no, trying to clear the memory away. "And then Winston was exiled, and Mei abandoned in Antarctica..." Her face went sharp and angry. "Didja know, when he brought on Hana Song, she was fifteen? Fifteen. He made her into a child soldier and nobody even questioned it."

"He hardly had to persuade her," the spider noted.

"Yeh, but he had a responsibility not to. And he did anyway."

The blue assassin agreed, "This life is no place for children," as Sombra's ready light flashed. "It looks like everyone is signing in," she said, as Jesse McCree, Geanna Mariani, and Akande Ogundimu's ready lights followed the first.

"Wow," Lena said, sitting up, wiping the tears away. "Everyone's right on time."

"Jack always had a way of focusing everyone's attention," said the spider. "I am not surprised that this time will be no different. Are you ready?"

"Yeah," Venom said, her head clearer, web completely lifted and still in control of herself. The violence had helped, at least for now, as it usually did. "I think so." She sat next to Widowmaker, holding her wife's hand under the table, and both their displays and cameras lit up. She looked over at McCree's image, and, muting her microphone, asked Amélie, "...is Jesse in his bedroom?"

"It is a small safehouse," the spider replied, with some amusement.

"Yeh, but... isn't that Shimada's bow in the corner?"

The spider discreetly checked, and nodded, just a little. "I think so." She smirked. "That is not what I meant by recruitment."

Venom, who had once been Tracer, and who had once been recruited, stifled a giggle. "The hell it's not."

"Quiet, you foolish girl," the spider said, struggling not to laugh. "Decorum. We have work to do."

[ozkamal]

Three young women learn about loss over the course of a Bonfire Night that takes them on surreal journey into the depths of the English countryside. Written and Directed by Lucy Luscombe Cast Juliette Motamed Francesca Giffen Vivian Oparah Produced by Amanda Mesaikos & Scott O’Donnell Director of Photography Benjamin Thomas Additional Photography David Bird Editor Phil Currie Casting Director Coralie Rose Edit Assembly Jay Moss Script Editor Rose Gardner Production Design Lucie Red & Oian Arteta Original Music God Colony Music Supervisor Clarisse Quin Colourist James Bamford Sound Mix Ned Sisson Titles & Artwork Fraser Muggeridge studio - Jules Estèves Assistant Director Tom Wynborne Production Managers Sara Archer, Poppy Davies, Oskar Pimlott Sound Recordists Freya Clarke, Nikos Nikolalaios Boom Ops Pasquin Mariani, Eleanor Russell Focus Pullers Julia Green, Richard Simkins, Brendan Harvey Steadicam Jake Whitehouse & Doug Walsh Clapper Loader Todd Pacey DIT Ellie Bright Drone Op Ian Hunter Gaffers Joe Williams, Jake Buckley Sparks Carlo Tuazon, Isobel Jones, Hamza Twomey SFX Supervisor Matt Strange Assistant Art Directors: Zoe Klinck, Alicia Howitt, Maria Bolocan, Meryn Cobbin Set Dresser: Andrés Bravo Graphic Designer: Sergi Casero Script Supervisor Rose Gardner Hair & Make Up Eleanor Garratt Runners Matt Orlowski, Giorgia Aubrey, Alex Tawney, Cameron Russell, Meea Atkin Sasha’s Mum Indra Ove Pagan Woman Laura Belmont Sasha Jesse Jones Joelle Joelle Robinson Joelle’s friend Tanicha Pearce Joelle’s friend Georgie Banks Joelle’s friend Lou Destanque Pagan Girl Abi Corbett Drug Dealer Dylan Hughes Funeral Patron Catherine Neal Funeral Patron Yasmin Maya Funeral Patron Craig Karpel Funeral Patron Beverly Chinnama Party Extra Kitty Cockram Party Extra Harry Brierley Party Extra Mia Rose Party Extra Francis Thurstun-Crees Party Extra Dina Tsesarsky Party Extra Jose Oliviera Party Extra Henry Thompson Party Extra Megan Gretch Party Extra Joshua Ward Party Extra Jonny Davidson Party Extra James Girard Party Extra Molly Longworth Party Extra Emma Stepkowski Party Extra Gaia Polio Party Extra Caven Alexander Party Extra Emma Fisher Party Extra Ella Niner Party Extra Tania Aresti Party Extra Jake Botterell Party Extra Aleksandar Husagic Party Extra Lucy Mynard Party Extra Maira Machdo Party Extra Tayne Vaughan Pagan Paul Gardner Pagan Carole Gardner Pagan Darron Prior Pagan Chris Prior Pagan Tanja Kleinemeier Recorded Music Fights God Colony ft Flohio SE16 God Colony ft Flohio Never Ever All Saints

[andynortonuk]

PAGANS from Lucy Luscombe on Vimeo.

Three young women learn about loss over the course of a Bonfire Night that takes them on surreal journey into the depths of the English countryside.

Written and Directed by Lucy Luscombe

Cast

Juliette Motamed Francesca Giffen Vivian Oparah

Produced by Amanda Mesaikos & Scott O’Donnell

Director of Photography Benjamin Thomas

Additional Photography David Bird

Editor Phil Currie

Casting Director Coralie Rose

Edit Assembly Jay Moss

Script Editor Rose Gardner

Production Design Lucie Red & Oian Arteta

Original Music God Colony

Music Supervisor Clarisse Quin

Colourist James Bamford

Sound Mix Ned Sisson

Titles & Artwork Fraser Muggeridge studio - Jules Estèves

Assistant Director Tom Wynborne

Production Managers Sara Archer, Poppy Davies, Oskar Pimlott

Sound Recordists Freya Clarke, Nikos Nikolalaios

Boom Ops Pasquin Mariani, Eleanor Russell

Focus Pullers Julia Green, Richard Simkins, Brendan Harvey

Steadicam Jake Whitehouse & Doug Walsh

Clapper Loader Todd Pacey

DIT Ellie Bright

Drone Op Ian Hunter

Gaffers Joe Williams, Jake Buckley

Sparks Carlo Tuazon, Isobel Jones, Hamza Twomey

SFX Supervisor Matt Strange

Assistant Art Directors: Zoe Klinck, Alicia Howitt, Maria Bolocan, Meryn Cobbin

Set Dresser: Andrés Bravo

Graphic Designer: Sergi Casero

Script Supervisor Rose Gardner

Hair & Make Up Eleanor Garratt

Runners Matt Orlowski, Giorgia Aubrey, Alex Tawney, Cameron Russell, Meea Atkin

Sasha’s Mum Indra Ove Pagan Woman Laura Belmont Sasha Jesse Jones Joelle Joelle Robinson Joelle’s friend Tanicha Pearce Joelle’s friend Georgie Banks Joelle’s friend Lou Destanque

Pagan Girl Abi Corbett Drug Dealer Dylan Hughes Funeral Patron Catherine Neal Funeral Patron Yasmin Maya Funeral Patron Craig Karpel Funeral Patron Beverly Chinnama Party Extra Kitty Cockram Party Extra Harry Brierley Party Extra Mia Rose Party Extra Francis Thurstun-Crees Party Extra Dina Tsesarsky Party Extra Jose Oliviera Party Extra Henry Thompson Party Extra Megan Gretch Party Extra Joshua Ward Party Extra Jonny Davidson Party Extra James Girard Party Extra Molly Longworth Party Extra Emma Stepkowski Party Extra Gaia Polio Party Extra Caven Alexander Party Extra Emma Fisher Party Extra Ella Niner Party Extra Tania Aresti Party Extra Jake Botterell Party Extra Aleksandar Husagic Party Extra Lucy Mynard Party Extra Maira Machdo Party Extra Tayne Vaughan Pagan Paul Gardner Pagan Carole Gardner Pagan Darron Prior Pagan Chris Prior Pagan Tanja Kleinemeier

Recorded Music

Fights God Colony ft Flohio SE16 God Colony ft Flohio

Never Ever All Saints

[itsworn]

Street Rod of the Year! Street Rodder’s Top Pick for 2018 Plus 10 Runners-Up

And the winner is … Bob Florine’s 1957 Ford Del Rio Ranch Wagon.

Award winners in the 2018 STREET RODDER Top 100 program, sponsored by Painless Performance Products, were selected at Cruisin’ The Coast 2017, Grand National Roadster Show, Sacramento Autorama, Detroit Autorama, Back to the 50’s, Syracuse Nationals, NSRA Street Rod Nationals (outdoor), NSRA Street Rod Nationals (indoor), Hot August Nights, and the Danchuk Tri-Five Nationals. From those 100 vehicles, we selected Bob’s completely custom 1957 Ford wagon as the 2018 Street Rod of the Year, along with 10 runners-up.

1957 Ford Del Rio Ranch Wagon | Bob Florine | Ventura, CA STREET RODDER had been monitoring the progress on Bob Florine’s remarkable wagon since its early stages and gave it a Top 100 pick at the Grand National Roadster Show. Steve Strope and his crew at Pure Vision in Simi Valley, California, handled the overall creation, starting with Steve Stanford’s concept artwork. Mick Jenkins handled much of the sheetmetal modification, bodywork, and paintwork. The numerous exterior mods include lengthened doors and slanted B-pillars, and a 1959 Thunderbird hood scoop. The raised rear wheel openings show off custom Billet Specialties wheels. The two-tone paint combines PPG Ferrari Avorio and Aston Martin Bridgewater Bronze.

A mandrel-bent frame forms the platform for the Art Morrison Enterprises custom chassis, which uses C6 ZR1-based IFS components. The rear features a Speedway Engineering 9-inch with Mike Maier rear torque arms and JRI coilovers.

Bob fulfilled his wish for a shotgun engine with a 700-plus horsepower Jon Kaase Racing Boss9 stroker engine topped with a Borla eight-stack injection system with a FAST controller. The Hughes Performance 4L80E transmission uses a Gear Vendors under/overdrive unit.

Gabe Lopez at Gabe’s Street Rod Custom Interiors covered the insides with two-tone Italian leather with woven leather seat inserts. A custom-built Redline Gauge Works instrument cluster fills the dash. The upper dash speaker grille lifts to reveal a Bluetooth-equipped iPad.

Congratulations to Bob Florine and Steve Strope at Pure Vision for this amazing 1957 Ford wagon, our 2018 Street Rod of the Year. Read more details and see more than 50 photos at https://bit.ly/2OtDWeq.

1933 Ford Coupe | Dennis Mariani Jr. | Oakland, CA The Mariani Brothers coupe, built by Steve Moal of Moal Coachbuilders in Oakland, California, is another Top 100 winner from the Grand National Roadster Show. Dennis Mariani Jr. wanted a high-end, classy, street driven coupe to reflect the look of the land speed cars he and his family have raced on the salt flats. The track nose, 3-1/2-inch chopped top, belly pans, PPG British Racing Green paint, hand-formed aluminum four-piece hood, and other elements accomplish that. A Hilborn EFI setup feeds the Dart aluminum Chevy small-block with Hilborn injection, based on a Panella Racing block. A Legend five-speed transmission delivers torque to the quick-change rear. A Moal torsion-bar suspension was built on the stock Ford frame, beefed up with tubular crossmembers. Moal custom knockoff caps distinguish the Stockton Wheel steelies with Excelsior tires. Sid Chavers stitched the beige and oxblood leather interior. For more photos and video of this car, visit https://bit.ly/2RBxnIy.

1957 Chevy Bel Air Two-Door Hardtop | Charles Baxley | Beech Island, SC STREET RODDER’s Top 100 list for 2018 includes a whopping 20 Tri-Five Chevys, 10 of which were selected at the Danchuk Tri-Five Nationals (of course). This patent-leather black 1957 Bel Air was one of our favorites from Beech Bend Raceway, but was also selected by event judges as the Tri Five of the Year. Charles Baxley kept the exterior mods appropriately mild, saving the custom stuff for the rest of the car. The car rides on an Art Morrison Enterprises front suspension and a four-link and coilovers in the rear suspending a Ford 9-inch. The 18- and 20-inch Knuckle five-spoke wheels are from Billet Specialites’ Vintage series. A modified Chevy LS2 engine is backed by a 4L60E transmission. The superclean, mega-red interior includes modern bucket seats, and a contemporary redesign of a classic 1955 dash, filled with Dakota Digital analog gauges and vents for the Vintage Air A/C system.

1947 Cadillac Series 62 | Kevin Anderson | Indianapolis, IN Kevin Anderson’s Crystal Cadillac knocked us out at the Detroit Autorama. Originally a four-door sedan, it moved from a Minneapolis museum to Gas Axe Garage in Allendale, Michigan, where Mike Boerema converted it to a coupe with 48-inch doors. A 5-inch chop and airbag suspension brings things low. The sedan windshield was reshaped to look like a convertible, with a Haartz cloth Carson-style top completing the look. Chromed sombrero hubcaps and wide whitewalls fill the front fenders; rear fender skirts are lowered and filled. Gary Brown at Brown’s Metal Mods sprayed the paint. The leather upholstery, contrasted by authentic ’40s Cadillac fabric inserts, was designed by Kevin and installed by Joe Bukrey at Buckskinz in Grand Rapids, Michigan. Door garnish moldings wear polished Crystal Cadillac badges. The original 47,000-mile 346 Cadillac flathead is backed by the original transmission. See more at https://bit.ly/2JK4yas.

1962 Ford Galaxie Convertible | Gary Gregory & Fred Graefe | Stewartstown, PA Our 2017 SROY came from the indoor display cars at the NSRA Street Rod Nationals. In 2018, two of our runners-up were discovered outside. This 1962 Ford Galaxie convertible came from the factory with superclean lines that make a perfect platform for hot rodding. The transformation from factory to Top 100 winner took place in Stewartstown, Pennsylvania, home of Lucky 7 Rod Shop. The Axalta charcoal paint is contrasted by the cloth top and the modern front and rear bucket seats upholstered in burgundy leather. Gary and Fred chose Billet Specialties 18×8 and 20×10 wheels to complete the outer impression. Underhood the engine compartment is stuffed with a dual-turbocharged 5.0L Ford Coyote built to unleash close to 700 hp and backed by a 6R80 six-speed. Chassis goodies include the QA1 shocks at each corner and RideTech rear suspension parts. For more photos, visit https://bit.ly/2Qgk00e.

1932 Ford Coupe | Bret Sukert | Montesano, WA Bret Sukert’s ’60s-style 1932 three-window coupe got our attention as soon as we entered the Suede Palace. This traditional hot rod is homebuilt from an unmodified original steel body bought from well-known rodder Dick Page. Foss’ Hot Rods handled body and paint chores before Mitch Kim stepped forward to add all that pinstriping. The suspension includes a dropped axle and transverse leafs in front and quarter ellipticals in back, built on a Deuce frame. The Chevy 350 small-block is topped with a Weiand manifold and 1965-1966 GTO air cleaner. Interior elements include Mopar van seats with white tuck ’n’ roll upholstery, an N.O.S. Grant wheel, a restored Ha Dees heater, and Stewart-Warner blue face gauges (it took 50 gauges to get eight that matched). The coupe left the Suede Palace with the Best of Show award as well as a Top 100 pick. See more photos at https://bit.ly/2AN9hFd.

1962 Chevy Impala | Jesse Lindberg | Redding, CA At the Sacramento Autorama, Scott Bonowski (who’d won the America’s Most Beautiful Roadster award a month before) insisted that we take a close look at Jesse Lindberg’s Impala. Jesse found the car in pieces, scattered all over, and built it at his automotive repair shop. He competes in Sound Quality contests, but the high-end audio system is only one of many impressive parts. Two-tone gold and green paint finish a body modified with subtle mods. Raceline 19- and 20-inch wheels fill the fenders. A carbureted Chevy Vortec 350 engine and 700-R4 trans move the Impala down the street, with airbags and CPP shocks ironing out the ride. Inside, tan leather upholstery is paired with vintage cloth inserts. The top-shelf stereo components hidden in the trunk are heard but not seen. We’ll have a full article in a future issue. For now, check out https://bit.ly/2PbyCkV for a few more photos.

1934 Ford Pickup | Danielle Lutz | Moscow, PA Danielle Lutz’s channeled and chopped hot rod pickup, built by Jason Graham Hot Rods in Portland, Tennessee, earned its Top 100 pick at its Detroit Autorama debut. Jason treated the truck cab to a 1-1/2-inch stretch and 4-1/2-inch chop with slanted A-pillars—and added flush-fit doors, a custom hood, grille insert, and bed sides—before spraying the traditional Washington Blue paint. The chassis is traditional too, with a straight axle, front and rear split wishbones, quarter-elliptic springs, and exposed Winters quick-change rear. Excelsior rubber wraps 18- and 20-inch custom wheels. An Inglese eight-stack setup delivers gas and air, and a big shot of vintage coolness, to the stroked 347 Ford small-block. The engine is paired with a TREMEC five-speed. Danielle’s truck went to Gil Vigil of Speed & Design for a complete custom interior, featuring deep tan relicate leather covering the custom buckets. For more, visit https://bit.ly/2JK4yas.

1956 Ford Victoria | Bruce & Judy Ricks | Sapulpa, OK The classic looks of Bruce and Judy Ricks’ 1956 Victoria have been subtly altered by a 4-3/4-inch wedge section. Schott Performance wheels are covered in fat Pirelli rubber. A look inside reveals custom buckets covered in two-tone brown leather. The Vicky is a driver and an Art Morrison Sport IFS chassis, Strange-equipped 9-inch with a triangulated four-bar, and RideTech shocks contribute to its great ride. A look inside reveals Wise Guys bucket seats, covered in two-tone brown leather by Gabe’s Custom Interiors. A Ford Racing 427-inch small-block is fed by Autotrend eight-stack EFI and backed with a TREMEC T56 Magnum six-speed mixing the gears. Bruce worked with Steve Cook Creations in Oklahoma City, who had teamed up with Bruce on a 1956 Ford convertible; a Ridler award was the result. The Victoria won its Top 100 prize at the Street Rod Nationals. Read the full feature at https://bit.ly/2D85Fz4.

1934 Ford Roadster | Dale Fode | Redwood City, CA In 2015, Dale Fode’s roadster was at the Grand National Roadster Show vying for America’s Most Beautiful Roadster. In 2018, it was at Hot August Nights winning a Top 100 award. The stunning street rod, virtually hand built by Mark Willis and Bob Stewart at Mark Willis Custom Painting in Grants Pass, Oregon, blends street rod attitude with ’30s coachbuilt car elegance. The jet black body has been widened, quarters moved up, and doors lengthened 6 inches. The 1935 fenders were fabricated—and cover 18- and 20-inch one-off wheels. The custom frame is the platform for the Kugel Komponents independent suspension. Gabe’s Custom Interiors wrapped the seats and doors in deep red leather. The custom components have the appearance of vintage pieces, surrounded by modern design throughout—from dash to door panels. There’s nothing nostalgic in the engine compartment, home to a Magnuson supercharged LS7. See more of Dale’s roadster at https://bit.ly/2F8eQ5l.

1965 GMC Fenderside Pickup | Jim Connerley | Carmichael, CA Jim Connerley says his father bought the GMC new and wouldn’t have understood his goals for the truck. Jeff Norene at Lee’s Vintage Car Shop in West Sacramento, California, understood them well, transforming Jim’s GMC from a stocker to the showstopper that got a Top 100 pick at the Sacramento Autorama. With a few exceptions (like 1937 taillights, oak bed floor, and a custom rear pan), the exterior is stock. Metallic brown paint is dressed up with pinstriping and gold leaf lettering. American Racing wheels were painted to match. Rex Hutchison Racing built the Vortech supercharged LS engine. A full chassis from Scott’s Hot Rods includes a tubular frame, IFS components, Aldan coilovers, and Ford 9-inch. Jack’s Upholstery used butterscotch vinyl on the 2005 Chevy pickup bench. Jim’s GMC will appear in Classic Trucks magazine soon. Until then, enjoy photos and video at https://bit.ly/2F2HogF.

The post Street Rod of the Year! Street Rodder’s Top Pick for 2018 Plus 10 Runners-Up appeared first on Hot Rod Network.

from Hot Rod Network https://www.hotrod.com/articles/street-rod-year-street-rodders-top-pick-2018-plus-10-runners/ via IFTTT

[miriadonline]

NEWS: TOC: Journal of Curatorial Studies

NEW ISSUE AVAILABLE

Journal of Curatorial Studies 6(1)

ARTICLES

How to Curate ‘Badly’: Forked Temporality in Pablo Picasso¹s Retrospective at the Galeries Georges Petit, 1932 ALMA MIKULINSKY

Van Gogh, 1947 MORGAN THOMAS

Articulating the In-Between: Changing Exhibition Practices in Early Postwar Rome MANUELA MARIANI AND PATRICK BARRON

Doing Things Together: Objectives and Effects of Harald Szeemann¹s Happening & Fluxus, 1970 MAGDALENA HOLDAR

Engendering Exhibitions: The Politics of Gender in Negotiating Curatorial Authorship NANNE BUURMAN

CURATORIAL REFLECTION

#exstrange: Curatorial Intervention into eBay MARIALAURA GHIDINI

EXHIBITION REVIEW

Brendan Fernandes: Lost Bodies ALANA TRAFICANTE

BOOK REVIEW

Hans Ulrich Obrist Hear Us: Featuring Bill Burns JESSE VAN WINDEN

For more information: http://www.facebook.com/JournalOfCuratorialStudies https://www.intellectbooks.co.uk/journals/view-issue,id=3335/

[frothyomen-blog]

Chapters: 32/32 Fandom: Overwatch (Video Game), venomaker, Tracer - Fandom, Widowmaker - Fandom, Venomaker - Fandom, Venommaker - Fandom Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Widowmaker | Amélie Lacroix / Lena "Venom" Oxton, Widowmaker | Amélie Lacroix / Talon Tracer ("Venom"), Widowmaker | Amélie Lacroix / Lena Oxton, Amélie Lacroix / Lena Oxton, Widowmaker | Amélie Lacroix/Lena "Tracer" Oxton, Fareeha "Pharah" Amari/Angela "Mercy" Ziegler, Widowmaker | Amélie Lacroix & Gérard Lacroix Characters: Widowmaker | Amélie Lacroix, Lena "Tracer" Oxton, Lena "Venom" Oxton, Sombra (Overwatch), Winston (Overwatch), ░░░░░░ (Overwatch), Tekhartha Mondatta, Geanna Mariani (OC), Taviano Bonsignore (OC), Jesse McCree, Angela "Mercy" Ziegler, Group Captain Aubrey Henderson (OC), Fareeha "Pharah" Amari, Original Characters, Brigadier Neelashi Shukla (OC), Gérard Lacroix Additional Tags: Alternate Universe - No Overwatch, AU, Talon Lena "Tracer" Oxton, Phamercy is canon here as is only just and right, there will not be rocket babies in this story, but there will be rocket babies, oh yes there will be rocket babies Summary:

"A single death," the Widowmaker says, "can change everything." But everyone forgets, this saying goes both ways: a single assassination can change everything, certainly, but so can a single unwanted death, an untimely death not prevented.

Amélie Lacroix, the head of Talon, has been shaping history with the tools she knows best, tracing the strands of past and probability around her, perfecting where to prune the tree of the world with the precision of perfect, single shots, and perfect, clean kills.

What if that's not enough?

Lena Oxton, fighter test pilot, has been presumed dead since her Slipstream vehicle exploded ten thousand metres over Greece, one day in 2068. Now, it is 2073, and there is a broken strand in the web of the world, one which should not be broken, and no assassination - no additional death, no matter how elegant - can fix it. The spider must learn to use other tools, instead.