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#re l reveals she's a fucking stephen king fan
rel124c41 · 5 months
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2, 4, 5, 11, and 33 please! Hope that isn’t too much, very curious about your answers though!! Happy early birthday btw :D
ah thank you very much for the birthday wishes (≧∀≦) getting a drum set tomorrow and i’m so hyped bout it
& the amount of questions was perfecto!! i left my answers below the cut!!
(ask game)
2: How do you come up with your plot ideas?
8/10 times, my plot ideas come from my fabulous, otherworldly, superior music taste ᕦ(ò_óˇ)!!
nah but to be serious, music and creating AMVs in my head works brilliantly for creating plots. i listen to music A LOT. i do not always construct a story based on a song but my ideas flow easier when there is a melody in the air. snippet of scenes come and go, and i scribble them down; music powers the whole process of my writing.
additionally, i think coming up with plot ideas/to strength that part of your brain to be creative and original, one should always read MORE. to lazily siphon off a Stephen King quote i can’t find: “a great writer knows to read” and then there is the 1/10, where an idea hits me, completely uninspired from anything. 
but really, when coming up with plots remember this saying: no one can reinvent the wheel!
4: How do you channel characters’ voices and personalities?
studying the source material is always my go-to for channeling a character. 
have not played twst in 2 yrs 💀 (bc i was on an expedition for different video games and discovered i hated rhythm games) but i always use @/yuurei20 like a study guide for the characters. and i read the translations for each event (birthdays or otherwise) to see how the characters act at different situations
and if a character has done something out-character in canon, i analyze the shit out of that. it’s really important to me when writing already canon characters to think of this one question: what’s their drive/goal (in everyday & in specific situations & in long-term)?
5: What techniques do you use to create believable dialogue?
one of my biggest insecurities in specifically the “fanfiction” writing realm is my dialogue so this question is crazzzy to me. believable dialogue?? hasn’t happened!
i still don’t think i’ve done it successfully even once, so techniques? god i really don’t have any. here’s me talking out my ass tho: 
certain characters have certain mannerisms in how they talk: those i can pick up upon bc some characters it’s black and white how they go about talking — floyd ain’t gonna sound all sophisticated u know. however, knowing how to structure what they are conveying, ah that is much harder for me. 
sorry for this dead-end answer 💀
11: Are there any tropes you particularly enjoy writing?
rubbing my hands together and grinning like the fucking grinch at this,, let’s fucking goooooo! 
1: unreliable narrator my pookie bear <3!!!! a mixture of being a fan of memento (2001) and a haunting of hill house (the BOOK, not the awful movie or show), unreliable narrators are my favorite trope!! whether this narrator is high off a substance, is as clueless as the audience about their situation, OR even so egotistical that their worldview is skewed, I EAT THAT SHIT UP EVERY TIME WITHOUT FAIL! 
2: karmic retribution,, listen i love seeing someone get their just deserts ( ̄个 ̄) there is something so gutturally satisfying about karma
ALSO, i love the indomitable human spirit trope!!! 
maybe one day i’ll chat about my more shojo/booktok tropes i enjoy like “just one bed” and “colleagues to lovers” bc hey i know what sells.
33: How do you incorporate world-building elements into your fics?
Disney is such a huge realm to play around it. from the original Grimm fairytales (my beloveds mwah (*≧∀≦*) !!!!) to the movies Disney has made, world-building elements for twst is like a gold mine. it’s perhaps the biggest playing field i’ve ever seen from a fandom. 
how i go about incorporating it? well i always go look for faucets of the world everyone else is overlooking: when writing Schism, the ghost camera was untapped potential i had to jump on. i’m working on another oneshot that incorporates Disney’s 1963 The Sword in Stone; there is SO much real estate, you just got to dig around for it a bit.
ACTUALLY,, i have more to say
also about world-building in writing in general, let me siphon off Stephen King again: ok imagine a table covered by a table cloth.
really, imagine a table. secondly, imagine a table cloth.
ok, everyone who reads that imagines something completely different. someone might have imagined a circular table or a rectangular, the table cloth could have reached the ground or could have hovered a inch off the surface, the table cloth, there could’ve been lace on it or it could’ve been this striking red or dull blue.
when world-building, as the writer, you decide what elements you want to bring into the story; the rest? you give that creative liberty and trust to your audience.
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