#she goes to extreme lengths to save toga and everyone around her and that is given greater importance in this moment than a confession.

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Bookshelf Briefs 2/19/19

Crocodile Baron, Vol. 2 | By Takuya Okada | Kodansha Comics (digital only) – Crocodile Baron was initially part food manga, part whimsical story about a gentlemanly crocodile novelist named Alfardo J. Donson (a stellar name). In its second volume, the food is still there—I mean, technically, Alfardo and his pal Rabbit Boy travel around and eat various foods—but there’s even less focus on it than before, and it wasn’t much to start with. Now, it’s more about the quirky characters they meet, from a chameleon who wants to get the scoop on Alfardo’s wild side to a lonely jackal to a spoiled rich bunny girl to a competitive beaver. It’s good for a few chuckles, but there’s not much about it’s that’s exciting or compelling. The third volume is its last, and that’s the right length for this offbeat series. – Michelle Smith

Kase-san and Cherry Blossoms | By Hiromi Takashima | Seven Seas – This seems to be a transitional volume of Kase-san, telling a few stories from around the high school years but also putting things in place to get our girls into college, which they do. There’s a certain intentional disconnect between Yamada the emotional girl who cries at everything, which we certainly see at several points here, and Yamada the mature young woman, which she is slowly coming with the help of Kase. This may also be why we get another love scene towards the end, which shows us that “cherry blossoms” is also a metaphor. And they agree to use first names, which I suspect is not going to lead to a series name change. Still adorable and sweet. – Sean Gaffney

My Hero Academia, Vol. 17 | By Kohei Horikoshi | Viz Media – Superpowers/quirks can be awesome and empowering, but they can also be terrifying. Usually they’re both. That’s especially the case with Eri, whose quirk literally erased her father from existence. Fortunately, she has folks like Mirio and Izuku trying to save her. Unfortunately, Mirio’s quirk is erased, and I get the feeling (the cover doesn’t help) that it’s going to be permanent. In amongst all the chaos (which features Toga impersonating Deku, something you’d think she’d have saved for a less pointless moment), the goal seems to be to get Eri to believe in them and reach out her hand to be saved. Which she eventually does, and just in time, as Izuku almost kills himself. Again. Fantastic. – Sean Gaffney

Oresama Teacher, Vol. 25 | By Izumi Tsubaki | Viz Media – The most interesting part of this volume to me is how it handled Mafuyu’s memory loss of large parts of her childhood. For a while it was almost a joke—”lol, head trauma from falling off a jungle gym”—but now it appears that mental trauma may be a cause. What’s more, it appears to have had an effect on Takaomi, who was not always the smiling sadist Mafuyu is used to. It all seems to come down to the new teacher, who turns out (like everyone else in this series) to be connected to the delinquent battles of West and East High. Oh, and there’s also Hanabusa’s little sister, who I’d almost forgotten about. Lots of funny jokes, here, don’t get me wrong, but this is a very plot-heavy Oresama Teacher. – Sean Gaffney

Please Tell Me! Galko-chan, Vol. 5 | By Kenya Suzuki | Seven Seas – There’s more of what everyone wants from a Galko volume here. Lots of random discussions, a few sex-related but some not. There’s the “we watch foreign movies and discuss them” mini-chapters, which I guess are a thing now. There’s the author’s artstyle, which still makes this a series I really wouldn’t recommend to kids —there’s no actual nudity, but there’s lots of extremely large breasts and butts. To my surprise, there’s even a serious storyline near the end, as Galko’s older sister goes on a date with Otako’s older brother, planning to take his virginity, but it turns out his purity actually makes her feel bad about it (and it doesn’t happen in any case.) Still interested. – Sean Gaffney

Shortcake Cake, Vol. 3 | By Suu Morishita | Viz Media – It turns out that I never reviewed the first two volumes of this series. I certainly enjoy it enough, but my guess is that this is going to be one of those shoujo series where I don’t have much to say. There’s a love triangle. The heroes are 1) quiet intellectual and 2) seeming playboy. The heroine has a few issues as well (and a nice set of nightmares, which may have been my favorite part of the book). The cast is likable. That said, if I currently have titles like Yona of the Dawn and The Water Dragon’s Bride at the top of my Shojo Beat list, this one sits comfortable at the end of the middle tier. It’s quite enjoyable, you won’t regret purchasing it, and you will totally forget about it till the next book comes along. – Sean Gaffney

Takane & Hana, Vol. 7 | By Yuki Shiwasu | VIZ Media – Takane’s coping better with being poor, helped by Hana providing regular meals and Kirigasaki requesting a transfer to help maximize Takane’s efficiency at work. He’s slowly regaining ground and it’s clear he appreciates what Hana has done for him. When he gives her a key to his new apartment, it’s not just that he trusts her but that he also finally understands that all the extravagant gifts really were meaningless to her but this will be a significant one. For her part, Hana’s still determined to keep the fact that she’s in love with Takane a secret from him—ostensibly because he’d be insufferable but partly because she’s afraid how their relationship would change if it came to light. I do look forward to some fun gloating when that day arrives, but the best moments are always the sweet ones. I continue to enjoy this series a lot. – Michelle Smith

The Voynich Hotel, Vol. 3 | By Douman Seiman | Seven Seas – By the third and final volume of The Voynich Hotel, all the seemingly disparate storylines and characters converge in a rather dramatic and admittedly violent fashion, which honestly is not all that unusual for the series. Even the gags that initially appeared to be one-off throwaways are ultimately revealed to be of great significance to the plot. Astonishingly, Seiman manages to combine ancient goddesses, witches, demons, undead, yakuza, hitmen, serial killers, drug dealers, tourists, amusement parks, maids, wrestlers, pop culture references and so much more in ways that somehow make weird and darkly amusing sense. The manga’s humor ranges from the completely random to the decidedly risqué. Along with quirky characters, peculiar settings, and bizarre happenings, The Voynich Hotel makes for an exceptionally strange but engaging and sometimes even surprisingly endearing series. I greatly enjoyed it and wouldn’t mind seeing more of Seiman’s work translated in the future. – Ash Brown

We Never Learn, Vol. 2 | By Taishi Tsutsui | Viz Media – Much to my relief, the core “three girls” seems to stay the same by the end of this volume. Not that we don’t meet more characters—Sawako is a self-proclaimed rival to Rizu who, like most self-proclaimed rivals in anime and manga, turns out to be a really good friend who just expresses it through rivalry. More intriguing is a teacher in the school, Kirisu, who seems determined to show the girls that they’re not playing to their strengths this way, and that Nariyuki’s study help will hurt them in the long run. She has a very valid point, but it’s not a point that you should be making within the confines of Shonen Jump, so they’re allowed to continue, despite the constant threat of mild fanservice. – Sean Gaffney

By: Ash Brown