#srry that i talk so much lmaoooo n.n''''

[amorecleverdevil]

@shiftingsupport​: 1 and 13?    ↪︎ ask the mun about writing. [ 𝔄𝔠𝔠𝔢𝔭𝔱𝔦𝔫𝔤 ]

         𝔬𝔲𝔱 𝔬𝔣 𝔥𝔢𝔩𝔩. Oh hell yeh! Question time! I threw your answers down below a lil read more because I’m what the kids like to call?? A rambler.

1). What does your writing process look like?

A mess?? Lmao nah;;; So, honestly it depends on what I’m writing, how long I’m going to be continuing the story revolving around it, and what my current mood is. In general, I am a person who has a hard time sticking to one particular style or approach because I just get bored of it a lot. I find it a lot of fun to come at writing in many different ways and I’ve found that it’s helped me really explore what I do and don’t like for each genre or character that I attempt to tackle.

That being said, though, I tend to have at least a couple consistencies. Basically, when I’m writing replies, the most important questions I ask myself tend to be;

What is my character’s reaction to what just happened?

What have I written that actively engages the other writer and/or their character?

Have I actually described the scene or merely provided dialogue?

Will this thread carry for at least two more replies and, if not, should I end it or can I add something to make it keep going?

I’ll go ahead and give you some examples using writing that I’ve previously written to paint what I mean with each of them. For the first point, that’s the one that most people I’ve seen tend to have the best grip on, obviously. People who do roleplay tend to really know their own characters and can write them really compellingly. Most of the time, this part of the writing comes from the other player setting up a question or scenario and my character basically engaging with it. Typically, reactions tend to be the first thing I’ll actually be the first thing I put into a reply and I think that they are really important to keeping a fluid transition from one character to the next. 

In the above example, you can kinda see what I’m talking about. Basically, Izzy made Gwen say something and Billy here gave a very basic response to it. Most of the time, I find dialogue or verbal responses are the best because usually the other character should pick up on them, but I like mixing in physical reactions and more internal monologues alongside those verbal responses. Sometimes, if two characters are in tune enough with each other, it actually can be really rad to get away with only physical reactions and internal dialogues, but that often requires a certain connection and history between characters to make accurate conclusions about what might be going through their head. Here is a great example between one of my mains and Nay from my old blog.

Basically, Nay notices that Oswald is probably getting emotional over the fact they’re standing in front of this grave and looks down to get a better idea of who Oswald is getting so upset over. Oswald then follows his line of sight to the headstones, themselves. It’s a more sad scene, so not only is the lack of actual verbal responses very fun to play with, it’s also much more appropriate for the tone of the thread. This is something I love to try and play with a lot, but I avoid doing it as much with people who I have not already threaded with a few times.

After that, I then have to try to actively engage the other writer or create an opportunity for them to add to the thread as well. Especially when writing with someone new or for whom you may not have an immediate chemistry with, it becomes very important to throw them a bone, so I usually will do this as a follow up. I personally don’t love using questions to carry a thread, but it can be a good way to give an explicit indication of how the other person can contribute to it and it can be a lot more comfortable for people who are new to interacting with me and may be hesitant to just throw new ideas at me without having an extensive conversation about it. Here is an example where Naomasa responded to a question that Oboro poses and interacts with a nonverbal. 

These first two bullets are what I usually consider the meat of the reply, so the most work is put into them. Everything else is filler and tends to be what actually makes the replies prettier and more interesting. In many cases, adding the last two can even happen naturally when you are trying to come up with ways to do the former, but it’s still something I keep in mind to look out for when I’m writing. Of the four points, I think that the one I probably struggle with the most is the one that revolves around describing the scene and I think that has been what’s kept me from reaching that multi-para/novella goal that I really wanna be able to do when writing threads, but I’ve been putting in more work to try and get on top of that one. 

The final point is basically just thinking about what I can add to try and keep a thread engaging. This is when I really tend to bring in that plot and start advancing it. Introducing a conflict or a new activity in the scene that might not have otherwise been relevant before now can really revive a thread and I tend to do that a lot if I feel like a thread is dying out too quickly. Sometimes it takes, sometimes it doesn’t but it’s basically just my way of jumpstarting an interaction I feel like didn’t have enough substance to get off the ground in the first place. The example for this one is between Naomasa and Jasper - Yes, I know it’s the same person, again, but it’s because Fabgen is ridiculously good at doing the whole “yes and” thing and really we should all just take some time to appreciate them - in which the two of them are both responding to a crisis of some kind. I had felt the nature of the thread hadn’t given them a concrete way to continue to interact with each other, so I made up a random conflict that they both could work! In this case, it was some random kid running into danger.

After ALL of that, basically the last thing I tend to do for a thread is proofread and format. In a perfect world, I’d actually do the whole proofreading thing more often, but lmao nah. Basically, tldr, my writing process when doing threads is:

1). Respond to what the other person says. 2). Give them something to respond to. 3). Introduce a new plot point as necessary. 4). Fill in scene details and revise as necessary.

If you read back on my old threads, you’ll probably notice most of them follow this linear outline. Sometimes I’ll switch a couple things around, but 95% of the time you can literally cut my replies pretty into these parts without too much trouble. Also yall should go check out the people in these example threads because they’re all very talented and worth interacting with!! 

13). What do you look for in an RP partner?

Hmm.... An excellent question let’s see...

Typically, these are things that make or break rp relationships:

Have concise rules/ooc pages that includes information such as their name, their pronouns, their age and their triggers. For certain fandoms, I also tend to look for stances on certain major discourse points.

Have the ability to para or multi-para threads and 3rd person POV. We don’t have to always do this, but I do really prefer this kind of RP.

Have the ability to participate in joke/crack posting

Read my character info or at least my rules before interacting with me. I know they are long and tedious and that I tend to ramble, but there are some important things in there that may vastly differ from many other people in the RPC and it’s important to me that everyone takes those things into account when engaging with me.

Have discord for OOC conversations and extended plotting or, at the very least, be comfortable chatting regularly via IM.

Follow me. It’s not necessary to interact with me and I 100% will interact with people who are not mutuals, but I typically tend to assume others around me are mutuals only regardless of whether or not they actually are and it’ll often put most of the responsibility on the other person to come interact with me if they want to thread.

I tend to main with people who will have OOC conversations with me about our characters and who are willing to adapt to fit into the settings / verses which I have already created for my characters. I am always seeking out familial relationships of ANY kind and will usually be quick to main people who do these kinds of threads with me. I do have ships for many of my characters that I tend to indulge in, but my mains tend to be people who actually get me to start shipping something because the characters just ended up vibing so well. I actually really love shipping my bi male characters with women, but there just really aren’t enough ladies in any of the RPCs to have lasting ships ;;y;;, so if we are able to get one going, I’d probably consider maining with ya’ll

I tend to like people who like continuous threads and verse building. I tend to like people who don’t mind having a million unfinished threads. I tend to gravitate to people who do formatting and icons, but I do not require it. I tend to shy away from people who are too self-concious about doubles or who tend to prefer being exclusive. 

Overall, I’m open to at least trying to rp with everyone! And I’ve definitely formed lasting friendships with people who did not meet many of this criteria, but in terms of what I look for this is probably a pretty good list.