#taylor swiftenstein and taylor swiftenstein's monster

[grantaireble]

Tortured Poets & "The Bride of Frankenstein"

To a new world of gods and monsters!

Alright this is soo long now and I came about this revelation the weirdest way (while watching world class color guard) but I haven't been able to stop thinking about it since. All of my ttpd thoughts were rattling around in my brain as we were watching videos and one group put out a Bride of Frankenstein show last year and they used this quote as a V.O:

“What do you expect? Such an audience needs something more than a pretty little love story. So why shouldn’t I write of monsters?"

And, man, something about that got the neurons firing, especially because I had already been thinking a lot about the connections between Mary Shelley's Frankenstein and TTPD. Here are some of those:

Frankenstein visuals in the Fortnight MV

“The 1830s” Mary Shelley's Frankenstein was originally published in 1818, but she made some edits for an 1831 edition

Mary Shelley, Percy Shelley, and Lord Byron were sort of their own little TPD, writing horror stories together one rainy summer.

TTPD and Frankenstein seem to reference many of the same things

Both Taylor on TTPD and Mary Shelley in Frankenstein reference the Rime of the Ancient Mariner and the albatross

“I am going to unexplored regions, to “the land of mist and snow;” but I shall kill no albatross, therefore do not be alarmed for my safety, or if I should come back to you as worn and woeful as the “Ancient Mariner?” – Mary Shelley, Frankenstein

Both Taylor and Mary Shelly reference Greek Myth 

Frankenstein: “The Modern Prometheus” (often compared to the Christian story of Christ)

Cassandra: gifted the power of prophecy but cursed to never be believed

Does the headpiece above not give Medusa?

Both Taylor and Mary Shelley reference the Bible

“I ought to be thy Adam, but I am rather the fallen angel...” (Frankenstein) / “I got cursed like Eve got bitten,” etc. 

Both Taylor and Mary Shelley reference principles of Alchemy! 

"The modern masters promise very little; they know that metals cannot be transmuted, and that the elixir of life is a chimera." (Chimera = lion's head, goat's body, and a serpent's tail, more Greek mythology)

Some lyrics from TTPD also feel like direct references to Frankenstein quotes or themes

“I was benevolent and good; misery made me a fiend.” ― Mary Shelley, Frankenstein / “I was tamed, I was gentle ‘til the circus life made me mean.” – Taylor Swift, Who’s Afraid of Little Old Me?

“I am alone and miserable. Only someone as ugly as I am could love me.” ― Mary Shelley, Frankenstein / “Down bad like I lost my twin.” – Taylor Swift, Down Bad

“I am malicious because I am miserable” ― Mary Shelley, Frankenstein / “Because I’m Miserable!” – Taylor Swift, I Can Do It With A Broken Heart

“One wandering thought pollutes the day” ― Mutability, Percy Blythe Shelley (Quoted in Frankenstein) / “One bad seed kills the garden” – Taylor Swift, The Albatross

“This feels like the time she fell through the ice” – Taylor Swift, The Bolter / In Frankenstein, ice is symbolic of isolation and alienation.

“Wretch” or “Wretched” is a huge word in Frankenstein / “That I’m fearsome and I’m wretched and I’m wrong.” Taylor Swift, Who’s Afraid of Little Old Me?

“In the streets there’s a raging riot” / In the story, the Monster gets chased by angry mob of townspeople 

The First Two Pages of Frankenstein by The National (The Alcott appears on this album and The National toured it with Patti Smith)

Bonus: Dr. Frankenstein is something of an anti-hero. He, along with his monster, are also sometimes referred to as Tragic Heroes. Greek philosopher Aristotle first laid out the attributes of a Tragic Hero.

So all of this to say, I had originally only been thinking about TTPD only in the context of Mary Shelly’s original Frankenstein, even though that Fortnight imagery was definitely inspired by the films. But then that quote just really felt like it had Taylor written all over it.

So I googled Bride of Frankenstein.

It's basically an "everyone lives" AU sequel to Frankenstein lol. It's the 2nd of a trilogy (...hmmm?) although the third film Son of Frankenstein has a different director. The line I heard in the guard show is said by a fictionalized version of Mary Shelley, author of Frankenstein, who "appears" in the Bride of Frankenstein movie, along with poets Lord Byron and Percy Shelly.

In the scene, Mary Shelley explains that she wanted Frankenstein to show its audience the consequences of mortal man trying to play god. She then reveals that there is more to the story than everyon thinks. This, of course, got me thinking about the term "playing god" and the Mastermind of it all, along with all of the religious/worship imagery Taylor uses on the album. Bride of Frankenstein also uses Christian/crucifixion imagery to convey this theme. 

The movie picks up right where the original Frankenstein left off. Both the doctor and the monster somehow make it out of the original story alive. Dr. Frankenstein, despite wanting to step away from his experiments after his horrific first attempt, gets pressured/blackmailed by his mentor to create a mate for the monster. While this is happening, Frankenstein's original monster is sort of bumbling around out in the world trying desperately to make a friend. This never works, as everyone is too afraid of how different he appears on the outside.

This is around where the queer reading of "The Bride of Frankenstein" comes in. I'm getting most of my info from this video, which definitely clicked things into place for me.

The queer reading is based on a few things:

The relationship between Dr. Frankenstein and Dr. Pretorius (two men creating life together)

The monster as a figure that does not fit into the norms of society and the effects of that on his search to find someone "like him"

The director, James Whale, having been one of only a few openly gay men in Hollywood at the time

The character, Dr. Pretorius', "campy" queer coding

The Bride of Frankenstein was subjected to censorship from the Hay's board while in production and by censorship boards once released

"In the decades since its release, modern film scholars have noted the possible gay reading of the film. Director James Whale was openly gay, and some of the actors in the cast, including Ernest Thesiger and, according to rumor, Colin Clive, were respectively gay or bisexual." (Wikipedia)

This reading focuses on Dr. Frankenstein's inability to stay away from his "experiments," despite having a new wife and a potential regular life waiting for him at home. He is rejecting "the natural" in favor of "the unnatural.”

This reading also looks at the monster's deep desire and inability to find belonging in a world that fears otherness. The Monster tries multiple times to make a friend, but is always rejected.

He saves a woman from drowning but she screams in fear at his appearance.

He does befriend a blind hermit and they bond and become friends! But soldiers find the Monster there and they are separated. (At this point in the story the Monster wishes he were dead again.)

Finally, the Monster gets to meet the the Bride, who was literally made for the Monster. Unfortunately, the Bride, horrified at having been brought alive for the sole purpose of being a companion, also rejects him.

Here are some connections that relate to the Frankenstein/ Bride of Frankenstein films:

"Such an audience needs something more than a pretty little love stories" / "Are you not entertained?"

Safety Pins, Bride of Frankenstein / Hairpins, Fortnight video

“Strings tied to levers"? –Taylor Swift, Robin / At the end of Bride of Frankenstein, the Monster pulls the “self-destruct” lever, killing himself, the Bride, and Dr. Pretorious (might be a stretch, but this movie is the origin of the "mad scientist self-destruct lever")

In Son of Frankenstein, Dr. Frankenstein's grandson is named Peter (definitely a stretch?)

In Bride of Frankenstein a maid character, Minnie, tries to warn the town that the Monster is still alive, but no one believes her and she says "Nobody'd believe me! All right. I wash me hands of it. They can all be murdered in their beds." (It's giving Cassandra)

In Bride of Frankenstein the Monster saves a young shepherdess from drowning / "She almost drowned in frigid water" -Taylor Swift, The Bolter

Frankenstein freaks out and accidentally burns down the hermit's cottage (the only place he found human connection, hidden away from judgmental eyes) when they are found there by two hunters

Anyway this is so so long and and doesn't even include any real analysis (I might save that for a more cohesive post) but once I got started I just kept noticing things.

Right now I think the question I'm currently trying to answer is: Frankenstein Taylor Swift the Monster or the Doctor? The Bride? The drowned girl? The almost drowned girl? The Author??

[grantaireble]

anyway she controls my life