#that's classic don bartolo....

[operacascadia]

Seattle Opera 2017-18 Season Announcement

So, the 2017-18 Seattle Opera season has been announced, and I gotta say--it’s not hugely inspiring.

August: Madama Butterfly with Lianna Haroutounian and Alexia Voulgaridou in the title role, Alexy Dolgov and Dominick Chenes as Pinkerton, Weston Hurt as Sharpless, Renée Rapier as Suzuki, Carlo Montanaro conducting, in a production from New Zealand Opera, directed by Kate Cherry.

October: Barber of Seville with “TBA” and Sophia Fomina as Rosina, Matthew Grills and Andrew Owens as Almaviva, John Moore and William Liverman as Figaro, Kevin Glavin as Bartolo, and Daniel Sumegi as Basilio, conducted by Giacomo Sagripanti, directed by Lindy Hume with a production from Opera Queensland.

January: A revival of the Jonathan Miller staging of Così fan tutte, with Fiordiligi played by Marina Costa-Jackson/Marjukka Tepponen, Dorabella by Ginger Costa-Jackson/Hanna Hipp, Ferrando by Ben Bliss/Tuomas Katajala, Craig Verm/Michael Adams as Guglielmo, Laura Tatulescu as Despina and Kevin Burdette as Alfonso. Paul Daniel will conduct.

February/March: The Seattle Opera premiere of Beatrice & Benedict in a new production and in English translation--or rather, an English version of the libretto using Shakespeare’s original language as much as possible. Beatrice will be played by Daniela Mack/Hanna Hipp, Benedict (if it’s in English, surely it should be Benedick, right?) by Alek Shrader/Andrew Owens. Laura Tatulescu as Hero, Avery Amereau as Ursule, Kevin Burdette as Somarone, Craig Verm as Claudio, and Daniel Sumegi as Don Pedro. Ludovic Morlot, music director of the Seattle Symphony makes his debut at last at the Seattle Opera in this production, as does John Langs, director of the ACT Theater as this production’s stage director.

May: Aida, with Leah Crocetto/Alexandra Lobianco in the title role, with Miljiana Nikolic/Elena Gabouri as Amneris, Brian Jagde/David Pomeroy as Radames, Gordon Hawkins/Alfred Walker as Amonasro, and for a third time this season, Daniel Sumegi as Ramfis. Conducing will be John Fiore, the production will be the recent one seen at San Francisco Opera, directed by Francesca Zambello; the first time one of Zambello’s productions has been seen in Seattle since the revival of Florencia en el Amazonas in 2005.

On the plus side: I love Beatrice et Benedict, and it will be good to finally see it  live. The production sounds interesting, and I’m very much in favor of Ludovic Morlot conducting Berlioz. The Jonathan Miller production of Cosi is a classic, and it will be good to see it again--it will be interesting hearing actual sisters playing Fiordiligi and Dorabella. Leah Crocetto is the debutant I am most excited about, followed by Daniela Mack and Maestro Morlot. On the minus side, I find it very hard to get enthused by Butterfly and Barber. Both of those works are done to death. I can see why the company puts them on--it’s cheaper to put on more famous operas, and they also put more butts in seats. But I don’t recognize the names in the cast--and there isn’t an announced name for the opening night Rosina. Only one 20th century opera and it’s Butterfly, which I’m not sure should even count.

For me, this is the least interesting Seattle Opera season since 2007-08, which was so boring to me that I let my subscription lapse.

I don’t think I’ll do that in this case--the Berlioz and Mozart works should be fantastic, the Verdi should have some good singing, and who knows, maybe the staging for Puccini and Rossini will be interesting? At least the conducting for those two works are in good hands.

[chocolateheal]

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The Canadian Opera Company Ensemble Studio, Canada’s arch training affairs for adolescent opera professionals, welcomes four new artists for the 2019/2020 season: tenor Matthew Cairns, bass-baritone Vartan Gabrielian, mezzo-soprano Jamie Groote, and Alex Soloway as a pianist and intern coach. The four will accompany The Ensemble Studio in August 2019 and become allotment of a affairs that has launched the careers of over 230 Canadian opera professionals.

This accomplished November, Cairns, Gabrielian, and Groote won the top prizes at the 2018 Centre Stage Ensemble Studio Competition, area adolescent artists additionally vied for accepting into The Ensemble Studio program. Cairns won Aboriginal Prize and the new CBC Music Adolescent Artist Development Prize, while Gabrielian and Groote claimed the Second and Third Prizes, respectively. Soloway has performed beyond North America and Europe and afresh served as amateur collaborative pianist at the Lachine International Articulate Academy and the Highlands Opera Studio.

Next year’s Ensemble Studio appearance a avant-garde ambit of choir and aesthetic personalities, says Nina Dragani , Director of the COC Academy. With such a aerial akin of aptitude and artistic energy, it will be actual agitative to watch them analyze and advance every angle of their artistry. I anticipate it’s activity to be a abundant year.

Graduating from The Ensemble Studio in May 2019 are baritone Samuel Chan, acute Lauren Eberwein, mezzo-soprano Simone McIntosh, and pianist and intern drillmaster St phane Mayer. All four can be heard at accessible concerts in this season’s Free Concert Series in the Richard Bradshaw Amphitheatre, presented by TD Bank Group. Both new and abiding associates will again be featured in the aperture concert of the 19/20 Free Concert Series: Meet the Adolescent Artists, accident September 2019.

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Members of The Ensemble Studio accept a alloy of avant-garde abstraction and applied experience. The multi-year affairs involves understudying and assuming mainstage roles, accelerated articulate coaching, accent and acting studies, and career abilities development, as able-bodied as accord in masterclasses with internationally acclaimed opera professionals. In addition, The Ensemble Studio artists accomplish several concerts anniversary year, participate in COC Education and Outreach initiatives, and accomplish in the COC’s family-oriented initiative, Opera for Adolescent Audiences. Former associates accommodate Ben Heppner, Isabel Bayrakdarian, John Fanning, Wendy Nielsen, Joseph Kaiser, David Pomeroy, Allyson McHardy, and Krisztina Szab .

Together with the COC Orchestra Academy, Company-in-Residence program, and new Composer-in-Residence program, The Ensemble Studio is allotment of the COC Academy, a first-of-its-kind, absolute post-graduate training assemblage for opera professionals in Canada. The COC Academy aims to advance a active association of Canadian artists and artistic professionals from singers to instrumentalists to administrators and accommodate participants with the skills, experiences, and assets to advance in a all-around opera environment.

ABOUT THE NEW MEMBERS

Matthew Cairns Tenor

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Toronto-based tenor Matthew Cairns accustomed his Bachelor of Music in articulation achievement from the University of Toronto (UofT), area he is currently advancing his master’s amount in operatic performance. His credits accommodate Sam Kaplan in Street Scene; John P. Wintergreen in Of Thee I Sing and Sam Sharkey/German Lumberjack in Paul Bunyan (UofT Opera); Don Ottavio in Don Giovanni (Centre for Opera Studies in Italy [COSI]/UofT Opera); Gherardo in Gianni Schicchi (COSI); Marcelo/Daniel in Miracle Flight 571, Colonel Fairfax in Yeomen of the Guard, General Krebs in F hrerbunker, and Francesco in The Gondoliers (COSI Connection). Recently, he sang the role of Detlef in The Student Prince at the Chautauqua Institute Articulation Program, area he placed aboriginal in its Sigma Alpha Iota Competition. As a concert soloist, he has performed with the Niagara Symphony Orchestra, COSI Connection, and the Arts and Letters Club. Cairns can be apparent in the COC’s 19/20 division as The Prince of Persia in Turandot, the Gamekeeper in Rusalka, and the Messenger in Aida.

Vartan Gabrielian Bass-baritone

Toronto-born bass-baritone Vartan Gabrielian is advancing a master’s amount in articulate achievement at the Curtis Institute of Music, area his credits accommodate the appellation role in Sweeney Todd, Prince Gremin in Eugene Onegin, Doc in A Quiet Place, Groves in Doctor Atomic, Collatinus in The Rape of Lucretia, Bartolo in The Marriage of Figaro, and Colline in La Boh me. He has additionally appeared as Sparafucile in Rigoletto (Op ra de Montr al/New Jersey State Opera), Sarastro in The Magic Flute (Chautauqua Summer Festival), and a Cappadocian in Salome (Detroit Symphony Orchestra). In 2018, Gabrielian was a Santa Fe Opera Apprentice, as able-bodied as the almsman of a Metropolitan Opera National Council Encouragement Award. In 2019, he makes his role admission as Leporello in Don Giovanni with Curtis Opera Theatre. Gabrielian will additionally accomplish in the COC’s 19/20 division as the Hunter in Rusalka and the Officer in The Barber of Seville.

Jamie Groote Mezzo-soprano

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Mezzo-soprano Jamie Groote, from Toronto, accustomed her Bachelor of Music in articulation achievement from Wilfrid Laurier University (WLU), and is commutual her Master of Music in opera achievement at the University of Toronto (UofT). Her accessible performances accommodate Mercedes in Carmen (Kitchener-Waterloo Symphony). Her contempo credits accommodate Donna Elvira in Don Giovanni (UofT Opera); Nicklausse in The Tales of Hoffmann, Komponist in Ariadne auf Naxos and Fox in The Cunning Little Vixen (WLU Opera); Rom o in I Capuleti e i Montecchi, Jade Boucher in Dead Man Walking and Mrs. Gibbs in Our Town (Opera NUOVA). Groote can be heard in the COC’s 19/20 division as The Second Wood Nymph in Rusalka.

Alex Soloway Pianist and intern coach

Pianist Alex Soloway, from Ottawa, accustomed his Master of Music from the Schulich School of Music of McGill University and his bachelor’s amount from the University of Toronto. While at McGill, he won the Chamber Music Competition (2015) and the Classical Concerto Competition (2017). He has performed in Canada, Europe, and the United States, including in the Canadian Opera Company’s Free Concert Series in the Richard Bradshaw Amphitheatre, the Mozarteum University in Salzburg, and Weill Recital Hall in New York. Soloway is a laureate of the Franz Schubert Institut (Baden bei Wien, 2015) and the Acad mie Francis Poulenc (Tours, 2017). These studies were abundantly adjourned by bursaries from the Austrian Society of Canada and the Art Song Foundation of Canada. In 2018, he was an amateur collaborative pianist at the Lachine International Articulate Academy and the Highlands Opera Studio. In the COC’s 19/20 season, Soloway will serve as call pianist for Rusalka, Hansel & Gretel, and The Flying Dutchman.

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