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#there was a person I knew who liked them but they liked L.A 98% and didn't like the rest of the family.. they were blocked lol
andrenation · 10 months
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I searched tumblr inside and out to find boom boom content. I've seen these posts hundreds of times, but they still fill me with happiness.
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proud-mom85 · 3 years
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Moments from the Misha, Darius Zoom:
Darius: I WILL SAY THE FIRST THING ONE WANTS TO DO IN A ZOOM TO ESTABLISH DOMINANCE IS WHEN THE BACKGROUND CONTEST.
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MISHA: WE BOTH MOVED TO L.A. IN -- DARIUS: 99.
MISHA: DECEMBER OF 98, RIGHT BEFORE NEW YEAR'S. WE MOVED INTO THE SAME LITTLE, YOUR AUNT'S FRIEND'S HOUSE ON THE VENICE CANALS. YOUR WIFE WAS PREGNANT WITH YOUR FIRST CHILD AT THAT POINT AND MY WIFE AND I DID NOT KNOW IT AND WE WERE LIKE WHY ARE THEY SLEEPING ALL DAY, WHAT IS WRONG WITH THEM?
DARIUS: THERE WAS A GAS LEAK ALSO IN THE HOUSE. SO WE WERE ALL SLEEPING ALL DAY.
MISHA: THAT'S TRUE.
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MISHA: THERE WAS A TIME WHEN WE WERE YOUNGER WHEN I DON'T KNOW THAT I THERE WAS A TIME WHEN WE WERE YOUNGER WHEN I DON'T KNOW THAT I WOULD HAVE GENUINELY CELEBRATED YOUR SUCCESSES, BUT THERE WAS A TIME FOR YOU STARTED MAKING THE MOVIE "LOOT" THAT WAS YOUR FIRST BIG SUCCESSFUL PROJECT. I THINK IN THE PROCESS OF MAKING THAT I REMEMBER FEELING OVERWHELMED WITH SUPPORT AND JOY FOR YOU. I JUST WANTED YOU TO SEE THIS CREATIVE VISION THROUGH AND NOTHING WOULD HAVE MADE ME HAPPIER THAN IT TO BE SUCCESSFUL.
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DARIUS: I DON'T THINK I WOULD BE EVEN REMOTELY THE SAME PERSON HAD WE NOT BEEN FRIENDS...
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DARIUS: AND WE BOTH AUDITIONED FOR IT AND AS FATE WOULD HAVE IT, YOU ENDED UP IN THE LEAD ROLE OF THAT PLAY AND WITH ALL SINCERITY YOU DID AN INCREDIBLE JOB, LIKE IT WAS ONE OF THOSE MAGICAL, I THINK YOU WOULD AGREE, ONE OF THOSE MAGICAL SCHOOL PLAYS THAT JUST IS INCREDIBLY MEMORABLE. I STILL REMEMBER IT, JUST SITTING THERE AND ENJOYING IT AND WATCHING YOU KIND OF YOUR BEST. IN I REMEMBER THEN FEELING REALLY PROUD OF YOU. I REMEMBER SITTING AND WATCHING YOU ACT AND FEELING LIKE THIS IS WHAT THIS GUY IS HERE TO DO. BECAUSE YOU WERE ON STAGE AND IT WAS SO UNDENIABLE.
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DARIUS: I FEEL LIKE WE HAVE HAD A PRETTY CLEAR CHANNEL OF SUPPORT FOR EACH OTHER ALL ALONG. AND I WILL SAY, HAD IT NOT BEEN FOR YOUR SUPPORT ALL THOSE YEARS MAKING SOUND OF METAL, I DON'T KNOW THAT I COULD'VE MADE IT. THAT'S HOW IMPORTANT IT WAS, THOSE WERE HARD YEARS COME ALONG, YOU KNOW, 10 YEARS OF FAITH IN A PROCESS THAT HAD NO PROOF OF CONCEPT. SO, YOU KNOW, I NEEDED THAT SUPPORT AND YOU WERE THERE MANY, MANY, MANY TIMES OVER. I REALLY HATE TO BE SINCERE WITH YOU, I FEEL LIKE IT FEELS WRONG BUT THAT IS THE TRUTH.
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DARIUS: ...BECAUSE HE AND I BOTH CAME FROM SO LITTLE. I DON'T THINK WE WERE THAT AFRAID TO HAVE LITTLE. I DON'T THINK WE WERE AFRAID TO SCRAPE THE BOTTOM AND KEEP SCRAPING THE BOTTOM AND SCRAPING THE BOTTOM A LITTLE MORE.
MISHA: I HAVE HAD AN INTERESTING RELATIONSHIP WITH THAT SCARCITY DYNAMIC BECAUSE ON THE ONE THING, WHAT YOU ARE SAYING IS TRUE AND I ALWAYS IN MY HEART OF HEARTS KNOWN I WOULD BE OK WITH NOTHING, I WOULD BE OK LIVING IN A TENT IF I NEEDED TO. AND THAT KNOWLEDGE PROVIDES A PRETTY BIG SAFETY NET, BECAUSE YOU NEVER WALK AROUND FEELING LIKE I NEED THIS MONEY. I KNOW I'M GOING TO BE OK.
AT THE SAME TIME, COMING FROM POVERTY, I THINK THE ALLURE OF MONEY HAS BEEN MAYBE MORE POWERFUL THAN IT WOULD HAVE BEEN FOR ME OTHERWISE. IF I HAD ALWAYS HAD MONEY, I MIGHT NOT HAVE BEEN SO DRAWN INTO MAKING MONEY WHEN THAT OPPORTUNITY FINALLY CAME IN MY LIFE. AND I MAY HAVE MADE CHOICES THAT DIDN'T THAT WEREN'T QUITE SO DRIVEN BY MAKING MONEY, IF THAT MAKES SENSE. AS I'M GETTING OLDER, I AM ABLE TO FORMULATE THESE THOUGHTS AND RECALIBRATE TO AN EXTENT. BUT THERE WAS A TIME WHEN I WAS MAKING MONEY JUST FOR THE SAKE OF MAKING MONEY WHEN IT WASN'T REALLY ABOUT ANYTHING CREATIVE OR BIGGER THAN THAT, AND I THINK THAT WAS A LITTLE BIT ALSO RELATED TO HAVING COME FROM POVERTY.
DARIUS: THAT IS INTERESTING, I DON'T THINK YOU'VE EVER REALLY VOICED THAT TO ME, THAT SCARCITY MODEL YOU HAD WORKING THAT WAY. THAT MAKES SENSE ACTUALLY, AND I THINK PEOPLE KNOW THIS ABOUT YOU, BUT IT WA SA LEVEL OF POVERTY THAT WAS THREATENING. IT WASN'T LIKE WE WERE KIND OF POOR OR YOU ARE SOMEWHERE IN THE MIDDLE CLASS SPECTRUM, YOU WERE IN A SERIOUS, SERIOUS LANDSCAPE OF POVERTY.
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MISHA: IT'S FUNNY, FROM THE VANTAGE POINT OF CHILDHOOD, YOU TO ME IT LOOKED JUST AWASH IN MONEY. YOUR FAMILY WAS FUCKING LOADED. AND I REMEMBER YOUR DAD, ONCE EVERY THREE MONTHS OR SO WE WOULD ALL GO OUT TO PANDA EAST, WHICH IS BASICALLY THE CHEAPEST CHINESE RESTAURANT IN TOWN COME UP BUT TO ME IT WAS LIKE CAN YOU BELIEVE THAT WE ARE JUST GOING OUT AND ORDERING WHATEVER WE WANT AT THIS RESTAURANT? IT SEEMED SO OPULENT TO ME. IT'S REALLY AMAZING.
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MISHA: I REMEMBER DRIVING UP TO PUTNEY RIGHT AFTER I GOT MY DRIVERS LICENSE, I WAS 16 AND A HALF OR 17 AND DRIVING UP ON A SCHOOL NIGHT AT 3:00 IN THE MORNING JUST TO CHECK ON YOU, BECAUSE I KNEW YOU WERE KIND OF ON THE EDGE AT THAT POINT. YOU COULD HAVE EASILY NOT SURVIVED HIGH SCHOOL AND A COUPLE OF YEARS AFTER THAT. YOU WERE REALLY ON THE EDGE.
DARIUS: IT'S TRUE.
MISHA: YOU WOULD GO FOR DAYS WITHOUT SLEEPING, YOU WERE A PSYCHOLOGICAL MESS AT THAT POINT AND I DO REMEMBER GOING UP THERE AND WORRYING ABOUT YOU AND CHECKING ON YOU.
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DARIUS: I DON'T KNOW ABOUT YOU, BUT I HAVE FOUND THAT I HAVE NOT NEEDED YOU LESS AS I GOT OLDER.
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DARIUS: YEAH, SO, HERE IS THE THING ABOUT THE OSCARS. I HAVEN'T REALLY TALKED ABOUT THIS AT ALL. BUT THE OSCARS COINCIDED WITH - AS YOU KNOW, MISHA, COINCIDED WITH A REALLY CRAZY TIME FOR ME BECAUSE MY BEST HAVE A VERY SICK CHILD.
- BECAUSE I HAVE A VERY SICK CHILD. SO AROUND THE TIME OF THE TIME OF THE OSCARS, LEADING UP TO THE OSCARS IS MAYBE ONE OF THE DARKEST, MOST DIFFICULT TIMES OF MY LIFE DEFINITIVELY. AND YOU KNOW I HAVE HAD SOME DARK TIMES.
SO, SO OFTEN WE LOOK AT THESE THINGS AND IT LOOKS LIKE ONE THING. AND WE NEVER KNOW THE SUBPLOT THAT LIVES BEHIND IT, AND WE NEVER KNOW WHAT HAPPENS BEYOND THE IMAGE OF PERFECTNESS AND SUCCESS.
MISHA: I THINK THAT IS EXACERBATED IN THIS MOMENT IN OUR SOCIETY BECAUSE SOCIAL MEDIA, EVERYONE IS ALWAYS SHOWCASING THE MOST PERFECT VERSION OF THEIR WIVES AND FAMILIES.
AND OF COURSE, YOU WERE GOING THROUGH THE JUXTAPOSITION OF THAT PARTICULAR MOMENT IN YOUR LIFE, AND YOU ARE STILL GOING THROUGH THE HARD CHAPTER, APPARENT SUFFERING THROUGH A SICK CHILD AND WHAT YOUR CHILD IS GOING THROUGH IS JUST SO HARD AND SO HEARTBREAKING. AND TO HAVE THAT MOMENT THAT YOU HAVE BEEN WORKING TOWARD YOUR WHOLE LIFE, YOU JUST REACHED THE APEX OF YOUR CAREER, YOU MAY NEVER AGAIN BE AT THE OSCARS, AND ANYONE WHO EVER THINKS THEY ARE GOING TO WIND UP AT THE OSCARS IS DELUSIONAL, IT JUST DOESN'T WIND UP AT THE OSCARS IS DELUSIONAL, IT JUST DOESN'T HAPPEN. AND YET YOU HAVE FOUND YOURSELF THERE AT THIS INCREDIBLE TRIUMPHANT UNLIKELY MOMENT.
DARIUS: I DID ALWAYS KNOW I WOULD BE THERE BUT GO ON.
MISHA: AT THE SAME TIME YOU ARE SUFFERING THROUGH THE MOST EXHAUSTING AND MOST EMOTIONALLY DRAINING THING IMAGINABLE, AND IT WAS ALMOST LIKE A KIND OF CRUEL JOKE FROM THE UNIVERSE, IT SEEMED.
DARIUS: IT WAS THE CRUELEST DICHOTOMY. AND I THINK WHAT WAS IMPORTANT FOR ME AT THAT TIME IS I WAS NAVIGATING A LOT, PRESS, THE OSCARS, I WAS DIRECTING SOMETHING ELSE OF THE TIME, RUNNING BACK AND FORTH AT THE HOSPITAL, SLEEPING ON A HOSPITAL COT, DOING ALL THE STUFF, THAT I NEEDED SOMETHING NEAR ME THAT I UNDERSTOOD, YOU KNOW?
I NEEDED SOMEONE NEAR ME THAT I FELT GROUNDING RIGHT THEN. AND THAT WAS ACTUALLY THE TRUTH OF IT, IS LIKE, YOU ARE THE PERSON ON THE FACE OF THE -- FACE OF THE EARTH THAT I COULD CALL ON AT THAT MOMENT AND I NEEDED IT.
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These are some of the moments from the zoom. It was quite emotional as you can tell from the little bit of transcript I'm posting. You can tell how close these two are and how much they have been there for each other over the years, how well they know each other. They have one of those rare life long friendships.
I do wanna say this and I'm not saying it to be rude or anything but I remember there was a cameo that Misha did and he said he was helping a friend with a sick child and the person who bought the cameo got mad cuz their question wasn't answered and they said cruel things about Misha. Well, shame on you.
We may not have had this information at the time but you never assume when someone mentions a sick kid and don't mention how bad it is, it could be nothing or it could be something major like with Darius' kid. Misha could have not done the cameo at all but he did when he had his best friend and his best friends kid on his mind and was worried about. Shame on anyone who said mean things from that cameo. Misha always does the best he can for all of us.
Anyway, I hope we get to see more from these two in the future. They are both amazingly talented individuals.
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ebbofcyanwhispers · 2 years
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doppelganger playlist + reasons for adding the songs!
trying to get used to playlist posts even though i haven't gotten any reqs for them yet [/lh] sooo here! everything's under the cut except for the playlist, which is linked here!
very quick color guide:
doppel - arle - some asshole who i won't directly name
Star of the Show - GHOST:
clowns? check. gay ass? check. feelings of being below someone who sees themself so highly when in reality they're a total bitch? check.
i think if doppel knew what kinning was she'd kin the funny clown laindividual
Pokemon glitch songs - Various:
once i listened to one of these and thought 'oh hey if i remixed this a bit it'd totally be a doppel boss battle theme lol' which actually led me to making the playlist more or less
L.A. - Crumb the Band:
"Where have I gone? I've been gone so long Where have I gone? I've been gone so long"
Theo - Omoi:
we needed a hopeful song on this playlist okay
From the Gallows - IDKHOW:
based off of a roleplay that completely shaped my opinion of her. she's in/she was in a horribly unhealthy relationship with a guy who had hurt both her and blue arle (kare) a lot but he is/was the only person who ever showed her actual love and affection at all so she felt she had to stay with him and do whatever made him happy because otherwise she'd be all alone again
Last Dance - Ev e:
healing song! 'that relationship was shitty' she said to her grandkids 'don't get in shitty relationships if you can avoud them'
Waltz No. 2 - Dmitri Shostakovich:
i just think she'd like this song a lot
Icicles - The Scary Jokes:
"You've become art, How could they even start to see? Beyond your presentation 'Cause they've got no imagination"
"And I admit it would be easier To be relieved of all this shame and not have to Wear it on my sleeve But I imagine it's quite nice for you To have so many chances Have so many ways to be redeemed"
she feels like the only way she can be 'redeemed' after trying to replace arle is just to let herself be entertainment for her [ex-]boyfriend.
she ends up feeling even worse after finding out he got away from both responsibility and guilt after assaulting both arle and his brother while she will never be 'free' from her own feelings of guilt for even trying to replace/fuse with arle
Tained Love - Gloria Jones:
"Sometimes I feel I've got to Run away, I've got to Get away from the pain you drive into the heart of me The love we share Seems to go nowhere And I've lost my right For I toss and turn, I can't sleep at night" "Once I ran to you (I ran) Now I run from you (Now I run) The tainted love you're giving I gave you all a girl can give you Take not give and that's not nearly all Tainted love"
she has. unhealthy relationship
Vault Sideways Piano & Vault Battle - Mike Morasky:
the latter sounds very vaguely like her theme/something that would be her theme and both fit her well imo
Boss Battle - Einosuke Nagao/Tsuyoshi Matsushima [Madou Monogatari: Hanamaru Dai Youchienji OST]:
she's boss
Battle theme - Toshiaki Sakoda and/or Masanobu Tsukamoto [Madou Monogatari 1 PC-98]:
she's also battle
Clown - Junichi Yoshida, Koji Onari, Kazuaki Nagai [Puyo Puyo~n]:
it's literally her theme /lh
Blood from the Concrete - The Scary Jokes:
.she's constantly putting herself (and sometimes even kare) down to please her [ex-]boyfriend, feeling like if she doesn't basically become the perfect in entertainment and care and love then she'll never be anywhere close to 'redeemed' in anyone's eyes
something sort of heartbreaking, too, is singing this song from her POV would show how much she believes her boyfriend's lies - "he's always been so supportive to me, and nothing but! he's always been kind to me! he really thought i was the real arle!" [all things he actually said in the rp to try to manipulate her into staying with him]
another thing is she's been trapped for so long she hardly remembers how to give affection or treat anyone right, leading her to try way too hard to please this guy to make up for it.
A Mannequin Adrift - The Scary Jokes:
"Come on, let us see you smile Stop crying and let's see you smile There You're much prettier that way"
"It's so hard to function I feel like my body has died with my soul trapped inside This cold death rattle in my chest feels just like pennies in a tin can"
Last Decisive Battle - Unknown [Puyo Puyo~n]:
another one of her actual themes
Honey I'm Home [8-Bit] - Youtube user Saidan No Hitsugi (original by GHOST):
i just think it'd be something she'd listen to
BROADCAST ILLUSION [Music Box] - Youtube user Avenir / lysterhein (original by GHOST):
another thing where the original doesn't really fit her (disregarding the manipulation stuff) but i still think that she'd listen to it
The Moon Will Sing - The Crane Wives:
"Tell me once again I could have been anyone, anyone else Before you made the choice for me"
"All those empty rooms We could have been anywhere, anywhere else Instead I made a bed with apathy My heart knew the weight Ten years worth of dust and neglect"
starting off, listening to this song actually made me cry, both because of remembering bad stuff and because it fits her so terribly.
one of the biggest and worst tiny moments in this awful rp she was in was one where she doubted her boyfriend's love for her.
this wasn't her plan, it just wasn't. she wanted to regain what she lost, catch up with what she missed. she wanted her friends, she wanted "her" friends. was this really what she wanted?
she lied to herself and said yes, this is what i wanted, but she knew it really wasn't; it felt so forced to her, to want it.
another thing is the last line - ten years worth of dust and neglect - fits in so terribly well with a song i made for kare about her experience with doppel's boyfriend
"No but seriously, I’m too scared to face you but believe me I had to go to therapy for ten years ‘cause of this shit"
(i know the lyrics are bad i made it in one go-)
Truck Stop Tiger - Roar:
"You stayed with me like glass between my teeth We'll burn the house before anyone gets out When life loses meaning, there doesn't need to be a reason"
"When you're stuck in this position It's like training for the wrong conditions" "You've been training for the wrong conditions"
.doppel being with her boyfriend hurts her so much. she can hardly handle staying with him, she just wants to leave but he won't let her and he just won't go away!
training for his favorite sport, boxing, isn't something she wants. she doesn't like boxing, she doesn't have fun, but she can't do what she wants without disappointing him. she tried telling him it was too much several times, but he just didn't listen!
{shout-out to my awesome friend tsu for giving me this song to add to the playlist}
Safe Ship Harbored - The Crane Wives:
"Watch me give up, honey, watch me give up I swore I never would What we've been wishing upon ourselves Things that I forgot I cannot do"
"Where does your faith fall? Where does your faith fall in me? Don't break the bottle Don't waste your blessings on me"
"I ain't proud I wasn't born a safe ship Something wore me down"
honestly i could put the entire song here but i'm keeping it to just those lines
she wasn't made to box, she wasn't made to bend over backwards for a guy who only kisses her when she wins a match, she wasn't made to only be with one guy who's only with her because kare refused to even look at him after he assaulted her
she constantly tries to give every part of herself to him while receiving quite literally nothing in return, and it's not working out
Hope - Roar:
"Do I need a reason to wake up lonely all the time? I don't want to see you, but I don't know where to hide"
"Swim in circles, water fills your lungs And why should anyone else offer their help? I mean, just look at the way I never took care of myself"
"I'll be numb, but I'll be free My friends will keep me honest"
"You won't mean a thing to me Now, that's what I call, "progress""
mental illness monday starring both arles
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birdlord · 7 years
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What I Watched in 2016
Here are the movies and TV series I watched in 2016, some with commentary and some without. The number after the movies is the date of release, my faves are bolded, and rewatches are marked with as asterisk. Last year’s list!
01 Do I Sound Gay (14)
02 We are The Best! (13)
03 Hateful Eight (15)
04 Welcome to Me (14)
05 For Your Eyes Only (81) - I listened to a lot of back episodes of the James Bonding podcast early this year, which of course led to watching a bunch of Bond movies. Not all, and not in order, certainly.
06 She’s the One (96)
07 * Diamonds are Forever (71)
08 It’s Complicated (09) - I think it was an article about the kitchen design in this movie that led me to watch it?
09 The Natural (84)
10 * Anna Karenina (12) - Never having read the book I can’t REALLY speak to this movie but haha I kinda love its commitment to artifice. 
11 About Time (13)
12 What We Do in the Shadows (14) - I did enjoy this, but wasn’t as taken by it as I thought I might be. Found the werewolves the funniest by far, so I wish they’d turned up more often. 
13 The Abominable Bride (15) - counting this as a movie, it was the Sherlock xmas special and I recall exactly zero about it, so…..must have been amazing, right?
14 Wake in Fright (71) - Never Go To Australia 
15 Hail Caesar (16) - I think I’d have to see it again to determine if the whole thing actually holds together, but at the time, it felt of a piece with the Coen’s cheerier output. 
16 In the Heart of the Sea (15)
17 The Night of the Comet (84)
18 Laggies (14)
19 * Bowling for Columbine (02)
20 A Gentleman’s Agreement (47) - confessional, experiential journalism, but done by Cary Grant in the 40s. Ahead of his time/gender?
21 Barefoot in the Park (67)
22 Suddenly Last Summer (59)
23 Tangerine (15)
24 * His Girl Friday (40)
25 That Touch of Mink (62)
26 * Charlie’s Angels (00)
27 9-5 (80) - Holy shit, somehow I thought this movie was just a rah-rah, girl power story about a bunch of secretaries getting together and overthrowing their boss and yeah, that’s SORT OF it but it gets way way weirder in the final third.
28 * Who Framed Roger Rabbit (88)
29 * The Addams Family (91)
30 * Addams Family Values (93)
31 Frida (02)
32 Bridge of Spies (15) - A E I O U and sometimes SPIES :O
33 Swimming With Sharks (94)
34 Sleeping With the Enemy (91)
35 Fatal Attraction (87) - Watched this movie and the previous one as part of an 80s/90s thriller weekend. These two are an interesting contrast to one another, being as the first is about an abusive husband and the second focuses on the most notable example of the “crazy ex-girlfriend”.
36 1 Cloverfield Lane (16)
37 The Man Who Never Was (56)
38 * To Die For (95) - This was a super fave of Teen Emily, who definitely identified with the Lydia character. Watching this time was a huge reminder than Illeana Douglas is a goddamn national treasure.
39 Trouble In Paradise (32)
40 Eraser (96)
41 * Flashdance (83)
42 * Notting Hill (99)
43 Gone to Earth (50) - Not the best Powell and Pressburger out there, but one takes what one can get, right?
44 Holiday Camp (47)
45 Never Sleep Again (10) - This is a four-hour doc about the entire Nightmare on Elm St series, and is the reason I watched Freddy’s Revenge a couple of movies down the list. It’s not a series that I have a particular attachment to, so I learned a ton.
46 Clouds of Sils Maria (15)
47 Mommie Dearest (81) - I’m not sure that I have enough appreciation for high camp to really get into this. There were some moments, but overall it’s a fine example of the kind of thing that is Not For Me.
48 Nightmare on Elm St: Freddy’s Revenge (85)
49 Inside Man (06)
50 Trainwreck (15)
51 White God (14)
52 * Sleepwalk With Me (12)
53 Amy (15)
54 * Meatballs (79)
55 Everybody Wants Some!! (16) - I found this a huge disappointment, and I’ve been a bit mystified by its positive reviews and inclusion on critics’ end of year lists. While D&C definitely has a “main character”, and we do follow him and his friends, other people and subsets of the high school are given serious time and consideration. Ultimately, I don’t think following this one dude tripping through a bunch of different college subsets was as illuminating. Plus, weak jokes.
56 * Dazed & Confused (93) - had to cleanse the mind-palate by watching the original!
57 Summertime (55)
58 The Money Pit (86)
59 Zombeavers (14)
60 Mistress America (15) - I am finding Greta Gerwig more and more charming, the more I see of her. Greta, let’s be friends!
61 While We’re Young (14)
62 The Invitation (16) - quite effective, very upper-middle-class bohemian LA horror film. I’ve heard some complaints about the final scene, but I thought it was an effective & clever way to show an expanding scope without an extra expense or sets.
63 End of Days (99)
64 Escape From New York (81)
65 Escape from L.A. (96) - Watched these two together, on the same night. They definitely should NOT be watched that way, given how identical the plots are. Unbelievably terrible ’96-era CGI in the second one, hard to believe that Jurassic Park was three years previous?? Gotta get that Spielberg money, am I right?
66 High Rise (16) - my only real disappointment in this movie was not being around to see the decline of the civilization - we jump straight from things being fine (if weird) and everything gone to heck. My favourite part is the decline, give me decline!
67 The Great Outdoors (88)
68 * Catch Me If You Can (02)
69 Little Darlings (80) - just your classic losing-virginity-at-camp story, but…wait for it….with GIRLS.
70 * Good Will Hunting (97)
71 Popstar (16) - diminishing returns, but some funny bits (mostly in the songs, not surprisingly). 
72 Tarzan (16) - watched this with friends and relatives, at a drive-in theatre a couple of days after my wedding! It’s NOT a good movie, but it was a fun time.
73 Love & Friendship (16) - got completely obsessed with Tom Bennett based on his 100% rate of scene-stealing in this film. Sevigny feels utterly out of place - am I capable of seeing her in a period piece set before, say, 1975 without feeling weird about it?
74 The Night Before (15)
75 Ghostbusters (16) - So I know I was supposed to be charmed by Kate McKinnon, but her schtick just doesn’t work on me, for whatever reason. I was also really frustrated by the final fight scene of this movie - it had obviously been hacked up in editing, and wtf is up with punching ghosts instead of containing them? I’m glad this movie happened, and certainly a great deal of the criticism it came in for was deeply unfair, but it was distinctly disappointing to find that this movie just wasn’t that great.
76 Brooklyn (15)
77 Poltergeist (82)
78 * Before Sunrise (95)
79 Love & Basketball (00) - Effusive praise for this movie somehow came to my attention from all over the place this year, so I finally had to watch it.
80 The Man Who Knew Too Much (56)
81 * Road House (89)
82 Carol (15) - watching this FINALLY allowed me to fully participate in Today’s Meme Culture
83 * Out of Sight (98)
84 Happy Texas (99)
85 Red Rock West (93)
86 Weiner Dog (15)
87 The Trouble With Harry (55)
88 * When Harry Met Sally (89)
89 Jungle Fever (91)
90 Ocean’s 11 (01)
91 Star Trek Beyond (16)
92 Two For the Road (67)
93 * Seven Year Itch (55)
94 Maggie’s Plan (15) - like I said earlier about Greta Gerwig? I liked this one even more than Mistress.
95 The Dish (00)
96 Splash (84)
97 Desk Set (57) - watching this and the next were inspired by stumbling across a blog about depictions of librarians on film. I particularly hit on this one because I’ve always wanted to see a Hepburne/Tracy film, and never had (to my memory, anyhow).
98 Party Girl (95) - one of those movies I’d always noticed on the shelves at the video store, and never actually watched it.
99 * Young Frankenstein (74) - saw this in the theatre, Gene Wilder notwithstanding I…..don’t think it’s good. It’s only extremely intermittently funny, you guys! Plus, the Putting’ on the Ritz bit makes me uncomfortable (especially in audio-only form, which I heard TOO many times after Wilder died).
100 The House of the Devil (09)
101* The Witches of Eastwick (87)
102 The Borning (81)
103 * Shaun of the Dead (04)
104 Dolores Claiborne (95)
105 The Conjuring 2 (13)
106 In a Valley of Violence (16) - definitely watched this because I happened across an article about the movie’s dog star. 
107 The Witch (16) - very effective in getting across the supernatural, natural, and social dangers of early puritan America, and Black Philip has entered my idiolect for any creepy animal/person/twitter feed. 
108 * Wayne’s World (92)
109 What if (13) - riffs on When Harry Met Sally’s fundamental question of women and men being friends, and basically comes to the same conclusion. yawn.
110 The Martian (15) - I read the book as part of a book club last year, and finally got around to watching the film. Since I found the worst of the writing in the book to be those passages dealing with description, the movie was a lot less annoying to experience.
111 Sleepless in Seattle (93)
112 * Thelma & Louise (91)
113 Casino (95)
114 Other People (16) - wept several times. GOSH I love Jesse Plemons, he’s so hugely sympathetic. Would watch in virtually anything.
115 The Life & Death of Colonel Blimp (43)
116 Primary Colors (98)
117 Edge of Seventeen (16)
118 *Die Hard (88) - loaded up the laptop with this and the next four xmas-set movies, for watching on planes and in airports, while we were on the road at christmastime.
119 *Batman Returns (92)
120 *Scrooged (88)
121 * The Apartment (60)
Theatre - 5
Drive-in - 1
All the rest at home or at friends’ homes!
TV SERIES
*The Office US S2-3
War & Peace (2016) - you bet your BOOTS I started the book after watching this. Did I finish it? Not even close.
Love (2016)
Better Call Saul S2 - this is a show I enjoy while I’m watching it, but I don’t particularly find it memorable. Why? Who knows. It’s still something I look forward to, but not a show that sticks with me.
Great British Bake off *S1, *S2, S7 + Xmas Specials - a eulogy for Bake-Off as it was. Pour one (pint of double cream, that is) out for what once was.
Broad City S5
Travel Man S1, S2 - I find Richard Ayoade so desperately charming, but ever time I’ve watched one of the movies he’s directed, I’ve ended up disappointed. This show is a bit hit or miss, depending on the guests he brings along, and the episodes definitely have a sameness to them, but if you find this guy even a sliver as entertaining as I do, it’ll pull you along anyhow.
The Night Manager - so looking forward to Hugh Laurie’s upcoming career phase as Bond Villain.
Cooked
Newsradio S1-S3 - I’d seen an episode or two of this over the years but never sat down to fully appreciate it. It’s making me miss Phil Hartman all over again, a fresh devastation, plus haha did u know Tone Loc plays a security guard on this show? It’s all true.
Lady Dynamite
OJ Made In America - I’ll count this as a series, since I didn’t watch it in the theatre. Still haven’t seen the other big OJ series of 2016, but I loved loved LOVED this. What impressed me the most is that, in spite of its 7 hour+ running time there were still aspects of this story that could have been expanded upon.
Silicon Valley S3
* Veep S1, S2
Catastrophe S2
Pulling - went back in time to get more Sharon Horgan in my life, since Catastrophe seasons are terribly short and far-between. I’d been aware of this show for a long time, and somehow wasn’t expecting it to be as near-devastating as it ended up being. What, did I forget what a British show was like?
Another Period S2
Difficult People S1, S2 - Another late discovery, but a great one. A fine example of just giving some funny people a show, and letting them just do their thing on it every week.
Fleabag - yes, I’m in for this, obviously. And if I wasn’t, the show designed itself to put me off, from the first moments. A wise move!
One Mississippi
Very British Problems S1, S2
Atlanta - I’ve got a bad feeling that this show’s deserved success will lead to surreal elements being deployed, but much less deftly than they were here.
Please Like Me S1-S4 - Tore through this entire series greedily, am now suffering until they make another season. Balances some very harrowing elements with comedy and an ensemble cast of loveable/terrible humans.
Divorce - Sharon Horgan’s writing minus her acting is a hollow empty shell, but hey, I’ll take what I can get, when I can get it.
The Fall S3 - I’d decided last year after S2 that I was done with this show, and yet, here we are, I was drawn back in.
The Crown
Insecure
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airadam · 7 years
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Episode 98 : Straight Ahead
"I'm at the back of the wake, fe' re', selling my tape"
- Rodney P
Managed to pull myself through a busy, somewhat trying month to bring you another selection! We have one new release, some 80s soul picks, a Mobb Deep feature, and a bunch more - I'd be surprised if anyone, even the DJs, knew every single record. Let's get into it...
Twitter : @airadam13
Playlist/Notes
Skitz ft. Rodney P and Supanatchlus : The Killing
A very downbeat few bars to begin the episode, with Skitz basing this track from "Countryman" around what sounds like a version of Chopin's famous "Funeral March". Rodney P was settling into his solo career right around this time and he gives us some of his trademark style here, mixing the London with the Caribbean, elevated even further with Supanatchlus on the intro and hook. As far as I can tell, this is Supanatchlus' only credited recording, but it's a good one!
Hexsagon : La Buena Memoria
Big shout out to Hexsagon, friend of the show, for giving us gems like this beat from the "Beat Flip Tuesdays Volume 4" tape!
Rah Digga ft. Mobb Deep : High Speed Chasin'
Super dark cut from Dirty Harriet herself, which I got on a white label 12" but is now available through the magic of digital distribution, on the formerly unreleased album "Everything Is A Story". Tone Mason's crackly, low, insistent beat is actually very reminiscent of something Havoc might have done, but here he stays on mic duty for the closing verse. Rah slays the second verse, and of course, the familiar voice of the late Prodigy opens proceedings.
Above The Law : L.A. Vibe
Love this, a personal favourite from the "Legends" album. It's a very minimal beat from Cold 187um, but not as minimal as you think at first. Listen carefully and hear a number of different keyboard and pad touches come in over that spare, gritty bass and unpretentious drum pattern. It's always nice to hear the voice of the late KMG, and his low-key style as displayed on the first verse suits the track down to the ground.
Kankick : Say
Another one of those respected producers out of Oxnard, California (think Madlib and Oh No), Kankick has been quietly working away for years. This is an all too short track from his second LP, "Acid Massive Musical" which can't help to hook you in with the backwards lead sounds and neck snapping drum and bass combination. 
Ty : Knock Knock (DJ Spinna Remix)
Great combination. On the third release in Ty's "Kick Snare And An Idea" series, he spits with his usual clarity and intelligence and this track is no exception. DJ Spinna remixes the cut with some classic Beyond Real flourishes, bringing synths and keys in from all angles underneath a solid kick-snare foundation. Appropriately. 
Fat Jack : Try Ta Test
Dug this one out this month, going back to the "Beatology Vol. 2" compilation; Fat Jack is a producer from the underground Los Angeles scene who you might have heard working with heads like Volume 10, Aceyalone, and Abstract Rude, and getting respect across the board. This cut has a nice little wobble in the bottom end, nothing drastic, just enough to add that extra something.
Kev Brown & LMNO : The Cause
I've only just discovered this 2008 track this month, which speaks to how much material gets released nowadays and how easy it is to miss quality needles in the musical haystack. Kev Brown always brings the funk, and this is no exception - classic boom-bap with his own particular aura. It's easy to forget he's an MC too, and his more natural tone is my preference over LMNO's flow - but they both get it done. This is from the "Selective Hearing" album, which also has a follow-up which I'll have to check too!
Method Man & Redman : 1, 2, 1, 2
One of those combinations that seems obvious in retrospect but seismic when it happened, Method Man and Redman's coming together has been a source of joy in the artform. Their debut "Blackout!" had a number of big tunes, but this is probably one of the less-played ones. DJ Scratch gives the MCs a nice funky beat with some bounce for them to swap bars over. There's always room for a track like this.
7L & Esoteric ft. Inspektah Deck : Speaking Real Words
I wigged out the first time I heard this, and it's one of those tracks I have two copies of on vinyl - in fact, that's why you may just detect a dip in volume near the start, it's that dreaded cue burn! Big tune out of Boston from that late 90s independent scene, with Deck from the Wu of course stealing the show lyrically. 7L is usually responsible for their production but on this track he hands the reins to fellow Bostonians Vinyl Reanimators, who do a bang-up job. The horns make me think of a choppy, Hip-Hop version of "Sledgehammer"!
Rakim : When I B On Tha Mic
Apologies for the audio glitch in this one! While "The Master" LP might not have made as much noise as other Rakim releases, this single was pretty universally lauded. A trademark DJ Premier beat right here! It's not Rakim's most complex writing, but still a cut above most and for a track like this, pitched just right. I do love his tribute to the DJ in the second verse, along with matching turntable manipulation - an inspired bit of post-production.
[Madlib] Madlib & Freddie Gibbs : Real (Instrumental)
I'm not actually much of a Madlib fan but he turns it out on both parts of this beat from the "Piñata" LP!
Geechi Suede : Mahogany Mami
Clearly on a burst of creativity right now, Geechi Suede follows "Fishnet Skyscrapers" with the "Purple Suede" mixtape, made up of tracks sampling Prince. The groove for "Kiss", as used here, is always one to give you that energy.
Steve Arrington's Hall Of Fame : 15 Rounds
Very much of its time, we have here a track from the former Slave frontman's 1984 "Positive Power" LP. Not especially subtle lyrically, but not putting it all the way out there either! The growling, stereo-spread keyboard bass on this is a beast.
Midnight Express : Danger Zone (Extended Version)
Apparently this style is now referred to as "boogie" - for me, this is just what soul records sounded like when I was a kid :) This is an absolute bomb out of Rock Island, Illinois, originally released in 1983. The video very much gives the impression of the guys in the edit suite just pressing every button available, which makes it worth the watch at least once :)
Ronnie Hudson : West Coast Pop Lockin'
Rounding out the run of 80s heat, we have a 100% classic that is likely to give some of you a sudden gasp of recognition! Yes, this 1982 track is the origin of the hook of 2Pac & Dre's "California Love", which came out fourteen years later. It also incorporates musical and lyrical elements from Zapp's "So Ruff, So Tuff", which was a big record at the time. (Actually, it is easily one of the greatest records of all time). Ronnie Hudson was a singer and bassist out of Washington D.C. who moved to Los Angeles and met some pretty rugged characters while doing the research for this track! This is a real California anthem.
Miguel Migs : Do It For You (Bump The Tech Dub)
Hip-Hop is rarely up around this speed, so I had a dig into my house crate to come up with this remix. The original vocal version of this cut, featuring Li'Sha (aka Lisa Shaw) is well worth picking up if this is a style you enjoy!
Little Shawn : That Girl
I got "The Voice In The Mirror" a year or so back purely to get this song, which up to that point I'd heard only once - when I was about 14. It didn't sound quite like I remembered, but that Madonna sample being played up and down the keyboard (I thought they were pitch-bending it somehow) had stuck in my head for all those years! Little Shawn (later Shawn Pen) is on that light flow here as he is on most of the album, which is interesting because for those that know...nothing lightweight about him! Hitman Howie Tee is on production and it sounds very much like something targeted toward the radio of the time. It's not like this is my favourite record or anything, but it is one I was glad to find and am happy to share.
Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!
Check out this episode!
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