#there's more discussion in my finding kh meta - please go check that out too for more details on the episodes

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What do you think about Kurt and Blaine’s chemistry in season 5? for some reason I’ve always felt like it was really off in the New York arc. I’m not sure whether it was the fact that the writers were only giving Klaine tension instead of happy moments or whether it was due to Darren/Chris, or if I’m just imagining it. Kurt just definitely seemed so cold during that period of time.

You know, I kinda figured I’d get this question eventually, lol.  

So - let’s talk about the New York Arc and Advanced Television Production.  

This question has /layers/ lol. 

For a simple answer, so you can check out if you’d like, I think their chemistry was fine, I think production was super rushed and flimsy at points, and I don’t really think Chris or Darren had anything to do what you might feel is /off/ but since actors are the face of the show, they get the brunt of the feedback.  

For a longer answer (and I mean long) follow under the cut! 

So, among being an avid fan of film production where I’ve picked up a lot of the industry knowledge (to which I’m not very -- just a fan) I’ve been listening a lot to The Office Ladies podcast, and they’ve been bringing some stuff up that I think is important to remember about film and tv production.  There are a lot of parts that go into it.  There’s the writer’s intentions, the director’s vision, the editor’s cut, the producer’s needs, and the actor’s performances.  And between those things - the show becomes what it is.  

1. The writing - The writing of Klaine in the New York Arc makes more sense when you look at the thing as a whole within context.  Kurt and Blaine were headed down a path towards a break up.  Kurt felt like he was losing his individuality and wasn’t communicating that well to Blaine, there were also some unresolved issues due to the previous break up, and the fact that Kurt was so stubborn on his stance about marriage.  Meanwhile, Blaine was so insecure, he depended on his relationship to mend those feelings, and tried to preserve that perfect feeling instead admitting that he needed help and the relationship wasn’t perfect.  

I’m oversimplifying, there are a lot more complex parts going on but neither of them were truly happy despite them feeling grown up adults in the city of their dreams.   The point being that they needed some time apart to grow up and mature a little to understand what being in an adult relationship means (explored more in season 6 after the break up).  

One of the problems, in general, with the writing is that it was so focused on the more dramatic moments of the Klaine story, we didn’t get to see much happy down time or times when they did work better.  This is a fault of Glee in general being a story about big moments and broad brushstrokes rather than zeroing in on the nuances of a complex relationship.  

2. The direction - believe it or not, the actors are kind of vessels for what production needs them to be.  Chris and Darren are both professionals (I’ll get to them in a minute) and if the director wanted more angst he’d give them another take.  Ultimately - the director makes the call whether or not he’s happy with how the scene is playing out.  If the directors weren’t happy with Chris or Darren’s performance, they would have done it over again.  

3. Editing - so, I’ve studied Glee long enough as an artform to now have paid attention to things like editing.  And let me say this -- I have long had issues with the way this show is edited.  I’ll have to do a separate post on it if you really want it, but let’s say -- how you put together a TV show from various takes makes a huge difference.  And by season five, the editing was choppy and often misleading.  Part of it is because the scripts weren’t great.  Part of it is because at this point I think they were under pressure to get things done in a short amount of time.  And part of it is, I believe, by season 5, most of production didn’t have their hearts invested as much as they used to.  

This goes and in hand with... 

4. General production -- I do think this context is important.  A beloved member of their family - Cory Monteith - had just passed away.  That is /hard/.  It’s hard to work around, it’s hard to write around, it’s hard to produce a show when someone you care for just isn’t there anymore.  On top of that - Glee was not as popular as it once was.  They were probably getting pressure from the network to do the show with less money, which meant less time to do all the normal production stuff -- and because glee had to incorporate things like musical performances, they were always pressed for time, which can cause sloppy production values.  

5. Notes from the Network - there are always some -- I have no idea what they were, and what the network insisted they had to change, but the network always hand some kind of hand in shaping the show for better or worse. 

6. Chris and Darren -- okay, let’s talk about this, even though I’m a little over this one, cause I’m tired of the two of them getting blamed for things - especially in season 5. 

First of all, I don’t know either of them personally.  And I think it’s unfair to speak for them.  Unless they come out and say specifically how they felt about that time period, I would say take this analysis with a grain of salt.  

No. I don’t think Chris was checked out.  I’ve often said that Chris’s time on Glee is a lot like going to college.  Sometimes it can be the best times! Sometimes it can be the worst.  I know when I finished, I just wanted it to be done and over so I could move on with my life.  I do think Chris was tired of certain aspects of the show -- I think he was tired of having to grow up on camera and in the media.  I think he was tired of people constantly thinking he was dating his costar when he (clearly) was not.  And both he and Darren were vocal about not really wanting Kurt and Blaine to get married (or being boring in the background of scenes). 

Do I think he hated his job? No.  Do I think he hated Klaine? No(ish).  I think he wished Kurt had his own story line, and I do think both he and Darren actually enjoyed the heavier emotional stuff they were getting by the time season 5 came around.  I also think that Chris does not want to be known as Kurt nor as one half of a popular TV couple because it impedes on his individuality.  And I also think Chris was ready to move onto other things in his life.  

Do I think that bleed into the show? No, I really do not.  I think Chris knew how the season was going to play out - and played it accordingly.  

(As an aside - I want to point out that Kurt during the NYC Arc is generally unhappy with more than just Blaine.  And in fact, I’d argue, he’s more irritated with Rachel at any given point than he is with Blaine.  Go watch Old Dogs New Tricks again -- he could have stuck it to Darren/Blaine, he did not.  He stuck it to Lea.  But that’s a completely different topic for later.)  

Meanwhile, Darren! So, I’m going to preface this by saying -- I love Darren, I really do, and under good circumstances, he can be a great actor.  And he has some just stellar moments in the NYC Arc.  He also has some not so great ones, too - and out of the two of them Darren wavers in acting quality during this time period.  I promise, it’s not a slam on Darren (I do love him!) but there’s some over-acting (and a little underacting) that’s going on, which doesn’t help much. 

Also, I want to point out, that a lot of issues Chris was vocal about concerning Klaine, Darren had as well, he was just better about being diplomatic to the fans about it.  He also wasn’t (as) bothered as Chris was about the whole tinhat thing (unless it involved verbally assaulting Mia, which then he put his foot down - yes that happened.) 

So.... let’s talk a little about the episodes in NYC Arc and hit up some of the problem points, shall we? 

New New York 

The biggest issue people always seem to have with this one is the performance of You Make Me Feel So Young - which is off putting out of context.  They’re supposed to be happily living together, right?? What’s going on?? Well, we’re a good nine months after Blaine moved in, it’s the morning after the bedbug scare where they were up half the night, and Kurt is a person who just needs his space and they’re living in a place that doesn’t have any walls. On top of that - Blaine is pushing a little hard on his fantasy of wanting to be an old married couple already. I’m not surprised Kurt isn’t all roses and daisies about it.  

Am I sad we didn’t get to see the first few months of sunshine and rainbows? Yes absolutely! They definitely allude to the fact that they’re having a lot of sex -- and I’m sure there were a ton of sexy times in the beginning. But living in one room with five-ish other people is not fun, especially for someone who needs alone time and space to recharge.  Or someone who just wants to have sexy times with his fiance and can’t because roommates.  

No, You Make Me Feel So Young isn’t the most feels-y, but I’ll also argue that Kurt isn’t the most checked out either.  There are moments in there where Kurt is genuinely happy and having fun messing around with Blaine.  And the point of the song is that they are young and shouldn’t be singing that dumb-ass song about being old marrieds anyway.  

The other thing is the whole Blaine moving out stuff.  Which... is entirely because it propels the plot of everything else going on, not because logic.  I do not really believe any young, engaged couple wouldn’t kick their friends out to their other friends house if that was an option so they could be together. But the show needed Kurt and Rachel to remain living together so Kurt could continue to be Rachel’s emotional prop.  Whatever. And they wanted to set up the ending where Blaine moved back in again as a full circle moment (even though they end up breaking up again, lol I’ll get to it.) 

So writing nonsense aside, I think they handled the important scene at the end of the episode really, really well.  It’s one of my favorite Klaine scenes because it’s a time when Kurt actually expresses what’s in his heart - that he’s conflicted because he’s figuring out that love is not all you need to make a relationship work and he doesn’t know how to navigate that -- or if ultimately, the relationship is what he wants.  But, it is, and his saying that his relationship with Blaine is one of the most precious things in his life is one of the strongest affirmations about anything that Kurt ever gives.  Happy or not happy in that moment, Kurt values his relationship with Blaine above everything - and will protect what he thinks the relationship means at all costs -- even if it means breaking his own heart in the process.  

Bash

This episode is a mess, and the weakest written episode of the arc.  It’s essentially two very different plot lines unevenly stapled together.  Kurt being bashed doesn’t get enough screen time, and it ends up being a morality tale for Rachel rather than delving into the impact it has on the actual gay members of the group.  Blaine’s POV is very limited, which is a shame because there’s an entire story there they really should have told.  

I’m using the still above to show that, yes, as awkward as the set up the scene above is - Kurt’s happy to see Blaine when he enters.  

Why is Kurt so cold during the scene where they lay flowers at the dude’s attack scene?  I don’t think he is? I think he’s recovering from getting the shit beaten out of him, and I’m under the impression that they guy actually died in the initial shooting of the scene and they changed it in post to have him live.  On top of that - Blaine’s feeling clingy because he almost lost the person whom his entire self worth is relying on at the moment.  

Tested

Tested is super, super complicated, and I’m just not going to rehash it here... again.  Please read my meta on this one - I do go incredibly in depth on it.  

I will say this -- Tested is an episode that is densely packed, and relies on subtext to tell a lot of its story.  While I love this episode, the episode needed to be 100% focused on Klaine to really do the stories they were telling justice, and a lot of it is up to interpretation.  

The biggest push back I always get on this one is the ending, and Kurt seeming ‘cold’ here.  And I’ll say this -- You can love a person deeply, and still be as affirming as you can, and still be upset about how they were treating you.  You can be sympathetic to their plights and frustrated that these conversations keep having to be had.  Blaine’s insecurities are feeling heavy to Kurt -- that is a part of being in a relationship, that is a part of being in an adult relationship.  Your prince and knight in shining armor is going to eventually be a human being with problems that you can’t always solve.  And sometimes that is tiring - no matter how much you love a person.  

Opening Night

There is zero Klaine in this episode - because it’s Rachel’s episode, and Kurt was needed as the gay best friend emotional prop.  Do I think there was an missed opportunity to show Kurt and Blaine happily dancing together at the club? I do! But I don’t think it has anything to do with any interpretation of their characters.  I think they told the actors to go have fun - and they did. 

The Back Up Plan

I don’t necessarily have any major faults with this episode, nor have I heard much push back against it?  Out of all of the episodes - this is the one where I do have some minor quibbles with acting, some of it being from Darren not clicking Blaine on for ten seconds or so at the beginning, and some of it from Chris being over-the-top in a few places, but nothing that fully takes me out of it.  Neither of them are being different in scenes with each other than they are in scenes with other people.  And there are some really solid Klaine moments in the episode itself.   

Old Dogs, New Tricks

AKA The one that Chris wrote.  Here’s my thing...  there isn’t very much Blaine in this episode (wisely so).  I think a) Chris wanted to write Kurt a story line that didn’t involve Blaine so Kurt could have a story line that didn’t have Blaine -- and that’s fine and valid and b) I don’t think he wanted the pressure of writing for Blaine, so wisely didn’t have him in it much. 

He wrote a very sweet Klaine moment that incorporated the overall story.  I have no complaints.  And I’ll add -- Chris (purposely so I assume) directed all the passive-aggressive writer-y things towards Rachel.  I do believe if he ultimately was having issues with Darren (or Blaine) he would have had zero compulsion about bringing that into the script. 

The Untitled Rachel Berry Project

Do people have issues with this one? -- I really only have one, and that’s the end of the scene referenced above with the still.  And it’s a good example of how I think production effects story.  This is a beautiful scene, until the last few beats.  We have this big emotional moment for Klaine -- and then it’s capped with a really dumb joke about Blaine being the luckiest guy in the world and a throwaway, badly edited kiss (scored to some upbeat, tacky scoring).  If it were me - I’d let the emotion of the scene continue, let the boys stay on the steps, let them kiss in an emotionally driven moment, and then they can go run up stairs to have sex and not make a joke about being turned on by birds.  The last ‘joke’ can be left on the cutting room floor because it’s really not needed.  But Glee being a ‘comedy’ felt the need to cap the moment before the break with a joke because it’s Glee.  

See what I mean? That’s not Chris or Darren’s fault.  That’s one part writing, one part directing/editing, and one part my opinion of it not working.  

Otherwise, I really don’t have issues with this particular episode. 

I’ll say this though -- a) Kurt is incredibly happy to have Blaine move back in and that means something.  b) the reason this is left on such an upbeat note, and not necessarily foreboding of what’s coming next season is that there was a real chance they weren’t getting a next season -- and they wanted to make sure the characters ended in happy places in case this was the series finale.  c) we were shortchanged two episodes from this season -- who knows what more they could have developed if the had had more time. 

*****

I don’t know if any of this helps (or if any of my additional meta helps) but I suppose I’ll say this -- I’ve meta’d these episodes so much that I see the cracks in the production, but I don’t really take issue with them anymore.  I like the story being told, and all things considered, I don’t think it’s all that bad.  

I think one thing to keep in mind is how Glee tells stories in general.  Are the couples happy? Well, then they’re in the background not doing anything.  Are they having conflict? Yes - well that’s front and center.  Also, keep in mind that Glee prefers telling stories about couples getting together more than them being together (or breaking up).  We start season 6 after the break up, and even season 4′s break up happens at the beginning of the season - why? Cause Glee loves writing angst-y couples who eventually get together in a big moment.  

And I’ll add to that -- did you notice that Sam and Mercedes go through a similar arc as Klaine during the NYC arc? No really - do you know why Mercedes breaks it off with Sam? Because their lives are just in different places and she wants to preserve her good feelings for Sam -- and that’s very similar to Kurt’s reasons at the beginning of season 6.  

No - this season isn’t happy, flirtiness of Kurt in season 2 (and I’ll argue that was Kurt’s story - not Blaine’s, and it’s also somewhat flimsy in structure when considering the love story aspect of it).  It’s not the background moments of season 3 - because they’re together, and there’s not a classroom to be backgrounds of.  (Could they have done a little more in the group scenes? Sure - but it’s not that bad.)  It’s not the angst fest of seasons 4 and 6.  And not helping is the fact that the first half of season 5 really had very little Klaine development at all.  

so, back to the beginning, I feel like the story they wanted to tell was about Klaine having conflict and resolving said conflict, and getting them to grow into an adult relationship.  Do I wish there were more happier times to balance that out? Of course I do! Do I feel like there’s a lack of chemistry or that Chris and/or Darren are to blame? Absolutely not.  Hope this helps a little Nonny - and feel free to ask me about specific moments if you need to <3