#this doesnt look great but compared to my drawings of her from forever ago its amazing lol

[delfinodreams]

OKAY i said i would make a post about my thoughts on paper mario a while ago and im finally writing it out

ill put it under a break because its probably gonna be long-ish

update: yea this bitch is LONG

okay so overall i really really enjoyed it!! it was really solid for the first entry in the series and i could definitely see the inspiration that ttyd later took from it. one thing that i didnt know about was partners not having HP, which threw me for a little bit of a loop. partners as a whole in this game don't play as active of a role as i wouldve expected because they have so little lines but using them in battle is still very fun! another small thing but i also hadn't expected mario to be completely silent, but it later grew on me!

i'm also gonna list my experiences and opinions on each chapter so here we go!!

chapter 1 - pretty alright for an introductory chapter! i didnt find anything especially notable, apart from getting 2 partners in one chapter. navigating the koopa bros. fortress was fun, and i loved the battle at the end!! their theme is SUCH a banger i had to sit back and listen to it for a bit when the fight actually started ehe

chapter 2 - not quite a fan of this one imo? i liked the first part through the mountain, but the trek though dry dry desert kinda took it out of me. BUT the addition of my favourite partner made up for it! parakarry my beloved <3 also the cutscene where dry dry ruins rise up??? that shit was SPECTACULAR. i absolutely loved how it turned dark when it first came up, i wish it stayed like that for more than just until you entered the ruins. the boss itself wasn't too exciting for me, probably because there wasnt much of a story?? i dont know how to describe it. actually its like that for quite a few of these bosses, but its the first entry for this series, so i wont fault it too much.

chapter 3 - this might be my FAVOURITE chapter- the suspense buildup throughout the entire chapter was AMAZING holy moly!!! first through the forever forest when you have bootler ask for you, and then wandering the mansion itself. i TOTALLY thought that boos were gonna be actual enemies when i saw them floating around. sneaking around tubba blubba's castle was so so fun to do, and i legitimately panicked when you ran into him in the hall and also when he wakes up and chases you back to the windmill. i didnt actually think the heart itself was the boss, just a miniboss, so i freaked out when i left the windmill and was immediately thrown into a battle with tubba blubba. i cannot express just how much i enjoyed this chapter, seriously!!

chapter 4 - coming back to toad town with the music change threw me for a bit; i wasnt expecting action to pop up so soon! figuring out that you could actually go into the toybox was such a "wait, what??" moment for me, but like, in a positive way. it was really cool to navigate this chapter and the lantern ghost encounter genuinely creeped me out at first because it was COMPLETELY dark. the fight against general guy is also a BANGER i could listen to it all day

chapter 5 - man i LOVE the whale. just a big guy willing to take u across the ocean :^) i really appreciated how you weren't stranded on the island too, like how you were on keelhaul key in ttyd. the ravens are also funky little guys, love them too. again, the lava piranha didnt really have any substance to it BUT it was a nice fight nonetheless! when it popped up again i was shocked but i made it through!! also fuck kolorado he doesnt deserve his wife

chapter 6 - this one's formatting is really neat- one central area with lots of branching paths, which i hadnt seen in my past pm experiences! i loved the quest leading up to the big beanstalk, plus the environment was so pretty!! the little part with the sun tower popped out to me, i'm not sure why though. maybe it was the music, it was so different from the flower fields theme. at first i had actually expected to go up to the clouds earlier, maybe like midway through the chapter. i thought that would be the "dungeon" of this part, so i was a little bit let down when i realized that the fields were the majority. however, the bit of the clouds we do see is SO good i LOVE the atmosphere!! huff n puff was actually relatively easy, using parakarry and lakilester for their all-around attacks. the guitars were a nice touch for his theme as well!

chapter 7 - oh dude i LOVED this chapter. i didnt know what i was expecting when i first went into the pipe in the sewers, whether it would put me into a village immediately or if i would have to make it through some screens before. needless to say, i was relieved when it popped me out into shiver city. the whole place felt "warm" which was really nice!! i was comparing it to ttyd's chapter 7 and fahr outpost which i didn't really vibe with, so it was a nice change! the whole murder plot was also unexpected but i enjoyed the whole "whodunnit" mystery! omg as im typing this i realize just how many aspects of this chapter i love this is gonna be long,, the entire snowy atmosphere is just so PRETTY and starborn valley felt so solitary to the rest of the land, like its own little bubble. i also had no idea that ninjis were in this game so when i saw one at merlon's i was like HUH?? anyways the way up the mountain to the crystal palace kept me on my toes; i thought that was the dungeon at first! the small bit where you see madam merlar and she tells you the story of the palace really got to me i have no idea why. the music and mysticality of it all was just SO good. dont even get me started on the crystal palace itself HOLY MOLY. the whole reflection bit was SO SO clever and the moment you realize its NOt actually a mirror?? fucking magnificent. this has to be my favourite dungeon in the whole game because it has such a NEAT gimmick!! it also has my favourite mario enemies, duplighosts! FUCK the crystal king though. he stunlocked me with his freezing move because i could not get the hang of blocking it. my partners really carried me for that battle; thank god for quick change

chapter 8 - THIS CHAPTER DELIVERED. the buildup for the entire game leading to this point. OUTSTANDING. i had to sit back and admire star haven because its so pretty- did i mention i love the water graphics in this game?? it has a pixelly look but it works SO WELL. going to the ship to take you to bowser's castle really felt like a "this is it" moment. the entirety of bowser's castle was So Good, it kept me on my toes the entire time!! slowly advancing as the music got more intense REALLY pumped me up. tracks that start off with only a couple instruments and eventually add more as you progress is one way to make me go BONKERS. the one bit where you make your way outside on the bridge and the music dials down and then you re-enter on the other side to it SLAMMING you in the face- that was Great. and then the complete silence as you get outside peach's castle HOLY SHIT. and then you actually enter the palace and the music is SO EERIE and youre like OH SHIT THIS IS REALLY IT. seriously, the buildup for this entire castle is done SO magnificently. i hadn't expected to fight bowser twice, i guess it was the game's way of letting u level up One Last Time before u got to the big bad. that being said, i wasn't too worried on getting a game over since i was fucking stacked on items. but that's besides the point- the fight itself got my heart POUNDING. the effects for the star rod and the star's powers were really nice to see in action, and the little section with peach and twink was so cool! i was expecting a little interlude where you would get your stats maxed out because thats how its like in every pm game, but it was still moving :)) bowser's final battle theme fucking SLAPS. the guitar especially sounds AMAZING. you really see him as a threat here and its so badass. his healing move fucked me over multiple times- i probably ended up having to deal with double his base HP over the course of the fight.

after the fight was over and you got to see peach's castle float down with the soft music in the background, it really hit me that its done, its over. again, the effects in this game are so pretty and theyre utilized SO well for the n64. visiting toad town one last time with all the npcs was a really nice touch- for some reason i really loved being able to interact with vanna t. (chuck quizmo's toad assistant) she's ADORABLE and i will probably end up drawing her sometime :)) the credits were also something that i really enjoyed- i LOVE the ongoing theme of parades at the end. seeing everything and everyone in the game condensed into a short 8 minutes really got me, i cant remember but im pretty sure i was smiling the whole time! and a small sidenote- TOADS WITH GLOWING SPOTS ON THEIR HEAD HELLO?????? I WANNA DRAW THAT SO BAD.

the ending screen with peach and mario looking at the fireworks made me really soft and i teared up a little because i was finally finished. the addition of pop diva's solo in the track was also so touching, it was my favourite sidequest in the game so hearing it again brought up Emotions :')

one thing i wasnt sure of was if there was a post-game mode and my completionist heart was disappointed a little when i found out i couldn't advance from the end screen and was forced to reset. although not many games from this era had post-game content so i cant dock too many points for that.

the paper mario series has a fond place in my heart, and finally being able to play the game that started it all really was a special experience. it really cemented my love for the original formula and i could see many places where ttyd took inspiration from. this game really is fun, and i would highly recommend playing it yourself if you have the means!

[pensurfing]

Caitlin’s Three Things List

Okay, so moments (probably hours by the time I finish this) ago I wrote a goals list that I think is good for self-evaluation. (Keyword: This is what I think. results may vary depending on what you’re looking for.)

I’m going to hop to it and answer some of these that I laid out in hopes of having a better idea of what I want to accomplish. 

The Three Things Lists!

1) Three things that went well this year.

* Audience growth

So once upon a time, I grew a pretty decent following due to creating an Inktober Prompt list. My expectations: Maybe two of my friends would do this, maybe. And then one stranger that has followed me for a while. (There are a few followers I recognize their username because if I post something they always like it and for some reason that keeps me going.)

But because of this prompt, I was exposed to MANY new creators and illustrators that I now enjoy chatting with and following! Instagram had the biggest maintained growth. I’m excited to create for an audience that actually expects me to create and not just for friends who see my things “whenever they aren’t busy”. (Not to bash them or anything, just there are a lot where unless I tell them, they don’t see the posts I make.)

Another surge of growth in my audience was due to tabling at conventions this year. I was terrified to show my work let alone attempt to sell it to someone. Tabling at cons not only boosted my confidence but also quieted one of my ever going demons. “YoU sUcK aT dRaWiNg CaItLiN.” “How do you have a degree? oh right, you just barely passed.” I can’t say this is the case, there is an audience that genuinely enjoys my scribbles. So I am forever thankful to Atlanta Comic Con for giving me that chance. It honestly opened a few doors for me.

**Process

I’ve gotten more comfortable with showing my process. It can be messy, crisp, and illogical. But turns out the people who enjoy my content enjoy my scrambled thoughts. It’s something about not being alone in this sort of sense that calms the nerves.

So I can say with chest poked out that sharing process has gotten MUCH better. I can thank a self-help book I bought this year that was a FANTASTIC BUY. Austin Kleon has [two] (currently? If he has more then I’m buying it like people buy a name brand.) books that helped me see that it is GREAT to share not only the process but advice. “Show Your Work” is the book I’m talking about for now. Great tips, the outline is on the back of the book. So if you’re like me, I need to clearly see what I might be getting into, you might have a ball.

And finally, (not calling myself out on this but other) If you’re going to respond to people when they ask you “how do you___?” do not answer “Google it”. That is the rudest thing I’ve seen some of even my FAVORITE illustrators do; that response can burn in hell. PERIODT. (my one typo allowed.)

*** Art Style Exploration

For those who think college will help you establish an art style that you’ll enjoy or help nourish the one you currently have.... Let me save you over 80K.... No, the fuck it won’t.

That was the biggest thought I had going into art school. If anything, it confused me more and utterly destroyed what little confidence I had in my drawing style. After graduating, I had a huge swing from how I used to draw to how my art currently looks. I stopped trying to please the one professor who stood between me and my degree and started drawing to please my tastes. And guess what? That did something. And that something WORKED. I love what I draw now; I see why I chose this as my career path. I’m genuinely happy with how my pieces turn out versus in college just wanting to turn the damn thing in and hoping it isn’t an F.

2) Three things you could have handled better.

* The loss of a good paying client.

Now hear me out when I say this: A good paying client DOES NOT EQUAL a good client. Say that three times and then exhale.

Back earlier this year, I had the opportunity to work with a writer who gave me hell and back. And even that is an understatement. I dealt with her because in school you were taught “if they pay on time, finish the work and get the exposure.” 

I’m here to tell you my lesson learned: A good paying client DOES NOT EQUAL good exposure, good pay, a good client. 

I was doing the work of three for the price of one and a half. (And was always told I charged too much.) She tried abusing this power with friends of mine, with other illustrators. When things turned out bad, she tried saying it was my fault. She read my contract and then tried telling me I changed the wording, I purposely did this thing, another thing was my fault. I could go on with this story.

The part that I wish I handled better?

How I treated myself afterward. I’m so used to people telling me, “Cait, this is what you do wrong. This is how you fix it.” that I don’t consider my own feelings, and when I bring my feelings into the scenario they no longer matter. Because they tell me they don’t matter. In this case, I wish I had treated me better, because my feelings, my mental health, DOES matter.

**My Patience Getting Into Conventions.

Pretty self-explanatory. I got into one, finished one, and wanted to do eight more in a week. But this sort of thing just takes time and I need to accept that.

***My losses

I had to listen to a Little Mix song to actually learn this one. The context of the song is nowhere near the topic at hand. But a verse from Power feat Stomzy really packs a punch after this year: 

“ You look him in the eye and say, "I know I'm not a guy But see there's power in my losses and there's power in my wins" “

I had to look one of my demons in the face, and state something similar. My loses mean I’m trying. My loses piling shows I’m not willing to give up easily, and that is something that took a while to be content with.

3) Three things artistically you want to improve on.

*Composition

It’s not awful, but it can be better.

**Color

I told this BOLDLY if I might add while critiquing someone else’s portfolio; “Your color palette is boring. All your [things] look as if they are from the same universe, during the same time of day, with the same kind of mood. After three photos it’s bland, boring, and understood you have a preference.” 

Can you say damn Cait? The statement was, in fact, true, but I certainly could not talk. My color palette is mainly bright, pop, and happy. In order to tell a story, I KNOW it is best told with color. And I failed myself this year. But I sure won’t next year.

***My Damn Tag

Okay, alright. Why is it well-established artists have their tag figured out? Even some who’s art style is so recognizable (I’m looking HEAVILY at you Gabriel Piccolo.) we know it’s theirs, seem to have a tag that suits them and works for them. But more importantly, they put it in A VERY DECENT SPOT. SOMEONE SHARE THIS SCIENCE WITH ME? CAUSE APPARENTLY I DON’T GET IT.

4) Three things you want to focus on trying.

*More backgrounds.

As much as it pains me, I need to improve on backgrounds and perspective. When I do make backgrounds, I’m told I make great pieces. That I should look into becoming a background artist. And don’t get me wrong, I like them. But I don’t like them.

I feel as though I need to improve in that region so that way I don’t feel as though it’s a weakness of mine. My backgrounds are nice, but they aren’t nice to my standards.

**More designs

I love character designs, but let’s be real. If you were to scroll down my site or my Instagram page, or even this Tumblr archive, could you tell? 

I draw characters a lot sure, but none are designs. No process, no sheets, no turnarounds, none of that. So that’s a huge goal of mine for 2019.

***Scheduling posting

At one point I was pretty good at this. Live stream in Instagram and Twitter, cool. Videos on Facebook, Twitter, and Instagram. Cool. Everywhere gets a photo, everywhere gets a silly one-liner. Yay. I’m not leaving anything out.

Well by the end of this year that totally crumbled. 

SO I want to try getting better at that thing there. Because having attempted this at the end of the year was cool, but it still wasn’t enough apparently.

5) Three positive things to tell yourself.

* You are an inspiration. That’s all you wanted to be in life, you did it. I’m proud of you.

**You didn’t kill yourself like you tried to; you opened up about it for once and used that pint up anger creatively. That is very hard to do, trust. I’m proud of you.

***You moved on, matured, and let it go. Even when the goddess inside you told you these peasants didn’t deserve your light, your friendship, your greatness. I’m proud of you.

I’m just proud of me for not snapping when I had every right to; not everything deserves a reaction.

6) Three negative things you want to leave for 2018.

*Comparisons 

Oh boy. I am extremely guilty for this: I’ll compare myself to a well-known illustrator my age. I’ll compare myself to friends who are in the field having a blast and getting work; I’ll compare myself to friends who aren’t in the field and they struggle at getting work. I’ll compare myself to the kid I graduated high school with who is traveling the world, is able to eat, come home to his dog and relax because he doesn’t have tuition to pay. I’ll compare myself to these goddamn baby boomers who keep repeating “We didn’t have it hard, you’re just being stupid. Millennials aka our children deserve to starve. We’ll just put our faith in our grandchildren because screw the kids we raised and refuse to pay accordingly. $7 an hour worked in my day, they need to make it work now.” I’ll compare myself to fake people I created in my head and purposely made scenarios and wonder why I’m not like them, said creations I made because I was pretty low for ten minutes...

I just compare myself too much. To any damn body. It’s draining, obnoxious and most of all pointless. My new motto for next year is: “Unless it is helping you grow yourself, your brand, your spirituality, don’t do it.”

I’m not comparing my chapter two to someone’s chapter thirty-five. I’m not even comparing my chapter two to someone else’s chapter two. I need to stop doing that PERIOD! My journey is different, unique, and worth seeing through.

**Listening to negative others.

A couple of years ago, I lost a close friend around the time my aunt passed away. During this time I was hypersensitive to any and everything done or said; I also kept many walls up to hide my mourning. He caught the crossfire of all of that. I kept secrets from him I was too prideful of admitting and lashed out because of the emotional turmoil I kept suppressed. While in the midst of packing his things and leaving my life, he mentioned that I was a failure because I was unemployed and artistically speaking I hadn’t accomplished anything; that I would remain that way because that’s just the person I deserved to be. Now mind you, I graduated college that year; he was a flunk out. I changed my art style dramatically compared to when I started school to pass; he thought just posting crappy pictures of lukewarm sketches were equivalent. I started attempting trends and all he could do was copy. Don’t get me wrong, this isn’t to bash my old friend. If he were to come back into my life and move on like nothing had happened I’d do the same. (With some limitations.)

It’s just while typing out this scenario, of our four-year friendship I can’t think of one nice thing/compliment/gesture he has said to me. That’s my problem.

I can be praised, admired, and look highly upon for years straight. But my problem is I let others negative thinking and comments marinate with me for a long while. Too long of a while.

Another example is my mother’s friend. (My mom has many friends that do this shit, but this one stung more.) 

This friend always roots for me; treats me like a person, and encourages my artistic journey. I consider her family before my actual relatives. 

We went over for some barbeque the family was having and I was ready. Black Hallmark Cookouts, laughing, good food, good music, shit talking others teams. She asked me a harmless question of when was I going to quit my day job. Seemed like nothing at first, until the added gest of what she continued with. “All I’m saying is you can’t do [your day job] forever. That will get old. If the art thing doesn’t work out next year what’s plan b?”

I’m not a calm person (usually). Normal Caitlin would have cursed her out and mentioned how just because she chose a job to settle and be miserable at for most of her life doesn’t mean I have to follow suit. But again, of all the nice encouraging things she has done, said, and showed, for a while, I couldn’t think of it. 

So I pray I let go of this nasty behavior in 2018; it’s going to be hard but it is dire.

***Saying I’m Not Enough

Alright, now put the combination of the two above in a bowl and what do you get? A Caitlin who struggles in interviews and applying for jobs because I let comparisons and negative comments rule my thoughts. This stopped me from applying to jobs I would have been perfect for; internships that could have helped me; posting art online.

We (including me) have to stop thinking that in order to be an illustrator means we have to pass a certain threshold of struggle, success, and a huge number of followers. That isn’t the job description. NO JOB DESCRIPTION has ”must have at least 10K followers on Instagram or Twitter.” nOnE. 

So we (including me) need to stop treating ourselves this way. Period.

7) Three things you’re looking forward to in 2019.

*Going to move conventions.

**Adding pieces to my portfolio to try again at job hunting.

***Becoming content with the fact that my current situation isn’t my permanent situation. Unless I laze around and make it so.

Alright, so this was basically me calling myself out on my noise. Lashing out my demons and putting it in writing what I want to accomplish. I hope this inspires you to write yours, even if you keep it private. I hope it guides you and maintains your vision.

I’ll see you in 2019

A new wave

Caitlin xx