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Subtle character actions
- He traced the rim of his coffee cup with his finger, lost in thought.
- She tucked a loose strand of hair behind her ear, her eyes avoiding direct contact.
- He absentmindedly twisted the ring on his finger, a silent habit he'd had for years.
- She sighed almost imperceptibly, a sign of her hidden frustration.
- He raised an eyebrow, a subtle signal of skepticism.
- She adjusted her glasses, a small gesture that indicated her nervousness.
- He tapped his fingers on the table, creating a quiet rhythm only he understood.
- She let out a soft, barely audible chuckle, a sign of her amusement.
- He folded the corner of a page in the book he was reading, a secret way of marking his favorite passages.
- She shifted her weight from one foot to the other, revealing her discomfort in the situation.
#writing#writer on tumblr#writerscommunity#writing tips#character development#writing advice#oc character#writeblr#writerblr
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I've seen people say the found family trope is queer because it's about "choosing" rather than being "given," and while that's true, I think there's another reason people often gloss over or misunderstand:
found family is queer because the labels don't always fit.
sometimes a character falls somewhere between a brother and a cousin. sometimes they're a big brother, a father figure, and a weird uncle all at once. sometimes they're a sibling when a third character is present, but a parent when they aren't. sometimes any attempt to label them just falls short.
often when a lot of people are fighting over what traditional family role a member of a found family is, I find myself thinking, "maybe you're all right, and all wrong, too. maybe there isn't just one label. maybe it's a found family, so it's queer."
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50 Dark Academia Names For Your Female Characters + Meanings & Origins
Alecto - unceasing in anger (Greek mythology)
Ariadne - most holy (Greek mythology)
Cassiopeia - she who entangles (Greek mythology)
Circe - hawk (Greek mythology)
Drusilla - dewy-eyed (Roman)
Eris - strife (Greek mythology)
Fionnuala - fair shouldered (Irish)
Galatea - she who is milk-white (Greek mythology)
Hekate - will (Greek mythology)
Idony - ancient wisdom (Scandinavian)
Isolde - ice battle (Arthurian)
Kore - maiden (Greek mythology)
Lenore - light (Spanish/French)
Lilitu - monstrous woman (Mesopotamian mythology)
Maeve - she who intoxicates (Irish)
Nyx - night (Greek mythology)
Orion - rising (Greek mythology)
Pandora - all-gifted (Greek mythology)
Queenie - noble queen (English)
Rhaenyra - dark reign (Game of Thrones)
Selene - moon goddess (Greek mythology)
Themis - justice (Greek mythology)
Ursula - little female bear (German)
Valeria - strength (Roman)
Willow - willow tree (English)
Xanthe - golden flower (Greek)
Yseult - ice battle (Arthurian)
Zelda - dark battle (Germanic)
Zephyrine - from the west wind (Greek)
Aella - whirlwind (Greek mythology)
Brynhild - armored battle maiden (Norse mythology)
Catriona - pure (Scottish Gaelic)
Deirdre - sorrowful (Irish)
Elspeth - God's promise (Scottish)
Felicity - good fortune (Latin)
Gwendolyn - white ring/circle (Welsh)
Harlow - rock clearing (English)
Idalia - from Idalium (Greek mythology)
Jericho - scent of beauty (Hebrew)
Kalliope - beautiful voice (Greek mythology)
Lumen - light (Latin)
Morana - death (Slavic mythology)
Nerissa - mermaid (Greek mythology)
Octavia - eighth (Roman)
Persephone - bringer of death (Greek mythology)
Quintessa - fifth (Latin)
Seraphina - fiery serpent (Hebrew)
Theda - goddess (Greek)
Umbriel - shade (Roman mythology)
Xenia - hospitality (Greek)
#creative writing#thewriteadviceforwriters#writing#writing tips#writeblr#witchcore#writerblr#original character#character design#character development
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Writing Prompt #2523
"I don't want to be forgiven. Not by them."
"But you need it."
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Prompt: 152
"Do you love him?"
"I married him."
"Do. You. Love. Him?"
"Does that really matter anymore?"
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Writing Prompt #2527
She screamed until she could feel the blood dripping down her throat. They weren't supposed to abandon her. They weren't supposed to shackle her here. They hated her. They must have always hated her.
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Happy New Year, Writers! Did you read author Sue Lynn Tan’s Pep Talk this November? It’s a great reminder about ways to find wins in your daily writing. Read the full Pep Talk here!
Image description: A green background with illustrated pink flowers, with text that reads: “NaNoWriMo: “Celebrate the one good line you wrote that warms your heart or the hard paragraph you churned out of a scene you were dreading, the words written whether fifty or a hundred. They are all wins, all another reason to be proud of yourself, each one a step forward.” —Sue Lynn Tan”
Sue Lynn Tan writes fantasy inspired by the myths and legends she fell in love with as a child. Born in Malaysia, she studied in London and France, before settling in Hong Kong with her family. Her debut Daughter of the Moon Goddess was published by Harper Voyager, with the sequel Heart of the Sun Warrior coming out in November 2022. Find her on Instagram and Twitter @SuelynnTan, or on her website www.suelynntan.com.
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Technically, clerics don’t draw power from their gods, they draw power from their faith. There are many clerics who draw power from faith in concepts like nature, the elements, or Justice. Then there’s that one weirdo who is powered by their faith in other people.
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Prompt 2305
She knew whoever got mad first, lost.
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Prompt #1,178
"Scream,"
"What?"
"Scream, shout, yell, cry, howl, wail,"
"I don't-"
"Trust me, it'll make you feel better,"
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Writing Prompt #2518
"We didn't all have happy childhoods, so sorry that I can't cope."
"My childhood wasn't happy just because it wasn't yours. Yeah, I was safe, but I was alone and I never had no one to turn to. There's more than one way to fuck up a kid."
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"You've been poisoning me?"
"Uh, yeah. And you're welcome, by the way. You'd have died in that last assassination attempt without the immunity you got from me."
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I know this is entirely different from what I would normally post.
My mom was diagnosed with breast cancer in February and it has been a tough journey for her and our family. She has started a gofundme for help with the medical bills that are adding up.
If you can find it in your heart to donate, any bit helps. I understand if you can’t, so if you would please share the link it would be much appreciated.
https://gofund.me/bc43592f
Thank you 🩷💕
#Help#breast cancer#financial#gofundme#go fund them#gofundus#i love my mom#🩷#thank you 🩷#💕#fighting the good fight#writeblr#writers#poetblr#please help#quotes#mentally exhausted#slightly emotional#recovery#cancer
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How to Format a Query Letter
When you're ready to start sending your work to agents, you'll need to write a query letter. It's the way writers introduce themselves and pitch their books to busy agents who want to cut right to the chase.
Every writer will go through query letter drafting and revising throughout their experience, so following this guide won't be the last time you have to work on structure. However, these are the most essential parts of a query letter that can help you form your next draft.
**Heads up—every literary agent will have specific things they're looking for in query letters/submission packets. You'll find that within their bio on the website of their employer or in their profile on Query Tracker.**
**If you find a publisher's website and want to submit through there, you'll also need to edit queries according to their guidelines, typically specified under the "Submissions" part of their website.**
Most Important Takeaways
Query letters should only be one page long, unless a different length is okay with the agent according to their specifications.
Your query letter is a pitch, not a place for cliff hangers or flowery language. They want specific details!
It can take weeks or months for an agent to get back to you after you submit your query letter. Don't take it personally! They're very busy with current clients in addition to their open submission inboxes.
Step 1: Check Your Agent's Requirements
You can draft a general query letter, but you'll always have to edit it for each submission. Agents require different things, which is outlined in their profile on their employer's website or on Query Tracker.
Write down everything your dream agent wants in a submission packet or copy/paste to a new document. Missing information will likely result in them passing on your work, unless they're super head over heels for it.
Step 2: Write Your Greeting
Don't stress over this too much! It's smart to stick with something professional and always address them by last name, like:
Dear Ms. Greenburg,
If you're submitting to a general submission email, it's still good to address the agent you intend to query. Whoever is sorting through the inbox will pass it along to the right person.
Remember—your greeting should be the first line of your letter. Don't follow it immediately with your intro.
Correct: Dear Mr. Finch,
Incorrect: Dear Mr. Finch, I hope this finds you well. I wanted to...
Step 3: Write Your First Paragraph
Scary stuff! You might think this paragraph would include a bit about you, why you wanted to write your story, etc. However, that's not why your agent opened their submission inbox.
They are opening your query letter to find out about your project. To draft this paragraph, it helps to make a bullet point list of the necessary information, like:
Your manuscript's title
Your one-sentence summary
Its genre
Its word count
Its comparable titles (more on that below)
Your intended audience's age group (more on that below)
I'm going to make up some information to help you visualize this a bit better. My imaginary manuscript will be:
Title: The Phoenix Flies Blind
One-Sentence Pitch: When 17-year-old Samra Ularen runs away from home, her journey across the faerie kingdom of Cerathe introduces her to a gang of bandits hungry for her hidden powers and a weapon against the king—who happens to be her uncle.
Genre: Young Adult, Fantasy
Word Count: 75,000 words
Comparable titles: Shadow and Bone by Leigh Bardugo and The Cruel Prince by Holly Black
Intended Audience: 16-21 year olds, plus adult women who enjoy YA fantasy
Let's put this into an introductory paragraph. After the greeting, the letter would start on a new line and look something like:
Dear Ms. Greenburg,
I'm seeking representation for my [debut, sophomore, etc.] [finished/unfinished] manuscript, The Dove Flies Blind (75,000 words). It's a Young Adult Fantasy story about Samra Ularen, who runs away from home and adventures across the faerie kingdom of Cerathe. She quickly becomes friends with a gang of bandits hungry for her hidden powers and a weapon against the king—who happens to be her uncle. People ages 16-21 will enjoy this story if they also love Shade and Bone or The Cruel Prince, which both share themes of adventure, betrayal, and self-empowerment in coming-of-age narratives.
Yes, it's a long paragraph, but agents want everything up front. Keeping it to 2-4 shorter sentences or 2-3 longer ones will tell them what they need to know about your book.
You may not be able to narrow down your paragraph. If that happens, don't panic! Separating the plot summary and your intended audience/comparable books could be two mini paragraphs and everything's going to be fine. As long as your letter stays one page long, it's all good!
Some notes for picking comparable titles:
Pick at least two-three books published in the last 2-3 years. Maybe in the last five years if you really feel that something that "old" is comparable to your theme/plot.
More recent books are best because it shows that your book will sell! If readers are buying the latest releases in your genre with similar plots/characters/themes, an agent will be able to sell your work much more easily.
If you need more help and don't have time to read additional books in your genre, check out these resources: What You Need to Know About Comp Titles; How to Find Compelling Comps for Your Book; Comp Titles: The Key to Pitching Your Book
Step 4: Write the Body of Your Query (~2 Paragraphs)
Let's break down the body of your query letter into two paragraphs. Each will have a specific purpose—there are no wasted words in queries!
Paragraph 1: Set the Stage
Your first paragraph will summarize what your character is like/where they are/what their life and world are like just before the inciting incident.
Example:
Samra Ularen lives in a manor just inside the capital city of Salmyre. She's spent her life attending classes with her closest friends and following the rules set by her single mother, Alora. There was nothing she wanted more in the world than a life on the sunny beaches lining their city, but when her mother says they're moving across the continent in less than 12 hours, Samra realizes how much her world means to her.
Paragraph 2: Introduce Your Protagonist's Challenges
The inciting incident is the lead into your next paragraph, which will explain how your protagonist's life gets more complicated throughout the plot.
Example:
After unsuccessfully trying to change her mother's mind, Samra runs from their manor in the middle of the night. She steals a horse from behind a tavern and takes off across the city lines, into rolling meadows and the Shadowed Forest beyond. She doesn't anticipate befriending bandits who live high in the trees and is even more shocked when they sense powers dormant beneath her skin. The bandits teach her how to wield flames from her fingertips while raiding travelers and villages. It isn't until after Samra befriends their leader and lives with them for a few months that they force her to help them kill the king and install their leader on the throne—but they don't realize she's actually his niece. In following along and planning to run at the last moment, Samra learns that her mother needed to move because they were in hiding. The king wanted Samra dead before she was born.
This is another long paragraph and could be edited down/likely split into two parapgrahs, but you can see how this sets up the stakes. Samra runs away from home, experiences independence for the first time, and has to choose between family members over a history she's never learned before. All while figuring out who she really is outside of her normal routine.
Agents need to know a manuscript's stakes. If they don't think there's enough risk involved for or by a character to make the plot interesting/get the reader personally invested, they'll pass without finishing your query letter.
If you're really worried about dense paragraphs, you could potentially separate these two paragraphs into a third by formatting them like: setting the scene; raising the stakes; summary of what your protagonist will learn/how it relates to your themes.
Step 5: Write About Your Background (1 Paragraph)
Your last paragraph is all about you! Talk about what makes you awesome and why you're the person to tell this story.
Here are a few examples:
I was compelled to write this story because I'm passionate about coming-of-age narratives and fantasy settings. Last year, I won first place in the National Fantasy Short Story Competition and published another flash fiction fantasy work in Generic Fantasy Magazine. Currently, I work full time for Google and write creatively as a hobby.
I graduated in 2013 from State College with a BFA in Creative Writing and a minor in English. Since then, I've placed as a semi-finalist in Fiction Stories Competition. I write creatively for fun and work full-time as a marketing assistant.
I've read fantasy since I could pick up a book and always wrote short stories in that genre. This is my first novel-length manuscript and it means so much to me because I think this genre needs more coming-of-age [other types of representation here] representation. This is a stand-alone novel, but I have ideas that could extend it into a trilogy.
You don't need a writing degree or first-place competition awards to finish your query letter. All the agents want to know is why you wrote this manuscript, plus whatever other career-related information may be relevant if you have anything.
Step Six: End With a Professional Goodbye
I like to end my query letters with a thank you, since many agents do lit work as a secondary job and have a full-time gig in another field. Even if they're full-time, they're likely dealing with hundreds of submissions at a time when they open to queries while working with their current clients.
You could end your letter with something like:
Thank you for your time and consideration.
I'm grateful for your time.
Thank you for your consideration.
And end it with:
Sincerely,
[Your First/Last Name]
Always Revise for Each Agent
If you're copying/pasting your query letter into submission boxes or emails and hitting send, you're not going to have good results.
You'll likely send a letter addressed to a previous agent or leave out formatting/required info specified in an agent's bio.
Always read through your current query draft and revise as needed before sending it to a new agent.
Best of Luck!
I hope this helps you draft your first query letter with a bit more confidence! Use these guidelines to get a rough draft ready and come back to it when you're in a calm, confident headspace to edit.
When in doubt, always refer to an agent's requirements in their bio or what's required in Query Tracker. That site will have a box for you to copy/paste your letter, but it will also ask you to type out specifics, like the bullet points in Step 3.
If you're going to submit more than one letter, I'd recommend keeping a spreadsheet! Record things like:
The name of the agent
Their publisher
A link to their bio
How you submitted your query (email, Query Tracker, general publisher submission page)
The date you submitted
If the agent specifies when they get back to writers (many will give 2-3 month turnaround estimates)
If they've responded (you could write things like "passed on my query," "requested a bigger sample," "requested the full manuscript," etc.)
It's much easier to reflect on who you might want to follow up with or who you've already queried as time goes on. It's rarely a good idea to query the same agent twice after they reject you, unless they specify what you could work on within your manuscript to make them more interested.
Get that first draft down and you'll feel much better about taking your second step into the journey of getting published. 💛
Other resources you might find helpful:
The 10 Dos and Don’ts of Writing a Query Letter
The Complete Guide to Query Letters
How to Write a Darn Good Query Letter
Read A Sample Literary Agent Query Letter, With Hints & Tips
How to Write a Query Letter: All the Do's and Don’ts
#writing#writing community#publishing#author#published author#writing career#query letters#writeblr#writing advice#writers
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Your roommate is so bad at pretending to be a human, you’ve started to just automatically back him up in public. Tonight he tells you how nice it is to know the only other alien in the city, and you have to break the bad news
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Random Worldbuilding Questions
Are there any foods with symbolic meanings that are eaten on special occasions (e.g. katsudon for victory, or new years oranges for luck)? How did the tradition get started?
We all know about weddings and marriage, but are there any ceremonies that symbolically / legally / magically officialize a different type of relationship in your world’s culture? (Adoption, apprenticeship, friendship, etc.)
What’s a rule or social norm that is widely followed in theory, but in practice everyone knows it’s not a big deal and breaks it all the time?
Are there any trades or hobbies whose practitioners are stereotyped as weird or extraordinary? (E.g. the “mad hatter” trope.) Why? How true is this perception?
What are some cliches, tropes, and/or plots that commonly appear in stories written by your world’s inhabitants? What were they inspired by? Why are they popular?
What is a common way to subtly insult someone in your world, without crossing into overt rudeness? Gifting an item with negative connotations? Addressing them more familiarly or formally than normal? Backhanded compliments?
If you pulled a random average Joe off the streets of your world and asked them to draw a house, what would they draw? (Shape, roof style, position and number of windows, etc.)
Is there a place in your world that nobody has ever been to - the bottom of a cave, the moon, another dimension, etc.? How do people know it exists? Why haven’t they gone there? What do they believe it’s like, and how right/wrong are they?
What aesthetics are considered “advanced” or “futuristic” in your world - canvas wings, shiny chrome, smooth plastic? How has this changed over time?
What’s a fun fact about your world that you as the worldbuilder are dying to share, but nobody ever thinks to ask?
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