abstractinkliu

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Using the ink I drew, I recreated it with different AI software to produce an interesting video of the ink drawing in motion. Thanks for watching! Please leave a message to share your thoughts. And subscribe to Abstract Meet Garden channels. Artist profile: Liu Hua 劉華, graduated from the Department of Chinese Painting of Guangzhou Academy of Fine Arts in 1982, once taught at the Department of Fine Arts of Hengyang Normal University, and now lives in Suzhou as a professional artist, engaged in painting, sculpture, photography, art landscape design, graphic design, Art theory research, and network writing, author of "Into the New Landscape". From 2001 to the present, he has devoted himself to photographing and researching Suzhou classical gardens and Japanese Gardens, contemporary experimental ink and wash creations for 25 years. #chineseartistliuhua #ink #chineseart #paintingai #artai #bridpainting

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From freehand  brushwork to abstraction, 2025 Liu Hua's Painting Process 

#ink #contemporary #abstractart 

Half a month ago, I returned to my hometown, Hengyang City, Hunan Province. It is a vibrant city in southern China. After graduating from the Guangzhou Academy of Fine Arts, I gave up my job as an art publisher's editor in the provincial city of Changsha, choosing instead to return to my hometown of Hengyang Teachers College to teach. Since then, I have been exploring modern Chinese art. When I returned to Hengyang this time, my old friend Mr. Qingshan shot a video of me drawing ink paintings. He skillfully captured the rhythm of my brush strokes, my unique Chinese way of using the brush, and the behavioral details of the whole painting process. Afterwards, I will publish the footage from these videos in installments, hoping for support from my friends.

 Liu Hua 

 Thanks for watching! Please leave a message to share your thoughts. And subscribe to Abstract Meet Garden channels. Artist profile: Liu Hua 劉華, graduated from the Department of Chinese Painting of Guangzhou Academy of Fine Arts in 1982, once taught at the Department of Fine Arts of Hengyang Normal University, and now lives in Suzhou as a professional artist, engaged in painting, sculpture, photography, art landscape design, graphic design, Art theory research, and network writing, author of "Into the New Landscape". From 2001 to the present, he has devoted himself to photographing and researching Suzhou classical gardens and Japanese Gardens, contemporary experimental ink and wash creations for 25 years.

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“Lost Dream in Kyoto” Kyoto Journal 108 Insights From ASIA 2024 #Japanes...

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The Garden of Cultivation  | Classical Gardens of Suzhou | Chinese Garden | Ancient Garden 藝圃 #design #landscape #spacedesign #summertime #greenday In the past photography, I never allowed people to enter my camera lens, this is because once there are people, the picture will lose the broad mood, and the appearance of modern people but let the classical flavor. Especially those fat heads and the big belly of the greasy man to make the elegant garden scenery big down taste. But now see the woman wearing a Chinese dress wandering in the garden landscape pavilions and pavilions, they feel is a harmonious and bright scenery, so break the original taboo of their own shooting. Shoot and text: Liu Hua Lived in seclusion in Suzhou for 23 years, just to photograph and study the ancient garden in spring, summer, autumn, winter, wind, frost, rain, and snow ...... Thanks for watching! Please leave a message to share your thoughts. And subscribe to the Art of Garden  channels Artist profile:

Liu Hua, a graduate of the Department of Chinese Painting at Guangzhou Academy of Fine Arts in 1982, previously served as a faculty member at Hengyang Normal College (currently the Department of Fine Arts at Hengyang Normal University). Presently, he resides in Suzhou as a professional artist, dedicating himself to the realms of painting, sculpture, photography, art landscape design, graphic design, art theory research, and online writing. He is the author of "Into the New Landscape." Since 2001, he has passionately immersed himself in the photography and exploration of Suzhou's classical gardens, as well as the creation of modern experimental ink and wash artworks, accumulating 23 years of profound experience in these endeavors.

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Suzhou Classical Garden Appreciation of the Garden of Cultivation 藝圃 Rain 2024 

#chinesegarden #summertime #suzhou 

Is it sad or happy when flowers bloom and fall? Falling flowers are of course a sad thing, and if they fall in the rain, it's even sadder. Last year, the rainy season passed by in a flash, and it hardly rained at all, but it made me look forward to rain every day. This year, it's raining non-stop, but I have a lot of unfinished business on my hands. Listening to the sound of rain outside the window but not taking time out to go to the garden shooting, the heart is not willing, only a sigh, life is short, lack of time .. 

Shoot and text: Liu Hua 劉華 

Lived in seclusion in Suzhou for 23 years, just to photograph and study the ancient garden in spring, summer, autumn, winter, wind, frost, rain, and snow ...... 

Thanks for watching! 

Please leave a message to share your thoughts. 

And subscribe to the Art of Garden  channels 

Artist profile: 

Liu Hua, a graduate of the Department of Chinese Painting at Guangzhou Academy of Fine Arts in 1982, previously served as a faculty member at Hengyang Normal College (currently the Department of Fine Arts at Hengyang Normal University). Presently, he resides in Suzhou as a professional artist, dedicating himself to the realms of painting, sculpture, photography, art landscape design, graphic design, art theory research, and online writing. He is the author of "Into the New Landscape." Since 2001, he has passionately immersed himself in the photography and exploration of Suzhou's classical gardens, as well as the creation of modern experimental ink and wash artworks, accumulating 23 years of profound experience in these endeavors.

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Literati Garden of Garden of Cultivation 藝圃 Summer Breeze 2024 II Classical Gardens in Suzhou 

#landscape #artwork #chinesegarden #scholargarden #spacedesign 

 Photographing gardens require time to wait, to have enough patience: waiting for the light, waiting for clouds, waiting for rain, waiting for wind, waiting for snow, waiting for fog ...... waiting for flowers to blossom and fall, and usually, it is to wait for the moment when the scenery is unoccupied so that the picture is shot out of the picture is serene. 

Sunshine and windy sunny days, the Garden of Cultivation 藝圃 乳魚 pavilion on the dragon, in the fluctuation of the water light reflection, seems to swim, tumbling. The clouds in the sky will ripple in the water along with the ripples blown by the wind, and it is hard to tell whether it is the water or the clouds that are moving. 

Garden of Cultivation 藝圃 water is clear, but it seems too clear, and the water is also too shallow, the pool was covered by the water stacked stone cornerstone was exposed, lotus planting pool of cement surrounded was seen clearly, 延光閣 below the foundation of the building, lost ‘30,000 hectares of the lake cut a corner of the’ mood. 三萬頃湖裁一角 And there is not a swimming fish in the water, is it really water to clear and no fish? 

Looking at the 延光閣 behind the residential buildings on the high rise of the solar energy device is no trace. This is a very pleasant surprise to me because I don't have to spend time retouching the picture if I take it again later. 

Shoot and text: Liu Hua 劉華 

Lived in seclusion in Suzhou for 23 years, just to photograph and study the ancient garden in spring, summer, autumn, winter, wind, frost, rain, and snow ...... 

Thanks for watching! 

Please leave a message to share your thoughts. 

And subscribe to the Art of Garden  channels 

Artist profile: 

Liu Hua, a graduate of the Department of Chinese Painting at Guangzhou Academy of Fine Arts in 1982, previously served as a faculty member at Hengyang Normal College (currently the Department of Fine Arts at Hengyang Normal University). Presently, he resides in Suzhou as a professional artist, dedicating himself to the realms of painting, sculpture, photography, art landscape design, graphic design, art theory research, and online writing. He is the author of "Into the New Landscape." Since 2001, he has passionately immersed himself in the photography and exploration of Suzhou's classical gardens, as well as the creation of modern experimental ink and wash artworks, accumulating 23 years of profound experience in these endeavors.

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Literati Garden of Garden of  Cultivation 藝圃 Summer Breeze 2024 I Classical Gardens in Suzhou

#chinesegarden 

#summertime

#landscape

#suzhou

#gardentour

#ancientarchitecture

My friend posted photos of the high-wall creepers in the garden on WeChat, which aroused my desire to take photos again. So yesterday, a little more than seven o'clock to the garden of cultivation 藝圃, not yet open, I did not think that there had been a few women earlier than I waited at the door. In fact, the day before yesterday afternoon, I went to a hair salon on the side of the garden of cultivation 藝圃 to get a haircut, half an hour before the closure of the garden to go in and shoot a while, many tourists, time to rush, so today to rush to be the first to enter the garden. The first episode of Summer Breeze in the Garden of Cultivation 藝圃 is much the same as the video I posted before, except that there are a few more fallen campanulas, banana leaves, and a blooming China rose 扶桑花. More than twenty years ago I first photographed Fuchsia flowers in the garden of cultivation, and since then only the art garden has seen the Fuchsia flowers, not only that, I think the art garden's China rose 扶桑花 flowers in bloom are particularly delicate, and warm. Some people say that it is not suitable to plant Fusang flowers（China rose 扶桑花） at home because Fusang is the sound of mourning, which is unlucky. I don't believe in this. When I was designing gardens in Guangdong, I loved to plant China rose 扶桑花 because of its generous leaves and flowers. 

Shoot and text: Liu Hua 劉華

Lived in seclusion in Suzhou for 23 years, just to photograph and study the ancient garden in spring, summer, autumn, winter, wind, frost, rain, and snow ...... 

Thanks for watching! 

Please leave a message to share your thoughts. 

And subscribe to the Art of Garden  channels 

Artist profile: 

Liu Hua, a graduate of the Department of Chinese Painting at Guangzhou Academy of Fine Arts in 1982, previously served as a faculty member at Hengyang Normal College (currently the Department of Fine Arts at Hengyang Normal University). Presently, he resides in Suzhou as a professional artist, dedicating himself to the realms of painting, sculpture, photography, art landscape design, graphic design, art theory research, and online writing. He is the author of "Into the New Landscape." Since 2001, he has passionately immersed himself in the photography and exploration of Suzhou's classical gardens, as well as the creation of modern experimental ink and wash artworks, accumulating 23 years of profound experience in these endeavors.

[abstractinkliu]

The carefree summer breeze of the Canglang Pavilion 

#chinesegarden #classicalgardenofsuzhou #landscape #summertime 

Classical Garden Of Suzhou with more and more people and things, today more colored lights to cover the stones, tomorrow more air-conditioning boxes, the day after tomorrow is a cafe, and then the day after tomorrow is a spray device ...... seems to always have to do endless addition. This year I'm not going to the garden photography less, but almost do not go, occasionally once or twice outside the Canglang Pavilion to see, just feel the gusts of the river wind still there, gently whisking the residual scenery, neither to bring what extra, nor take away what must be. 

I often meet in the Canglang Pavilion creek side of a four-wheeled battery-operated car old man, with two dogs, a Shih Tzu, and a poodle. The pine lion dog lying on the bench, majestic. Young tourists walk by most stop and ask the old man always the same sentence ‘This dog will bite’, the old man also the same answer them ‘I do not know’ and then adds ‘Touch it is not going to bite. ‘ Naturally, she or he would use his hand to stroke the soft and thick fur of the Pomeranian, while the old man's dog was indifferent and ignored. 

Shoot and text: Hua Liu 

lived in seclusion in Suzhou for 23 years, just to photograph and study the ancient garden in spring, summer, autumn, winter, wind, frost, rain, and snow ......

Thanks for watching! 

Please leave a message to share your thoughts.

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100subtexts literary magazine 18 Hua Liu 

(This video is only a selection of the chapters of Hua Liu's poems and paintings published in the magazine)

Artist profile: 

Hua Liu, graduated from the Department of Chinese Painting of Guangzhou Academy of Fine Arts in 1982, used to teach in the Department of Fine Arts of Hengyang Normal College, and has been living in Suzhou since 2001 as a freelance artist, engaged in painting, sculpture, photography, artistic landscape design, graphic design, art theory research, and network writing. 

In 2005, he wrote the book "Into the New Landscape", published by Guangdong Science and Technology Press. 

2014 Ink works exhibited at the Singapore International Art Fair. 

Founded the WeChat self-media  Public Account "Ancient Garden Dream" 古园惊梦 in 2016. 

2019-2020 Appointed as the author of the garden weekly of Suzhou Gusu Evening News. 

2023 Abstract ink works and interviews published in Inspirational Arts magazine. 

2024 Abstract ink works and modern poems published in Europe's 100subtexts literary magazine. 

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100subtexts literary magazine 18 Liu Hua's Ink Poetry Selection "Gently" Chinese Recitation 

Poetry： 

English: 

Gently, gently paint the mountains,  

Gentle peaks, gentle hills, soft trees. 

Gently, gently reveal the clouds and the twilight, 

Gently floating in, gently floating out. 

Gently, gently paint the clear springs, 

Gently flowing with soft, mist-like ripples. 

Gently, gently capture her beauty, 

Gentle curved brows, soft phoenix eyes, light red lips,

willowy waist. 

Gently, gently ah! A gentle life, a gentle world! 

Chinese: 

淡淡的，把高山描畫淡淡的， 

淡淡的峰，淡淡的巒，淡淡的樹木。

淡淡的，把雲霞描繪淡淡的，

淡淡的飄來，淡淡的飄去。

淡淡的，把清泉描畫淡淡的，

淡淡的流淌，淡淡的菸波。

淡淡的，把美人描畫淡淡的，

淡淡的彎眉，淡淡的鳳眼，淡淡的��唇，淡淡的柳腰。

淡淡的，淡淡的啊！ 淡淡的人生，淡淡的世界！

Chinese Recitation： Si Hong 

Ink and Poetry: Liu Hua 

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100subtexts literary magazine 18 Liu Hua's Ink Poetry Selection "Gently" English Recitation 

Poetry：

Gently, gently paint the mountains, 

 Gentle peaks, gentle hills, soft trees. 

 Gently, gently reveal the clouds and the twilight, 

 Gently floating in, gently floating out. 

 Gently, gently paint the clear springs, 

 Gently flowing with soft, mist-like ripples. 

 Gently, gently capture her beauty,

 Gentle curved brows, soft phoenix eyes, light red lips, 

 willowy waist. 

 Gently, gently ah! A gentle life, a gentle world! 

English Recitation： Diana Pan Rong 

Ink and Poetry: Liu Hua

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100subtexts literary magazine 18 Liu Hua's Ink Poetry Selection"Forest of Dreams"English Recitation Video Version

Poetry：

A lion carries a rabbit on its back, while the Monkey King leads a duck. A stream flows with honey, trees laden with fruit.Morning light bathes the flowers, a clear spring reflects lovers. A young girl dances gracefully, accompanied by a boy playing the flute.Van Gogh happily drinking wine, while Bada Shanren artfully tasting tea. Silver haired Confucius playing the guqin, while Socrates chanting poetry. That is my forest,The forest of my dreams.

English Recitation： Diana Pan Rong

Ink and Poetry:  Hua Liu

I posted my abstract ink and wash on WeChat, and a friend forwarded it to me and wrote a poem about it in English. This triggered me to write poems to self-interpret my ink and wash, and I didn't realize that I had written eighty of them over six months.

I was amazed at the different ink works I had written and the thoughts that unfolded in my mind. They seemed familiar, yet strange, like my nightly sleep, the ink and brush strokes introduced me to the abyss of consciousness, and set off the turbulent waves in my heart. I transformed them into the words of a poem, and reading the words of a poem was like watching my own ink.

I am fortunate to have been able to record the reality of my life in a portfolio.

I am lucky that without ink and poetry, the light of my life would have turned into smoke and drifted away without a trace.

I am lucky that without the internet, my ink and verses would just be silent self-talk.

After the publication of Ink and Poetry at 100subtexts literary magazine, I received a letter from the editor, Mr. John Hopper, which touched me a lot with one sentence: "Thanks so much for being part of the magazine and this brand new issue, your contribution made all the difference. "And  Thanks to Prof Liang Wenchiang, Seattle, USA, and Samuel Penn, the editor of Architecture Magazine, UK for their translation support.

Mr. John Hopper, who has a unique and sensitive eye for art, appreciated my ink poems very much when he saw them on the internet and wanted to publish them in the monthly issue of the European literary magazine "100subtexts", which he edited. Naturally, I was eager to do so and chose two of my poems, the dreamy and lyrical ones, and got translation support from Professor Liang Wenchiang, from Seattle, USA, and Mr Samuel Penn, the editor of Architecture Magazine in the UK, who is now a special foreign professor of the Department of Architecture at Xiamen University.

After the publication of the ink poems, I received a letter from the editor, Mr. John Hopper, which touched me to the core with the words, "Thanks so much for being part of the magazine and this brand new issue, your contribution made all the difference." And I wrote back, "Hello! I am very happy to have received the e-file of the magazine in the mail, and this is certainly one of my happiest moments, thanks to you and your colleagues for your hard work on this. I think both authors and readers will be grateful for your meaningful work, and I am deeply honored that my poems and paintings can be published in your magazine. Art makes the world a beautiful place, allows us to get to know each other across the ocean, and brings new information about art to those who care about and love it!  

"100subtexts is an eclectic and vibrant international literary magazine. Subtexts translate to subtexts or extra texts, and I think it is more accurate to translate the magazine's name as "A Thousand Extratexts". I think it is more accurate to translate the name of the magazine as "Ten Thousand Words Beyond Words" because the words of the poems are metaphors, and a thousand people will read them with a thousand feelings. My interpretation of the poems I wrote with my ink and wash may be the same in one way and another.

Last but not least, we would like to express our special thanks to Ms Diana Pan Rong, a recitation artist, for her voice-over reading of the ink poem. Her beautiful voice and excellent recitation skills make the poem's words and phrases resonate with an infinite number of meanings.

Artist profile:

Liu Hua, graduated from the Department of Chinese Painting of Guangzhou Academy of Fine Arts in 1982, used to teach in the Department of Fine Arts of Hengyang Normal College, and has been living in Suzhou since 2001 as a freelance artist, engaged in painting, sculpture, photography, artistic landscape design, graphic design, art theory research, and network writing.

In 2005, he wrote the book "Into the New Landscape", published by Guangdong Science and Technology Press.

2014 Ink works exhibited at the Singapore International Art Fair.

Founded the WeChat self-media  Public Account "Ancient Garden Dream" 古园惊梦 in 2016.

2019-2020 Appointed as the author of the garden weekly of Suzhou Gusu Evening News.

2023 Abstract ink works and interviews published in Inspirational Arts magazine.

2024 Abstract ink works and modern poems published in Europe's 100subtexts literary magazine.

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Myokenji  Temple Kyoto 2024 京都妙顯寺 

 #landscape #zen #japaneseculture  #ancientart #drygarden #drylandscape #wabisabi 

 The withered garden of Myohyenji Temple 妙顯寺 is very obscure and unforgettable, and I can feel certain connotations and emotions from the form that the designer wanted to express, and I can see the loneliness of Zen practice and the eternity of energy through a stone, water, and a bridge. When I photographed it, I also visually enhanced the mysterious atmosphere of solitude. In the main scene of the garden, after the stone bridge, there is a stone placed perfectly, its stone pattern is like a flowing waterfall, so that the court is full of water in the meaning of appreciation, withered scenery is not withered, which may be the Zen garden static "view tour" of the wonderful: from the eyes to the heart of the meditation and enlightenment. 

Liu Hua 

Shoot and text: Liu Hua 劉華 Lived in seclusion in Suzhou for 23 years, just to photograph and study the ancient garden in spring, summer, autumn, winter, wind, frost, rain, and snow ...... 

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Please leave a message to share your thoughts. 

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2023Merry Christmas to my friends! #merrychristmas2023

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Hua Liu's Abstract Ink Creation Process Video Sharing #contemporary #ink...

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Are the doors and windows of Canglang Pavilion, a classical garden in Su...

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Art of Suzhou Garden Wishes you and your family Merry Christmas and Happ...