alterrawrites

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Y’know, that makes me think of something, actually.

So if you’re one of those “I can only write when I feel Inspired™” type of writers but you never seem to feel very inspired, and all of the usual “You have to make a schedule and stick to it and sit down and write XYZ words per day” writing tips have never worked for you and only make you feel guilty but you have no idea why,

have you perhaps considered that you might be neurodivergent / mentally ill / have a chronic health condition, and that what you call “inspiration” is what the rest of us call “spoons”?

B/c that is exactly what happened to me.

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Did I meme right?

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MILANOTE FOR WRITERS

Please tell me I’m not the only one who is obsessed with organizing my book. Like, I have never been a big plotter, but I like to have my research, mood boards, and character profiles in one place, where I can find them. Most people use Scrivener for this, but as much as I love it for writing, I like to visualize more than scrivener allows me. Plus - the app is really expensive and I have already paid for the desktop version, so I don’t feel like paying for a mobile app.

But what is Milanote?

Imagine your favorite corkboard, except it’s digital and you can access it both from your mobile and computer. Milanote allows you to make and personalize mood boards, to-do lists, write posts, ad links to resources, ad Spotify playlist, create boards within boards, ad photos, and documents, sends you reminders when a certain task has to be done… and much more.

Milanote’s boards are extremely flexible. Besides writing I use it to organize my commissions, school, and finances. The Milanote itself even has plenty of templates for almost everything and I store almost anything in it these days. My family trees, interactive maps, notes, random ideas, character profiles.

It’s super easy to use and perfect if you are looking for something to make your story bible in. The app is available for both ios and android and any computer. You can also invite another person in and share your documents and your notes.

You can also convert your boards to pdf or a word document and download it later.

The only catch probably wood be, that Milanote only allows you to add a maximum of 200 objects for free. If you want more you have to pay a monthly subscription (i think 15 USD a month) - btw. the best purchase I ever made - but maybe the free 200 is enough for you, who knows?

also… did I mention dark mode?

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MOOD. MOOOOOOOOOOD

-Cookie

writing when you're highkey ADHD is either "im ignoring about 83 pressing responsibilities and my dinner because I'm On A Roll and oh look I blinked and reached a 1000 words" or it's "I have all the free time in the world. I used it to type exactly one full stop" and Absolutely nothing in between. never.

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Shahira Lasheen “La Reine De La Vie” Spring 2018 Haute Couture Collection

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Sandy Nour “To the Moon & Back” Resort 2020 Semi Couture Collection

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You’re writing PTSD dreams wrong

But don’t worry, most writers are and I’m here to help because reading them is making me cRAzY.

I’m writing this because I’ve read three otherwise great romance novels back to back featuring characters dealing with PTSD (or PTSD symptoms) and each one of them made the same dream mistakes. I honestly can’t think of a fiction book I’ve read that didn’t make these mistakes, so I thought I’d compile a handy dandy list of mistakes and how to fix them. 

Lucky for you, I have PTSD and a ton of fellow veteran friends who deal with these symptoms. 

*This is based on my experience and things told to me by friends. This is not to say that the below doesn’t happen in real life, only that it’s not as common as you might think.

The issue with these dreams is twofold: on one side is the psychological accuracy of the dream and on the other side is how you’re using the dream within the narrative.

Oh an Black Sails spoilers-ish ahead. 

1) Stop writing the dream as a shot-by-shot accurate retelling of Traumatic Event.

Listen, not only do dreams seldom follow reality, but our own memories are tricky at best. I don’t remember getting beaten up because a) it was horrifying and we block stuff like that out and b) I was going in and out of consciousness. It would be pretty strange for me to dream something I don’t even fully remember. Our brains are simply not wired to do these vivid factually-accurate cinematic retellings.

My friend dreams things that did happen, but in his own words those dreams are always wrong in some noticeable or bizarre way. For instance, he’s getting chased through the streets of Iraq by a werewolf. 

2) Dreams are informed by reality, not direct reflections of it. 

It’s entirely likely my friend dreamt of a werewolf in Iraq because I got him binge watching Supernatural and the two ideas merged in his dreamstate. But see, that’s how dreams work. 

The trauma event exists as a constant in his subconscious, but he has all this other information right there in his conscious mind all day, every day. In dreams, there isn’t a clear delineation between that information.

My dreams are often dependent on whatever I’ve fallen asleep watching on television. The themes are consistent, but not the content.

In Black Sails, Captain Flint’s trauma dreams feature his dead partner and friend following him around his empty ship. You have an element of the trauma (the animated corpse of his friend) + his daily existence (his ship). The two things intersect to form these unsettling nightmares as expressions of his fears and grief. He never once relives the event itself in his dreams as shown on screen.

Speaking of…

3) Trauma dreams often revolve around feelings, not necessarily the events themselves.

The PTSD package generally includes heaps of shame, guilt, anger and fear. As someone who survived a beating when I should have had control of the situation, my dreams tend to revolve around fear that people will know I’m a fraud or being unable to act in a dangerous situation. 

Again, it’s entirely common for trauma victims to not remember large chunks (or the whole thing) of the trauma event. So why should their dreams be stunningly accurate? What we remember are feelings. Real strong feelings.

You cannot go wrong if you write your trauma dream around feelings, not a specific event.

4) If you present trauma dreams as expressions of themes, you can let go of the trauma dream as an exposition dump/way overused suspense trope.

You know you’ve read this: MC has dreams that are a shot-by-shot retelling of Traumatic Event that always cut off right before Traumatic Event, so that the Big Reveal must happen by a discovery later in the novel. 

If I were the MC in a book, the easy and common thing would be to use the “dream sequence” as an expository retelling of Traumatic Event as a way to give some backstory to why I might be surly, mistrustful, afraid to try something new, whatever, and to clumsily shoehorn in suspense where there doesn’t need to be.

The much more interesting thing might be if my dreams were inconsistent in content but consistent in theme. In one I’m on an alien planet (because I fell asleep watching the Science Channel again) and the ground opens up and I fall into a pit from which I can’t escape because I am helpless. In another a man is watching me while I sleep where I am again frozen and helpless. This would force the reader to think: what is the recurring issue in these dreams? Why is it important? What is this telling me about this character and what happened to her? 

It could be a personal preference, but I’d rather see the Traumatic Event either told in narrative flashbacks (not dreams) or verbally retold by the character in question. Let the dreams tell me something deeper about the character. It’s not that I was beat up, it’s that I feel like a failure because of it. One of these things is a shallow factual detail, the other tells you something about me as a person that I’m sharing with you, gentle reader, because talking about this stuff is healthy.

5) The Traumatic Event doesn’t have to be a big secret. 

In Black Sails, we know what happened to Captain Flint’s partner. It happened in real time in the show. That didn’t make his uber disturbing dreams less disturbing or mysterious. Fans still debate exactly what the symbolism was and what they were telling us about James Flint in those moments. We do know from the dreams that he was disturbed, obsessed, and also monumentally guilty and blaming himself for what happened. 

The mystery was perhaps more heightened by the fact that the dreams weren’t direct reflections of reality. We know who this person was, what she believed, and why she died. That Flint is imagining her screaming silently in his ear is horrifying and discordant with what we know to be factual. This adds emotional complexity to his character and the decisions he’s making while suffering these dreams. 

^^^this didn’t happen. It was a dream. A real unsettling dream.

Once you let go of the concept of the trauma dream as a literal retelling and exposition dump, you have the entire dreamscape to work in other narrative elements, like symbolism, metaphor, foreshadowing, etc. 

*1st gif source: @idontwikeit

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how to punctuate dialogue

(a general guide, dedicated to anon)

For the purposes of this description I’m going to use the word Words to indicate whatever the character is saying and the word Attribution to refer to the dialogue tag (the bit where you write ‘she said’). Further details and actual examples behind the cut.

1. dialogue followed by speaker

“Words,” attribution.

1a. quotation that is a question or an exclamation followed by speaker

“Words?” attribution.

“Words!” attribution.

The only difference from the above is changing the comma to a question mark or exclamation point. 

2. speaker followed by dialogue

Attribution, “Words.” 

Attribution, “Words?” 

Attribution, “Words!”

3. dialogue with the speaker in the middle of the quote

“Words,” attribution, “words.”

“Words,” attribution, “words?”

“Words,” attribution, “words!”

4. dialogue without attribution (the speaker is obvious and doesn’t need to be named)

“Words.”

“Words?”

“Words!”

Keep reading

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please...... recommend me some low stakes/character driven/slice of life fantasy or sci-fi. I'm desperate

[alterrawrites]

Em Dashes

A lot of people use semi-colons wrong because they know there’s supposed to be a pause in their sentence that they know isn’t quite a comma, so they think it must be that mysterious semi-colon. Usually, it’s actually supposed to be an em dash (—), which in some ways is more mysterious!

The em dash is the longest of the three dashes and most often used for interruptions. Interruptions in speech, in action, in thought. It’s also a great syntax addition for fight scenes, since it makes the narrative seem quick and unexpected and jolting from side to side like a fight scene should be. Read your em dash sentences out loud until you get a feel for how its pause compares to the pause of a comma. It’s a heartbeat longer. If a comma is one beat of pause, then I see an em dash as two beats of pause.

In this first example, the em dash is used to give an aside to the reader. It’s like a btw sort of moment, which can sometimes be replaced with commas or parenthesis. I think the em dashes are most suitable when your aside is decently long.

Her neighbor, Frank, is always blasting music.

Her neighbor—the one who always blasts the music—is named Frank.

My mischievous neighbor, Vince, seemed to have a knack for graveyard cavorting.

Vince—more often called (in a raised and angry voice) Vincent Price Ramsey—seemed to have a knack for graveyard cavorting.

Next up, here’s the em dash as a replacement for the semi-colon. Kinda like a slang or shortened sentence. Semi-colons have to connect two independent clauses—meaning each side of the semi-colon could stand alone as its own complete sentence. If you don’t want to do that, try an em dash:

I thought hanging out would be great—a chance to finally see the city, just like Aunt Lillian wanted.

I thought hanging out would be great; it would be a chance to finally see the city, just like Aunt Lillian wanted.

There was a headstone hardly a foot from where I’d emerged—dark grey stone a few inches thick and maybe as high as my knee.

There was a headstone hardly a foot from where I’d emerged; it was made of dark grey stone a few inches thick and maybe as high as my knee.

Sometimes, you can use an em dash to have a speaker correct themselves, or interrupt themselves to amend their sentence.

I could see the blur of the graveyard behind him—through him—

Similar to the last example, it can be used to interrupt a sentence in order to add additional information about the sentence. Often you can use a comma in this situation, too, so try to think of syntax and how that additional beat of pause changes things. In this case, Alice has just seen a ghost for the first time, so her mind is a bit too shocked for the normal pause of a comma. Read both. Doesn’t the one with the em dash sound more shocked or surprised, while the comma makes it sound like a simple observation?

He was glowing pale—almost tinged in cold blue.

He was glowing pale, almost tinged in cold blue.

Of course, it could be an interruption. It could be someone interrupting another in speech, one action interrupting another, or a character’s thoughts interrupting themselves. Here I’ll include the sentence with the em dash and the sentence following, so you can see the thing interrupted and the interruption.

You can have an action interrupt a character’s thoughts. For the first one, Alice is in a creepy situation and completely focused on something else, so when something touches her elbow, she’s shocked out of her thoughts. For the second one, Tristan is listening for an enemy when the enemy makes a move and startles him into action.

As far as I could tell it was some kind of berry—

An icy contact on my elbow broke my resolve, and I screamed until an equally cold hand clamped over my mouth.

The night was still, and yet—

Something whistled through the air. Tristan jerked backwards, narrowly avoiding an incoming dagger.

Here we have one character interrupting another in dialogue. Pretty self-explanatory.

“I’m not going to—”

Mom’s voice in the receiver cut me off. “At least consider it.”

“After all, you’re only a—”

“If you even say girl,” I interrupted, “I’ll stab you, I swear.”

The next one is part of a fight scene, so Alice’s thoughts are interrupting themselves as soon as she thinks them. She throws up an idea, “iron,” but interrupts herself from further exploring that idea, and instead casts it out. In a fight, you don’t have time to think out long, eloquent ideas. Your thoughts should come in fragments. Stab. Punch. Dodge. Swing. Would this work? No. How about this? Maybe. The em dash can help get across this uneven jolting of thoughts.

Iron—no use. I’d dropped the knife when her damn vines ensnared me, and the nails were in my pockets and out of reach. Blood—there were possibilities there.

Continuing in fight scenes, em dashes can have action interrupt action. Don’t just throw them in willy nilly, but if you have a chance for an em dash, jump on it. Instead of a word like “suddenly,” it makes it feel suddenly. Ups the tension. Em dashes are about interruption, and what is a fight scene but two people interrupting each other’s attempts to kill the other? This is especially useful for the last line in a paragraph during a fighting scene, because it’s a nice place to have one action interrupt another.

I snatched it—slit across my hand—

And stabbed her through the heart.

His swords whistled through the air—

A clean “X” appeared on the imp’s back, severing its body into four neat chunks.

So yeah, I’m basically obsessed with em dashes and I use more of them than the majority of writers. (At 72k words, my current project has 22 semi-colons and 344 em dashes. So. Yeah. Not to mention the length of this post…) Em dashes are way cool and can add a lot to your writing even though they’re just another form of punctuation. Syntax helps your reader into the mindset you’re going for, and em dashes can be a great, powerful part of that syntax!

—E

[alterrawrites]

Writer Appreciation Day

For all of you who:

Write headcanons or little fragments of dialogue but get intimidated stringing it together into longer fic

Are sitting on a WIP you can’t quite figure out how to move forward

Have a story idea in your head that you haven’t put on paper

Keep writing in your drafts or a doc that you aren’t fully happy with yet

Are toying around with an idea for an original world/character but aren’t quite ready to share it

You’re a writer, I appreciate you, and I can’t wait to see what you create.

[alterrawrites]

(source)

Unsplash -  photography, illustration, and art

Pixabay - same as unsplash

Pexels - stock photos and videos

Stockvault.net - stock photos

freepngimg - icons, pictures and clipart

Veceezy - vectors and clipart

Getdrawings - simplistic images and drawing tutorials

Gumroad - photoshop brushes (and more)

Canva - needs login but has lots of templates

Library of Congress - historical posters and photos

NASA - you guessed it

Creative Commons - all kinds of stuff, homie

Even Adobe has some free images

There are so many ways to make moodboards, bookcovers, and icons without infringing copyright! As artists, authors, and other creatives, we need to be especially careful not to use someone else’s work and pass it off as our own. 

Please add on if you know any more sites for free images <3

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Being a beta does not mean you have to be an asshole to people who's just looking for feedback

-Cookie

I used to be really big on writing, but I asked a friend to beta for me, and she tore up my writing vaguely enough that I could not possibly fix it and felt lost and lost my confidence along the way, and I stopped publishing it entirely. I really miss writing, now, but I still feel too uncertain and ashamed to publish without a beta, and I really don't want a repeat of last time. Do you have any advice for me?

Don’t publish. If it’s the writing that you’re missing, then do that part but just keep it to yourself for now. When you’re feeling more confident you can either post it or find someone else to beta for you - and before they start, have an honest conversation about your previous experience and let them know what you need from them and what you don’t. 

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Editing? Oh you mean fic patching.

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I'm always here for friendship and rambling

-Cookie

Aye can y’all reblog this if I can do a friendship with you and we can ramble about our WIPs together?