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Park Monceau, Paris by Claude Monet

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Soon Young Warren, American

Watercolor

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Keita Morimoto (Japanese, 1990) - Untitled (2024)

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Erin Milez (American, 1994) - What Is It? (2021)

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Achaemenid ornamental plate crafted from lapis lazuli,

circa 500-400 BC.

Origin: Iran.

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Evening. Melancholy I Edvard Munch, Norwegian, 1863–1944 1896–1901

SLAM

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Orfeo Tamburi (Italian, 1910-1994), Chicago, 1957. Ink and gouache on paper, 49 x 36 cm.

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[Scared One]

/Overwhelmed and unable to hide. Scared of perceiving and of being perceived/

Stylized digital illustration of my original character, a Kotie named Vewis. The Pyramid/Tower is a tool that Koties use for mental communication, and the illustration symbolizes the fear and struggle Vewis experiences with this.

If there is a sapient and social species with a complex way of communicating, then there are also fears and struggles associated with it. Kotie's communication involves telepathy-like mental contact, which allows them to communicate without words - sounds nice but can actually be terrifying. It exposes your very heartbeat to the entire universe if you get it wrong, at the same time overwhelming you with thousands of flows. Lack of skills is not welcomed at best and is dangerous at worst. And… well, the Towers are complex and scary indeed. Vewis never learned to use them properly.

I continue my experiments with stylized things, and this time I tried some more decorative and simple stylization. I think it fits Vewis well.

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'the large plane trees,' oil on fabric, vincent van gogh, dutch, 1889.

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Beau B. Frank - Reminiscing, 2025 - Oil on canvas

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The Studio Boat by Claude Monet

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Worthington Whittredge - "The Brook in the Woods"

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symptom journal quilt by Nicole Jones Studio

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Carl Bretzke, The Last Waitress, 2022, Oil on canvas

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vintage gobelin needlepoint posted by honorart on ebay

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Scott Prior (American b.1949), Laundry Line in Autumn, 2016, Oil on linen

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Józef Mehoffer (1869-1946, Polish) ~ Strange Garden, 1903

[Source: mnw.art.pl]