demi-godamit-blog

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Hey uh I have a new blog and it's @dear-theo-xia :)

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Trans positivity m8

tag what you're majoring in/intend on majoring in

Respecting Women

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<3

boys r so cute can u believe!!!!

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GUESS WHO FINALLY FINISHED THE HAMILTON MOVIE TRAILER!!!!

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Similarities between Blake Brockington and Leelah Alcorn

1. They were both Transgender.

2, They were both rejected by their families. (Blake was in fostercare because his family kicked him out)

3.  Their ages. (Blake had just turned 18, and Leelah was 17 turning 18)

4. They both commited suicide.

So explain to me why this well known Transgender activist, Blake Brockington, who raised thousands for charity and became the first black transgender homecoming king is getting almost no media attention. Leelah Alcorn trended across Twitter and Tumblr—even got her own Wikipedia page and article in People magazine. 

This is by no means a comparison or a contest for opression. But Blake Brockington deserves the same memorial Leelah Alcorn was given— if not more.  Three thousand to three hundred and sixty four( and that is including articles about him winning @ HOCO) .The only clear difference between them is his race. Preserve this young man’s life.

REST IN POWER KING, BLAKE BROCKINGTON.

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This bill would allow the Federal Trade Commission to classify conversion therapy and its practitioners as fraudulent.

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heathers songs summarized with hamilton lyrics.

beautiful - the problem is I got a lot of brains but no polish

candy store - ahh, so you’ve discussed me. I’m a trust fund, baby, you can trust me

freeze your brain - and if there’s a reason I’m still alive when everyone who loves me has died

big fun - they’ll tell the story of tonight. let’s have another round tonight

dead girl walking - I’m so sorry to bother you at home, but I don’t know where to go, and I came here all alone…

me inside of me - who lives, who dies, who tells your story?

blue - then you walked in and my heart went “Boom!”

our love is god - I’m sure I don’t know what you mean you forget yourself. You’re like me, I’m never satisfied.

prom or hell? - Lord, show me how to say no to this. I don’t know how to say no to this

my dead gay son - look at my son. pride is not the word I’m looking for; there is so much more inside me now

seventeen - when you’re gone, I’ll go mad, so don’t throw away this thing we had

shine a light - stay alive ‘til this horror show is past

lifeboat - I imagine death so much it feels more like a memory. is this where it gets me, on my feet, several feet ahead of me?

shine a light (reprise) - you’re absolutely right, John should have shot him in the mouth that would’ve shut him up

kindergarten boyfriend - with only memories of when you were mine.

yo girl - do you know how hard it is to lead? you’re on your own

meant to be yours - I used to hear him say that someday I would blow us all away

dead girl walking (reprise) - this is the eye of the hurricane, this is the only way I can protect my legacy

i am damaged - dying is easy, young man. living is harder

seventeen (reprise) - look around, look around, at how lucky we are to be alive right now

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The Bullet, an ensemble member with nothing to separate her from the rest but a poof of curls at the top of her head, morphs not only into a Greek Chorus member, but into a signal of death approaching until she eventually (historical spoiler alert:) approaches Hamilton at the end of the show as an embodiment of the shot that killed him. At the start, the Bullet is indistinguishable from her fellow ensemble members. Most of the ensemble steps into the spotlight a couple times, though, as everything from named historical figures like Samuel Seabury and James Reynolds to small speaking roles, and the Bullet is no different. After “You’ll Be Back,” she steps forward for the first time as a spy receiving a letter, only to have her neck snapped by a redcoat and become the first death of the revolution. However, unlike the rest of the ensemble, who return to the anonymous chorus until their next role, the Bullet never seems to leave that first moment behind. Her next appearance as a singular character is in “Stay Alive,” when she becomes the actual Bullet for the first time as she passes Hamilton by at the sound of the gunshot at the top of the song, and from that moment on, every second she is allowed the audience’s full or even partial attention, she becomes a harbinger of death. Though her connection to death is most apparent in Act II, she is absolutely present and aware of his role as the Bullet from the beginning. When asked about playing the Bullet in an interview with “The Great Discontent,” Ariana DeBose, the original Bullet, said, “I always know I’m aiming for him—even if the rest of the ensemble members don’t. So even if I’m just a lady in a ball gown at a party, there’s still a part of my character that knows that that moment is going to come.” Even when the spotlight is not on her, every moment the Bullet is onstage has significance. Whether it’s in “My Shot,” when the ensemble unfreezes one by one as Hamilton moves toward them during his first recitation of the “I imagine death so much it feels more like a memory” monologue and the Bullet is the last one to move, her hand still outstretched toward Hamilton as he steps in front of her, or it’s in “Ten Duel Commandments,” when the ensemble lines up between Hamilton and Burr, singing, “Pick a place to die where it’s high and dry,” and the Bullet places herself directly at Hamilton’s side, the connection between them is already being formed. Knowing that the Bullet is fully aware of the final meeting she and Hamilton are hurtling toward makes the short moment in “Ten Duel Commandments” when Hamilton looks at her lining up beside him, the only time he ever seems to truly see her before his final moments, and the pair stand side by side for numbers six and seven of the Commandments, moving through the choreography in sync, feel hugely significant in a way it never would otherwise. Several songs later, during “Yorktown,” she kills a redcoat with Laurens in South Carolina. They celebrate for a brief moment before she returns to the ensemble, and the show moves on. It until three songs later that the audience and Hamilton learn that Laurens was shot and killed in South Carolina not long after the fighting ended. It is a short and easily dismissed interaction, but this is the first moment that her actions are entwined in someone’s death. This quick look the Bullet and Laurens share in “Yorktown” begins to feel like Laurens sealing his fate with a handshake in retrospect. This quick tie the Bullet forms with a person as they are about to die becomes extremely important in the second act, when she really steps into her role as the Bullet. Her spoken lines, though few, are particularly significant, as every one of them eventually leads to someone getting shot – namely, Philip and Hamilton. In “Blow Us All Away,” she tells Philip exactly where to find George Eaker, the man who will kill him, singing, “I saw him just up Broadway, couple of blocks. He was going to see a play.” Philip follows her directions and challenges him to the duel that will kill him. Her only other spoken line is as one of Burr’s supporters in “The Election of 1800,” when she says, “I can’t believe we’re here with him” and flashes Burr a large, hopeful smile. Burr leaves the exchange with a fist pump, believing he has the election in the bag, only to have that hope ripped away when Hamilton’s support of Jefferson leads to him losing the presidency and challenging Hamilton to the duel the whole show has been foreshadowing. At the start of “Your Obedient Servant,” when Burr actually challenges Hamilton, the Bullet actually pulls Burr’s desk onto the stage and hands him his quill so that he can begin his fateful letters, edging his toward the battlefield. Every action she takes ensures that Hamilton meets her one last time. Once she has successfully gotten the pair to pull their guns on each other’s, she appears for a final time as the actual bullet, slowly approaching Hamilton throughout the entirety of his final monologue and coming dangerously close to him as he moves, scatter-brained, across the stage. Halfway through, he steps right in her path, turns back and stumbles out of the way, and as he frantically repeats, “Rise up, rise up, rise up,” she lunges for him, only to be pulled back by another ensemble member as Eliza steps in her path. Once Hamilton has been shot, she joins the ensemble once again, satisfied that the path she’s been on since the beginning has come to an end.

The Piece Of Foreshadowing In ‘Hamilton’ That Everyone Misses (Odyssey Online)

#thebullet

(via thefederalistfreestyle)

#and that’s why death feels more like memory!!! #he’s encountered her so many times!!! (x)

holy shit dude i literally wrote this article and i didn’t even think of that lmao

(via officialclarkkent)

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All my love to those whose mothers have died.

All my love to those whose mothers are abusive or neglectful.

All my love to those mothers who’ve lost a child.

All my love to those who want to be a mother but can’t.

In short, all my love to those that find Mother’s Day to be painful.

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what kind of freaks you into

ones that text back

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ok universe, i’m ready to feel good things. make me feel good things.

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I need an abortion.

This is my first time saying any of this and it’s extremely hard. But here it is. I’m 19 years old & on Monday (May 15th) I’ll be 10 weeks pregnant. I don’t live in an environment that’s healthy for a baby, or a pregnant woman for that matter. I don’t have the emotional intelligence, mental health, or proper finances to raise a baby either. A medical abortion at my local clinic will cost me $1800, and my job’s heathcare plan conveniently does not cover abortions, meaning I will have to pay this all myself. I live with my deeply religious parents who would disown me if they were to find out I was pregnant out of wedlock, much less to find out I was planning to have an abortion.

I can’t depend on them for help with accessing an abortion or for any support regarding this situation. Right now I have a little over $1000 saved for my abortion. My appointment is in a little over a week, which I will then need to pay for my abortion. I’m in desperate need.

My google wallet is ramos.samadhi97@gmail.com, if you can’t donate, I understand but would greatly appreciate a reblog. Thank you. 💗

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a few things:

bullying is abuse. full stop. bullying is abuse, bullies are abusers. if you have been bullied, you have been abused.

bullying is not a lesser form of abuse. it is not normal. it is not beneficial. victims do not need to ‘grow up’ or ‘get over it’. you are not childish or immature for being hurt by it.

bullying can cause mental health problems. bullying can cause trauma. mental health problems and trauma caused by abuse are completely valid. bullying is not a lesser form of abuse and the effects of bullying are not lesser forms of pain.

bullying comes in a lot of different forms. essentially, if you were excluded or humiliated or mocked or physically abused or in any other way treated as inferior by your peers, you were bullied.

bullying is never the victim’s fault. never. the abusers will always find an excuse to hurt you but they don’t need an actual reason.

the effects of bullying can last a lifetime. all this is true if you’re being bullied right now, and all this is true if it’s been a year. five years. fifteen years. abuse can have long-term effects and healing is not a question of maturity.

bullying isn’t discussed nearly enough but seriously, it can be hellish and if you’re going through it or you’ve been through it, i’m with you. keep going.

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my aesthetic is Mike Faist going the fuck off on the broadwaycon panel when the moderator said that Connor was a “bad guy” and laying down that deep and complex characterization, and pointing out that we all have good and bad in us, and that’s kind of one of the main themes of the musical

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DON'T DO THE BLUE WHALE CHALLENGE

WARNING: POSSIBLE TRIGGERS IN THIS POST

Guys. I love you all so much and I don’t want you to fall into this trap of this awful and sick game. DO NOT SIGN UP DO NOT SPREAD IT! If you haven’t heard about it; it’s is a 50 day challenge of ways to harm yourself and then you have to commit suicide at the end. PLEASE DO NOT DO THIS! Once you’ve signed up, they will threaten you and release your personal information. I know this isn’t within this content of this blog, but I care about you all so much. Please spread the word and warn everyone you know. If you are personally struggling with mental illness or anything like that. Please know that there is help. There are resources for you

National Suicide Hotline: 1-800-273-8255

Family, friends, teachers (I am serious about this one because I have a teacher who is more of my best friend than a teacher) TALK TO SOMEONE PLEASE Don’t give up hope If you don’t feel comfortable using those, please talk to us. Message my on my personal blog @papyrusinfinity I want you all to be safe and alive. Always Keep Fighting Stay Alive

I love you all so much, please stay safe and know that you are loved. The world would lose a star without you.

-Lil Lambie

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IF YOU NEED TO CALL 911 BUT ARE SCARED TO BECAUSE OF SOMEONE IN THE ROOM, dial and ask for a pepperoni pizza. They will ask if you know you’re calling 911. Say yes, and continue pretending you’re making an order. They’ll ask if there’s someone in the room.

You can ask how long it will take for the pizza to get to you, and they will tell you how far away a dispatcher is.

Here is an example video

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Then i would b rich

everytime you say ‘you cant really hate your mom, shes your mother!’ you owe a kid whos been physically/emotionally abused or traumatically affected by their mother $50